Edité par Published by Ruedi Widmer (German editing), Catherine Schelbert (English editing),, Zurich and Hertestein,, 2003, 2001
ISBN 10 : 3899550056 ISBN 13 : 9783899550054
Vendeur : Ivy hole books, Uckfield, Royaume-Uni
Edition originale
Soft cover. Etat : As New. 1st Edition. Michel Fries and Thomas Bruggisser have now approached 12 single-minded European designers with a very tempting offer: complete artistic freedom to create and design an entire chapter in "Super - Welcome to Graphic Wonerland,".
Edité par Lars Müller, Wettingen, 2001
Vendeur : Expatriate Bookshop of Denmark, Svendborg, Danemark
orig.wrappers. Etat : Minor rubbing. VG. Textual illustrations. (illustrateur). 24x16cm, 335 pp., PAPERBACK. Mainly consists of colored illustrations. Weighs 1000 grams.
Edité par Ruedi Widmer (German editing), Catherine Schelbert (English editing),, Zurich and Hertestein,, 2003
Vendeur : Carmen Alonso Libros, Santander, Espagne
Rústica con sobrecubierta. Etat : Bueno. 17x24. sin pag. (412 pp.) Totalmente ilustrado. Rústica con sobrecubierta. En inglés. Incluye un "Poster Super Meeting" de Peter Tillessen con 24 fotografías in negro." Following their first publication, the acclaimed "Benzin, Young Swiss Graphic Design," Swiss editors and designers Michel Fries and Thomas Bruggisser have now approached 12 single-minded European designers with a very tempting offer: complete artistic freedom to create and design an entire chapter in "Super - Welcome to Graphic Wonerland," a welcome carte blanche to explore the weird and wonderful recesses of their own minds. United in this vision, the participants (e.g. Goldenmasters, Lis/Rev, Matthias Schweitzer, Reala) display surprising, hidden talents - even Norm reveal a decidedly playful side. From concept art (a pre-tourism embassy round-up by Abake), via an exquisitely illustrated list of alternative Top Tens (Reala) to photographs of a well-thumbed notebook (roughly edited by covering painfully intimate passages with hands), every project tells its own story. Featuring a sharp selection of intensely personal, peripheral, expansive and edgy projects between illustration and graphic design, Super's 336 pages race through styles, paper types and techniques like there's no tomorrow.