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Edité par iBooks, 2005
ISBN 10 : 1596871431ISBN 13 : 9781596871434
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Livre
Etat : New.
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Trouvez également Couverture souple
Edité par University Of Chicago Press, 1927
Vendeur : Flip Your Wig, Cloverdale, CA, Etats-Unis
Livre
Hardcover. Etat : Very Good. Etat de la jaquette : DJ Good. 2nd Impression, October 1927. Lightly worn Dj. DJ spine faded, with light shelf wear. DJ in protective sleeve. Unmarked clean pages.
Edité par United States Geological Survey., 1986
Vendeur : Eryops Books, Stephenville, TX, Etats-Unis
No Binding. Etat : Very Good. USGS Open File Report; loose leaves in envelope; owner's stamp; in very good condition. Book.
Edité par Hodder and Stoughton, London, 1931
Vendeur : Lost and Found Books, Healesville, VIC, Australie
hard cover. No Jacket. Illustrated with black and white photographs and drawings. 320 pages G. Shelf and edge wear and soiling to covers, gift inscription on acknowledgements page and foxing throughout, overall good condition. No dust jacket.
Edité par UNKNO, 2003
ISBN 10 : 0743475186ISBN 13 : 9780743475181
Vendeur : Zoom Books Company, Lynden, WA, Etats-Unis
Livre
Etat : Good. Book is in good condition and may contain underlining or highlighting and minimal wear. The book can also include library labels. May not contain miscellaneous items (toys, dvds, etc). We offer 100% money back guarantee and fast customer support.
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Offres neuf à partir de EUR 157,82
Offres d'occasion à partir de EUR 26,23
Trouvez également Couverture rigide Edition originale
Edité par Hodder & Stoughton, 1931
Vendeur : Chapter 1, Johannesburg, GAU, Afrique du sud
Livre Edition originale
Hardcover. Etat : Very Good. No Jacket. First Edition. Boards are worn an marked.Internally clean.Tightly bound.Due to weight postal adjustments may be required.[R.K]. Our orders are shipped using tracked courier delivery services.
Edité par Hodder and Stoughton, 1931
Vendeur : Hay-on-Wye Booksellers, Hay-on-Wye, HEREF, Royaume-Uni
Hard Cover. Etat : Poor. No jacket. Tanning/foxing/marks to cover & wear to edges. Tears at top of spine. Some cracks to binding. Tanning/foxing/scratches to textblock edges. Owner sticker/inscription on front endpapers. Tanning/marks/some stains to pages. Text/images good.
Edité par Hodder and Stoughton, 1931., 1931
Vendeur : Hay Cinema Bookshop Limited, Hay on Wye, Royaume-Uni
Edition originale
1st edition. 8vo. 320pp. B/w. portrait frontispiece and illustrations. Pages slightly browned. Bookplate to front pastedown. Original pale blue cloth lettered in blue, spine and edges of boards tanned, several small chips to tail of spine. With the signature of Ann Savours Shirley. US$14.
Edité par Cambridge University Press
Vendeur : Windows Booksellers, Eugene, OR, Etats-Unis
Membre d'association : CBA
Paperback. Volume VII and VIII, in two volumes. Very good condition. 258, 240 pages. Heavy item, will require additional shipping fees. pp.
Edité par Hodder and Stoughton, London., 1931
Vendeur : Colophon Books (UK), Leek, Royaume-Uni
Livre Edition originale
Hardcover. Etat : Very Good. 1st Edition. 320 pages + 16 full page plates from photos and 7 illustrations. Blue cloth all tight and clean and boards hardly handled. gilt on cover and spine all bright and fresh. No inscriptions or marks internally. Tall octavo. VG+ 1931. * The ex-Commander was in the 1st war battling German submarines and includes a photo of a German 17 knot type. He began his naval life in the 1860's and travelled to the Americas, the caspian Seas, The Arctic, Russia, etc. he also saw the advancement of "steam" propulsion.
Edité par The Parade Publishing Company, New York, 1926
Vendeur : About Books, Henderson, NV, Etats-Unis
Edition originale
Hardcover. Etat : Very Good condition. No jacket. First Edition. New York: The Parade Publishing Company, 1926. Very Good condition. Bound in the original green cloth, which is still bright (without any of the usual fading). SEE PHOTOS. Sharp corners. Hinges are perfect. NO owner's name or bookplate. NO underlining. NO highlighting. NO margin notes. The fourth and apparently final issue of this short-lived magazine in book form. Hardcover. It was edited by Jamaican-born Walter Adolphe Roberts (1886-1962), who also contributed to this issue a short editorial, a play (THE QUEEN'S TENT, pp. 62-80), an article (AL SMITH FOR PRESIDENT), and a book review. This issue is filled with short stories, poetry, and essays. Of special interest is Adolphe de Castro's 17-page essay, AMBROSE BIERCE AS HE REALLY WAS, AN INTIMATE ACCOUNT OF HIS LIFE AND DEATH. Adolphe de Castro met Bierce in 1886, became his protégé, and "wrote" a novella in collaboration with him. The article published here is the basis for the controversial explanation of Bierce's 1913 disappearance into revolution-torn Mexico. (de Castro claimed that Bierce had been shot by soldiers under orders from Pancho Villa). Other contributors to this issue are George Sterling (another Ambrose Bierce protégé), David Warren Ryder, Eleanor Ranos, Helene Mullins, Isa Glenn, H. M. Hamilton, S. Bert Cooksley, Lillian White Spencer, Louise Rice, Solita Solano, William Salisbury, Halpin O'Reilly Gilbert, Arthur Robson, Marcia Nardi, Eleanor de Nardi, Cary Ranck, Walter Haviland, Louis C. Fisher, Charles Divine, Robert Napier, Pauline de Silva, Eva Balfour, etc. First Edition. Hardcover. Very Good condition/No jacket. 8vo. 191pp.
Edité par London John and Josiah Boydell . 1803., 1793
Vendeur : Robert Frew Ltd. ABA ILAB, London, Royaume-Uni
Art / Affiche / Gravure
Original copper engraving (44 x 60 cm, overall sheet 55 x 68.5 cm). Tissue guard to verso. Light foxing to lower margin, not affecting plate. From "A Collection of Prints . Illustrating the Dramatic Works of Shakespeare." published by Boydell, London, 1803. In 1789, the publisher John Boydell opened the Shakespeare Gallery, an exhibition space in London's Pall Mall showcasing paintings that exclusively represented scenes from Shakespeare's plays. The Gallery was a bid to revive 'history painting' (the practice of depicting scenes from the Bible, mythology or the classics) in contemporary British art, a genre thought to be of great public benefit because of its morally instructive messages. What better unifying theme for such a project than the works of Shakespeare, which had become so popular and so integral to British identity by the mid-18th century? The Gallery opened in May 1789 with 34 canvases by 18 British artists. By the next year there were 55 paintings and in 1796 the total was 84, along with dozens of 'Small Pictures'. Once the exhibition was mounted, reproductive engravings of the paintings produced by an in-house team of 46 printmakers were available to purchase, either as a large portfolio of 90 prints or as a luxurious illustrated edition of the plays. (The British Library).