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Edité par Distributed Art Pub Inc, 1994
ISBN 10 : 1885490003ISBN 13 : 9781885490001
Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Livre
Etat : Good. Used book that is in clean, average condition without any missing pages.
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Edité par Bloomsbury, New York, 2017
ISBN 10 : 1632865297ISBN 13 : 9781632865298
Vendeur : Champ & Mabel Collectibles, San Pedro, CA, Etats-Unis
Livre Edition originale
Hardcover. Etat : Very good. Etat de la jaquette : very good. First Edition. [xx], 312p. 1st printing. Jacket edges lightly worn. Autobiography by the cofounder of the influential Ferus Gallery in Los Angeles. B&w photographs and 8 leaves of color plates. (9-5/8"x6-3/8").
Edité par Bloomsbury, New York, 2017
ISBN 10 : 1632865297ISBN 13 : 9781632865298
Vendeur : LEFT COAST BOOKS, Santa Barbara, CA, Etats-Unis
Livre Edition originale
Hardcover. Etat : Very Good. Etat de la jaquette : Fine. 1st. Cloth, xix, 312 pages, illustrations (some colour); 25 cm. Edited by Deborah Treisman, from interviews with Anne Doran. Near fine. Tight, clean copy. Small remainder mark (ink dot)/top edge. Dust jacket protected in a mylar book cover. "An innovative, iconoclastic curator of contemporary art, Walter Hopps founded his first gallery in L.A. at the age of twenty-one. At twenty-four, he opened the Ferus Gallery with then-unknown artist Edward Kienholz, where he turned the spotlight on a new generation of West Coast artists. Ferus was also the first gallery ever to show Andy Warhol's Campbell's Soup Cans and was shut down by the L.A. vice squad for a show of Wallace Berman's edgy art. At the Pasadena Art Museum in the sixties, Hopps mounted the first museum retrospectives of Marcel Duchamp and Joseph Cornell and the first museum exhibition of Pop Art--before it was even known as Pop Art. In 1967, when Hopps became the director of Washington's Corcoran Gallery of Art at age thirty-four, the New York Times hailed him as 'the most gifted museum man on the West Coast (and, in the field of contemporary art, possibly in the nation).' He was also arguably the most unpredictable, an eccentric genius who was chronically late. (His staff at the Corcoran had a button made that said WALTER HOPPS WILL BE HERE IN TWENTY MINUTES.) Erratic in his work habits, he was never erratic in his commitment to art. Hopps died in 2005, after decades at the Menil Collection of art in Houston for which he was the founding director. A few years before that, he began work on this book, a vivid, personal, surprising, irreverent, and enlightening account of his life and of some of the greatest artistic minds of the twentieth century." - Publisher. Size: 8vo.
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Trouvez également Edition originale
Edité par Hatje Cantz Publishers, 2001
ISBN 10 : 3775710302ISBN 13 : 9783775710305
Vendeur : Powell's Bookstores Chicago, ABAA, Chicago, IL, Etats-Unis
Livre
Etat : Used - Very Good. 2001. Quarto. 320 pp. Profusely illustrated. Mild shelf wear to wraps. Altogether a copy in Very Good condition.
Edité par Hatje Cantz, 2001
ISBN 10 : 3775710299ISBN 13 : 9783775710299
Vendeur : Antiquariat UEBUE, Zürich, Suisse
Livre Edition originale
Softcover. Etat : Sehr gut. 1. Auflage. Z : 320 Seiten, 455 Abb. 23 x 30 cm - Die vielfältigen Aktivitäten der nahezu fünfzigjährigen Karriere von Dennis Hopper, die subtilen Verbindungen zwischen den einzelnen Genres bündelt nun zum ersten Mal eine umfassende Publikation - »A System of Moments«, eine kaleidoskopische Dokumentation von Malerei, Fotografie, Film und Leben. Erstmals werden auch neueste Fotoarbeiten gezeigt, die nach einer längeren Schaffenspause in den neunziger Jahren entstanden sind: großformatige, quasi abstrakte Bilder mit urbanen Motiven, seltsam bedrohliche Ausschnitte von Graffiti-bemalten Mauern oder dichte Texturbilder mit reichen Farbschattierungen und fast taktilen Oberflächen.
