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Evaluation du vendeur
Edité par Martha Lloyd Cooke, 2020
ISBN 10 : 162880193XISBN 13 : 9781628801934
Vendeur : ThriftBooks-Atlanta, AUSTELL, GA, Etats-Unis
Livre
Hardcover. Etat : As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less 2.01.
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Edité par Agnes Etherington Art Centre, 1978
Vendeur : Montreal Books, Westmount, QC, Canada
Soft cover. Etat : Fine. [Our rating system: 1. Fine; 2. Near Fine; 3. Very Good; 4. Good; 5. Fair.]. Book.
Edité par Agnes Etherington Art Centre, 1978
Vendeur : RPBooks, Champlain, NY, Etats-Unis
Soft cover. Etat : Fine. [Our rating system: 1. Fine; 2. Near Fine; 3. Very Good; 4. Good; 5. Fair.]. Book.
Edité par Archives Publiques January 1983, 1983
ISBN 10 : 0660909545ISBN 13 : 9780660909547
Vendeur : Dunaway Books, St. Louis, MO, Etats-Unis
Livre
Paper Back. Etat : Good.
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Edité par Chickasaw Press, 2021
ISBN 10 : 195239712XISBN 13 : 9781952397127
Vendeur : Jackson Street Booksellers, Omaha, NE, Etats-Unis
Livre
Hardcover. Etat : As New. Still in shrinkwrap. 4to.
Date d'édition : 2023
Vendeur : True World of Books, Delhi, Inde
Livre impression à la demande
LeatherBound. Etat : New. LeatherBound edition. Condition: New. Reprinted from 1827 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 137 Language: English.
Date d'édition : 1984
Vendeur : Librairie Montréal, Saint-Césaire, QC, Canada
Livre
Couverture souple. Etat : Comme neuf. Ottawa, Archives Publiques du Canada, 1984, couverture souple de l?éditeur, environ 28 X 21.5 cm, (xix) 299 pages suivi de 500 illustrations (parfois deux par pages) en N&B. Version française. Notre exemplaire est pour ainsi dire comme neu sans rien à signaler qui soit digne de mention. (AVERTISSEMENT ; Les frais d?envoi internationaux donnés par Abebooks sont souvent erronés veuillez obligatoirement m?écrire pour connaître les frais d?envoi réels pour l?extérieur du Canada AVANT de passer votre commande sinon vous pourriez avoir de mauvaises surprises. Paiement de préférence par Paypal).
Edité par Harry N. Abrams, N.Y., 1993
ISBN 10 : 1555950736ISBN 13 : 9781555950736
Vendeur : Librairie de l'Avenue - Henri Veyrier, Saint-Ouen, FR, France
Livre Edition originale
Couverture rigide. Etat : Bon état. In-8, pleine toile noire, sous jaquette illustrée, photographies en noir et en couleurs, 216 pp. En anglais. Etat neuf. First Edition. Première édtionCe livre présente l artisanat d art contemporain. (plus de 100 artistes)Contemporary Crafts and the Saxe Collection was published on the occasion of the exhibition of the same title, organized by The Toledo Museum of Art and on view there from September 12 through November 14, 1993. Crafts in the U.S. took a revolutionary turn around 1950, as glassblowers, ceramists, textile artists and others grappled with the conceptual concerns of modernist painting and sculpture. Known today as the studio craft movement, the torrent of creativity unleashed during the last four decades is well-represented in this survey. in-8°.
Edité par Archives publiques Canada, Ottawa, 1983
Vendeur : CARON Bibliopole / Bouquiniste, Montreal, QC, Canada
Relié Couv. originale cons. Etat : Bon état. 500 p. Élagué d'une bibliothèque. Identification masquée. Size: 21.5 x 28cm.
Edité par Dia Art Foundation, 2008
ISBN 10 : 0300139160ISBN 13 : 9780300139167
Vendeur : Zoom Books Company, Lynden, WA, Etats-Unis
Livre
Etat : Good. Book is in good condition and may contain underlining or highlighting and minimal wear. The book can also include library labels. May not contain miscellaneous items (toys, dvds, etc). We offer 100% money back guarantee and fast customer support.
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Edité par Ottawa : Public Archives Canada, 1983
ISBN 10 : 0660112213ISBN 13 : 9780660112213
Vendeur : Joseph Burridge Books, Chadwell Heath, Royaume-Uni
Livre
Soft cover. Etat : Very Good. xix, 297, approximately 260 pages of plates : 500 illustrations ; 28 cm.
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Offres neuf à partir de EUR 146,34
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Edité par Agnes Etherington Art Cente Queen's, Kingston, ON, 1978
ISBN 10 : 0889110042ISBN 13 : 9780889110045
Vendeur : Lower Beverley Better Books, Lyndhurst, ON, Canada
Livre
Card Covers. Etat : Fine. No Jacket. No Edition Stated, Presumed 1st. Foreword by Frances K Smith, Curator and Acting Director, July 1978. Book is itself a guide to the 1978 exhibition following Cockburn's 1831 guidebook. 50 pp. plus: A Note on Sources, Acknowledgements, Photo Credits. Book has slight edge wear, mostly at top rear edge. Bookseller's Inventory # 201397.
