Type d'article
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Evaluation du vendeur
Edité par Finch College Museum of Art, 1964
Vendeur : aldebaranbooks, Lantana, FL, Etats-Unis
Edition originale
Soft cover. Etat : Very Good. No Jacket. 1st Edition. 38pp stapled at spine in stiff orange wraps, light fade along outer perimeter of front wrap.interior clean and tight.half devoted to pictorial representations of various artists and half devoted to biographical details of each of those artists.all plates in b/w.vg/wraps.
Edité par Nohra Haime Gallery, New York, 1983
Vendeur : LEFT COAST BOOKS, Santa Barbara, CA, Etats-Unis
Edition originale
Paperback. Etat : Fine. 1st. [8] pages, illustrations; 21.5 x 28 cm. Exhibition held November 9 to December 3, 1983. A fine copy . Size: 4to.
Edité par Finch College Museum of Art, 1970
Vendeur : Dilly Dally, Mobile, AL, Etats-Unis
Livre
Soft cover. Etat : Very Good. October 14 through 30, 1970 at Finch College; January 19 through February 28, 1971 at Galleries, Cranbrook Academy of Art. Flat with a good binding. Slight edge wear and tanning. Front cover is dog-ear creased. No markings. See photos for condition and inclusion.
Edité par Finch College Museum of Art, New York, 1974
Vendeur : David H. Gerber Books (gerberbooks), Austin, TX, Etats-Unis
Saddle-stapled softcover. Etat : Very Good+. B&w photographs (illustrateur). [32pp] [ink name on first page] Size: 4to - over 9¾" - 12" tall.
Edité par Guild Hall Museum, East Hampton, NY, 1973
Vendeur : LEFT COAST BOOKS, Santa Barbara, CA, Etats-Unis
Edition originale
Paperback. Etat : Very Good. 1st. 1 folded sheet, 4 pages, illustrations; 24 cm. A very good copy with Gottlieb's name circled in ink. Size: 8vo.
Edité par New York: Finch College Museum of Art, 1975
ISBN 10 : 0815004214ISBN 13 : 9780815004219
Vendeur : ANARTIST, New York, NY, Etats-Unis
Livre
Softcover staple bound catalog, 32 pages, very good condition, no internal marks.
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Edité par Ratingen. H. Von Ameln, 2003
Vendeur : Jonathan Grobe Books, Deep River, IA, Etats-Unis
Paperback. Etat : Very Good. Text is written in German.; 252 pages.
Vendeur : City Basement Books, Melbourne, VIC, Australie
Stapled wrapper, landscape 28x21.5cm, 32pp. Good condition. General wear. Tanned edges. 1cm tears at head and foot of spine. Library stamp at title page.
Edité par Finch College Museum of Art, New York, 1973
ISBN 10 : 0815006845ISBN 13 : 9780815006848
Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Livre
Softcover. Etat : VG. White and BW illus. stapled wraps. 16 pp. 24 bw plates. Issued in conjunction with a 1973-1974 exhibition. With an intrdocution by Elayne H. Varian and essay by Robert H. Luck. The exhibition checklist cites 86 pieces and 24 are pictured here. Uncommon.
Edité par Finch College Museum of Art, 1967
Vendeur : Birkitt's Books, SARASOTA, FL, Etats-Unis
Livre
Paperback. Etat : Very Good. Wraps are lightly age-toned, stapled binding, internally clean. 6 pages, includes 4 B&W photos, Includes an introduction by Elayn Varian, 4 full-page photos, and a catalogue of the photos in the exhibition, comprised of "Woman Series I and II" and "Man Series"ii.
Edité par Finch College Museum of Art, New York, 1970
Vendeur : Don Kelly Books, London, Royaume-Uni
Livre
Stapled Card Catalogue. Etat : Good. Etat de la jaquette : No. First. Unpaginated. b&w illustrations. Covers are shelf-worn.
Edité par Finch College Museum of Art, New York, 1975
Vendeur : Second Story Books, ABAA, Rockville, MD, Etats-Unis
Art / Affiche / Gravure
Softcover. Booklet [8.5x11 inches]. In Very Good condition. Paperback binding. Gray and black pictorial covers with black lettering. Covers show slight shelf wear with mild rubbing to the edges. Text block has mild yellowish age toning and faint musty odor. Illustrated with black and white photographs. 1371147. FP New Rockville Stock.
Edité par Fort Lauserdale John and Mable Ringling Museum of Art. 1979, 1979
Vendeur : Chichester Gallery, Chichester, Royaume-Uni
Livre
Paperback Fine Amazon.