Edité par Gagosian Gallery & Rizzoli International Publications, Inc., New York, 1993
ISBN 10 : 084781730XISBN 13 : 9780847817306
Vendeur : Arcana: Books on the Arts, Culver City, CA, Etats-Unis
Membre d'association : ESA
Livre Edition originale
Pictorial Self-Wrappers. Etat : As New. First Edition. 110pp, 28 b&w and 27 color illustrations. Tony Morgan / Step Graphics. This is the beautifully produced catalogue issued in conjunction with a 1993 Gagosian show of late sixties liquiform word paintings by Ed Ruscha. Each of the twenty-seven exhibited works is reproduced, and it includes the transcript of an interview between the artist and the late, great Walter Hopps. A brand new, pristine example still in the publisher's shrinkwrap. Artist Monograph.
Edité par GAGOSIAN GALLERY/STEIDL VERLAG., GOTTINGEN, 2003
Vendeur : WAVERLEY BOOKS ABAA, Santa Monica, CA, Etats-Unis
Edition originale
Gathered Signatures. Etat : Fine. Etat de la jaquette : No Dust Jacket. First Edition. UNCORRECTED PROOF, consisting of unbound folded and gathered signatures. One of 3 sets produced prior to publication for purposes of final proofing, sent by the printer to Ruscha's office. The recipients included the artist, the editor & the designer. The contents are fine. Card slipcase it came with is broken at one corner while still serviceable. First volume in a projected five-volume series. Features 137 paintings in full color. Also bibliography, exhibition history & biographical chronology. ; 10" x 12"X 11 1/2".
Edité par Gagosian Gallery and Steidl Verlag, New York and Göttingen, Germany, 2003
ISBN 10 : 3882439726ISBN 13 : 9783882439724
Vendeur : Vincent Borrelli, Bookseller, Albuquerque, NM, Etats-Unis
Livre Edition originale
Hardcover. Etat : Fine. 1st Edition. First edition, first printing. Hardcover. Fine slate green cloth-covered boards, with title stamped in silver on cover and spine, no dust jacket as issued; contained in a heavy gray cardboard slipcase with title stamped in silver on both sides. Paintings by Edward Ruscha. Essays by Walter Hopps and Yve-Alain Bois. Edited by Pat Poncy. Includes comprehensive catalogue entries, chronology, exhibition history and bibliography. Designed by Bruce Mau, Bruce Mau Design, Inc., Toronto, with Julie Fry, Judith McKay, Amanda Sebris, Petra Chevrier and Catherine Rix. 446 pp., with 5 two-page gatefolds, 161 four-color and 10 black and white plates, beautifully printed by Steidl on Scheufelen Job Parilux paper. Book 11-5/8 x 9-5/8 inches; slipcase 12-1/8 x 10 inches. Fine. From the publisher: "Switching to a career in fine art from his dream of becoming a commercial artist, Ed Ruscha first came into prominence in the early 60s with his large word paintings and paintings of commercial icons, such as 20th Century Fox and Standard Station, that related in manner and style to the nascent Pop art movement. Drawing on a variety of sources that also included his own drawings, prints, and artist's books, Ruscha was often associated with the west coast cool style, but ultimately his work confounded the art world with its sly and elusive sense of deadpan humor, as seen in his series of bird paintings and in the liquid word paintings that rounded out the decade. The Edward Ruscha Catalogue Raisonné of Paintings is a five-volume series under the general editorship of the Gagosian Gallery, and is a co-publication between Gagosian Gallery and Steidl Verlag. Volume One, on offer here, contains 137 paintings printed in full color from Ruscha's student period to the Pop- and Conceptual-inflected word paintings of the 60s. The catalogue includes a comprehensive exhibition history, bibliography, and biographical chronology, as well as an appreciation by former Menil Collection director Walter Hopps and an essay exploring Ruscha's pioneering use of language as a subject matter by art historian Yve-Alain Bois of Harvard University. Set in Franklin Book type and printed on acid-free, 170-gram Job Parilux paper, each volume of the catalogue has a stitched binding and a cloth cover with silver-colored embossing protected by an embossed slipcase. Specifications for subsequent volumes are the same. All reproductions were converted to digital form, thanks to which process it has been possible to restore the reproductions of long-lost paintings. Ed Ruscha was born in Omaha, Nebraska in 1937 and grew up in Oklahoma City, Oklahoma from 1941 to 1956. He moved to Los Angeles, California and attended the Chouinard Art Institute from 1956 to 1960. His work has been exhibited internationally and is represented in major museums and private collections throughout the world. In 2001, Ruscha was elected to The American Academy of Arts and Letters as a member of the Department of Art.".
