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Edité par (New York: The Jewish Museum, 1970). 1970)., 1970
Vendeur : Blue Mountain Books & Manuscripts, Ltd., Cadyville, NY, Etats-Unis
Etat : Very good. (New York: The Jewish Museum, 1970). 1970). Very good. - Quarto [10 inches high by 8-3/4 inches wide], softcover bound in pictorial black, gray & yellow wrappers. The wraps are lightly rubbed & slightly bumped with a few tiny, light stains to the front wrap. [20] pages, including 16 pages of black-and-white illustrations & with the text printed on yellow stock. Very good. Laid in are an original black-and- white 10" x 7" photograph of one of the sculptures in an outdoor setting and a mechannically reproduced copy of a handwritten note, apparently from the sculptor: "Dear 'MK lover' - I think its a very beautiful exhibition. Its through your help that it and the catalogue (see enclosed) were possible. Accept my sincere thanks. Best / K.?".
Edité par New York: Nohra Haime Gallery, New York, 1990
Vendeur : PONCE A TIME BOOKS, SANTA BARBARA, CA, Etats-Unis
0 Includes illustrations. Very good. light shelf wear, ex museum stamp.
Edité par Tel Aviv Museum, 1981
Vendeur : Raritan River Books, Philadelphia, PA, Etats-Unis
Paperback. Etat : Good. Paperback. Binding sound, text clean, moderate shelfwear to covers. 32-page, color illustrated exhibition catalogue, oversize. English and Hebrew texts. Hard-to-find title. Heavy book: priority or international shipping may be extra. Book.
Edité par New York: Jewish Museum / Brazil: 18th Biennale of Sao Paulo, 1985
Vendeur : ANARTIST, New York, NY, Etats-Unis
Softcover exhibition catalog, 52 pages, fair to poor condition, extensive brown stain across spine into parts of front and back cover, seeps into top and bottom corners of internal pages near spine; but does not affect images or text; with b/w and color reproductions.
Edité par Nohra Haime Gallery, New York, 1989
Vendeur : Ann Becker, Houston, TX, Etats-Unis
Hardcover. Etat : Good. Etat de la jaquette : No Dust Jacket.
Edité par New York, Selbstverlag, 1990
Vendeur : Antiquariat Neue Kritik, Frankfurt am Main, Allemagne
Livre
Etat : Gut. 4 nn. Seiten, 24 Bildseiten (jeweils mit Farbfoto), 11 nn. Seiten, Gutes Exemplar mit leichten Alters- und Gebrauchsspuren. Sprache: Englisch Gewicht in Gramm: 450 geheftete, farbig fotoillustr. Broschur. 27 x 23 cm.
Edité par Dunkelman Gallery, Toronto Ont., 1968
Vendeur : Colin Martin Books, Near Hull, EY, Royaume-Uni
Paperback. Etat : Fine. A sheet of card folded into 4 pages, 13 catalogue entries, brief biography and exhibition chronology. 4 illustrations. A Fine copy. Book.
Edité par Nohra Haime Gallery, New York, 1988
Vendeur : Antiquarian Bookshop, Washington, DC, Etats-Unis
Edition originale
Stiff Wrappers. Etat : Near Fine. First Edition. New York: Near Fine. 1988. First Edition. A lovely catalogue with color photographs of Kadishman's sculpture and paintings. This book from the collection of the violinist Isaac Stern [1920-2001] -- with his "chop" mark in Chinese characters at the rear. (In the Oscar-winning documentary of his 1979 trip to China, "From Mao to Mozart" Maestro Stern is seen receiving the gift of his chop with delight: "No more signing!" From now on, "Chop, Chop, Chop!") Isaac Stern (1920 - 2001) was an American violinist born into a Jewish family in Kremenets, Poland, now Ukraine. Stern came with his family to San Francisco when he was 14 months old. In 1928, he enrolled at the San Francisco Conservatory of Music, where he studied until 1931 before going on to study privately with Louis Persinger. He returned to the San Francisco Conservatory to study for five years with Naoum Blinder. In 1940, Stern began performing with Russian-born pianist Alexander Zakin, collaborating until 1977. Within musical circles, Stern became renowned both for his recordings and for championing certain younger players. Among his discoveries were cellists Yo-Yo Ma and Jian Wang, and violinists Itzhak Perlman and Pinchas Zukerman. Stern toured the Soviet Union in 1951, the first American violinist to do so. In 1967, Stern announced his refusal to return to the USSR until the Soviet regime allowed artists to enter and leave the country freely. His only visit to Germany was in 1999, for a series of master classes, but he never performed publicly in Germany. In the 1960s, he played a major role in saving New York City's Carnegie Hall from demolition, by organising the Citizens' Committee to Save Carnegie Hall. Following the purchase of Carnegie Hall by New York City, the Carnegie Hall Corporation was formed, and