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Edité par 1832. Image 4in x 3in. Sheet size 10.5in x 6.5in, 1832
Vendeur : R.G. Watkins Books and Prints, Ilminster, SOMER, Royaume-Uni
Lithograph, from "Iconographie des Contemporains depuis 1789 Jusqu'a 1829", a little spotting on surround,
Edité par Stahlstich v. Carl Mayer - Inst. Bibl. excudit.: um, 1850
Vendeur : Antiquariat Gallus / Dr. P. Adelsberger, Innsbruck, A, Autriche
Stahlstich, 11,5 x 9 cm aus: Meyer's Conversations-Lexikon, N. 432. In einwandfreiem Zustand.
Edité par (Paris, Didot um 1799)., 1799
Vendeur : Antiquariat Braun, Gengenbach, Allemagne
Art / Affiche / Gravure
Etat : Sehr gut. Blattgröße: 375 x 225 mm (bis an die äußere Einfassungslinie beschnitten). *Bildnis des Honoré Gabriel Riqueti, Comte de Mirabeau (geb. 1749 in Le Bignon; gest. 1791 in Paris), er war Schriftsteller, Publizist und Journalist in der Zeit der Aufklärung. Er war Befürworter einer konstitutionellen Monarchie nach dem Vorbild Englands. 1789 wurde er als Vertreter des Dritten Standes in die Nationalversammlung gewählt. Sein plötzlicher Tod legte die Vermutung eines Giftmordes nahe. - Aus dem Ergänzungsband der bedeutenden Kupferstichfolge "Collection complete des Tableaux Historiques de la Revolution Francaise", hier aus einem Exemplar der ersten Ausgabe, in welcher 60 Portraits in Gr.-Folio auf Velin ab "an 7" (= 1798) in Lieferungen erschienen. Das Medaillon-Portrait von Charles Francois G. Levachez (1760-1820) in Aquatinta oder Schabkunst, die historischen Szenen in Radierung von Jean Duplessi-Bertaux (1750-1818), der im Begleittext des Werkes als "le Callot de nos jours" bezeichnet wird. - Außenränder beschnitten bis auf die äußere Einfassungslinie, sonst gut erhalten. Sprache: Deutsch Gewicht in Gramm: 1000.
Edité par Paris, Lenormant., 1806
Vendeur : Antiquariat an der Stiftskirche, Bad Waldsee, Allemagne
Livre Signé
8° (20x12), xii, 484, (8) p., reliure d'editeur en plein cuir, dos avec des ornaments neo-classicisme, piece de titre, un coin et haut dos sont heurte, page de titre avec une minimal avulsion, legerement jauni, signe par le publier Vitry sous la declaration d'impression Sprache: Französisch. * * * * --- due to EPR-Restrictions NO SHIPPING to Bulgaria, Danmark, Greece, Luxembourg, Poland, Romania, Sweden, Slovakia and Spain --- * * * *.
Edité par (Paris), bei Delpech ca. 1830., 1830
Vendeur : Antiquariat Braun, Gengenbach, Allemagne
Art / Affiche / Gravure
Etat : Gut. Format (Bildbereich): 230 x 200 mm. Blattgröße: 505 x 325 mm. *Honoré Gabriel Victor de Riqueti, Marquis de Mirabeau (1749-1791) war ein französischer Politiker, Schriftsteller und Publizist. In den Anfangszeiten der Französischen Revolution war Mirabeau Abgeordneter und Wortführer des Dritten Standes in den Generalständen. - Mit kleinen Braunfleckchen, insgesamt ordentlich erhalten. Sprache: Französisch Gewicht in Gramm: 800.
Edité par F. Baroyer, Paris, 1823
Vendeur : Rodney Rogers, Shrewsbury, Royaume-Uni
Livre
Hardcover. Etat : Fair. 2nd edition, revised and enlarged. Half-bound in dark leather with marbled boards, and gilt to spine. 93 x 143 x 55mm, both vols together. I: (xlvi) + 396pp; II: 423pp. Text in French. Marbled edges. Front board of both volumes only very loosely attached; leather rather scuffed on edges and corners, particularly at spine-ends; marbled paper also lightly rubbed; contents show occasional light spotting here and there, but in general are exceptionally clean and bright; apart from cover, binding is strong throughout. NB: An extra shipping charge may be requested for heavier or more valuable items. All our 'Seller Images' show the actual item you will receive.
Edité par Londres: o. V. 1788, 1788
Vendeur : Antiquariat Lengelsen, Werdohl, Allemagne
Ohldr. m. Deckel- u. Rückenverg. sowie 3fachem goldgepr. mont. Rs. (2), 320 S. (Einband stärker ber. u. bestoßen, Vorsätze stärker braunfleckig, Seiten ansonsten hin u. wieder stockfleckig, ohne Einträge).