Edité par Gagosian Gallery and Steidl Verlag, New York and Göttingen, Germany, 2003
ISBN 10 : 3882439726ISBN 13 : 9783882439724
Vendeur : Vincent Borrelli, Bookseller, Albuquerque, NM, Etats-Unis
Livre Edition originale Signé
Hardcover. Etat : Fine. 1st Edition. First edition, first printing. Boldly signed in black marker on the half-title page by Ruscha. Hardcover. Fine slate green cloth-covered boards, with title stamped in silver on cover and spine, no dust jacket as issued; contained in a heavy gray cardboard slipcase with title stamped in silver on both sides. Paintings by Edward Ruscha. Essays by Walter Hopps and Yve-Alain Bois. Edited by Pat Poncy. Includes comprehensive catalogue entries, chronology, exhibition history and bibliography. Designed by Bruce Mau, Bruce Mau Design, Inc., Toronto, with Julie Fry, Judith McKay, Amanda Sebris, Petra Chevrier and Catherine Rix. 446 pp., with 5 two-page gatefolds, 161 four-color and 10 black and white plates, beautifully printed by Steidl on Scheufelen Job Parilux paper. Book 11-5/8 x 9-5/8 inches; slipcase 12-1/8 x 10 inches. Fine in Fine slipcase. From the publisher: "Switching to a career in fine art from his dream of becoming a commercial artist, Ed Ruscha first came into prominence in the early 60s with his large word paintings and paintings of commercial icons, such as 20th Century Fox and Standard Station, that related in manner and style to the nascent Pop art movement. Drawing on a variety of sources that also included his own drawings, prints, and artist's books, Ruscha was often associated with the west coast cool style, but ultimately his work confounded the art world with its sly and elusive sense of deadpan humor, as seen in his series of bird paintings and in the liquid word paintings that rounded out the decade. The Edward Ruscha Catalogue Raisonné of Paintings is a five-volume series under the general editorship of the Gagosian Gallery, and is a co-publication between Gagosian Gallery and Steidl Verlag.Volume One, on offer here, contains 137 paintings printed in full color from Ruscha's student period to the Pop- and Conceptual-inflected word paintings of the 60s. The catalogue includes a comprehensive exhibition history, bibliography, and biographical chronology, as well as an appreciation by former Menil Collection director Walter Hopps and an essay exploring Ruscha's pioneering use of language as a subject matter by art historian Yve-Alain Bois of Harvard University. Set in Franklin Book type and printed on acid-free, 170-gram Job Parilux paper, each volume of the catalogue has a stitched binding and a cloth cover with silver-colored embossing protected by an embossed slipcase. Specifications for subsequent volumes are the same. All reproductions were converted to digital form, thanks to which process it has been possible to restore the reproductions of long-lost paintings. Ed Ruscha was born in Omaha, Nebraska in 1937 and grew up in Oklahoma City, Oklahoma from 1941 to 1956. He moved to Los Angeles, California and attended the Chouinard Art Institute from 1956 to 1960. His work has been exhibited internationally and is represented in major museums and private collections throughout the world. In 2001, Ruscha was elected to The American Academy of Arts and Letters as a member of the Department of Art." Signed by Author.
Edité par Pasadena Art Museum, 1962
Vendeur : ANARTIST, New York, NY, Etats-Unis
Signé
Five original 8 1/2 x 11 inch mimeograph prints including: 1) Ed Ruscha Division on light blue paper 2) Joe Goode image of milk bottles on yellow paper 3) Jim Dine image of necktie on salmon paper 4) Robert Dowd image of postage stamp on light green paper 5) Phillip Hefferton image of paper clip on light green paper. Very good condition except tiny indents to the prints about the size of a staple; some light fading and discoloration to some of the images as is common with mimeograph prints; tiny tear to top edge of Ruscha print. The New Painting of Common Objects is often considered the first museum exhibition of Pop Art. The exhibition was curated by Walter Hopps at the Pasadena Art Museum from Sept 25-Oct 19 1962. The show included: Jim Dine, Robert Dowd, Joe Goode, Phillip Hefferton, Roy Lichtenstein, Edward Ruscha, Wayne Thiebaud, and Andy Warhol. Ruscha designed a poster for the exhibition, and all of the artists except Warhol, Lichtenstein and Thiebaud produced a mimeograph print that was included in a simple white envelope with a title label and sent out to select few with a folded copy of the poster. Offered are a complete set of the 5 original prints. A xerox of the front cover of the original envelope is also provided. The Ruscha poster is not included but a facsimile of the poster may still be available from the Norton Simon Museum. A Pop art rarity.