Stern was chosen as its first president, a title he held until his death. Carnegie Hall later named its main auditorium in his honor. In 1979, seven years after Richard Nixon made the first official visit by a US president to the country, the People's Republic of China offered Stern and pianist David Golub an unprecedented invitation to tour the country. While there, he collaborated with the China Central Symphony Society (now China National Symphony) under the direction of conductor Li Delun. Their visit was filmed and resulted in the Oscar-winning documentary, From Mao to Mozart: Isaac Stern in China. Stern began performing in the country in 1949 and always maintained a close relationship with the country. In 1973, he performed for wounded Israeli soldiers during the Yom Kippur War. During the 1991 Gulf War and Iraq's Scud missile attacks on Israel, he had been playing in the Jerusalem Theater. During his performance, an air raid siren sounded, causing the audience to panic. Stern then stepped onto the stage and began playing a movement of Bach. The audience then calmed down, donned gas masks, and sat throughout the rest of his performance. Stern was a supporter of several educational projects in Israel, among them the America-Israel Foundation and the Jerusalem Music Center. ; Experience the pleasure of reading and appreciating this actual printed item. It has its own physical history that imbues it with a character lacking in ephemeral electronic renderings. . ; Art and Art History, Most Recent Listing, Most Recent Listing.
Edité par Galerie im Prediger, Schwäbisch Gmünd, 2003
ISBN 10 : 3980729788ISBN 13 : 9783980729789
Vendeur : Antiquariat Johann Forster, Friedenweiler, BW, Allemagne
Livre
OKart., Etat : in bestem Zustand. (s. Foto). Schwäbisch Gmünd, Galerie im Prediger, 2003. 4°. 80 S. mit vielen Reproduktionen. OKart., in bestem Zustand. (s. Foto). Museumskatalog Nr. 21. Sprache: ger/deu.
Edité par Charta, Milan, Italy, 1999
ISBN 10 : 8881582171ISBN 13 : 9788881582174
Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Livre
Softcover. glued, white pictorial wraps. 134 pgs w/ color & bw illustrations. In parallel German & English. A very nice catalogue on the Israeli sculptor and painter. Includes numerous color plates of the 'Sheep Head' series. Very cool. VG. light toning to cover edges. tight binding. pgs clean.
Edité par Tel Aviv Museum of Art, 1987
Vendeur : Southampton Books, Southampton, NY, Etats-Unis
Edition originale
Trade Paperback. Etat : Like New. First Edition. First Edition, First Printing. Published by Tel Aviv Museum, 1987. Quarto. Pictorial wraps. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Covers have very light shelf wear. Publisher's letter laid in. A fine copy of this collection of works by Menashe Kadishman. Text is in English and Hebrew. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. We Buy Books! Individual titles, libraries, collections. Message us if you have books to sell!.
Edité par Electro Sdar, Tel-Aviv, 1980
Vendeur : Gebrauchtbücherlogistik H.J. Lauterbach, Gummersbach, NRW, Allemagne
Heft. Etat : Gut. 24x22cm ca. 25; ca. 20 farb. Abb. Heft mit Klammern. Sprache: Englisch, Zustand: Gut min. bis gering gebräunt (Innen); Einband (Außen) hat leichte Gebrauchsspuren; Deckel vorne ist oben lichtrandig; Hinterdeckel hat in einem Bereich eine kleine Verfärbung; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.
Edité par London: Annely Juda Fine Art., 1992
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-Unis
Etat : Good. 4to. 23 pp. Very Good. Soft Cover. Illustrated paper wraps. Staple binding. Small bump at head of spine. Color plates throughout. Scarce.ISBN: 1870280369 9781870280365.From the Collection of the Art Historian Peter Selz.
Edité par Tel Aviv: Tel Aviv Museum., 1981
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-Unis
Etat : Good. Folio. 32 pp. Very Good. Soft Cover. Illustrated paper wraps. Staple binding. Color plates throughout. A small perforation on verso runs through the last 5 sheets. Plates fine. Minor curl at top right corner. Text in English and Hebrew. Scarce.From the Collection of the Art Historian Peter Selz.
Edité par Nohra Haime Gallery, New York, 1988
Vendeur : David Bunnett Books, London, Royaume-Uni
Edition originale
SOFTCOVER. Etat : New. No Jacket. 1st Edition. Large 4to. in stiff card covers, unpaginated, approx. 44pp on thick art paper, colour plates, etc CONDITION: An extremely well preserved AS NEW unread and unmarked copy ] ._ __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box._We Ship in PROTECTIVE CARD PARCELS.
