Edité par Heinemann Drama, 1995
ISBN 10 : 0435086545 ISBN 13 : 9780435086541
Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.2.
Edité par Heinemann Drama, 1995
ISBN 10 : 0435086480 ISBN 13 : 9780435086480
Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.53.
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Edité par Heinemann Educational Books Ltd., Westport, Connecticut, U.S.A., 1995
ISBN 10 : 0435086499 ISBN 13 : 9780435086497
Vendeur : The Unskoolbookshop, Brattleboro, VT, Etats-Unis
Small Softcover. Etat : Very Good. Very minimal cover wear. Book appears unread -- little or no spine crease. Nice, tight, unmarked copy. One of twelve volumes for the student of Shakespeare, whether in the theatre class or the literature class, for the actors, and for the directors. Book.
Edité par Heinemann Educational Books Ltd., Westport, Connecticut, U.S.A., 1995
ISBN 10 : 0435086472 ISBN 13 : 9780435086473
Vendeur : The Unskoolbookshop, Brattleboro, VT, Etats-Unis
Small Softcover. Etat : Very Good. Very minimal cover wear. Book appears unread -- little or no spine crease. Nice, tight, unmarked copy. One of twelve volumes for the student of Shakespeare, whether in the theatre class or the literature class, for the actors, and for the directors. Book.
Edité par Published by Nick Hern Books, 14 Larden Road, London First Thus Edition 1993., 1993
Vendeur : Little Stour Books PBFA Member, Canterbury, Royaume-Uni
Membre d'association : PBFA
Edition originale
First edition in publisher's original card wrap covers [soft back]. 8vo. 6½'' x 4½''. Contains 125 printed pages of text. In Fine condition, unused new book, no dust wrapper as issued. Member of the P.B.F.A. ISBN 1854591576 SHAKESPEARE, William.
Edité par Published by Cambridge at the University Press . London 1941., 1941
Vendeur : Little Stour Books PBFA Member, Canterbury, Royaume-Uni
Membre d'association : PBFA
Hard back binding in publisher's original aqua green cloth covers, gilt lettering to the spine. 8vo 8½'' x 6'' 410 pp. Small name to the front paste down, without any foxing. Very Good condition book, in Good condition dust wrapper with small tears to the spine tips and corners, not price clipped 12s 6d. Dust wrapper supplied in archive acetate film protection, this protects and prolongs the life of the paper, it is not adhered to the book or to the dust wrapper. Member of the P.B.F.A. SHAKESPEARE, William.
Edité par Published by Cambridge at the University Press . 1946., 1946
Vendeur : Little Stour Books PBFA Member, Canterbury, Royaume-Uni
Membre d'association : PBFA
Hard back binding in publisher's original slate blue buckram covers, gilt lettering to the spine. 8vo 8½'' x 6''. Contains 410 pp. Small bookplate to the front paste down, without any foxing. Very Good condition book, in Good condition dust wrapper with small tears to the spine tips and corners, not price clipped 15s. Dust wrapper supplied in archive acetate film protection. Member of the P.B.F.A. SHAKESPEARE, William.
Edité par BiblioBazaar, 2009
ISBN 10 : 1116849100 ISBN 13 : 9781116849103
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. 142 pages. 10.00x7.50x0.31 inches. This item is printed on demand.
Vendeur : Vangsgaards Antikvariat Aps, Copenhagen, Danemark
2 volumes. Princeton University Press, NJ 1947. Second printing. VIII+543 + VIII+449 pages. Publisher's cloth with dust wrappers. Fine/near fine-.
Date d'édition : 2024
Vendeur : Gyan Books Pvt. Ltd., Delhi, Inde
Leather Bound. Etat : New. Language: English. This book is available in 5 different Leather color without any extra cost. Explore More Options by Clicking on 'More Images' and Notify Us of Your Choice via Email within 24 hours of placing the order. Presenting an Exquisite Leather-Bound Edition, expertly crafted by the prestigious organization "Rare Biblio" with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1912. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: - 138, Print on Demand. If it is a multi-volume set, then it is only a single volume. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 138.
Date d'édition : 2024
Vendeur : Gyan Books Pvt. Ltd., Delhi, Inde
Leather Bound. Etat : New. Language: English. This book is available in 5 different Leather color without any extra cost. Explore More Options by Clicking on 'More Images' and Notify Us of Your Choice via Email within 24 hours of placing the order. Presenting an Exquisite Leather-Bound Edition, expertly crafted by the prestigious organization "Rare Biblio" with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1912. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: - 152, Print on Demand. If it is a multi-volume set, then it is only a single volume. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 152.
