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EUR 11,83
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Ajouter au panierEtat : New.
Edité par Zurich: Diaphanes, 2020, 2020
ISBN 10 : 3035802351 ISBN 13 : 9783035802351
Langue: anglais
Vendeur : Atlantic Bookshop, Brooklyn, NY, Etats-Unis
Edition originale
EUR 10,45
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Ajouter au panierSoft cover. Etat : Very Good. 1st Edition. 8vo, card covers, 132pp., ills. First edition/printing. Bilingual. VG+: clean, bright and sound with a hint of discoloration to the fore edge.
EUR 14,25
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Ajouter au panierEtat : New.
Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
EUR 16,59
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Ajouter au panierPaperback. Etat : New. "Here Lies" preceded by "The Indian Culture" collects two of Antonin Artaud's foremost poetic works from the last period of his life. He wrote both works soon after his release from the psychiatric hospital of Rodez and his return to Paris, and they were published during the flurry of intensive activity and protests against his work's censorship. The Indian Culture is the first and most ambitious work of Artaud's last period. It deals with his travels in Mexico in 1936 where Artaud sets aside his usual preoccupations with peyote and the Tarahumara people's sorcerers to directly anatomize his obsessions with gods, corporeality, and sexuality. Here Lies is Artaud's final declaration of autonomy for his own body from its birth to its imminent death, won at the cost of multiple battles against the infiltrating powers amassed to steal that birth and death away from him. Both works demonstrate Artaud's final poetry as a unique amalgam of delicate linguistic invention and ferociously obscene invective. "Here Lies" preceded by "The Indian Culture" was translated by the award-winning translator Clayton Eshleman, widely seen as the preeminent translator into English of Artaud's work, with its profound intensity and multiply nuanced language. For the first time since its first publication, this bilingual edition presents the two works in one volume, as Artaud originally intended. This edition also features a contextual afterword by Stephen Barber as well as new material, previously untranslated into English.
EUR 14,60
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Ajouter au panierEtat : As New. Unread book in perfect condition.
EUR 15,40
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Ajouter au panierEtat : As New. Unread book in perfect condition.
EUR 16,36
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Ajouter au panierEtat : New.
EUR 16,37
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Ajouter au panierEtat : New.
Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
EUR 19,08
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Ajouter au panierPaperback. Etat : New. The first comprehensive collection in English of Antonin Artaud's writings on his artworks. The many major exhibitions of Antonin Artaud's drawings and drawn notebook pages in recent years-at New York's Museum of Modern Art, Vienna's Museum Moderner Kunst, and Paris's Centre Georges Pompidou-have entirely transformed our perception of his work, reorienting it toward the artworks of his final years. This volume collects all three of Artaud's major writings on his artworks. "The Human Face" (1947) was written as the catalog text for Artaud's only gallery exhibition of his drawings during his lifetime, focusing on his approach to making portraits of his friends at the decrepit pavilion in the Paris suburbs where he spent the final year of his life. "Ten years that language is gone" (1947) examines the drawings Artaud made in his notebooks-his main creative medium at the end of his life-and their capacity to electrify his creativity when language failed him. "50 Drawings to assassinate magic" (1948), the residue of an abandoned book of Artaud's drawings, approaches the act of drawing as part of the weaponry deployed by Artaud at the very end of his life to combat malevolent assaults and attempted acts of assassination. Together, these three extraordinary texts-pitched between writing and image-project Artaud's ferocious engagement with the act of drawing.
EUR 19,08
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Ajouter au panierPaperback. Etat : New. Following his release from the Rodez asylum, Antonin Artaud decided he wanted his new work to connect with a vast public audience, and he chose to record radio broadcasts in order to carry through that aim. That determination led him to his most experimental and incendiary project, To Have Done with the Judgement of God, 1947-48, in which he attempted to create a new language of texts, screams, and cacophonies: a language designed to be heard by millions, aimed, as Artaud said, for "road-menders." In the broadcast, he interrogated corporeality and introduced the idea of the "body without organs," crucial to the later work of Deleuze and Guattari. The broadcast, commissioned by the French national radio station, was banned shortly before its planned transmission, much to Artaud's fury. This volume collects all of the texts for To Have Done with the Judgement of God, together with several of the letters Artaud wrote to friends and enemies in the short period between his work's censorship and his death. Also included is the text of an earlier broadcast from 1946, Madness and Black Magic, written as a manifesto prefiguring his subsequent broadcast. Clayton Eshleman's extraordinary translations of the broadcasts activate these works in their extreme provocation.
EUR 17,36
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Ajouter au panierEtat : As New. Unread book in perfect condition.
