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Vendeur : Antiquariat Michael Eschmann, Griesheim, Allemagne
Art / Affiche / Gravure
0. Sprache: Deutschu.
Vendeur : PORCHEROT Gilles -SP.Rance, BREST, FR, France
Livre
PARIS, J. Barbou - 1716 - In-12 - Reliure plein veau brun de l'époque frottée - Dos à nerfs & à caissons fleuronnés - Pièce de titre cerise, titre doré - toutes tranches rouges - Filets dorés sur les coupes - coupure sue la page de garde - trous de vers n'affectant pas le texte - Bandeaux - Lettrines - (10)312 pages - correct - Envoi rapide et soigné - Photographies sur demandeEx-libris manuscrit : Claudius soulange, 1721, puis découpe du nom, 1725 Térence a composé six pièces, que nous possédons toutes. Il a considérablement fait évoluer la comédie latine : il incarne la génération influencée par l'hellénisme . Il a écrit essentiellement pour un public de lettrés, comme le montrent ses prologues et les titres grecs de ses pièces : L'Andrienne, l'Eunuque, L'Hécyre, L'Héautontimorouménos, Le Phormion & Les Adelphes Livres.
Edité par Ex typis Iosephi Pomba, Augustae Taurinorum (Torino), 1825
Vendeur : Libreria Scripta Manent, ALBENGA, SV, Italie
Pagine: LXXXIV+481+516+205 . Formato: 8° . Rilegatura: Cartonati con dorso e angoli in pergamena, tasselli in pelle al dorso . Stato: Buono .
Edité par Lipsiae (Leipzig), Weidmann, 1738,, 1738
Vendeur : Harteveld Rare Books Ltd., Fribourg, Suisse
pt. in-8°, 7 ff. (dont le titre et le frontispice gravé) + 616 p. (recte: 606) + 61 ff. (Index Terentianus), rousseurs, ex libris ms. ?Alb. Mandrot 1850?, reliure en demi-parchemin rigide, titre ms. au dos, assez bon exemplaire. Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage.
Edité par Typis C. Corrall, for William Pickering, London: 1823., 1823
Livre
Hardcover. Etat : Very Good. Well preserved in the original publisher's cloth. Virtually uncut. Curiously, this copy was apparently issued without the engraved title an d frontis. Pickering was the first in England to use cloth in publisher's bindings. SMALL BOX 2 Language: eng.
Edité par Parisiis Apud Fredericum Leonard Typographum Regis Serenissimi Delphini & Cleri Gallicani viâ Jacobæâ, 1675
Vendeur : J. R. Young, Birmingham, Royaume-Uni
Edition originale
4to, 265x195mm (10½"x7½"). A title in the Delphin series of classics, first edition thus. Latin language. The six plays of Terence; with lengthy unpaginated introductory section, paginated text with interpretations & notes by Nicolas Camus and piece 'Ælius Donatus in Terentium', and lengthy unpaginated index of vocabulary. pp(2),(168),710 (ie 704),(118) including single blank preliminary leaf; page numbers 263-264 & 317-318 repeated and 661-670 omitted, though no break in continuity of text. With engraved frontispiece, title-page device, and a number of head- & tailpieces and decorated initial capitals. Faint toning due to effects of damp towards lower part of fore-edge of front flyleaf and with diminishing effect & extent at corresponding positions up to 'g' gathering of introductory section; not too unsightly, and for the most part hardly visible. In addition:- frontispiece and title-page a little dust- & handling-marked, the dust-marking above plate-mark in upper margin of frontispiece a little deeper in tone / tan spot-stain of diameter up to 8mm at lower inner corner of preliminary leaf, persisting with diminishing effect & extent to corresponding positions up to title-page and back to pastedown / and tan spot-stain of diameter up to 10mm on blank area of title-page, persisting with diminishing effect & extent to corresponding positions on following five leaves and back to flyleaf. Contents otherwise with just a few isolated spots, a few short closed tears confined to margins, a few creased corners, and occasional faint toning. Red-speckled edges of text-block a little