Edité par B.T. Batsford, London, 1958
Vendeur : Rosley Books est. 2000, WIGTON, Royaume-Uni
Hardcover. Etat : Near Fine. New Edition. LONDON : 1958. [ First published in 1930.]. Hardback. Vol. 2 of 2. Dark-blue cloth; gilt lettered and ruled spine. In grey printed dust-jacket (not price-clipped (32s). Title-page printed in red and black. Neat owner name; no internal markings. Bright, tight and clean. Jacket clean with a hint of wear and slight dulling to its spine. NEAR FINE in VG+ jacket; now in a clear protective sleeve. (viii), 449 pages. CONTENTS: Vol, 2. Othello. -- Coriolanus. -- Romeo and Juliet. -- Julius Caesar. -- Love's labour's lost. 8vo. **Will be well-packed for posting/shipping**. [ Rosley Books for Antiquarian books, CHS, Cumberland, Everyman, GKC, Inklings, Keswick, Literature, MacDonald, Rarities, Theology and History.] SCARCE.
Edité par Heinemann Drama, 1995
ISBN 10 : 0435086553 ISBN 13 : 9780435086558
Vendeur : Best and Fastest Books, Wantage, NJ, Etats-Unis
Etat : Good. Some last pages and back cover has water staining. Good solid paperback with moderate reading/age wear, may have some light markings, pages may have some mild tanning. We take great pride in accurately describing the condition of our books and media, ship within 48 hours, and offer a 100% money back guarantee. Customers purchasing more than one item from us may be entitled to a shipping discount.
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Edité par London, Sidgwick & Jackson., 1949
Vendeur : Inanna Rare Books Ltd., Skibbereen, CORK, Irlande
Seventh Impression. 13 cm x 19 cm. 231 Pages. Original Hardcover with illustrated dustjacket in protective Mylar. Very good condition with only very minor signs of external wear. Damp marks on the upper parts of the covers. [First Series]. Includes for example the following essays: The Study and the Stage / Shakespeare's Stagecraft / The Convention of Place / The Speaking of the Verse / The Boy-Actress / Costume / The Integration of Text / The Producer's Problem / The Method of the Acting / The Music / The Characters / etc. Sprache: english.
Edité par London, 1924
Vendeur : MW Books, New York, NY, Etats-Unis
Signé
Limited Facsimile Edition. Good cloth copy in a good if somewhat edge-torn (with some loss) and dust-toned dust-wrapper. Remains quite well-preserved overall; tight, bright, clean and strong. Physical description; 99 p. [5] leaves of plates : ill. (part col.) ; 33 cm. Notes; "The introductions are by Mr. Harley Granville-Barker. The volumes have been printed at the Shakespeare Head Press, Stratford-upon-Avon, under the direction of Mr B. H. Newdigate, and the coloured illustrations have been carried out in facsimile collotype by Messrs Whittingham & Griggs. The line blocks are by Mr Emery Walker. The edition is under the art-editorship of Mr. Albert Rutherston. This volume is illustrated by Mr. Albert Rutherston." -- colophon. "There are two editions. The one, strictly limited to one hundred signed copies for sale and six copies not for sale, numbered repectively 1 to 100 and I to VI, is printed on Batchelor's Kelmscott hand-made paper and bound either in vellum or in oasis morocco by Zaehnsdorf. The other edition, printed on pure rag paper, is strictly limited to four hundred and fifty copies for sale and fifty copies not for sale, numbered respectively 101 to 550 and VII to LVI, of which this is number 529." -- colophon. Title page in red and black. With half-title page. Subjects; Shakespeare, William (1564-1616) Bibliography Folios. 1623. English drama Early modern and Elizabethan, (1500- 1600). Love. Genres; Bibliography. Drama. Illustrated. 1 Kg.
Edité par London, 1924
Vendeur : MW Books Ltd., Galway, Irlande
Signé
Limited Facsimile Edition. Good cloth copy in a good if somewhat edge-torn (with some loss) and dust-toned dust-wrapper. Remains quite well-preserved overall; tight, bright, clean and strong. Physical description; 99 p. [5] leaves of plates : ill. (part col.) ; 33 cm. Notes; "The introductions are by Mr. Harley Granville-Barker. The volumes have been printed at the Shakespeare Head Press, Stratford-upon-Avon, under the direction of Mr B. H. Newdigate, and the coloured illustrations have been carried out in facsimile collotype by Messrs Whittingham & Griggs. The line blocks are by Mr Emery Walker. The edition is under the art-editorship of Mr. Albert Rutherston. This volume is illustrated by Mr. Albert Rutherston." -- colophon. "There are two editions. The one, strictly limited to one hundred signed copies for sale and six copies not for sale, numbered repectively 1 to 100 and I to VI, is printed on Batchelor's Kelmscott hand-made paper and bound either in vellum or in oasis morocco by Zaehnsdorf. The other edition, printed on pure rag paper, is strictly limited to four hundred and fifty copies for sale and fifty copies not for sale, numbered respectively 101 to 550 and VII to LVI, of which this is number 529." -- colophon. Title page in red and black. With half-title page. Subjects; Shakespeare, William (1564-1616) Bibliography Folios. 1623. English drama Early modern and Elizabethan, (1500- 1600). Love. Genres; Bibliography. Drama. Illustrated. 1 Kg.
