Type d'article
Etat
Reliure
Particularités
Livraison gratuite
Pays
Evaluation du vendeur
Edité par The High Museum of Art, Atlanta, Georgia, 1978
ISBN 10 : 0939802066ISBN 13 : 9780939802067
Vendeur : Neil Shillington: Bookdealer/Booksearch, Hobe sound, FL, Etats-Unis
Livre
Paperback. Etat : Good. 72 pages.
Date d'édition : 1978
Vendeur : bookwave, Acworth, GA, Etats-Unis
Livre
Soft cover. Etat : Good. SOFTCOVER. Binding good, pages clear with typical yellowing, colours good. Some wear to cover.
Edité par High Museum of Art, Atlanta GA, 1978
Vendeur : Monroe Street Books, Middlebury, VT, Etats-Unis
Edition originale
Etat : Very Good. Etat de la jaquette : None. 72 pages, illustrated with 8 color, 22 b&w plates. Exhibition catalog listing 151 19th and 20th century prints. Record # 900325.
Edité par The High Museum of Art, Atlanta, GA, 1978
Vendeur : Dearly Departed Books, Alliance, OH, Etats-Unis
Edition originale
Paperback. Etat : VG+. 1st Printing. First printing. 7" x 9", 72 exhibition catalog is bound in pictorial w rappers. VG+ condition. Faint creases on the spine and front spine sea m. Some stress creases at the lower front spine seam. Color and black & white illustrations through-out.
Edité par Georgia State, Handshake Gallery, 1978
Vendeur : Resource for Art and Music Books , Ivoryton, CT, Etats-Unis
Livre Edition originale
Paperback. Etat : Very Good. First Edition. [10] pp.; bw ill.; stapled wraps, oblong 12mo.: Bright unmarked pages, rear overhung wrap bumped/creased along fore-edge: Well packaged in a box, ships with tracking.
Edité par Philip Steadman, Cambridge, England, 1967
Vendeur : Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, Etats-Unis
Edition originale
Softcover. Etat : Very Good. No. 4. Oblong small octavo. 32pp. Stapled self-wrappers. Illustrated in black and white. A couple of tiny spots on the cover, top corner creased throughout, very good. This issue features three articles on Black Mountain College: "The founding of the College" by Lewis Shelley, "The Hochschule at Ulm" by Josef Albers, and "Albers' 'Graphic Tectonics'" by Irving Finkelstein; two articles about concrete poetry: "Brighton Festival Exhibition of Concrete Poetry: Exhibition notes and map," and "The early days of Concrete Poetry," by Eugen Gomringer; two articles about art by Charles Biederman: "Symmetry: Nature and the Plane" and "A Non-Aristotelian Creative Reality"; "What is Kinetism?" by Lev Nusberg; the poem "The Coherences" by Anselm Hollo; and more.
Edité par Scrap New York, NY 1960 - 1962, 1960
Vendeur : Specific Object / David Platzker, New York, NY, Etats-Unis
Edition originale
7 vol. : [4] pp. (each); 7 vol. : 35.5 x 27.8 cm. (no. 1) ; 30.5 x 22.8 cm. (no. 2) ; 30.5 x 22.8 cm. (no. 3) ; 30.3 x 22.8 cm. (no. 4) ; 30.3 x 22.8 cm. (no. 5) ; 30.3 x 22.8 cm. (no. 6) ; 30.6 x 22.8 cm. (no. 7); black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issues 1 - 7 of Scrap from total of 8, published in New York City and edited by Anita Ventura and Sidney Geist between 1960 - 1962. Issue One, contents include : "A Review of Sculpture this Season," by Sidney Geist ; "Report from the Club" featuring Gabriel Laderman, Neil Mallow, Wolf Kahn, Lester Johnson, Harold Cohen, Louis Finklestein, Paul Georges, Sidney Geist, Landes Lewitin, and E.A. Navaretta ; an overheard conversation betweeen Lois Dodd, Sally Hazelet, and Philip Pearlstein ; "I Confess," by Milton Resnick ; "Pollock by Robertson," by Barbara Butler ; an excerpt from "The Metamorphosis of the Gods" by André Malroux. Issue Two, contents include : a dance review of "Peripateia and Tableaux," by Landes Lewitin and Sidney Geist ; Letters to the editor from Irving Sandler and Sonia Gechtoff ; "Dear Scrap" with comments by Sally Hazelet, Mark di Suvero, Thomas B. Hess, Thomas A. Hess, Milton Resnick, James Terry, Stephen Radich, Hilton Kramer, Ad Reinhardt, R. Gordon, David Smith, and Yvonne Thomas ; "Beating the Beat" by Margaret Randall ; "Rauschenberg," by Paul Brach ; "Kanemitsu" by William McLean ; "Duchamp," by Jasper Johns ; and "Letter from India," by Milton Resnick. Issue Three, contents include : an excerpt from a panel conversation with Ad Reinhardt and Milton Resnick ; Letters to the editor from Richard Maxfield, Stanley Fisher ; "Change : Eight Lectures on the I Ching," book review by Adam Margoshes ; "The Totem," by May Swenson ; "Letter on the Maximus Poems," by James Mellow ; and "Sculpture and Other Trouble," by Sidney Geist. Issue Four, contents include : the reproduction of Peter Selz's essay on Mark Rothko published in MoMA's brochure for Rothko's 1961 exhibition along with an annotated critical response to the text by Sidney Geist. Issue Five, contents include : "Cajori," by Louis Finkelstein ; "A View of Rothko's Images," by Sidney Geist ; "Hard Put," by Margaret Randall ; "Brecht Berlin / New York," by Josephine Herbst ; "Manifestoes on the Music and Dance of 8 Clear Places," by Lucia Dlugoszewski; and letters to the editor by Katharine Kuh and David Sylvestor. Issue Six, contents include : "Yellow can be Black," by John Grillo ; "The Source (Desire)," by Mary Frank ; "Why Am I So?," by Philip Pearlstein ; "No Front-Side-Back-Side," by Tom Doyle ; "Taste of Potatoes," by Milton Resnick ; ".A Bad Habit," by Wolf Kahn ; "The Image Central," by Sonia Gechtoff ; "Catalyst for My Art," by Perle Fine ; "Like a Spider I Go," by Pat Passlof ; "I Had an Indian Nurse," by Alfred Jensen ; "m-m-m-m-MM," by Adam Margoshes ; "Brand-New & Terrific," by Alex Katz ; Includes letters to the editor and a report from the Arts Club. Issue Seven, contents include : "A Number of Things : Editorial Observations," by Sidney Geist ; "The Envious Male," by Adam Margoshes ; "A Wide-Open Image," by George Sugarman ; "Report from the Club," and letters to the editor. Very Good. Near complete set, missing Issue 8. Moderate yellowing from age to all issues. Folded in half as issued with some additional folds and occasional small tears to page edges. 2.5 cm. dog-ear to issue 4. Clean and unmarked. All issues from first printing on newsprint.