Edité par Londres: o. V. 1788, 1788
Vendeur : Antiquariat Lengelsen, Werdohl, Allemagne
Ohldr. m. Deckel- u. Rückenverg. sowie 3fachem goldgepr. mont. Rs. (2), 356 S. (Einbd. stärker ber. u. bestoßen, oberes Kapital beschädigt, Vors. u. erste S. stärker braunfleckig, ohne Eintr.).
Vendeur : Xerxes Fine and Rare Books and Documents, Glen Head, NY, Etats-Unis
Etat : Good. All printed in France (all in Paris except for Eloge printed in Toulouse). All 12mo or octavo. All wraps. 7 with later backstrips. Titles: No. 102 Reprise de la discussion sur les moyens de conserver les Bien du Clerge, 8p. ; No. 109 Discourse contre le plan de M Necker, 8p. ; Protestation des Religieux de S Martin-des-Champs Relativement a la Donation de XVIII Millions 8p. ; Decouverte d'un Complot contre la liberte Natinale; Descision de l'assemblee sur son Transport dans la Capitale 8p. ; Sanction accordee a Deifferens Decrets 8p. ; Faits Interessans Nouvelles Curieuses, 8p. ; Treizieme Lettre de Comte de Mirabeau, 16p. ; Quinzieme lettre du comte De Mirabeau a Ses Commettans, 27p.; Le Porte-Feulle de Mirabeau, 8p.; Eloge Funebre de Mirabeau par M. Cerutti, 8p. All Good with some wear, light staining, fraying and curling of edges. Lot of 11 pamphlets:
Edité par Londres: o. V. 1788, 1788
Vendeur : Antiquariat Lengelsen, Werdohl, Allemagne
Ohldr. m. Deckel- u. Rückenverg. sowie 3fachem goldgepr. mont. Rs. (2), 423 S. Mit einer Bildtafel. (Einband stärker ber. u. bestoßen, Vors. u. erste S. stärker braunfleckig, wenige S. m. Bleistiftanstr.).
Edité par Londres: o. V. 1788, 1788
Vendeur : Antiquariat Lengelsen, Werdohl, Allemagne
Ohldr. m. Deckel- u. Rückenverg. sowie 3fachem goldgepr. mont. Rs. (2), 484 S. (Einbd. ber. u. bestoßen, Vors. u. erste S. stärker braunfleckig, S. ansonsten hin u. wieder stockfleckig, erste S. zudem m. Wurmfraßspuren o. Textverlust, o. Eintr.).
Edité par Londres: o. V. 1788, 1788
Vendeur : Antiquariat Lengelsen, Werdohl, Allemagne
Ohldr. m. Deckel- u. Rückenverg. sowie 3fachem goldgepr. mont. Rs. (14), LXIV, 431, (8) S. Mit gestochenem Titelbildnis u. Bibliographie. (Einband stärker ber. u. bestoßen, Seiten hin u. wieder stockfleckig, kaum Einträge).
Edité par Londres: o. V. 1788, 1788
Vendeur : Antiquariat Lengelsen, Werdohl, Allemagne
Ohldr. m. Deckel- u. Rückenverg. sowie 3fachem goldgepr. mont. Rs. (4), 535 S. (Einband stärker ber. u. bestoßen, Vors. u. erste S. stärker braunfleckig, ohne Einträge).
Edité par Londres: o. V. 1788, 1788
Vendeur : Antiquariat Lengelsen, Werdohl, Allemagne
Ohldr. m. Deckel- u. Rückenverg. sowie 3fachem goldgepr. mont. Rs. (2), 644 S. (Einbd. stärker ber. u. bestoßen, Vors. u. erste S. stärker braunfleckig, hs. Notiz auf dem Schmutztitel, sonst ohne Eintr.).
Vendeur : Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgique
Membre d'association : ILAB
3. Berlin, no publisher nor printer, 1787, in-8°, 48 pp, sewn, contemporary blind wrapper, uncut margins, ex-library copy with small label on spine and oval stamp on title. Title page and frayed margins dustsoiled, small hole in the front wrapper.
