Type d'article
Etat
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Evaluation du vendeur
Edité par Jill Newhouse, New York, NY
Vendeur : Olana Gallery, Brewster, NY, Etats-Unis
Livre
Paper. Etat : Good. Good copy 8 pp paper folder ex. cat., 2 pp bio chronologically arranged, 4/C illus, February 1989.
Edité par Newhouse, Jill and Carlson, Eric, New York, NY, 1982
Vendeur : Olana Gallery, Brewster, NY, Etats-Unis
Livre
Paper. Etat : Good. Good paper copy ex. cat. 55 works listed many B/W illustrations throughout, price list laid in.
Edité par New York: [Newhouse and Carlson], 1982, 1982
Vendeur : Katsumi-san Co., Cambridge, MA, Etats-Unis
Soft cover. Etat : Very Good. Wrappers. Very Good-. 10" x 8". Binding has a bit of minor soil. Includes 43 drawings and watercolors. [b 105; 278; 727].
Edité par Jill Newhouse, NY, 2007
Vendeur : Zubal-Books, Since 1961, Cleveland, OH, Etats-Unis
Etat : Very Good. 191 pp., paperback, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.
Edité par Jill Newhouse, New York, 1986
Vendeur : PONCE A TIME BOOKS, SANTA BARBARA, CA, Etats-Unis
0 Includes illustrations. Very good. light shelf wear, ex museum stamp.
Edité par Jill Newhouse, NY, NY, 1998
Vendeur : Olana Gallery, Brewster, NY, Etats-Unis
Livre
Paper. Etat : Very Good. ExCat. Illustrates 22 wrks by 16 artists.
Edité par Jill Newhouse New York 1993, New York, 1993
Vendeur : Abracadabra Books 50% Off Sale!, Denver, CO, Etats-Unis
Drawings (illustrateur). Very Good bright condition pamphlet,wraps.
Edité par Jill Newhouse Gallery, New York, New York, 1988
Vendeur : BOOK'EM, LLC, Port Orchard, WA, Etats-Unis
Livre
Unbound. Etat : Near Fine. No Jacket. Plates by four artists: Adolph Von Menzel (German), J.B.C. Corot (French), Theodore Gericault (French), and Sir Edward J. Poynter (British). Trifold; 8" x 8". Light rubs and bumped corners on outside; pages clean inside. A lovely copy. Art Catalog.
Edité par Jill Newhouse and Eric Carlson, New York, NY, 1982
Vendeur : Monroe Street Books, Middlebury, VT, Etats-Unis
Edition originale
Etat : Very Good. Etat de la jaquette : None. A selection of nineteenth-century French and American drawings and watercolors. 34 b&w plates, illustrated stapled covers. Light wear to cover edges, slight discoloration to spine and bottom front cover edge; otherwise, a very tight, clean copy. Record # 805762.
Edité par Jill Newhouse Gallery, 2004
Vendeur : CorgiPack, Fulton, NY, Etats-Unis
Livre
Paperback. Etat : VG. Exhibition catalog. Many sepia-toned photographs. ALMOST IMMEDIATELY AFTER THE INVENTI ON of photography in 1839, painters in France began to use photographic imagery as study material. These works infiltrated the studio surreptitiously. The Beaux-Arts tradition, in which most painters were trained, required strict attention to preparatory drawing; hence, few self-respecting painters would acknowledge using images produced "mechanically." However, for centuries, artists had incorporated drawing "aids," such as the camera obscura or Lorraine glass, into their practice and were enticed by photographic cameras as well. By the iSyos, when Auguste Giraudon commissioned genre subjects, photographs were regularly found in the studio; but because the prejudice endured, it was understood from the outset that "Giraudon's artist" would remain anonymous. This hesitant reception of photographic imagery had to do with a general belief among the art elite that photography, assumed to be a rote mechanical process, threatened the sphere of the authorial, interpretive artist. In his "Realist Manifesto" of 1855, Gustave Courbet urged his followers to "translate the customs, the ideas, the appearance"1 of the epoch-a job seemingly suited to photography. However, in 1857, Champfleury, the Realist spokesman, framed the issue as man against machine, interpretation vs. imitation: "the reproduction of nature by man will never be a reproduction nor an imitation, it will always be an interpretation."2 So too, in his review of the Salon of 1859, Baudelaire, guardian of Romantic values, railed that photographic works were devoid of the artist's soul: "if [photography] be allowed to encroach upon the domain of the impalpable and the imaginary . so much the worse for us!"3 Despite the art establishment's negative consensus, photography, wildly popular with the bourgeoisie, inevitably made inroads. By 1859, advocates, including Eugene Delacroix, lobbied successfully for an annual photographic exhibition linked to the Salon des Beaux-Arts, while painters as diverse as Ingres and Courbet are known to have employed photographs in their studios. That photography could breed such anxiety, if only among the theorists, was related to an emerging cultural breach: the competing priorities between Romantic idealism and the new Positivist notions that promoted the supremacy and empirical description of the physical world. In the realm of art, even among those with a Positivist inclination, there was a looming fear that creativity would somehow be subsumed by science, and worse, that a mechanistic portrait of the world, seemingly manifest in camera images, would prevail. In an age that increasingly turned to science for answers, even artists who looked to their immediate, external environment for subjects assumed that it was important to preserve high art's function as a "window" to the metaphysical and transcendent aspects of existence, using it to tackle the issues that science could not explain. 30 pages. ages.
