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Edité par New Press, The, 2011
ISBN 10 : 1595586253ISBN 13 : 9781595586254
Vendeur : Powell's Bookstores Chicago, ABAA, Chicago, IL, Etats-Unis
Livre
Etat : Used - Like New. 2011. Paperback. Fine.
Edité par The New Press, 2011
ISBN 10 : 1595586253ISBN 13 : 9781595586254
Vendeur : INDOO, Avenel, NJ, Etats-Unis
Livre
Etat : As New. Unread copy in mint condition.
Edité par The New Press, 2011
ISBN 10 : 1595586253ISBN 13 : 9781595586254
Vendeur : INDOO, Avenel, NJ, Etats-Unis
Livre
Etat : New. Brand New.
Edité par The New Press, 2011
ISBN 10 : 1595586253ISBN 13 : 9781595586254
Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Livre
Etat : New. Num Pages: 158 pages, col. Illustrations. BIC Classification: ACX; AFH; AGB; AKLP. Category: (G) General (US: Trade). Dimension: 210 x 143 x 12. Weight in Grams: 226. . 2011. Paperback. . . . .
Edité par The New Press, 2011
ISBN 10 : 1595586253ISBN 13 : 9781595586254
Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Livre
Etat : New. Num Pages: 158 pages, col. Illustrations. BIC Classification: ACX; AFH; AGB; AKLP. Category: (G) General (US: Trade). Dimension: 210 x 143 x 12. Weight in Grams: 226. . 2011. Paperback. . . . . Books ship from the US and Ireland.
Edité par New Press, 2012
ISBN 10 : 1595585427ISBN 13 : 9781595585424
Vendeur : Gold Country Books, Sacramento, CA, Etats-Unis
Livre
Hardcover. Etat : New. Etat de la jaquette : New. New. Pristine. No markings. Stunning collection of oddly fascinating cold war propaganda artwork by the Soviet master of the genre. Profusely illustrated including 200 color plates. Large format, heavy volume. Shipped carefully packed with additional corner protection, in a sturdy box. Due to weight, additional charge for international shipping.
Edité par The New Press, New York, 2011
ISBN 10 : 1595586253ISBN 13 : 9781595586254
Vendeur : AussieBookSeller, Truganina, VIC, Australie
Livre
Paperback. Etat : new. Paperback. In the last thirty years of the Soviet Communist project, Viktor Koretskys art struggled to solve an enduring riddle: how to ensure or restore Communisms moral health through the production of a distinctively Communist vision. In this sense Koretskys art demonstrates what an avant-garde late Communist art would have looked like if we had ever seen it mature. Most striking of all, Koretsky was pioneering the visual languages of Benetton and MTV at a time when the iconography of interracial togetherness was still only a vague rumor on Madison Avenue.Vision and Communism presents a series of interconnected essays devoted to Viktor Koretskys art and the social worlds that it hoped to transform. Produced collectively by its five editors, this writing also considers the visual art, film, and music included in the exhibition Vision and Communism, opening at the Smart Museum of Art in September 2011. Issued in connection with an exhibition held Sept. 29, 2011-Jan. 22, 2012, Smart Museum of Art, the University of Chicago. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Edité par The New Press, New York, 2011
ISBN 10 : 1595586253ISBN 13 : 9781595586254
Vendeur : CitiRetail, Stevenage, Royaume-Uni
Livre
Paperback. Etat : new. Paperback. In the last thirty years of the Soviet Communist project, Viktor Koretskys art struggled to solve an enduring riddle: how to ensure or restore Communisms moral health through the production of a distinctively Communist vision. In this sense Koretskys art demonstrates what an avant-garde late Communist art would have looked like if we had ever seen it mature. Most striking of all, Koretsky was pioneering the visual languages of Benetton and MTV at a time when the iconography of interracial togetherness was still only a vague rumor on Madison Avenue.Vision and Communism presents a series of interconnected essays devoted to Viktor Koretskys art and the social worlds that it hoped to transform. Produced collectively by its five editors, this writing also considers the visual art, film, and music included in the exhibition Vision and Communism, opening at the Smart Museum of Art in September 2011. Issued in connection with an exhibition held Sept. 29, 2011-Jan. 22, 2012, Smart Museum of Art, the University of Chicago. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Edité par The New Press, 2011
ISBN 10 : 1595585427ISBN 13 : 9781595585424
Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Livre
Etat : New. Editor(s): Wolf, Erika. Num Pages: 434 pages, 1. BIC Classification: ACX; AFH; AGB; AKLP. Category: (G) General (US: Trade). Dimension: 311 x 236 x 41. Weight in Grams: 2282. . 2011. . . . .
Edité par The New Press, 2012
ISBN 10 : 1595585427ISBN 13 : 9781595585424
Vendeur : Pieuler Store, Suffolk, Royaume-Uni
Livre
Etat : good. 100% Customer Satisfaction Guaranteed ! The book shows some signs of wear from use but is a good readable copy. Cover in excellent condition. Binding tight. Pages in great shape, no tears. Not contain access codes, cd, DVD.
Edité par The New Press, 2012
ISBN 10 : 1595585427ISBN 13 : 9781595585424
Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Livre
Etat : New. Editor(s): Wolf, Erika. Num Pages: 434 pages, 1. BIC Classification: ACX; AFH; AGB; AKLP. Category: (G) General (US: Trade). Dimension: 311 x 236 x 41. Weight in Grams: 2282. . 2011. . . . . Books ship from the US and Ireland.
Edité par Moscow-Leningrad: Iskusstvo, 1950, 1950
Vendeur : Peter Harrington. ABA/ ILAB., London, Royaume-Uni
Edition originale
Striking image of the poet inscribing the words of the title in his notebook set against a background of the Soviet flag, the tip of his fountain pen mimicked by a bayonet which is pointing towards a caricatured group of Western leaders marching off a cliff-edge headed by Churchill with a flaming torch, the flames emblazoned with the words Voina protiv SSSR [War against the USSR] and Truman, cradling an A-Bomb. The artist Viktor Borisovich Koretsky (1909 1998) studied at the Moscow School of Illustrative Arts 1921-9, coming under the influence of the Constructivists, his fascination with Heartfield's photomontages establishing his abiding interest in agit-prop poster art. From 1931 till his death in 1998, he continued to work in this genre, his technique based in a combination of photographs with realist gouache and pencil linework. Colour offset lithographic poster, (c.560 x 800 mm), float framed. Some short splits to the edges, no loss, overall very good. Presented in an oak frame with conservation acrylic glazing.