Edité par Rome: Imprimerie du Vatican, 1783
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-Unis
Edition originale
Etat : Good. 8vo. iv, 192pp.,Contemporary qtr. calf and marbled boards, with old repairs. Front hinge cracked but solid. Later portrait pasted on inside front cover. Rare. Not in OCLC. Erotika Biblion (1783) is a book by Comte de Mirabeau first published pseudonymously (a Rome, de l'Imprimerie du Vatican) in 1783. The biblion in the title refers to "book" in general and the bible in particular.The book laments the fact that during the translation of the bible, the sexual practices dating from Antiquity related in the Old Testament were translated using euphemistic language. It also treats the concept of elective affinities, bible studies and bible translation, effluvia, sympathism; and mentions the obscure 17th century astronomer Jeremy Shakerley.Henry Marchand in The Erotic History of France calls it one of "the strangest books ever written." Marchand further notes that "the whole edition of this work was confiscated immediately so that only fourteen copies of it are extant today. It was naturally placed on the Index, too, under the title of Amatoria Bibliorum. Subsequent editions met the same fate but the book has reproduced itself."[MIRABEAU] ? EROTIKA BIBLION. Rare EDITION ORIGINALE.« Rome, Imprimerie du Vatican, 1783 ». Volume in-8, IV-192 pages, reliure demi veau usagée, dos lisse orné, charnières fendues. Quelques piqûres. Ouvrage qui a sa juste place dans « l'enfer » de la Bibliothèque National.
Vendeur : Librairie de l'Univers, Lausanne, Suisse
Paris: De l'imprimerie nationale, Chez Baudouin, Impr. de l'Assemblée, De l'.impr. de LeJay, 1790. In-8: 13 x 20.5 cm. 1 f., 118 pp., 1 f, 69 pp., 1 f, 16 pp., 1 f. 23 pp., 138-[1] pp., 3 ff. manuscrit de notes. Reliure en demi-basane. Dos lisse avec pièce de titre de maroquin rouge. Plats recouverts de papier marbré. Reliure fatiguée mais solide, papier propre.
Vendeur : Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgique
Membre d'association : ILAB
Edition originale
S.l. no printer ( printed in the Netherlands ?), 1788, in-8°, 20 x 12 cm, engraved title with portrait medaillion of ''Jean de Witt'' + 147 pp ; 213 pp +(1)(errata), bound in contemporary full mottled calf, raised gilt spine with two labels, edges painted red. Some small damage by insects at the binding but still a fine copy.with a near spotless interior. Book in French. Livre en français. Fine copy of the first edition of this famous claim to independance of the Dutch people. In 1787 the Dutch stadhouder Willem V had retaken the power of the Dutch Republic with the help of Fredrick William of Prussia. This publication is regarded as one of the most important political publications emanating from the French Enlightenment. Cioranescu N° 45223 .
Edité par np, [Paris], 1785
Vendeur : Bartleby's Books, ABAA, Chevy Chase, MD, Etats-Unis
22.5 cm. xvi, 124, (2), [125]-226, (1). Ends with "Post-scriptum" on p. 207-225, "Omission" on p. 226, table of contents on the page following. The "Post-scriptum" was a last-minute addition to the work, which as originally printed ended with the "Omission" on p. 207 and table of contents on the verso of that leaf. Text in the post-script ends mid-word on p. 210, with one half of page 211 blank [apparently a printer's error]. The digital copy available through the University of California library system has the same printer's fault, and calls this version "a rare variant of the quarto edition published in the same year, without place of publication." Mirabeau's essay on this monopolistic financial institution and its harmful effects on the French economy just before the French Revolution; contributions to the work were also made by Etienne Claviere, Brissot de Warville, and du Pont de Nemours. Kress B908. Goldsmith's Kress 13059. Plain drab wrappers (loss to head of spine, some other chipping and wear); a very good untrimmed copy.
Edité par N. p., 19. VI. 1790., 1790
Vendeur : Antiquariat INLIBRIS Gilhofer Nfg. GmbH, Vienna, A, Autriche
Manuscrit / Papier ancien
Small 4to. 2 pp. on bifolium. To "mon cher Brosselard", i. e. the French politician, journalist, and author Emmanuel Brosselard (1763-1837), on research, work, and analysis of the "Code prussien": "[.] Je vous envoie un fragment de Manuscrit qui vous en dira je crois beaucoup, c'est la partie raisonnée du Projet du Code Prussien relative aux biens appartenant en propre aux enfans á la cessation du pouvoir paternel, et enfin aux droits d'hérédité des enfans ou autres descendans à l'ordre succession [.] malheureusement je ne puis pas vous laisser longtemps ces cahiers, il faut que vous ne fassiez que les lire, et que vous me marquiez au crayon ce qui seroit nécessaire de vous en copier [.] je travaille et fais travailler sur ce manuscrit, il m'est difficile de vous le laisser plus longtemps que demain. Je ne renonce point à vous aider pour la partie morale de ce travail [.]". - Somewhat wrinkled, spotty and dusty.
