Type d'article
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Edité par Berlin, Berliner Künstlerprogramm DAAD / Paris, Centre Georges Pompidou, 1976
Vendeur : Pallas Books Antiquarian Booksellers, Leiden, Pays-Bas
paperbound, 4to ca. 75 pp., ca. 100 ills. text in English, German and French; photographic retrospective of Kienholz's ART SHOWS; human scuptures, performances; LIKE NEW condition.
Edité par Paris Centre Pompidou and Berliner Kunstlerprogramm DAAD, 1977
Vendeur : ANARTIST, New York, NY, Etats-Unis
Softcover exhibition catalog, unpaginated; in English, German and French; very good condition; light rubbing to covers; first page has small tear and crumple at upper right corner; no internal marks. Foreign shipping may be extra.
Vendeur : Hatt Rare Books ILAB & CINOA, Hägersten, Suède
Original cloth-backed boards. Fine. Provenance: the joint book collection of Peter Weiss (1916-1982) & Gunilla Palmstierna-Weiss (1928-2022), neatly stamped in 2023. Stockholm, Moderna museet, [1970]. 4to. 27 x 21,4 cms. [168] pp. Richly illustrated. With foldouts throughout. / Text bilingual in Swedish and English. (Moderna museets utställningskatalog 85. / Moderna Museet, Catalogue 85.).
Edité par Centre National d'art et de Culture Georges Pompidou, Paris, 1977
Vendeur : Exquisite Corpse Booksellers, Houston, TX, Etats-Unis
Livre
Wrappers. Etat : Near Fine. Unpaginated (51 pp.), many black and white illustrations. Pictorial wraps. Text is in German, French and English. A chronological presentation of the installation, as it evolved over ten years.
Edité par ICA / Institute of Contemporary Arts, London, 1971
Vendeur : David Bunnett Books, London, Royaume-Uni
Edition originale
SOFTCOVER. 1st Edition. The full catalogue, heavy 4to. in silver embossed stiff card covers, unpaginated, approx. 200pp on various types of paper, 12 fold-out colour plates with interspersed b/w photos, text etc CONDITION: Overlapping cover edges a little rubbed and edge creased FINE, an otherwise well preserved and very clean and tight copy ] ._ __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box._We Ship in PROTECTIVE CARD PARCELS.
Edité par Moderna Museet, Stockhoolm, 1970
Vendeur : Capitol Hill Books, ABAA, Washington, DC, Etats-Unis
Edition originale
Etat : Very Good. Stockholm: Moderna Museet, 1970. First Edition. Quarto (27x21.5x1.5cm); unpaginated [162pp], including biography, chronology, and bibliography. Twelve photographic gatefold spreads, each followed by numerous full-page B&W photographs. Text in parallel Swedish and English. Deliberately rudimentary stab-stapled binding covered in binder's tape, with coated card front and thick cardboard back, as designed and published. Textblock in repeated sequences, each beginning with a gatefold on coated paper, followed by a textual page on yellow wove paper, followed by a sequence of B&W stills for 12 tableaux. The binder's tape serving as spine is peeling (about 1.5cm) at crown and foot, but this is probably as much a desired outcome for Kienholz and Pontus Hultén as anything. Some rubbing to front surface, but otherwise unmarred and unmarked. Edward Kienholz (1927-1994) was an American installation and sculptural tableau artist, and a sardonic, sometimes gruesome, critic of modern life. Pontus Hultén (1924-2006), curator of this show, would go on to create major shows at the Museum of Modern Art in New York, and to become the first director of the Pompidou Center in Paris. He remains renowned for his funky and eccentric exhibition catalogs, bound in atypical ways, of which this is an early example. This volume is the catalog of the Kienholz exhibition held at the Moderna Museet in Stockholm from 17 January to 1 March 1970, and traveling afterward to Amsterdam, Düsseldorf, Paris, and London.
Edité par Dusseldorf (Düsseldorf), Stadtische Kunsthalle, Germany, 1970
Vendeur : Conover Books, Martinsville, VA, Etats-Unis
Edition originale
Metal Frame. Etat : Good-. First Edition. Edge and corner wear; scuffed and scratched; corners and edges are dogeared; shelf worn; ex-library with the usual library markings; overall a still a nice collectible used copy! Very very rare and hard-to-find title! Book is in a metal frame with a vinyl cover. 141 historical and artistic pages! Extremely rare and out-of-print first edition! Text is in English and German. Size: 4to - over 9¾" - 12" tall. Hardcover.
Edité par Moderna Museet, Stockholm, 1970
Vendeur : Thomas A. Goldwasser Rare Books (ABAA), CHESTER, CT, Etats-Unis
Edition originale
First edition. 27 x 21.5 cm; 168 pages, Swedish and English text. Stiff wrappers with cloth spine, slightly rubbed, else fine.
Edité par Stadtische Kunsthalle, Düsseldorf-Germany, 1970
Vendeur : °ART...on paper - 20th Century Art Books, Lugano, Suisse
Membre d'association : ILAB
Livre Edition originale
Soft cover. Etat : Very Good. 1st Edition. 4° - Unpaginated, Book is in a metal frame with a vinyl cover. 141 historical and artistic pages Extremely rare and out-of-print first edition. Text is in English and German. Edward Ralph Kienholz (October 23, 1927 June 10, 1994) was an American installation artist and assemblage sculptor whose work was highly critical of aspects of modern life. From 1972 onwards, he assembled much of his artwork in close collaboration with his artistic partner and fifth wife, Nancy Reddin Kienholz. Throughout much of their career, the work of the Kienholzes was more appreciated in Europe than in their native United States, though American museums have featured their art more prominently since the 1990s. Art critic Brian Sewell called Edward Kienholz "the least known, most neglected and forgotten American artist of Jack Kerouac's Beat Generation of the 1950s, a contemporary of the writers Allen Ginsberg, William Burroughs and Norman Mailer, his visual imagery at least as grim, gritty, sordid and depressing as their literary vocabulary".
Edité par Zürich/London, Kunsthaus Zürich / Institute of Contemporary Arts, Nash House, 1971
Vendeur : Antiquariat Uhlmann, Zürich, Suisse
Edition originale Signé
Brosch. 4°, o. P.: ca. 20 Bl. Texte u. 141 Abb. auf Tafeln (davon 11 farbig u. gefaltet). EInband am Rücken gebräunt u. tlw. berieben, etw. fleckig u. in 2 Ecken knickspurig, Papier min. gebräunt. EA. Mit Widmung des Künstlers in schwarzem Kugelschreiber an den Schweizer Ausstellungsmacher und Kunstpublizisten John Matheson auf Titelblatt (datiert 1971). Beiliegend 4 Originalabzüge von (Detail-)Fotografien von «Tableaus» (ca. 16 x 20 cm), verso mit Stempel des Fotografen Walter Dräyer, Zürich. 11 «Tableaus» und die «Konzepttableaus». Die Kommentare (dt./engl.) basierend auf einem «Tonbandinterview [. . .], das Pontus Hultén im November 1969 bei Kienholz in Los Angeles aufgenommen hat». Erschienen zu den Ausstellungen Zürich, London u. a. O.