Edité par University Press of Mississippi, 2011
ISBN 10 : 1617031224 ISBN 13 : 9781617031229
Vendeur : Hay-on-Wye Booksellers, Hay-on-Wye, HEREF, Royaume-Uni
Etat : Very Good. Unused. A few dirty marks on cover otherwise fine.
Edité par University Press of Mississippi, 2013
ISBN 10 : 1617038253 ISBN 13 : 9781617038259
Vendeur : Wizard Books, Long Beach, CA, Etats-Unis
Paperback. Etat : new. New.
Edité par University Press of Mississippi, 2013
ISBN 10 : 1617038253 ISBN 13 : 9781617038259
Vendeur : Big Bill's Books, Wimberley, TX, Etats-Unis
Paperback. Etat : new. Brand New Copy.
Edité par University Press of Mississippi, 2013
ISBN 10 : 1617038253 ISBN 13 : 9781617038259
Vendeur : Front Cover Books, Denver, CO, Etats-Unis
Etat : new.
Edité par University Press of Mississippi, 2013
ISBN 10 : 1617038253 ISBN 13 : 9781617038259
Vendeur : GoldenDragon, Houston, TX, Etats-Unis
Paperback. Etat : new. Buy for Great customer experience.
Edité par University Press of Mississippi, 2013
ISBN 10 : 1617038253 ISBN 13 : 9781617038259
Vendeur : Lucky's Textbooks, Dallas, TX, Etats-Unis
Etat : New.
Edité par University Press of Mississippi, 2013
ISBN 10 : 1617038253 ISBN 13 : 9781617038259
Vendeur : Irish Booksellers, Portland, ME, Etats-Unis
Etat : Good. SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. book.
Edité par University Press of Mississippi, 2013
ISBN 10 : 1617038253 ISBN 13 : 9781617038259
Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
PAP. Etat : New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Edité par University Press of Mississippi, 2013
ISBN 10 : 1617038253 ISBN 13 : 9781617038259
Vendeur : GoldBooks, Denver, CO, Etats-Unis
Paperback. Etat : new. New Copy. Customer Service Guaranteed.
Edité par University Press of Mississippi, 2013
ISBN 10 : 1617038253 ISBN 13 : 9781617038259
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
PAP. Etat : New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Edité par University Press of Mississippi, 2013
ISBN 10 : 1617038253 ISBN 13 : 9781617038259
Vendeur : Ria Christie Collections, Uxbridge, Royaume-Uni
Etat : New. PRINT ON DEMAND Book; New; Fast Shipping from the UK. No. book.
Edité par University Press of Mississippi, 2013
ISBN 10 : 1617038253 ISBN 13 : 9781617038259
Vendeur : THE SAINT BOOKSTORE, Southport, Royaume-Uni
Paperback / softback. Etat : New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Edité par University Press of Mississippi 2013-03-30, 2013
ISBN 10 : 1617038253 ISBN 13 : 9781617038259
Vendeur : Chiron Media, Wallingford, Royaume-Uni
Paperback. Etat : New.
Edité par University Press of Mississippi, 2013
ISBN 10 : 1617038253 ISBN 13 : 9781617038259
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. 272 pages. 9.00x6.00x0.75 inches. In Stock.
Edité par Eurospan, 2013
ISBN 10 : 1617038253 ISBN 13 : 9781617038259
Vendeur : Brook Bookstore On Demand, Napoli, NA, Italie
Etat : new. Questo è un articolo print on demand.
Edité par University Press of Mississippi, 2011
ISBN 10 : 1617031224 ISBN 13 : 9781617031229
Vendeur : Ria Christie Collections, Uxbridge, Royaume-Uni
Etat : New. PRINT ON DEMAND Book; New; Fast Shipping from the UK. No. book.
Edité par University Press Of Mississippi, 2013
ISBN 10 : 1617038253 ISBN 13 : 9781617038259
Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Photographie impression à la demande
Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Intellectual, cultural, and film historians have long considered neorealism the founding block of post-World War II Italian cinema. Neorealism, the traditional story goes, was an Italian film style born in the second postwar period and aimed at recovering the reality of Italy after the sugarcoated moving images of Fascism. Lasting from 1945 to the early 1950s, neorealism produced world-renowned masterpieces such as Roberto Rossellini's Roma, città aperta (Rome, Open City, 1945) and Vittorio De Sica's Ladri di biciclette (Bicycle Thieves, 1947). These films won some of the most prestigious film awards of the immediate postwar period and influenced world cinema.This collection brings together distinguished film scholars and cultural historians to complicate this nation-based approach to the history of neorealism. The traditional story notwithstanding, the meaning and the origins of the term are problematic. What does neorealism really mean, and how Italian is it Italian filmmakers were wary of using the term and Rossellini preferred 'realism.' Many filmmakers confessed to having greatly borrowed from other cinemas, including French, Soviet, and American.Divided into three sections, Global Neorealism examines the history of this film style from the 1930s to the 1970s using a global and international perspective. The first section examines the origins of neorealism in the international debate about realist esthetics in the 1930s. The second section discusses how this debate about realism was 'Italianized' and coalesced into Italian 'neorealism' and explores how critics and film distributors participated in coining the term. Finally, the third section looks at neorealism's success outside of Italy and examines how film cultures in Latin America, Asia, and the United States adjusted the style to their national and regional situations.