age-toned and faintly handling-marked, top edge a little darker in tone. Full speckled calf panelled binding of the period. Spine with five raised bands, gilt decorations, and maroon leather label recently re-titled & -ruled in gilt. Double-panelled boards with gilt-decorated edges. Replacement endpapers of some age. Spine a little darkened, with wear at foot including some loss, and lighter wear at head. Front hinge with short open split. Board surfaces a little worm-affected - though no full penetration - in form of loss of hide at front board along two edges of inner panel, at two corner florettes of outer panel, and at tiny spot close to lower edge / loss of hide at rear board at all four florettes of outer panel and at two small spots close to lower edge / and small patches of minor worm-grazing to hide surfaces only at both front and rear. Board surfaces otherwise lightly rubbed, including on rear board a number of light scratchmarks and a few light rubbing-grazes - the largest of length 40mm and width up to 5mm. Outer corners of boards rubbed & curled. Loss of hide along shelf edge at lower outer corner of front board; board edges otherwise lightly rubbed, with some loss of gilt. Front endpapers holed at cord positions along hinge, and a little dust-marked; pastedown lifting a little at lower edge, with rectangular plain paper patch (150x70mm) of some age pasted down at lower outer corner, and with minor effects of worm in form of two smallish spots of paper loss close to upper edge - one adjacent to hinge, the other towards outer corner - and closely-spaced cluster of tiny holes adjacent to hinge close to foot; flyleaf with dampstain as mentioned, and short coded inscription of some age at lower outer corner. Rear endpapers almost completely split along hinge, single-line Latin inscription in old hand on flyleaf. Binding holding firmly and of decent appearance; contents generally clean and tight, with generous margins, and (apart from front pastedown) worm-free. GOOD+ copy. (Heavy item, overseas shipping at cost.).
Edité par IMPENSIS J. ET P. KNAPTON, ET G. SANDY., 1751
Vendeur : Librairie du Château de Capens, Capens, France
2 TOMES EN UN VOLUME PETIT IN-8 (10 X 16,5 X 3,5 CENTIMETRES ENVIRON) EN PAGINATION CONTINUE DE (19) + 358 ET (8) PAGES, RELIURE D?EPOQUE PLEIN VEAU MARBRE, DOS A CINQ NERFS ORNE DE CAISSONS A FLEURONS DORES, FILET DORE SUR COUPES, TITRE DORE SUR ETIQUETTE MAROQUIN ROUGE, TRANCHES ROUGES. CONTIENT UNE VIE DE L?AUTEUR ET SIX PIECES (L?ANDRIENNE, L?EUNUQUE, L?HEAUTONTIMOROUMENOS, LES ADELPHES, LE PHORMION, ET L?HECYRE). ILLUSTRE DE DEUX VIGNETTES DE TITRE ET DE 6 PLANCHES DE MASQUES HORS TEXTE GRAVEES EN TAILLE-DOUCE PAR J. S. MULLER. PETITS DEFAUTS EXTERIEURS, SANS GRAVITE, SINON BEL EXEMPLAIRE.
Edité par Apud Ioan Tornaesium, M. D C.XIV, (1614),, 1614
Vendeur : Harteveld Rare Books Ltd., Fribourg, Suisse
pt. in-8vo, 414 p., + 1 f. (vignette gravé de l?éd), illustré de gravures sur bois, (qqs rousseurs), Ex Libris: Ex Bibliotheca Antonii Ludovici de Torrenté, reliure cuir d?époque, dos à trois nerfs. Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage.
Edité par Venezia, appresso gli heredi di Marchio Sessa, Venezia, 1594
Vendeur : Libreria Alberto Govi di F. Govi Sas, Modena, Italie
Etat : Buono (Good). Due parti rilegate insieme in un volume in 4to (mm 210x155); pp. [6], 438, cc. 33, [1], [6], 7-60. Segnatura: A-Qq8 Rr6. Testo stampato su due colonne. Marca editoriale xilografica al frontespizio. Frontalino, iniziali e piccoli fregi silografici. Aloni diffusi, lievi fioriture, alcune carte un po' brunite. Note manoscritte al verso di c. A3; note di possesso, di cui una cassata, al frontespizio. Piena pergamena coeva o di poco posteriore con nome degli autori e piccolo fregio vergati al margine superiore del dorso. Piccole mancanze marginali ai piatti.