EUR 21,66
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Ajouter au panierPaperback. Etat : New. The first comprehensive collection in English of Antonin Artaud's writings on his artworks. The many major exhibitions of Antonin Artaud's drawings and drawn notebook pages in recent years-at New York's Museum of Modern Art, Vienna's Museum Moderner Kunst, and Paris's Centre Georges Pompidou-have entirely transformed our perception of his work, reorienting it toward the artworks of his final years. This volume collects all three of Artaud's major writings on his artworks. "The Human Face" (1947) was written as the catalog text for Artaud's only gallery exhibition of his drawings during his lifetime, focusing on his approach to making portraits of his friends at the decrepit pavilion in the Paris suburbs where he spent the final year of his life. "Ten years that language is gone" (1947) examines the drawings Artaud made in his notebooks-his main creative medium at the end of his life-and their capacity to electrify his creativity when language failed him. "50 Drawings to assassinate magic" (1948), the residue of an abandoned book of Artaud's drawings, approaches the act of drawing as part of the weaponry deployed by Artaud at the very end of his life to combat malevolent assaults and attempted acts of assassination. Together, these three extraordinary texts-pitched between writing and image-project Artaud's ferocious engagement with the act of drawing.
Edité par Diaphanes AG 2023-01-31, 2023
ISBN 10 : 3035802483 ISBN 13 : 9783035802481
Langue: anglais
Vendeur : Chiron Media, Wallingford, Royaume-Uni
EUR 13,91
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Ajouter au panierPaperback. Etat : New.
EUR 15,41
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EUR 15,73
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Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
EUR 15,73
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Ajouter au panierEtat : New.
Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
EUR 15,75
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Ajouter au panierEtat : As New. Unread book in perfect condition.
Edité par Diaphanes, 2020, 2020
Vendeur : Longhouse, Publishers & Booksellers, Brattleboro, VT, Etats-Unis
Edition originale
EUR 17,42
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Ajouter au panierFirst edition, first printing New and bright glossy stiff wraps with strong spine and clean text. Becoming scarce.
EUR 17,56
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Ajouter au panierEtat : New.
EUR 18,22
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Ajouter au panierEtat : As New. Unread book in perfect condition.
EUR 18,88
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Ajouter au panierEtat : As New. Unread book in perfect condition.
Edité par Zürich ; Berlin : Diaphanes, 2021
ISBN 10 : 3035802505 ISBN 13 : 9783035802504
Langue: anglais
Vendeur : nika-books, art & crafts GbR, Nordwestuckermark-Fürstenwerder, NWUM, Allemagne
EUR 10
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Ajouter au panier8° , Broschur, 124 Seiten, Das Buch ist in einem sehr guten Zustand. 9783035802504 Sprache: Englisch Gewicht in Gramm: 174.
EUR 20,86
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Ajouter au panierEtat : As New. Unread book in perfect condition.
Vendeur : Revaluation Books, Exeter, Royaume-Uni
EUR 13,35
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Ajouter au panierPaperback. Etat : Brand New. 128 pages. 7.50x4.75x0.50 inches. In Stock.
EUR 13,35
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Ajouter au panierPaperback. Etat : Brand New. 128 pages. 7.25x4.75x0.25 inches. In Stock.
EUR 13,35
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Ajouter au panierPaperback. Etat : Brand New. bilingual edition. 132 pages. 7.50x4.75x0.50 inches. In Stock.
Vendeur : Revaluation Books, Exeter, Royaume-Uni
EUR 15,40
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Ajouter au panierPaperback. Etat : Brand New. 128 pages. 7.50x4.75x0.50 inches. In Stock.
Vendeur : Rarewaves USA United, OSWEGO, IL, Etats-Unis
EUR 23,29
Autre deviseQuantité disponible : 2 disponible(s)
Ajouter au panierPaperback. Etat : New. The first comprehensive collection in English of Antonin Artaud's writings on his artworks. The many major exhibitions of Antonin Artaud's drawings and drawn notebook pages in recent years-at New York's Museum of Modern Art, Vienna's Museum Moderner Kunst, and Paris's Centre Georges Pompidou-have entirely transformed our perception of his work, reorienting it toward the artworks of his final years. This volume collects all three of Artaud's major writings on his artworks. "The Human Face" (1947) was written as the catalog text for Artaud's only gallery exhibition of his drawings during his lifetime, focusing on his approach to making portraits of his friends at the decrepit pavilion in the Paris suburbs where he spent the final year of his life. "Ten years that language is gone" (1947) examines the drawings Artaud made in his notebooks-his main creative medium at the end of his life-and their capacity to electrify his creativity when language failed him. "50 Drawings to assassinate magic" (1948), the residue of an abandoned book of Artaud's drawings, approaches the act of drawing as part of the weaponry deployed by Artaud at the very end of his life to combat malevolent assaults and attempted acts of assassination. Together, these three extraordinary texts-pitched between writing and image-project Artaud's ferocious engagement with the act of drawing.
EUR 25
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Ajouter au panierEtat : New. Drawing on texts and letters dating from 1946, some of them written while he was still confined at the Rodez psychiatric hospital, Artaud devoted the months of November 1946 to February 1947 to completing his book through a long series of vocal improvisa.