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Edité par WestBowPress, 2016
ISBN 10 : 1512748986ISBN 13 : 9781512748987
Vendeur : Gulf Coast Books, Memphis, TN, Etats-Unis
Livre
paperback. Etat : Good.
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Edité par Skyhorse, 2022
ISBN 10 : 1510771816ISBN 13 : 9781510771819
Vendeur : SecondSale, Montgomery, IL, Etats-Unis
Livre
Etat : Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.
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Edité par WestBow Press, 2016
ISBN 10 : 1512748978ISBN 13 : 9781512748970
Vendeur : BookHolders, Towson, MD, Etats-Unis
Livre
Etat : Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: First ] Publisher: West Bow Pr Pub Date: 8/9/2016 Binding: Hardcover Pages: 270 First edition.
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Edité par WestBowPress, 2016
ISBN 10 : 1512748986ISBN 13 : 9781512748987
Vendeur : Wonder Book, Frederick, MD, Etats-Unis
Livre Signé
Etat : Very Good. Signed Copy . Signed by Hardwick on bookplate on reverse of front cover.
Edité par H. S. D. Publications, NY, 1966
Vendeur : Books from the Crypt, N. Potomac, MD, Etats-Unis
Membre d'association : IOBA
Magazine / Périodique
SingleIssueMagazine. Etat : Good+ to Very Good-. Vol. 11, No. 1. Cover art is uncredited. Edited by G. F. Foster. Includes "Over the Fence" (novelette) by Max Van Derveer; "Bits and Pieces" by Lawrence Block; "A Class Operator" by Robert C. Lane; "On Your Signature Only" by Laurence M. Grinnell; "The Contagious Killer" by Bryce Walton; "Lone Witness" by Talmage Powell; "Fleet Little Deer" by Robert W. Alexander; "Copy Cat" by Jack Ritchie; "To Gain an Inch" by Richard Hardwick; "Cabin in the Pines" by John Reese; "Relentless Time" by Keith Kendall; "Bad Noose" by Arthur Porges; "Walk the Water" by Sonora Morrow; "Vacation" by Mike Brett; "Incident at Mardi's" by Herbert Brean. Small losses at spine heel and lower front cover corners (see scan); small edge tears; creasing; tanning; rubbing.
Edité par Galaxy Press, 2014
ISBN 10 : 1619862654ISBN 13 : 9781619862654
Vendeur : Eat My Words Books, Minneapolis, MN, Etats-Unis
Livre
Paperback. Etat : Very Good. Andrew Sonea; Vanessa Golitz; Cassandre Bolan; Michael Talbot; Kirbi Fagan; Bernardo Mota; Trevor Smith; Adam Brewster; Sarah Webb; Kristie Kim; Vicent-Michael Coviello; Seonhee Lim (illustrateur). Binding tight. Spine straight, uncreased. Pages unmarked and bright. Cover has some shelf wear, a few of the pages clearly got bumped at one point. ; 8.9 X 5.9 X 1.2 inches; 400 pages.
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Edité par Shawnee Press, 2007
ISBN 10 : 1592351867ISBN 13 : 9781592351862
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Livre
Etat : New.
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Edité par CreateSpace Independent Publishing Platform, 2017
ISBN 10 : 1544983921ISBN 13 : 9781544983929
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Livre impression à la demande
Paperback. Etat : Brand New. 108 pages. 9.00x6.00x0.25 inches. This item is printed on demand.
Edité par Kingsland Prospect Press Ltd., London, 1964
Vendeur : William Allen Word & Image, London, Royaume-Uni
Paperback. Etat : Good only. Book. 265 x 210 mm, 64 pp. in printed stapled wraps. Front cover image ('Portrait of Andree Dantu by Richard Hardwick: three phases of a Dantu polaroid light mobile') in colour, contents illustrated with both colour and b/w images. Three issues of Image (usually a 'careers' magazine for young graduates) were effectively taken over by important Cambridge academics of the day, all with a specific interest in concrete poetry and kinetic art: Philip Steadman, Stephen Bann and Reg Gadney. The issues of Image dedicated to kinetic and concrete poetry were particularly noteworthy for their commitment to translation and reprinting 'lost' texts, an imaginative use of layout and photography, and enlightening academic essays on their given subjects. This particular issue is entirely dedicated to kinetic art and concrete poetry (as the title suggests), and the editorial (which is idiosyncratically placed in the middle of the publication) reads: 'This issue of IMAGE is largely devoted to Kinetic Art: art, that is, incorporating real movement as opposed to the painted or static illusion of movement.' It is illustrated with a photograph of the editors and contributors - Stephen Bann, Reg Gadney, Frank Popper, Phil Steadman and Citroen - strolling through Paris. The issue features an essay by the concrete poetry specialist Stephen Bann, entitled 'Communication and Structure in Concrete Poetry', which comes with a reprinted letter from Ian Hamilton Finlay to Pierre Garnier, dated September 17th 1963. Translated by Bann are extracts from 'Manifesto for a new poetry, visual and phonic' by the concrete poet Pierre Garnier: 'The word is an element. / The word is a material. / The word is an object.' Also included in this section is a manifesto by Eugen Gomringer, entitled 'from line to consideration', and translated by Mike Weaver. It was 'first printed in augenblick no 2 agis verlag baden-baden 1954'. Works by Augusto de Campos, Ronaldo Azeredo, Decio Pignatari and Haraldo de Campos are also reprinted here. The second academic essay featured is a text by Mike Weaver entitled 'Concrete and Kinetic: the poem as Functional Object', which is illustrated with reproduced typestracts by Dom Sylvester Houedard. Also featured is a text by the editor Philip Steadman, entitled 'Colour Music and the Art of Lumia, and an essay by Reg Gadney entitled 'An Introduction: Kinetic Art', which is illustrated with images of works by Alexander Calder and Alexander Schoffer's Chronus sculptures. There are artist profiles of Frank Malina (by Reg Gadney); Gregoria Vardanega (by Stephen Bann); Martha Boto (by R.G); J-M. Cruxent (by S.B); Andree Dantu (by R.G); Knud Hvidberg and William Soya (by R.G); Nino Calos (by R.G). Condition: some wear to covers, mark to back cover, 1 page (p.37/38) is loose from the binding though all pages are present, priced accordingly.