Edité par University Press of Mississippi, 2013
ISBN 10 : 1617038253 ISBN 13 : 9781617038259
Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
paperback. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.
Edité par University Press of Mississippi, 2013
ISBN 10 : 1617038253 ISBN 13 : 9781617038259
Vendeur : moluna, Greven, Allemagne
Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Intellectual, cultural, and film historians have long considered neorealism the founding block of post-World War II Italian cinema. Neorealism, the traditional story goes, was an Italian film style born in the second postwar period. This collection brings t.
Edité par University Press of Mississippi, 2013
ISBN 10 : 1617038253 ISBN 13 : 9781617038259
Vendeur : Mispah books, Redhill, SURRE, Royaume-Uni
Paperback. Etat : Like New. Like New. book.
Edité par University Press of Mississippi, 2011
ISBN 10 : 1617031224 ISBN 13 : 9781617031229
Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
HRD. Etat : New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Edité par University Press of Mississippi, 2011
ISBN 10 : 1617031224 ISBN 13 : 9781617031229
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
HRD. Etat : New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Edité par Univ Pr of Mississippi, 2011
ISBN 10 : 1617031224 ISBN 13 : 9781617031229
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Hardcover. Etat : Brand New. 272 pages. 9.25x6.25x1.25 inches. In Stock.
Edité par University Press of Mississippi, 2011
ISBN 10 : 1617031224 ISBN 13 : 9781617031229
Vendeur : THE SAINT BOOKSTORE, Southport, Royaume-Uni
Hardback. Etat : New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Edité par University Press of Mississippi, 2011
ISBN 10 : 1617031224 ISBN 13 : 9781617031229
Vendeur : moluna, Greven, Allemagne
Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Über den AutorSaverio Giovacchini is a cultural and intellectual historian and associate professor of history at the University of Maryland. Robert Sklar is a film historian and critic, and professor emeritus of cinema at Tisch Scho.
Edité par University Press Of Mississippi, 2011
ISBN 10 : 1617031224 ISBN 13 : 9781617031229
Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Buch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Contributions from Nathaniel Brennan, Luca Caminati, Silvia Carlorosi, Caroline Eades, Saverio Giovacchini, Paula Halperin, Neepa Majumdar, Mariano Mestman, Hamid Naficy, Sada Niang, Masha Salazkina, Sarah Sarzynski, Robert Sklar, and Vito ZagarrioIntellectual, cultural, and film historians have long considered neorealism the founding block of post-World War II Italian cinema. Neorealism, the traditional story goes, was an Italian film style born in the second postwar period and aimed at recovering the reality of Italy after the sugarcoated moving images of Fascism. Lasting from 1945 to the early 1950s, neorealism produced world-renowned masterpieces such as Roberto Rossellini's Roma, città aperta (Rome, Open City, 1945) and Vittorio De Sica's Ladri di biciclette (Bicycle Thieves, 1947). These films won some of the most prestigious film awards of the immediate postwar period and influenced world cinema.This collection brings together distinguished film scholars and cultural historians to complicate this nation-based approach to the history of neorealism. The traditional story notwithstanding, the meaning and the origins of the term are problematic. What does neorealism really mean, and how Italian is it Italian filmmakers were wary of using the term and Rossellini preferred 'realism.' Many filmmakers confessed to having greatly borrowed from other cinemas, including French, Soviet, and American.Divided into three sections, Global Neorealism examines the history of this film style from the 1930s to the 1970s using a global and international perspective. The first section examines the origins of neorealism in the international debate about realist esthetics in the 1930s. The second section discusses how this debate about realism was 'Italianized' and coalesced into Italian 'neorealism' and explores how critics and film distributors participated in coining the term. Finally, the third section looks at neorealism's success outside of Italy and examines how film cultures in Latin America, Asia, and the United States adjusted the style to their national and regional situations.