Edité par Studio International, London, 1964
Vendeur : William Allen Word & Image, London, Royaume-Uni
Paperback. Etat : Very Good. Book. 307 x 241 mm. Includes articles Art of Israel I : Sculpture.' & Art in Israel II Gallery-Going in Tel Aviv ( features : Pinchas Shaar, Rubin, Naftala Bezem, Bella Brisel, Avshalom Okaski, Shamai Haber, Moshe Schwartz, Yitchak Danziger, Dov Feigin, Igael Tumarkin, Menashe Kadishman, Kosso Elul, Yeheil Shemi). Condition : red biro signature of artist Geoffrey Beaghen to cover, otherwise near fine. vg/nf.
Edité par London. Annely Juda Fine Art 1992. Unpaginiert (24Seiten). Farbige Abbildungen. Sprache: englisch. Format ca. (25,5 x 20,5) cm., 1992
ISBN 10 : 1870280369ISBN 13 : 9781870280365
Vendeur : Antiquariat Bernd Preßler, Ahnatal Weimar, Allemagne
Livre
Guter bis sehr guter Zustand. Softcover. Original geheftet.
Vendeur : Windy City Books, Batavia, IL, Etats-Unis
Livre
Soft cover. Etat : Near Fine. Etat de la jaquette : No Jacket issued. Minor staining and shelf wear to front and back cover. Signed by Menashe Kadishman. Drawing with signature.
Edité par Tel-Aviv, Israel, 1980
Vendeur : Tiber Books, Cockeysville, MD, Etats-Unis
Signé
Paperback. Etat : Very Good. . . . . 8vo, paperback. Presentation copy, SIGNED by the author on the inside back cover, along with a small sketch. Also full-page pen-and-ink sketch, signed by the artist on the inside front cover. Vg condition. Covers slightly age-toned, front cover with a small very light tan stain. Contents clean, no marking or writing. Binding sturdy and tight. Unpaginated (appx 36 pp.), chiefly color illustrations. Signed.
Edité par Tel Aviv: Electro Sdar., 1980
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-Unis
Manuscrit / Papier ancien
Etat : Good. 8vo. 34 pp. Oblong. Very Good. Soft Cover. Typographical stiff paper wraps. Staple binding. Color plates throughout. Light foxing on right edge of front wrap, else fine. Extremely Scarce.From the Collection of the Art Historian Peter Selz (1919-2019).
Edité par MINISTERY OF EDUCATION AND CULTURE, Israel, 1978
Vendeur : BookStore Jerusalem, Jerusalem, Israël
Livre
Soft cover. Etat : Good. 47 pp.; English text; With a dedication by MENASHE KADISHMAN; good condition. Size: 24*22 Cm.
Edité par New York: Jewish Museum / Brazil: 18th Biennale of Sao Paulo, 1985
Vendeur : ANARTIST, New York, NY, Etats-Unis
Signé
Softcover exhibition catalog, 52 pages, very good condition except light scuff to front cover, presentation copy, signed by artist with pen drawing of two kissing sheep on inside front cover, with b/w and color reproductions.
Edité par Edition by Ministry of Education and Culture, Israel, 1978
Vendeur : Libreria de Antano (ILAB & ABA Members), Miami, FL, Etats-Unis
Wrappers. Etat : Good copy. ills (illustrateur). 8vo. S.P. Inscribed and with an original drawing by Menashe Kadishman.
Edité par New York: Jewish Museum/Brazil: 18th Biennale of Sao Paulo., 1985
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-Unis
Signé
Etat : Good. 8vo. [52] pp. Soft Cover. Color plates throughout. Drawings with signature by the artist on the inside front and back covers. Tipped in is a typed and signed letter by Newton Harrison to Peter Selz, dated October 12, 1985, saying he is sending a catalogue of the artist's exhibition to Peter. Very Good, minor wear, some yellowing to covers, interior sheet edges toned.Provenance: From the Collection of the Art Historian, Peter Selz.
Edité par Prestel, 2007
ISBN 10 : 3791338447ISBN 13 : 9783791338446
Vendeur : primatexxt Buchversand, München, Allemagne
Livre
gebunden. Etat : Wie neu. 152 Seiten Text Englisch - Restexemplar - Einband und Schnitt leicht berieben/verstaubt - Buch sonst in Topzustand, wie neu und ungelesen - Jeder Lieferung liegt eine ordentliche Rechnung mit ausgewiesener MwSt. bei Sprache: Englisch Gewicht in Gramm: 1350.