Edité par N. p., 16. VI. 1790., 1790
Vendeur : Antiquariat INLIBRIS Gilhofer Nfg. GmbH, Vienna, A, Autriche
Manuscrit / Papier ancien
8vo. 3 pp. To an undisclosed recipient, wishing to discuss the particulars of a new public education system in France: "J'ai reçu, Monsieur, un temoignage de votre bienveillance, etre n'est pas le premier dont vous m'avez honoré [.]". - Transl. from the French original: "I received, Monsieur, a token of your kindness, and it was not the first with which you have honored me. I have delayed in answering you because I was in bed, deprived of sight, and I didn't want that the hand of a secretary temper the expression of my gratitude. It is sincere [.] when good citizens such as you and, which is a very honorable coincidence, good citizens illuminated by the meditation and study of works which have produced everything which is great in the world, take up the task of consoling public men for the calumnies, iniquities, ostracisms which are their surest emolument. If nature hadn't endowed me with some tenacity, and my bizarre destiny, in sowing my way with shackles, hadn't provided me with some compensations of this kind, my very ardent sensibility would long since have consumed me. I would be very charmed [.] to make your closer acquaintance and to talk over your ideas on a new system of public education, for the moment is approaching for dealing with it, and we have been building on moving sands if we don't give our entire edi!ce such underpinnings. Please let me know the moments that your circumstances would permit you to give me in particular, and agree to the homages of the very distinguished sentiments with which I have the honor to be [.] your very humble and very obedient servant" [.]. - In a lengthy postscript, Mirabeau has added: "I am sending this letter to your bookseller, as I don't know your address. Would you like to let me know what it is? Would it also be indiscreet to ask a literary favor of you? Books have been bought for me at this moment at M. d'Holbach's. I am not a bibliographer, much less a bibliomaniac; but am the owner of a rather large number of beautiful books. I have for many of the great men of antiquity a kind of superstition that makes me want to have their most beautiful editions. Of Demosthenes I only have the Works of Demosthenes and Aeschines, the first Greek orators &c. by Hieronymus Wolf, Frankfurt 1604 - Could you indicate the preferable edition? And the best editions of the Greek classics in general? I have been told of a Demosthenes edition in which there is a kind of medallion where this god of eloquence holds in one hand three crowns and in the other a raised dagger. Do you know this edition? [.]". - Some damage to edges and slightly dusty.
Edité par [Amsterdam, ca. 1777]., 1777
Vendeur : Antiquariat INLIBRIS Gilhofer Nfg. GmbH, Vienna, A, Autriche
Manuscrit / Papier ancien
Small 4to. 4 pp. on bifolium. This beautiful manuscript corresponds with pages 17 (3rd paragraph) to 24 (1st line) of the 1777 publication of Mirabeau's defence of instrumental music, "Le lecteur y mettra le titre". Published anonymously and giving London as a fictitious place of printing, Mirabeau was previously identified as the author of the text based on two letters. The manuscript in Mirabeau's hand confirms his authorship beyond any doubt. - The text was written in Amsterdam, just before Mirabeau's arrest and four-year imprisonment in Vincennes, under the impression of a performance of Ignazio Raimondi's symphony "Les aventures de Télémaque dans l'isle de Calypso". The manuscript contains several revisions and changes that were adopted for the publication, while small discrepancies remain unaccounted for. It comprises Mirabeau's central questions, a general definition of music as "the art of combining sounds in a manner that is pleasing to the ear", and parts of his historical argument. - Mirabeau, who had no musical education, adopts the rhetorics of the paragone, opposing vocal music and instrumental music in order to determine which is superior in expressing emotions. While the development of the argument and Mirabeau's historical references are quite traditional, the defence of instrumental music and his assertion that it is more expressive in terms of conveying emotions, even if vocal music can offer a narrative based on texts, is unique in its time and appears to anticipate the Romantic predilection for programme music. The Neapolitan violonist and composer Ignazio Raimondi (ca. 1735-1813) was a student of Emanuele Barbella and member of the orchestra of the Teatro di San Carlo before moving to Amsterdam in 1762, where he was a successful soloist and impresario. From 1785, Raimondi was mostly active in London, where he died in 1813. - Some browning and some damage due to ink corrosion, several tears partly affecting the text (one professionally restored). - Le lecteur y mettra le titre, Londres [i.e., Paris, s.n.], 1777. Cf. Bellinda Cannone, Le lecteur y mettra le titre. Un pamphlet de Mirabeau en faveur de la musique instrumentale, in: Dix-Huitième Siècle 20 (1988), pp. 403-414.