26,5 x 21 cm. Etat : Gut. 64 Seiten (pages) Original Broschur. Soft cover. Mit einigen Unterstreichungen. With some underlinings. Aus der Sammlung von Prof. Jürgen Curt. 000 UG26 Sprache: Englisch Gewicht in Gramm: 210.
Edité par Kingsland Prospect Press, 1964
Vendeur : Aeon Bookstore, New York, NY, Etats-Unis
Magazine / Périodique Edition originale
Soft cover. Etat : Very Good. 1st Edition. Superb copy of a well done and thorough magazine on kinetic art and concrete poetry. One page dog-eared else excellent with slightest handling and shelfwear.
Edité par Kingsland Prospect Press Ltd., London, 1964
Vendeur : William Allen Word & Image, London, Royaume-Uni
Paperback. Etat : Near fine. Book. 265 x 210 mm, 64 pp. in printed stapled wraps. Front cover image ('Portrait of Andree Dantu by Richard Hardwick: three phases of a Dantu polaroid light mobile') in colour, contents illustrated with both colour and b/w images. Three issues of Image (usually a 'careers' magazine for young graduates) were effectively taken over by important Cambridge academics of the day, all with a specific interest in concrete poetry and kinetic art: Philip Steadman, Stephen Bann and Reg Gadney. The issues of Image dedicated to kinetic and concrete poetry were particularly noteworthy for their commitment to translation and reprinting 'lost' texts, an imaginative use of layout and photography, and enlightening academic essays on their given subjects. This particular issue is entirely dedicated to kinetic art and concrete poetry (as the title suggests), and the editorial (which is idiosyncratically placed in the middle of the publication) reads: 'This issue of IMAGE is largely devoted to Kinetic Art: art, that is, incorporating real movement as opposed to the painted or static illusion of movement.' It is illustrated with a photograph of the editors and contributors - Stephen Bann, Reg Gadney, Frank Popper, Phil Steadman and Citroen - strolling through Paris. The issue features an essay by the concrete poetry specialist Stephen Bann, entitled 'Communication and Structure in Concrete Poetry', which comes with a reprinted letter from Ian Hamilton Finlay to Pierre Garnier, dated September 17th 1963. Translated by Bann are extracts from 'Manifesto for a new poetry, visual and phonic' by the concrete poet Pierre Garnier: 'The word is an element. / The word is a material. / The word is an object.' Also included in this section is a manifesto by Eugen Gomringer, entitled 'from line to consideration', and translated by Mike Weaver. It was 'first printed in augenblick no 2 agis verlag baden-baden 1954'. Works by Augusto de Campos, Ronaldo Azeredo, Decio Pignatari and Haraldo de Campos are also reprinted here. The second academic essay featured is a text by Mike Weaver entitled 'Concrete and Kinetic: the poem as Functional Object', which is illustrated with reproduced typestracts by Dom Sylvester Houedard. Also featured is a text by the editor Philip Steadman, entitled 'Colour Music and the Art of Lumia, and an essay by Reg Gadney entitled 'An Introduction: Kinetic Art', which is illustrated with images of works by Alexander Calder and Alexander Schoffer's Chronus sculptures. There are artist profiles of Frank Malina (by Reg Gadney); Gregoria Vardanega (by Stephen Bann); Martha Boto (by R.G); J-M. Cruxent (by S.B); Andree Dantu (by R.G); Knud Hvidberg and William Soya (by R.G); Nino Calos (by R.G). Condition: near fine (contents fine minor rubbing to covers).
