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Edité par Journeyman Press (UK), 1978
ISBN 10 : 0904526267ISBN 13 : 9780904526264
Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
Livre
Hardcover. Etat : Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.2.
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Paperback. Etat : Good. Dutch.
Paperback. Etat : Good. pp. 80 Dutch.
Paperback. Etat : Good. Auteursopdracht aan Rob Roemans en Hilda van Assche, alsook een afzonderlijk dankbericht. Dutch.
Edité par Lier - De bladen voor de poëzie, 1959
Vendeur : Untje.com, Roeselare, Belgique
Hardcover. Etat : Good. pp. 21 / gesigneerd Dutch.
Paperback. Etat : Good. pp. 47 Dutch.
Edité par Hasselt, Heideland 1964, 1964
Vendeur : Antiquariaat Pieter Judo (De Lezenaar), Hasselt, Belgique
Membre d'association : ILAB
76 + [iii] pp., 1e druk, gesigneerd met opdracht door auteur aan Prosper Arents, in de reeks "Poëtisch erfdeel der Nederlanden" nr.17, cm., orig. omslag, goede staat, [Frans De Wilde = Eug. L. Gilliams, Antwerpen, 1899-1981], T90889.
Edité par Lier, De Bladen voor de Poëzie 1959, 1959
Vendeur : Antiquariaat Pieter Judo (De Lezenaar), Hasselt, Belgique
Membre d'association : ILAB
21 + [iii] pp., gesigneerd met opdracht door auteur aan Prosper Arents, 21cm., gecart. uitgeversband, doede staat, [Frans De Wilde = Eug. L. Gilliams, Antwerpen, 1899-1981], T90895.
Paperback. Etat : Fair. Nr. 159/210, roestvlekken Dutch.
Edité par Lier, Bladen voor poezie, 1959., 1959
Vendeur : BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgique
Membre d'association : ILAB
Gebonden, originele uitgeversomslag beduimeld, 13x21cm, 21pp. Met opdracht en gesigneerd door de auteur. 120 g.
Edité par Antwerpen, Lumière s.d. [1930], 1930
Vendeur : Antiquariaat Pieter Judo (De Lezenaar), Hasselt, Belgique
Membre d'association : ILAB
44 + [iii] pp., eerste ui!tgave, gesigneerd met opdracht door auteur aan Prosper Arents, beperkte en genummerde oplage van slechts 150 exemplaren ; dit is nr. 50 (een van de 140 exemplaren op Featherweight papier), 22cm., originele omslag, enkele roestplekjes, goede staat, zeldzaam, [Frans De Wilde = Eug. L. Gilliams, Antwerpen, 1899-1981], T90892.
Edité par Antwerpen, F. Casie-Claes, 1921., 1921
Vendeur : BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgique
Membre d'association : ILAB
originele uitgeversomslag, 17,5x21,5cm, 66pp., zeer goede staat Verzen. N 209 van de 315 genummerde exemplaren op Velin registre papier, 170 g.
Vendeur : Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgique
Membre d'association : ILAB
Signé
2. Lier, De Bladen voor de Poezie, 1959, in-8°, 21 pp, yellow publisher's board, (with a signed dedication of the author to Guy and Elza Voets).
Edité par Antwerpen Vlaams & Vrank 1951, 1951
Vendeur : BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgique
Membre d'association : ILAB
Originele uitgeversomslag, 17.2x22.5 cm., 117pp. Keur uit eigen dichtwerk 1919 - 1949. Met persoonlijke opdracht auteur aan Chris & Germaine Dijckhoff + gesigneerd. Oplage 200 exemplaren waarvan 190 op opdikkend papier genummerd van 11 tot 200. Exemplaar nummer 169. 220 g.