Edité par Jill Newhouse and Eric Carlson, New York, 1982
Vendeur : Olana Gallery, Brewster, NY, Etats-Unis
Livre
Paper. Etat : Good. Paper, ex. cat., 40 pp, lists 55 works, 1 pp intro by both dealers, lists 18 works by Americans, 1 pp list of artists represented on back cover. Price list laid in.
Edité par Newhouse, Jill and Carlson, Eric, New York, NY, 1982
Vendeur : Olana Gallery, Brewster, NY, Etats-Unis
Livre
Paper. Etat : Good. Paper ex cat Winter 1982, 32 pp., 34 b/w illus, price list laid in, lists 32 works, 1 pp text, list of represented artists on back cover of catalogue.
Edité par Jill Newhouse, NY, NY, 1991
Vendeur : Olana Gallery, Brewster, NY, Etats-Unis
Livre
Paper. Etat : Good.
Edité par Jill Newhouse, New York, NY, 1989
Vendeur : Olana Gallery, Brewster, NY, Etats-Unis
Livre
Paper. Etat : Good. Good paper copy ex. cat. 15 illus. in B/W and 4/C.
Edité par Jill Newhouse Eric Carlson, New York, NY, 1982
Vendeur : Olana Gallery, Brewster, NY, Etats-Unis
Livre
Paper. Etat : Good. Good paper copy ex. cat. price list laid in, 43 B/W illus, 12 works not illustrated.
Edité par Jill Newhous and Eric Carlson, New York, NY, 1984
Vendeur : Olana Gallery, Brewster, NY, Etats-Unis
Livre
Paper. Etat : Good. Good paper copy ex. cat., 40 pp, lists and illus. in B/W 46 works 20 are American artists.
Edité par The Newhouse & Carlson Galleries, 1983
Vendeur : Weekly Reader, Soddy Daisy, TN, Etats-Unis
Livre Edition originale
Soft cover. Etat : Good. 1st Edition. very rare, illustrated gallery exhibition catalog ; includes price list insert.
Edité par Jill Newhouse, New York, NY, 1998
Vendeur : Lucky Panther Books, Leonia, NJ, Etats-Unis
Livre
Soft cover. Etat : Fine. No Jacket. Catalog for Autumn 1998, with 22 drawings by Pierre Bonnard, Jules Breton, Gustave Caillebotte, Thomas Sidney Cooper, Jean-Baptiste-Camille Corot, Edgar Degas, Eugene Delacroix, Alexandre Desgoffe, Paul Gauguin, Theodore Gericault, Jean-Auguste Dominique Ingres, Johann Barthold Jongkind, Adolf Von Menzel, Jean Francois Millet, Hubert Robert, Theodore Rousseau. About 44 pages, 9 x 9".
Edité par Jill Newhouse
Vendeur : ThriftBooksVintage, Tukwila, WA, Etats-Unis
Paperback. Etat : Very Good. No Jacket. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Secure packaging for safe delivery. 1.01.
Edité par Jill Newhouse & Eric Carlson, New York, NY, 1983
Vendeur : Olana Gallery, Brewster, NY, Etats-Unis
Livre
Paper. Etat : Good. Good paper copy ex. cat, 24 pp, 1 paragraph of text, lists and illus. 21 works in B/W, 1 4/C illus. on front cover, price list laid in.