Edité par Art in America New York, NY, 1970
Vendeur : Specific Object / David Platzker, New York, NY, Etats-Unis
146 pp.; 30.5 x 22.8 cm.; glue bound; black-and-white & color; edition size 50,000; unsigned and unnumbered; offset-printed; January - February 1970 issue of Art in America, edited by Jean Lipman, with a feature called "Into the Seventies." Contents include: "Editorial: Art in America Yesterday and Tomorrow;" "Episodes From the Sixties," by Hilton Kramer; "Symptoms of the Seventies," by Jay Jacobs; "New Dealing," by Elayne H. Varian; "Public Art and Private Gallery," by James Wines; "Money for Money's Sake," by Jean Lipman; "Rediscovery: William O. Golding;" "New Talent - The Computer," by Stan VanDerBeek; "At Home With Art: The Samuel Rautbord House;" "Presenting Charles Close," by Cindy Nemser; "Francis Bacon at Sixty," by John Russell; "Paris: The Lettrist Movement," by Carol Cutler; "Vancouver: Scene and Unscene," by Peter Selz with Alvin Balkind; "Boston's Centenary Acquistions;" "Letters to the Editor;" "The State of Taste: Culturettes," by Russell Lynes; "Readers' Choice: Monet's La Terrasse," by Douglas Dillon; "New York Gallery Notes: The New Decade.at Dawn," by Grace Glueck; "Forum: The Vanishing Indian," by Rosalind Constable; "Graphics '70: Paul Jenkins," presented by Donald H. Karshan and "Books: Ambitious Projects," by Jay Jacobs. Cover: Robert Indiana. Includes "Phenomena Tide Finder," a 1969 full color original offset lithograph by Paul Jenkins printed by the Triton Press, bound into the magazine, and published in an edition of 50,000. Good. Yellowing of covers, light edgewear, and slight curl to publication. 3.5 cm. blue pen mark on recto. Contents clean and unmarked.
Edité par Contemporary Wing, Finch College Museum Of Art, 1969
Vendeur : Any Amount of Books, London, Royaume-Uni
Edition originale
4to. pp [24]. Orange typographic wraps. Copiously illustrated in black and white. Spine faded, else clean and solid. Very good.
Edité par Fort Lauderdale, Fla.: Fort Lauderdale Museum of the Arts., 1979
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-Unis
Etat : Good. Exhibition catalogue. 32 pp. Illustrated in color and black and white.
Edité par NY, NY.: Finch College Museum of Art., 1975
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-Unis
Etat : Good. 8vo. [16] pp. Soft Cover. Stapled Wraps. Black and white illustrations throughout. Very Good. Minor shelf wear. Sunning to spin. Interior leave edges yellowed.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author.Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA) (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-1977). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.
Edité par Finch College Museum of Art / Contemporary Wing, New York, 1971
Livre
Softcover Stapled. Etat : Very Good. No Jacket. Show catalog. Foxing to top edges and corners.
Soft cover. Etat : Very Good. No Jacket. Unpaginated; 24 pages. Foxing to top edge of title page. Mild wear to covers, particular at to of front cover.
Edité par Finch College Museum of Art,, NY:, 1968
Vendeur : Grendel Books, ABAA/ILAB, Springfield, MA, Etats-Unis
Edition originale
Paperback. Etat : Very Good. Exhibition catalog. Black and white photographs. First edition (paperback). Light foxing/age toning to rear cover, else very good in oversize illustrated stapled wraps.; 16 pages B003YEZ1SA.
Edité par New York : Staempfli., 1982
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-Unis
Manuscrit / Papier ancien
Etat : Good. 1 folded sheet [4] pages. 7.5 x 18 inches. Very Good. Some shelf wear. Color plates. Extremely Scarce.
Edité par New York, NY: Finch College Museum of Art., 1966
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-Unis
Etat : Good. [Exhibition catalogue]. 4to. [16 pp.]. Soft, stapled red glossy wraps with white lettering. Very good with marginal creasing along bottom of spine. Black and white plates. Includes texts by Elayne H. Varian, Peter Selz, Professor Stanislaw Lorentz and Dr. Jerzy Zanozinski.Includes artist C.V. and chronology and exhibition checklist of 62 works. Catalogue created to accompany an exhibition of works by Jan Cybis, opening September 29, 1966 at the Finch College Museum of Art. Scarce.From the Collection of the Art Historian Peter Selz.
Edité par The Press A. Colish, Mount Vernon, NY, 1973
Vendeur : Exquisite Corpse Booksellers, Houston, TX, Etats-Unis
Wrappers. Etat : Near Fine. Slim volume with black and white illustrations. Some rubbing and wear to the paper covers, corners and edge. Illustrated wraps. Preface by Adelyn Breeskin. Foreword by David Anderson. Introduction by Elayne H. Varian. Catalog of the Exhibition. Book.