Edité par Antwerpen, F. Casie-Claes 1921, 1921
Vendeur : Antiquariaat Pieter Judo (De Lezenaar), Hasselt, Belgique
Membre d'association : ILAB
66 + [2] pp., beperkte en genummerde oplage van 315 exemplaren: dit is nr.12 (een van de 15 exemplaren op Vergé d'Arches), gesigneerd door auteur, 1e en enige druk, 22cm., goede staat, zeldzaam, [Frans De Wilde = Eug. L. Gilliams, Antwerpen, 1899-1981], T90894.
Vendeur : Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgique
Membre d'association : ILAB
Mechelen, redactie René Verbeeck, 1941, in-8°, plaquette, geniet, 15 pp. Eén van de 50 exemplaren gedrukt voor de abonnementen van Pro Juventute. Nietjes licht ge-oxideerd, verder goed.
Edité par Published by Journeyman Press 97 Ferme Park Road, Crouch End, London First Thus Edition . 1978., 1978
Vendeur : Little Stour Books PBFA Member, Canterbury, Royaume-Uni
Membre d'association : PBFA
First Frans Masereel illustrated edition in publisher's original illustrated light green card wrap covers [soft back]. 8vo. 8'' x 5''. Contains 64 printed pages of text with splendid monochrome woodcuts by Frans Masereel throughout. Light surface stains to the covers and in Good condition, no dust wrapper as issued. Member of the P.B.F.A. ISBN 0904526261 NINETEENTH CENTURY.
Vendeur : Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgique
Membre d'association : ILAB
2. Antwerpen, Drukkerij Resseler, 1945, in-4°, 21 x 16 cm, foto frontispiece + 17 pp, gedrukt in paars en zwart, oplage 100 gen. exempl. (28/100), gesigneerd door de auteur, originele omslag.
Vendeur : Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgique
Membre d'association : ILAB
2. Antwerpen, Lumière, kl. in-8°, 22 x 17,5 cm, genaaid, orig. bedrukte omslag. (omslag iets bestoft).
Edité par Published by London: Journeyman Press,, 1980
Vendeur : Marrins Bookshop, Folkestone, KENT, Royaume-Uni
Very good copy in the original stiff-card wrappers;and matching dust jacket wrapper.signes on inside front cover by GRAINNIE YEATS previous owner. Wood cuts by Frans Masereel. Flemish painter and graphic artist who worked mainly in France, known especially for his woodcuts focused on political and social issues, such as war and capitalism.12.5 X 19.5 CM.
Vendeur : Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgique
Membre d'association : ILAB
2. Antwerpen, Vlaamsch & Vrank, drukk. Resseler, 1937, in-4°, 21 x 16 cm, foto frontispiece + 21 pp, gedrukt in paars en zwart, oplage 100 gen. exempl. (4/100), gesigneerd door de auteur, uitgeversband met de omslagen in gebonden.
Edité par New York : C.N. Potter : Distributed by Crown Publishers, 1982, 1982
ISBN 10 : 0517547457ISBN 13 : 9780517547458
Vendeur : Joseph Valles - Books, Stockbridge, GA, Etats-Unis
Livre Edition originale
Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st Edition. 1st American edtion, 1st printing ; 487 pages : illustrations ; 29 cm ; ISBN: 0517547457; 9780517547458; National Library: 014878580 LCCN: 82-12196 ; LC: PR5812; Dewey: 828/.809 ; OCLC: 8587824 ; purple cloth in pictorial dustjacket ; Contents: Poems -- Requiescat - Ravenna -- Wasted days -- Madonna mia -- Sonnet to liberty -- The arlot's ome -- On the sale by auction of Keat's love letters -- The new remorse -- To my wife, with a copy of my poems -- The Sphinx -- The ballad of Reading Gaol -- Poems in prose -- The disciple -- The artist -- Prose fiction -- Lord Arthur Savile's crime -- The happy prince -- The nightmare and the rose -- The remarkable rocket -- The selfish giant -- The birthday of the Infanta -- The picture of Dorian gray -- Plays -- Lady Windermere's fan -- Salome -- The importance of being Earnest -- The Gribsby episode -- Lectures and essays -- The Irish poets of '48 -- Impressions of America -- Pen, pencil and poison -- The soul of man under socialism -- Phrases and philosophies for the use of the young -- Letters - De Profundis -- To Robert Ross from Reading Prison -- To the Daily Chronicle -- The case of Warder Martin : some cruelties of prison life -- To Robert Ross from Berneval, France -- To the Daily Chronicle -- Prison reform -- To Robert Ross from Rome ; "Critical introduction and background information accompany selections of Wilde's writings that includes The Selfish Giant, Lady Windermere's Fan, The Importance of Being Earnest, and The Picture of Dorian Gray" ; large, heavy volume ; nick on corner of dustjacket, else FINE/FINE. Book.