Edité par The Jewish Museum, New York, 1970
Vendeur : Weinberg Modern Books, New York, NY, Etats-Unis
Livre Edition originale Signé
Soft cover. Etat : Very Good. 1st Edition. Catalog published in conjunction with an exhibition of work by Israeli sculptor Menashe Kadishman held at The Jewish Museum May 12-June 21, 1970. Square 4to, 20 pages with stapled printed wrappers, fully illustrated with black and white photographs. Signed and inscribed by Kadishman with a pen drawing of a corpulent suitor on the inside cover. Mild rubbing and gentle bumping to extremities. Inscribed by Author(s).
Edité par The Jewish Museum, New York, 1970
Vendeur : Frey Fine Books, Rougemont, NC, Etats-Unis
Edition originale
Paperback. Etat : Very Good. First edition. square small quarto, stapled black & yellow decorated wraps, 1st ed. (1970), {20} pages, SIGNED with pen drawings & hand-written inscription - covering both the front + rear blanks. Light wear to the exterior. Signed by the Artist with ink self-drawing (my super ego / my sub ego), also one on final plate (The Engel).
Edité par Circa 1989, 1989
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-Unis
Art / Affiche / Gravure Signé
Etat : Good. Crayon on paper. 14 x 11 inches. Signed in the image. Folded once. From the collection of the art historian, Peter Selz.After working with sculptors in his native Israel, Kadishman went to London in 1959, where he came under the influence of Anthony Caro at Saint Martin's School of Art. By the mid-1960s, he had established an international reputation for suspended sculptures that were gestural and full of dynamic tension. In some of his best-known works from this period, Kadishman attached glass or plastic sheets to wood or metal forms so that the mass seemed to float freely in space. Suspended represents his interest in such perceptual ambiguities. It is also a transitional work; by the late 1970s Kadishman began to focus on nature, particularly on tree and forest themes, and worked on an environmental scale. Eight Positive Trees reveals this ongoing fascination, which harkens back to his youth, when, like many other Israeli children, he planted trees throughout the new country. Kadishman's ?negative? forms of stylized trees cut out from sheets of weathering steel were exhibited in the Venice Biennale in 1978. The viewer could see through the empty tree-shaped spaces, as well as walk through them to encounter the landscape. The steel silhouettes of Storm King's Eight Positive Trees are the shapes cut out from the trees exhibited in Venice. In contrast to their negative counterparts, the silhouetted shapes suggest both solid trees and shadows.
Edité par Circa 1989, 1989
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-Unis
Art / Affiche / Gravure Signé
Etat : Good. Crayon on paper. 14 x 11 inches. Signed in the image. Folded once. From the collection of the art historian, Peter Selz.After working with sculptors in his native Israel, Kadishman went to London in 1959, where he came under the influence of Anthony Caro at Saint Martin's School of Art. By the mid-1960s, he had established an international reputation for suspended sculptures that were gestural and full of dynamic tension. In some of his best-known works from this period, Kadishman attached glass or plastic sheets to wood or metal forms so that the mass seemed to float freely in space. Suspended represents his interest in such perceptual ambiguities. It is also a transitional work; by the late 1970s Kadishman began to focus on nature, particularly on tree and forest themes, and worked on an environmental scale. Eight Positive Trees reveals this ongoing fascination, which harkens back to his youth, when, like many other Israeli children, he planted trees throughout the new country. Kadishman's ?negative? forms of stylized trees cut out from sheets of weathering steel were exhibited in the Venice Biennale in 1978. The viewer could see through the empty tree-shaped spaces, as well as walk through them to encounter the landscape. The steel silhouettes of Storm King's Eight Positive Trees are the shapes cut out from the trees exhibited in Venice. In contrast to their negative counterparts, the silhouetted shapes suggest both solid trees and shadows.
Edité par The Jewish Museum, [New York, 1970
Vendeur : James Cummins Bookseller, ABAA, New York, NY, Etats-Unis
Edition originale Signé
[20]pp. First edition. First edition. [20]pp. INSCRIBED, WITH DRAWINGS. An exhibition catalogue from The Jewish Museum's 1970 exhibit "The Forest," a collection of Kadishman's abstract landscape works. Both endpapers feature playful original drawings of strange creatures resembling birds, humans, and cats, all with heads in the shape of a Star of David. The drawings are inscribed to the recipients of the catalogue, "with Love and Amore" Illustrated wraps, full plate black and white prints, original drawings with inscription on front and back endpapers and first page. Wraps lightly scuffed.