STRONG, L EONARD A LFRED G EORGE (5 résultats)

Octavo, 286 pp., original black cloth, spine panel stamped in yellow. First edition. The author's second collection of short stories, including a supernatural tale, "The Gates," reprinted from his earlier collection, DOYLE'S ROCK (1925). Faint glass ring on front cover, top edge dusty, a very good copy. (#134643).

Octavo, 196 pp., cloth. First edition. Twenty-four stories, of which at least one, "Let Me Go," is supernatural. Top edge of pages foxed, a near fine copy in a good dust jacket with edge wear and a dime-sized chip from upper edge of front panel, not affecting lettering. (#134763).

Boards. Etat : Fine. Limited Deluxe. Signed limited edition deluxe. Only 500 published, of which 1 to 150 were signed by author, this being number 31. Number was written in book at time of publish. Clean, tight copy, decorative endpapers, gold engraving to front board and spine. Pages slighly loose at front gutter, hardly noticable. Spine a little sunned. Size: 8vo - over 7¾" - 9¾" tall 0.0.

Octavo, original cloth. First edition. Sixteen short stories. The fourth collection by this Anglo-Irish author, who spread his literary efforts out over several forms (poetry, essays, novels, short stories, etc.). NCBEL IV 744. A fine copy in very good printed dust jacket with several small closed tears and a bit of wear at upper spine end. (#112789).

Octavo, pp. [1-4] 5-7 [8] 9-288, original light blue cloth, front and spine panels stamped in red, bottom edge untrimmed. First edition. "This, the author's first collection of short stories, examines in many cases the theme of crossed signals between male and female characters. 'She'll Never Marry', the longest story in the book, pursues the theme into the territory of lesbianism, a notably early example, preceding THE WELL OF LONELINESS by three years, and unusual also for its presentation of Una and Evelyn as a happy, satisfied couple who pull the wool over the eyes of clueless males. Of the other thirteen stories, five have supernatural content. 'The Farm' follows a young boy into an isolated farm house where an old blind woman can sense much about his visual appearance. She envies his vitality and, as he is leaving, begs him for his 'anima vitae'. He fails to understand this veiled reference but his girlfriend explains that she may have been asking him to breathe into her some of his vitality (thus losing it himself, making the old woman a kind of vampire?) 'The Buckross Ring' is an excellent supernatural tale with an ecclesiastical setting. 'Tea at Maggie Reynold's' presents another cryptical old woman presenting veiled truths to a confused young man. His surname, she explains, marks him as a descendant of a man who had long ago tricked a mermaid into marriage. After listening to this folk tale, he walks away and begins thinking of all the violent water-related deaths of his relatives. 'The Place of Meeting' presents in play form the postmortem reconciliation of an ascetic monk and an unrepentant heathen. 'Mr. Tookey' explores faith-healing, and throws in a ghost for good measure. All in all, a not inconsiderable collection." - Robert Eldridge. Bleiler (1978), p. 188. NCBEL IV 744. Gawsworth, Ten Contemporaries: Notes Toward Their Definitive Bibliography (Second Series), p. 223 (agreeing with description of second issue). A very good copy. (#112790).