Edité par Methuen & Company, 1925
Vendeur : Boards & Wraps, Baltimore, MD, Etats-Unis
Hardcover. Etat : Very Good-. Etat de la jaquette : No Dust Jacket. Illustrated by Frans Masereel (illustrateur). Limited Edition. Number 43 of 450 numbered limited editions. Lean, heavy foxing, toning and staining, light rubbing and bumps, bare corners, offsetting on endpapers. Uncommon. ; 4to 11" - 13" tall; 62 pages.
Edité par Drei Masken Verlag, Munich, 1923
Vendeur : Georg Schneebeli :: Rare Books & Prints, Zürich, Suisse
Livre Signé
Hardcover. Etat : Gut. First edition with wood engravings by Frans Masereel. No. 115 of the limited edition of 250 on laid paper. Signed by Frans Masereel in the imprint. ¶ Description: Original half calf over marbled boards, gilt title to spine. Quarto: 28 × 18,5 cm; pp. 57, [4] ll. With 37 original woodcuts (of which 7 full-page, printed recto only) by Frans Masereel. ¶ Ref.: Ritter: C 29, S. 258; Rodenberg: 448 ¶ Condition: Binding somewhat scuffed at joints and corners and partly faded. Contents clean and free of marks, but slightly toned with age. Overall a very good copy. ¶ Notes: The Ballad of Reading Gaol was printed by Offizin Mandruck in Munich as the 11th Obelisk print with the original English text. The woodcuts were cut by Masereel in early 1923 and were printed from the original woodblocks. In addition to this edition, 70 copies were published, numbered I to LXX, in which the full-page woodcuts were also signed by Masereel, and 20 unnumbered and unsigned copies. ¶. Signatur des Illustrators.
Edité par London. Methuen & Co. Ltd., 1925
Vendeur : Druckwaren Antiquariat, Salzwedel, Allemagne
Membre d'association : GIAQ
Livre
Etat : Sehr gut. 57 S. 7 großform. + diverse kleinere Abb. unbeschnittenes Ex. SU am Buchrücken gerissen u. insgesamt gebräunt. Das Buch selbst befindet sich dagegen in einem sehr guten Zustand. Sprache: Deutsch Gewicht in Gramm: 420 gebundene Ausgabe, Halbleinen, SU. This Edition is limited to 450 numbered copies of which this is no. 283.
Edité par Methuen & Co. Ltd, London, 1925
Vendeur : Raptis Rare Books, Palm Beach, FL, Etats-Unis
Edition originale
First illustrated edition of this rare Wilde title. Royal octavo, original half cloth, illustrated with woodcuts by Frans Masereel. One of 450 numbered copies, this is number 16. Fine in the rare original dust jacket which is in very good condition. "Wildeâ s â theme is not, as is often supposed, artâ s divorce from life, but its inescapable arraignment by experience. His creative works almost always end in unmasking. The hand that adjusts the green carnation suddenly shakes an admonitory finger. While the ultimate virtue in Wildeâ s essays is in make-believe, the denouement of his dramas and narratives is that masks have to go. We must acknowledge what we are. Wilde at least was keen to do so. Though he offered himself as the apostle of pleasure, his created world contains much painâ (Ellmann, xvi).