Edité par Newhouse/Carlson, New York, 1983
Vendeur : Monroe Street Books, Middlebury, VT, Etats-Unis
Edition originale
Etat : Very Good. Etat de la jaquette : None. 24 pages. Features black & white examples of drawings by: William Holbrook Beard, Stanford White, William Morris Hunt, Jules Laurens, Anthony Devis, Francois Auguste Ortmans, James David Smillie, Edouard Bertin, and more. Covers show light wear. Record # 610026.
Edité par London and New York, Neffe-Degandt Fine Art and Jill Newhouse., 2007
Vendeur : Bucks County Bookshop IOBA, Doylestown, PA, Etats-Unis
Membre d'association : IOBA
Gallery exhibition catalog, with 74 color reproductions of various artists, including Vuillard, Bonnard, Dufy, many more. -- Softcover. Condition: near fine.
Edité par Neffe-Degandt Jill Newhouse, 2000
Vendeur : LE PIANO-LIVRE, QUIMPER, France
Rayon : Art Editeur : Neffe-Degandt Jill Newhouse Date de parution : 2000 Description : In-8 à l'italienne, 140 pages, nombreuses reproductions, occasion, très bon état. Envois quotidiens du mardi au samedi. Les commandes sont adressées sous enveloppes bulles. Photos supplémentaires de l'ouvrage sur simple demande. Réponses aux questions dans les 12h00. Librairie Le Piano-Livre. Merci. Référence catalogue vendeur: 32855.
Edité par Beacon Hill Fine Art, New York, 1996
Vendeur : Collectors Cabinet, Teaneck, NJ, Etats-Unis
Livre
Soft cover. Etat : Very Good. Softcover, oblong, 8 1/2 by 10 inches, 41 pages, illustrated. Covers have only very slight wesar and the pages are clean.
Edité par Newhouse (Jill), 1991
Vendeur : KULTURAs books, Los Angeles, CA, Etats-Unis
Edition originale
Softcover. Etat : Very Good+. First Edition; First Printing. Stapled glossy boards, clean and square, mild shelf rubbing. Book is firm in binding, 26 pages, b&w plates. Free of any markings, not ex-library. ; BARBIZON; Square 4to 9" - 11" tall; 26 pages.
Edité par Neffe-Degandt Jill Newhouse, 2000
Vendeur : WookieBooks, Houston, TX, Etats-Unis
Paperback. Etat : Very Good. Very nice copy. Pages are clean and unmarked. Binding is solid. 100% satisfaction guaranteed. Ships quickly. Thanks for looking!!.
Edité par Jill Newhouse, American Drawings, New York, 1981
Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Softcover. Etat : VG. White stapled wraps. 16 pp. 14 bw repros. Issued in conjunction with a 1981 exhibition featuring landscape and figurative drawings by American artist James D. Smillie (1833-1909). With one page of biographical information. Catalogue lists 46 works with dimensions and annotations. A nice introduction to this artist.
Edité par Newhouse/Carlson, New York, 1984
Vendeur : Gil's Book Loft, Binghamton, NY, Etats-Unis
Edition originale
paper. Etat : Very Good+. 1st. Catalogs 47 works, price list laid in: Edouard Vuillard, TheodoreValerio, Janet Fish, Paul Dougherty, et al b/w repros. very good+, oversized stapled booklet, lightly rubbed covers unpaged. Book.
Edité par Galerie Arnoldi-Livie & Jill Newhouse, Munich & New York, 1992
Vendeur : Colin Martin Books, Near Hull, EY, Royaume-Uni
Livre
Soft cover. Etat : Fine. Qto., 44 pages, illustrated. Unused, a Fine copy.
Edité par Neffe-Degandt / Jill Newhouse, London, 2008
Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Softcover. Etat : VG. White illus. tri-fold; 6 panels; 7 plates, 5 color, 2 duotone. Published in conjunction with the "Los Angeles Art Show, Five Centuries of Art" held January 23 - 27, 2008 in Santa Monica; Neffe-Degandt / Jill Newhouse held Booth B22; Contains plates by Albert Marquet, Henri Matisse, Kees Van Dongen, Raoul Dufy, Edouard Vuillard, Edgar Degas, and Bonnair.