Edité par Uniform. Without date or place. But one with reference to Wolfit's 'Lear', 1944
Vendeur : Richard M. Ford Ltd, London, Royaume-Uni
Manuscrit / Papier ancien
Three typescripts from the papers of Lillah McCarthy (Lady Keeble). The first two both apparently unpublished are full of interest: they gives personal reminiscences of her work with William Poel, the 'pioneer of modern Shakespeare production', whom she considered the greatest influence on her career. She describes Poel's working methods, his lecture style, rehearsals, use of make up, modern influence (with reminiscences about Wolfit and Olivier), and even his death, at which she was present. The second item discusses Irving, with reference to those of his productions which she attended, and a meeting with him. The Poel items are 9 &8pp., the Irving, 4pp. 4toThe three items uniform in layout and paper stock, each printed on rectos and paginated, and each with the leaves stapled together at one corner. The three in good condition, lightly aged. All three items are scarce: no copies are listed on OCLC WorldCat, and the only copy of Item One traced is noted in Claris Glick, 'William Poel: His Theories and Influence' (1964), as at the 'Royal Shakespeare Library' (now part of the Birmingham Shakespeare Library?). ONE: 'NOTES FROM MEMORY OF WILLIAM POEL. | by Lillah McCarthy. (Lady Keeble).' 9pp, 4to. Begins: 'WILLIAM POEL 1895. | Director, Lecturer and Teacher of the Shakespeare Reading Society which still exists. | Founder, Director and Producer of the Elizabethan Stage Society.' Poel was, McCarthy begins, 'pre-eminently a keen Elizabethan scholar: his special subject: Shakespeare. His ambition was to produce Shakespeare's plays as they were produced and acted in Shakespeare's time, with the Apron Stage and the set scene. But as actresses were and had been very popular William Poel had no need to resort only to boy actors as in Shakespeare's day. Delivery of the verse, rapid and clear: perfect diction, rhythm, voice strong and resonant. | Gestures to be employed sparingly, only when really necessary to the action of play, but then strong and definite.' There follows a section on 'Make Up', with descriptions of that used for Lady Macbeth, Viola and Olivia. Of Lady Macbeth she writes: 'The hair or wig no matter what colour was needed for the part. The forehead must be built up high and broad. Hair dressed high, well back from the ears, swept high from the forehead and up from the neck.' Sections follow on 'Carriage Style' and 'Costumes'. She next turns to Poel's activities around the time when she became a member of the Shakespeare Reading Society in 1895. During weekly lectures Poel 'would stand at his desk on the platform and declare in emphatic tones his determination to get a public together that could appreciate Shakespeare for the genius as a playwright. | There was nothing academic about Poel's way of lecturing. He spoke excitedly, passionately and often violently.' She recalls how she took the part of Romeo in one of Poel's public readings: 'We the actors used to sit in a semi-circle in the way that the Theatre Francaise Presented Moliere, each of us standing up when our turn came. Though we knew our parts by heart; Poel saw to that we had to have the book in our hands because it was a "reading".' A page and a half are devoted to Poel's 'Rehearsals', during which he was 'ruthless': 'He rehearsed each of us one at a time. We were made to repeat after him our lines until we had got the rhythm and then the right expression of the passion or the tenderness or other essential of the part which the character demanded.' She performed three Shakespeare parts under Poel's direction, and 'also played the leading part in his production of Swinburne's LOCRINE. He also produced THE BACCHAE in which I played DIONYSUS.' She recalls how the Greek scholar Gilbert Murray, whose translation was used, was present at rehearsals. Returning to Shakespeare, she gives numerous examples of how 'Poel insisted on the YOUTH of Shakespeare's leading characters': 'Youth was exuberant in Shakespeare and old age only a dim background.' She states that while Poel 'was a lion and a tiger' at rehearsals, 'he was in himself charming, sensitive and kind. Never violent off stage but a fury on the lecture platform . . . A man of passionate beliefs and yet gentle withal. I, like every one of his pupils, am entirely grateful to Poel and every one of us recognised that he was a great master.' She explains why 'Poel's rehearsing of "Macbeth" was the most tremendous dramatic experience I have ever known.' She recounts how she was 'with him during his last days in his little home