Edité par Mount Vernon, NY: The Press of A. Colish., 1973
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-Unis
Etat : Good. 4to. Oblong 48 pp. Softcover. Black and white illustrations. Very good. Light soiling.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author.Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA) (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-1977). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.
Edité par Finch College Museum of Art, New York, 1970
Vendeur : Zed Books, New York, NY, Etats-Unis
Edition originale
Paperback. Etat : Good. First Edition. [30] pp. Stapled wraps. Good. Wear and faint creases to wraps, a few small spots to front wrap. Participating artists: Carl Andre, Lynda Bengalis, Mel Bochner, William Bollinger, Rafael Ferrer, Barry Flanagan, Eva Hesse, Robert Morris, Bruce Nauman, Robert Ryman, Richard Van Buren, Lawrence Weiner.
Edité par New York: Finch College Museum of Art, Contemporary Wing, 1969., 1969
Vendeur : D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, Canada
Edition originale
oblong 4to. [pp. 32]. profusely illus. wrs. First Edition. Published in conjunction with an exhibition. With statements regarding their creative process by the participating conceptual artists: Carl Andre, Lynda Benglis, Mel Bochner, William Bollinger, Rafael Ferrer, Barry Flanagan, Eva Hesse, Bruce Nauman, Robert Morris, Robert Ryman, Richard Van Buren, and Lawrence Weiner.
Edité par Finch College Museum of Art, Contemporary Wing, 1969
Vendeur : studio montespecchio, Montespecchio, Italie
Livre Edition originale
Soft cover. Etat : Fine. 1st Edition. Oblong quarto, un paginated (31 pages, illustrated throughout. Illustrated wrappers. - First edition. Exhibition December 11,1969 ? January 26, 1970. Prepared by Elayne H. Varian with statements by participating artists: Carl Andre, Lynda Benglis, Mel Bochner, William Bollinger, Rafael Ferrer, Barry Flanagan, Eva Hesse, Bruce Nauman, Robert Morris, Robert Ryman, Richard Van Buren, and Lawrence Weiner. ?One of the basic differences between traditional and the new conceptual art is that the conceptual artist is more interested in the idea than in the finished piece. whether the final work of art is constructed by the artist is, with a few exceptions, unimportant to him, but size is, as the piece must relate to the actual space in which it is to exist and specifications for this are determined by the artist. Conceptual art is cerebral, intense with the emphasis on the properties of the material and the idea.? Elayne H. Varian.
Edité par Finch College Museum of Art / Contemporary Study Wing., 1967
Vendeur : studio montespecchio, Montespecchio, Italie
Livre
Soft cover. Etat : Near Fine. Oblong quarto, unpaginated, (32 pages), with 20 photographic portraits of the artist, accompanied with a short text. Illustrated wrappers. Light chafing towards spine. Very good. - First edition. Here the rare Finch College catalogue where Rauschenberg is seen in a photograph with ?Short Circuit? (1955), a photograph that plays a major role in the mystery and search around Jasper Johns? stolen flag. For a detailed history of this search, see Greg Allen?s article: American Beauty: Jasper Johns, Robert Rauschenberg, and the Case of the Missing Flag, published in ARTnews, May 10, 2016 The exhibition ?Art in Process. The Visual Development of a Collage? opened on March 9, 1967 at Finch College and circulated until late 1968 to several US colleges and institutions venues. The artists in this exhibition: Marcelo Bonevardi, John Day, Elias Friedensohn, Edward Giobbi, Al Hansen, Ray Johnson, Roy Lichtenstein, Conrad Marca-Relli, Richard Merkin, Richard Miller, Armando Morales, Claes Oldenberg, George Ortman, Alfonso Ossorio, Paul Pollaro, Joe Rafaelle, Robert Rauschenberg.
Edité par Finch College Museum of Art, Contemporary Wing New York, NY, 1969
Vendeur : Specific Object / David Platzker, New York, NY, Etats-Unis
[32] pp.; 21.5 x 28 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held December 11, 1969 - January 26, 1970. Prepared by Elayne H. Varian with statements by participating artists: Carl Andre, Lynda Benglis, Mel Bochner, William Bollinger, Rafael Ferrer, Barry Flanagan, Eva Hesse, Bruce Nauman, Robert Morris, Robert Ryman, Richard Van Buren, and Lawrence Weiner. Includes short artist biographies and exhibition checklist. Very Good. Light aging to covers, contents clean and unmarked.