Edité par Namara Press / Institute of Contemporary Art (ICA) London / London, United Kingdom / United Kingdom, 1982
ISBN 10 : 0704334267ISBN 13 : 9780704334267
Vendeur : Specific Object / David Platzker, New York, NY, Etats-Unis
Livre
129 pp.; 29.5 x 20.7 cm.; glue bound; black-and-white; edition size unknwon; unsigned and unnumbered; offset-printed; a"Special Issue : Brand New York," of The Literary Review published in 1982 and edited by Gillian Greenwood. Contents include: "Editorial," by Lisa Appignanesi; "Between Two New Yorks," by Melvyn Bragg; "Manhattan Letter," by Elizabeth Hardwick; "New York Art: Seven Types of Ambiguity," by Hal Foster; "Urban Kisses," by John Ahearn, Mike Glier, Ken Goodman, Keith Haring, Robert Longo, Judy Rifka, Cindy Sherman; "On Being Scene: New York Fashions Its Steyle," by Michael Sorkin; "Philip Johnson's Post-Modernist Venture;" "Reflecting on Post-Modernism," an interview with Rosalind Krauss; "New York: Heroic City," by Rosetta Brooks; "A Hunger for Imagery," an interview with Brooke Alexander; "Graffiti in Well-Lit Rooms," by Suzi Gablik, includes artists statements and brief introductions to artists including Keith Haring, Jean Michel Basquiat, Wasp, Tim Rollins, Futura 2000, and Fab 5 Fred; "Laurie Anderson: Big Science and Little Men," by Stuart Morgan; "Crossing Over: The Streets, Clubs and Art," by Edit deAk; "New York Performs;" "From Dreamgirls to Satyagraha," an interview with Michael Feingold; "On My Efforts," by Richard Foreman; "Beyond the Theatrical Avant-Garde," by Richard Schechner; "Nuclear Theatre," by Bonnie Marranca; "Serialism, Spontaneity and Sass," by Robert Christgau; "Tailored for Television: The World of New York Video," by Arlene Zeichner; "Mean Streets, Dream Structures: New York Film," by J. Hoberman; "Play it Again, Sam: Watching the American Box," by Brian Winston; "The Humours of New York," by Michael Kustow; "Omnivorous Culture," by Christopher Hitchens; "New York Live;" and "ICA:NY Season Calendar." Cover illustration by Liz Dalton.Special issue, "Brand New Yorkm," of The Literary Review published in 1982 and edited by Gillian Greenwood. Contents include: "Editorial," by Lisa Appignanesi; "Between Two New Yorks," by Melvyn Bragg; "Manhattan Letter," by Elizabeth Hardwick; "New York Art: Seven Types of Ambiguity," by Hal Foster; "Urban Kisses," by John Ahearn, Mike Glier, Ken Goodman, Keith Haring, Robert Longo, Judy Rifka, Cindy Sherman; "On Being Scene: New York Fashions Its Steyle," by Michael Sorkin; "Philip Johnson's Post-Modernist Venture;" "Reflecting on Post-Modernism," an interview with Rosalind Krauss; "New York: Heroic City," by Rosetta Brooks; "A Hunger for Imagery," an interview with Brooke Alexander; "Graffiti in Well-Lit Rooms," by Suzi Gablik, includes artists statements and brief introductions to artists including Keith Haring, Jean Michel Basquiat, Wasp, Tim Rollins, Futura 2000, and Fab 5 Fred; "Laurie Anderson: Big Science and Little Men," by Stuart Morgan; "Crossing Over: The Streets, Clubs and Art," by Edit deAk; "New York Performs;" "From Dreamgirls to Satyagraha," an interview with Michael Feingold; "On My Efforts," by Richard Foreman; "Beyond the Theatrical Avant-Garde," by Richard Schechner; "Nuclear Theatre," by Bonnie Marranca; "Serialism, Spontaneity and Sass," by Robert Christgau; "Tailored for Television: The World of New York Video," by Arlene Zeichner; "Mean Streets, Dream Structures: New York Film," by J. Hoberman; "Play it Again, Sam: Watching the American Box," by Brian Winston; "The Humours of New York," by Michael Kustow; "Omnivorous Culture," by Christopher Hitchens; "New York Live" and "ICA:NY Season Calendar." Cover illustration by Liz Dalton. Good / Very Good. Rubbing of covers with light soiling along top edge of recto, bumping of bottom right corner of publication with 4.2 cm. - 7.4 cm. dog-ear to bottom corner of periodical from recto to verso. Additional light handling wear. Contents clean and unmarked.
Edité par Sweet & Maxwell Ltd, 2000
ISBN 10 : 0421744707ISBN 13 : 9780421744707
Vendeur : dsmbooks, Liverpool, Royaume-Uni
Livre
paperback. Etat : Good. Good. book.