Edité par Artforum, 2005
Vendeur : castlebooksbcn, Barcelona, Espagne
Magazine / Périodique
Encuadernación de tapa blanda. Etat : Muy bien. Etat de la jaquette : Muy bien. Issue edited by Tim Griffin. Essays "Passages: Robert Rosenblum on Tom Wesselmann," by Robert Rosenblum; "Passages: Thomas Lawson on Gretchen Bender," by Thomas Lawson; "Books: Keith Sanborn on Guy Debord," by Keith Sanborn; "Film: James Quandt on 'Cinévardaphoto,'" by James Quandt; "On Site: Carol Armstrong on the Barnes Foundation," by Carol Armstrong; "Media: Christopher Bollen on Courtroom Drawings," by Christopher Bollen; "News: Steven Henry Madoff on the Walker Art Center," by Steven Henry Madoff; "Top Ten," by Kehinde Wiley; "Please Recycle: The Art of Kelley Walker," by Tim Griffin; "Russian Front: The Moscow Biennale," by John Kelsey; "1000 Words: Spencer Finch," by Daniel Birnbaum; "Artist Curates: Personal Affects," by T.J. Wilcox; "Vocational Education: An Interview with Lucrecia Martel," by Amy Taubin; "Openings: Hans Op de Beeck," by Martin Herbert. Reviews by Jack Bankowsky, Isabelle Graw, David Deitcher, Lynne Cooke, Barry Schwabsky, Michael Wilson, Jan Avgikos, Donald Kuspit, Martha Schwendener, Nell McClister, Johanna Burton, Elizabeth Schambelan, Frances Richard, Karen Rosenberg, Suzanne Hudson, Brian Sholis, Jeffrey Kastner, Jonathan Raymond, Tom Breidenbach, David Carrier, Michael Odom, Glen Helfand, Bruce Hainley, Jan Tumlir, Christopher Miles, Maxine Swann, Pablo Llorca, Filippo Romeo, Giorgio Verzotti, Marco Meneguzzo, Guitemie Maldonado, Sabine B. Vogel, Astrid Wege, Jennifer Allen, Michael Archer, Rachel Withers, David Spalding. Cover: Kelley Walker.
Edité par Artforum, 2005
Vendeur : castlebooksbcn, Barcelona, Espagne
Magazine / Périodique
Encuadernación de tapa blanda. Etat : Muy bien. Etat de la jaquette : Muy bien. Issue edited by Tim Griffin. Essays "Passages: Daniel Birnbaum on Harald Szeemann," by Daniel Birnbaum; "Books: Mel Bochner on Donald Judd," by Mel Bochner; "Books: Pamela M. Lee on Andrea Fraser," by Pamela M. Lee; "Film: Keith Sanborn on Chris Marker," by Keith Sanborn; "Film: Daniel Birnbaum on 'The Ister,'" by Daniel Birnbaum; "Performance: Matt Saunders on Jonathan Meese's 'Mother Parsifal,'" by Matt Saunders; "Performance: Johanna Burton on Tracy + the Plastics," by Johanna Burton; "Slant: Joe Scanlan on Social Space and Relational Aesthetics," by Joe Scanlan; "On Site: Robert Lumley on the Fondazione Merz," by Robert Lumley; "Top Ten," by Josephine Meckseper; "Being There: Art and the Politics of Place," by Anne M. Wagner; "The Lay of the Land: An Experiment in Art and Community in Thailand," by Daniel Birnbaum; "Tristan da Cunha," by Tacita Dean; "Navigating the New Territory: Art, Avatars, and the Contemporary Mediascape," by David Joselit; "A Text About High Desert Test Sites," by Lisa Anne Auerbach and Andrea Zittel; "True Beauty: A Talk with the Center for Land Use Interpretation's Matthew Coolidge," by Jeffrey Kastner; "Remote Possibilities: A Roundtable Discussion on Land Art's Changing Terrain," by Claire Bishop, Lynne Cooke, Pierre Huyghe, Pamela M. Lee, Rirkrit Tiravanija, Andrea Zittel, and Tim Griffin (moderator); "El Diario del Fin del Mundo: A Journey that Wasn't"; "1000 Words: Catherine Yass," by Mark Godfrey; "World Apart: The Films of Jia Zhangke," by J. Hoberman; "An Eye for an Ear: Art and Music in the Twentieth Century," by Harry Cooper; "Openings: Roberto Cuoghi," by Alison M. Gingeras. Reviews by Jeffrey Kastner, Johanna Burton, Robert Rosenblum, Lane Relyea, Michael Fried, Michael Wilson, Brian Sholis, Emily Hall, Donald Kuspit, Lisa Pasquariello, Elizabeth Schambelan, Martha Schwendener, Jan Avgikos, Barry Schwabsky, Domenick Ammirati, RoseLee Goldberg, James Yood, Patricia Briggs, Glen Helfand, Maria Porges, Bruce Hainley, Jan Tumlir, Christopher Miles, Jennifer Allen, Massimo Carboni, Marco Meneguzzo, Cathryn Drake, Jean-Max Colard, Miriam Rosen, Nina Möntmann, Noemi Smolik, Wolf Jahn, Sven Lütticken, Liutauras Psibilskis, Ronald Jones, Martin Herbert, Rachel Withers. Cover: Andrea Zittel.
Edité par Public Archives Canada, Ottawa, 1983
ISBN 10 : 0660112213ISBN 13 : 9780660112213
Vendeur : RareNonFiction, IOBA, Ladysmith, BC, Canada
Membre d'association : IOBA
Livre Edition originale
Paperback. Etat : Fair. First Edition. xix, [1], [2], 3-297 plus approximately 200 pages of black and white plates. "Describes and reproduces 500 paintings, water-colours and drawings, which represent 20 per cent of the art works acquired by the Canadian government in the 1970 transaction with Canada Steamship Lines. These works were created by some 100 artists who tried to capture through pictures almost two centuries of our national experience. The reader will be impressed by the amount and depth of research which characterizes this catalogue. Many will consider it a very significant addition to the knowledge of Canadian iconography in a decade which has been dedicated to access to information." - Foreword. Somewhat above-average external wear. Binding intact. Sunning to spine. Minimal library markings, including transparent laminate over covers. A sound reference copy of this highly informative work.