at Putney were he made poverty gracious. He died from bronchitis and wilst sleeping. Sitting by his side, looking at his beautiful sensitive face, I watched the power which had sustained the great pioneer ebb slowly away [] Poel was always a poor man, but he lived a rich life a Shakespearean life and he looked the part; a reincarnation of Shakespeare. His was a great achievement: to have made the British public of the declining years of the last century alive to the beauty of Shakespeare.' In a long footnote she describes how '[t]he influence of Poel is seen today in the acting of, among others, Donald Wolfit and Lawrence Olivier'. She describes an exchange with Wolfit after his 1944 'Lear' ('the finest I have ever seen'), and states that [in the celebrated 1935 production] 'Olivier WAS Romeo: Youth in love.' She also describes a conversation with 'Elsie Fogerty, the Founder and Principal of the Central School of Speech-training and Dramatic Art' on Olivier's performance. Poel's 'methods of production' were, she states, 'adopted at St. James's and Savoy Theatres [] but the 1914 war put a stop to all that'. TWO: 'SIR HENRY IRVING | in 1895 | from memory by Lillah McCarthy.' 4pp., 4to. Begins: 'Sir Henry Irving, so far as I remember, had no jealousy, nor prejudice. He encouraged and helped all members of his profession. I was a student under the direction of William Poel, who was at that time director of the Shakespeare Reading Society. Willia.
Edité par London: printed at the Shakespeare Head Press for Ernest Benn, 1923
Vendeur : Sequitur Books, Boonsboro, MD, Etats-Unis
Membre d'association : IOBA
Hardcover. Etat : Good. 5 volumes of 7. Folio. Hardcovers. Limited edition, Nos. 181 of 500. Colored plates in rear of each volume. Two volumes in original dust jackets. Rubbing, spotting to spine, staining to dust jackets. Internally very good. Includes: [v. 1] The tragedie of Julius Caesar. 1925.--[v. 2] The tragedie of Cymbeline. 1923.--[v. 3] The tragedie of Macbeth. 1923.--[v. 4] The merchant of Venice. 1923.--[v. 6] Loves labour's lost. 1924. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.
Cloth. Etat : Near Fine. Charles Ricketts (illustrateur). An exceptionally lovely copy of this Limited Edition production of Shakespeare's Scottish play, illustrated by Charles Ricketts. A bright, Limited Edition copy of Shakespeare's iconic tragedy, this is number five-hundred and twenty-eight of five-hundred and fifty limited edition copies produced, with the text taken from the first folio of 1623.Illustrated with twelve plates, including eight facsimile collotype plates, of decor and costume design by British illustrator and artist Charles Ricketts. Collated, complete.With an introduction to the play from Harley Granville-Barker. In the publisher's original cloth backed paper covered boards. Minor light tide marks to back strip head and tail, otherwise externally fine. Internally, firmly bound. Pages clean and bright. Near Fine. book.
Edité par Ernest Benn Limited, London, 1924
Vendeur : ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, Etats-Unis
Hardcover. Etat : Nearly Fine. Limited edition. Royal quarto. liii, [3], 71, [1, blank], 32 (The Drawings; The Plates in Colour), [1, colophon] pp. Title in red and black; 5 color plates in facsimile collotype; 9 line block prints (on 5 pages). Full vellum (lightly soiled; small defect at the upper joint), richly ornamened and ruled in gilt and blind; spine lettered in gilt; top edge gilt, other edges untrimmed. Covers slighly bowed; a touch of light foxing at the front end-leaf, else a fine copy. Signed, limited edition, printed at the Shakespeare Head Press, Stratford-upon-Avon. The text is based on the First Folio edition of Shakespeare, with occasional concessions to modern orthography. An unnumbered out-of-series copy, it is, like the 106 numbered copies of the deluxe edition, printed on Batchelor's Kelmscott handmade paper and bound in vellum by Zaehnsdorf, with the signatures of the illustrator Paul Nash, the author of the introduction Harley Granville-Barker, and the art editor Albert Rutherston facing the publisher's advertisement. (An additional 550 unsigned, numbered trade copies were issued in linen-backed boards and printed on cotton rag paper.) The illustrations by Paul Nash comprise set designs and a leaf with costumes for some of the characters. The line blocks were prepared by Emery Walker. One of seven plays in The Players' Shakespeare series, published between 1923 and 1927: Cymbeline; The Merchant of Venice; Macbeth; Loves Labour's Lost; A Midsommer Nights Dreame; Julius Caesar; King Lear. Provenance: Bookplate of Luella and Sam Maslon.