Vendeur : Librairie de l'Univers, Lausanne, Suisse
Les Comédies de Térence traduites en françois par Madame Dacier. Avec des remarques. Troisième édition revue, corrigée, & enrichie de figures à chaque comédie. Tome premier. Suivant la copie de Paris. A Amsterdam, chez Georges Gallet, 1700. In-12° de [82]+492 pages; un frontispice, une vignette au titre, et une figure (sur deux) à pleine page, tous anonymes. Contient l Andrienne et l Eunuque en latin et en français .Les Comédies de Térence, avec la traduction et les remarques de Madame Dacier. Tome second. A Rotterdam, aux dépens de Gaspar Fritsch, 1717. In-12° de [2]+485+[1bl] pages; une vignette au titre et 18 figures dessinées et gravées par Bernard Picart, dans le goût des bas-reliefs antiques présentant des scènes de comédie. Contient l Heautontimorumenos et les Adelphes.Les Comédies de Térence, avec le texte latin, traduites en françois, par Madame D[acier]. Avec des remarques. Dernière édition revue, corrigée, et enrichie de figures à chaque comédie. Tome III. Suivant la copie de Paris. A Amsterdam, chez Jacques Ollier, 1691. In-12° de 432 pages; une vignette au titre et deux figures dessinées et gravées par Johannes van den Aveele. Contient le Phormion et l Hécyre.Reliures uniformes en plein veau brun, dos lisse très orné, roulettes dorées sur les coupes, tranches rouges (reliures du début du XIXe siècle). Ex-libris héraldique gravé sur les premiers contreplats: «Clonbrock»(XIXe siècle). Le baron Clonbrock, de Clonbrock dans le comté de Galway, était un titre dans la pairie d Irlande. Il avait été créé pour Robert Dillon(1754 1795), dont on trouve ici la signature en pages de titre du volume I: «R. Dillon, October 24th 1769»,et du volume III «R. Dillon, Clonbrock, 1774». Ex-libris moderne sur les gardes: André Gutzwiller (1922 2014), banquier et bibliophile bâlois. Exemplaire composite mais charmant et très bien conservé du fameux Térence traduit et annoté par Anne Lefèvre, épouse Dacier (1645 1720), dont la première parution remonte à 1688.
Hardcover. Etat : Very Good. 364p. Slight foxing. 4to. [304 x 235 mm.] Contemporary straight grained plum morocco leather binding. Boards tooled in gold with a wide Greek key design, and in blind with an archway roll. Engraved bookplate showing a shield (Arms Barry of six Supporters); two unicorns; ermine Coronet of an Earl ; and the Motto A MA PUISSANCE. This is likely the plate of Charles Grey, 2nd Earl Grey (1764-1845) Whig Prime Minister of Great Britain (1830-1834). There is also a manuscript inscription: "With B. Drury's Best Wishes, Eton, March 20 , 1820." John Baskerville (1706-1775) was the greatest printer of his era. Born in Wolverley, Hereford - Worcester, England, he became a writing master in Birmingham. He also carried on a successful japanning (varnishing) business there. In about 1750 he began to make experiments in letter founding, and produced the wonderful series of types now named after him. His first book, the Virgil of 1757, was also the first to be printed upon wove paper (manufactured by a process that he invented). In 1758 he be came printer to Cambridge University. All of his books bear show fine craftsmanship and a refined sense of design. In the last few years before his death, Baskerville published a few Latin classics in quarto and duodecimo. "All these bear the marks of unabated genius even in his declining days: and suffice, had he printed nothing else, to distinguish him as the first typographer of his time" - T. B. Reed, in 'Old English Letter Foundries'. Gaskell 46; Brunet V:71 8. A really handsomely bound copy of a beautifully printed book. **PRICE JUST REDUCED! W113 Language: eng.
Hardcover. Etat : Very Good. 364p. Uncut and unopened. Foxed. 4to. [304 x 235 mm.] Contemporary binding of paper boards backed in morocco tooled in gold gilt. John Baskerville (1706-1775) was the greatest printer of his era. Born in Wolverley, Hereford - Worcester, England, he became a writing master in Birmingham. He also carried on a successful japanning (varnishing) business there. In about 1750 he began to make experiments in letter founding, and produced the wonderful series of types now named after him. His first book, the Virgil of 1757, was also the first to be printed upon wove paper (manufactured by a process that he invented). In 1758 he became printer to Cambridge University. All of his books show fine craftsmanship and a refined sense of design. In the last few years before his death, Baskerville published a few Latin classics in quarto and duodecimo. "All these bear the marks of unabated genius even in his declining days: and suffice, had he printed nothing else, to distinguish him as the first typographer of his time" - T. B. Reed, in 'Old English Letter Foundries' It is worth emphasising how remarkable it is to find an uncut and unopened Baskerville quarto. Gaskell 46; Brunet V:718. EXTREMELY RARE AND UNUSUAL. **PRICE JUST REDUCED! W113 Language: eng.
Edité par Venezia, Lazzaro Soardi 16 maggio 1511, Venezia, 1511
Vendeur : Libreria Alberto Govi di F. Govi Sas, Modena, Italie
Etat : Buono (Good). LEGATO IN MAROCCHINO VERDE OLIVA DA RIVIÈRE In folio (mm. 304x210). Cc. [10], XIII-CCXXXV [i.e. 232], [1]. Segnatura: AA6 B4 C-Z8 2AA-HH8. Marca tipografica, colophon e registro a c. HH7v. Bianca la c. HH8. Titolo entro bellissima bordura architettonica con decorazioni a grottesche sui lati e, in basso, una scena che mostra Nettuno e i tritoni recanti doni. Al verso del titolo legno a piena pagina che mostra Terenzio assiso su uno scranno circondato dai suoi commentatori all'interno di un'ampia sala con archi ed abside. Altro magnifico legno a piena pagina al verso di c. B3 che mostra un teatro con il pubblico visto dalla prospettiva dell'attore in scena. Con 153 vignette xilografiche nel testo che illustrano i diversi personaggi delle commedie in scena sul palco. L'edizione presenta inoltre la particolarità di segnalare al lettore l'autore del commento attraverso cinque differenti simboli, impressi a mo' di timbro sul margine in corrispondenza dell'inizio del testo, uno per ciascuno dei cinque commentatori dell'opera; un breve componimento in versi a c. HH7v funge poi da legenda di detti simboli. Sontuosa legatura da amatore in marocchino verde oliva, firmata da Rivière, dorso a sette nervi con ricchi decori a secco, filetti e titolo in oro, piatti con decori in oro entro molteplici filettature concentriche, orli con fregi e filetto dorati, tagli dorati (dorso un po' scolorito). Al contropiatto anteriore ex-libris delle librerie Lauria di Parigi e Mediolanum di Milano ed ex-libris in marocchino verde con iniziali SB in oro di Silvain Brunschwig. Due piccole macchie alle cc. CLXXIII e CXCI, alcuni fascicoli leggermente bruniti, ma bellissima copia estremamente fresca. Magnifica edizione figurata delle commedie di Terenzio con i commenti di Aelius Donatus (fl. IV sec.), Guy Jouennaux (ca. 1450-1507), Giovanni Calfurnio (m. 1503), Josse Bade (1462-1535) e Servius (fl. IV-V sec.), che erano già apparsi nelle edizioni Soardi del 1504 e del 1508. Le figure sono le stesse dell'edizione che Soardi pubblicò il 5 luglio del 1497, ispirate a quelle dell'edizione Trechsel di Lione del 1493 e riadattate al gusto veneziano. ?The Terence printed at Lyons in 1493, was the prototype from which the cuts in the Venetian edition, four years later, were directly copied [?] In the Terence [?] the Venetian artist simply borrowed the subjects and the compositions from his precursor. The drawing, the execution, and the style of costume were wholly remodeled according to the taste of Venetian art [?] Two admirable outline-woodcuts, each occupying a full page, are found at the beginning of the book. The first represents Terence in the act of lecturing, at a kind of professional desk, with Donatus, Accursius, and others of the chief Latinist grammarians, grouped around him [?] The second of the two large woodcut is a view of the antique theater, or rather of the auditorium as seen from the stage. We need not be surprised to observe that the audience consists of persons, such as might have been met with in the streets of Venice in the fifteenth century; and that the actors, whom we see from behind, wear a sort of costume usually appropriated to fools and jesters? (Lippmann, The Art of Wood Engraving in Italy, pp. 92-94). Essling, 871; Sander, 7208; Adams, T-308; Edit 16, CNCE31939; Rava, p. 24.