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Edité par Maeght Editeur - Chroniques de l'Art Vivant, 1973
Vendeur : Librairie Philoscience, Malicorne sur Sarthe, France
très nombreuses illustrations en noir et blanc 1ere édition Book Condition, Etat : Bon broché, sous couverture imprimée éditeur, illustrée d'un tableau, détail de Saul Steinberg In-4 carré 1 vol. - 44 pages Contents, Chapitres : Biennale 1973 - L'entrée des barbares - Jean-Marc Poinsot : Enquête à la biennale de Paris - Gilbert Lascault : Les tableaux tables de Saul Steinberg - René Micha : Jean Dubuffet ou la logophanie (4 pages illustrées) - Irmeline Lebeer : Entretien avec Robert Rauschenberg (4 pages) - Festival d'automne à Paris (Danse et musique) - Alain Clerval : Le pas au-delà de Maurice Blanchot, compte rendu - Cinéma, L'automne de Marcel Hanoun - Dominique Noguez : Peter Kubelka l'artisan - Entretien avec Richard Foreman (Théatre) - Entretien avec A. Corso sur le Mistero Buffo - Quand la danse rejoint l'art plastique : Trisha Brown - Kenneth King - Joan Jonas - Simone Fori - Musique, interview de Maurice Fleuret sur les SMIP 73 (Semaines musicales internationales de Paris) - Actualités et publicités 300.
Edité par Esslingen : Künstlergilde, 1988
ISBN 10 : 3925125140ISBN 13 : 9783925125140
Vendeur : books4less (Versandantiquariat Petra Gros GmbH & Co. KG), Welling, Allemagne
Livre
Broschiert. Etat : Gut. 116 Seiten; Das Buch befindet sich in einem ordentlich erhaltenen Zustand. Einbandkanten sind leicht bestoßen. Sprache: Deutsch Gewicht in Gramm: 200.
Edité par New York, April 1972., 1972
27:27 cm. 94 S. mit unzähl. tw. farb. Abb. Farb. OBr. 1Reklameseite fehlt (S.25/26). Ex. mit Gebr.-Spuren, aber von guter Erhaltung. VERSAND ERFOLGT NUR MIT SENDUNGSNACHWEIS. SHIPMENT ONLY WITH TRACKING NUMBER!.
Edité par Verlag fur Moderne Kunst 2022-09-01, 2022
ISBN 10 : 3903439185ISBN 13 : 9783903439184
Vendeur : Blackwell's, London, Royaume-Uni
Livre
paperback. Etat : New. Language: eng.
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Offres neuf à partir de EUR 21,61
Edité par Salzburg : Pustet,, 2012
ISBN 10 : 3702506691ISBN 13 : 9783702506698
Vendeur : Buchhandlung Neues Leben, Salzburg, S, Autriche
Livre
Pp. Etat : Gut. 159 S. : zahlr. Ill. ; 25 cm Ordentlicher, schöner, guter Zustand. Sprache: Deutsch Gewicht in Gramm: 750.
Edité par Droemer Knaur 1993-03, 1993
ISBN 10 : 3426029251ISBN 13 : 9783426029251
Vendeur : Sigrun Wuertele buchgenie_de, Altenburg, Allemagne
Livre
Etat : gut - gebraucht. Broschiert 810 S. Guter altersbedingter Zustand, ohne Namenseintrag Zustand: 3, gut - gebraucht, Broschiert Droemer Knaur , 1993-03 810 S. , Sommer LeseFestival., Brgitte Schwaiger, Susanna Kubelka, Stefan Murr, Peter Heim.
Edité par Wien : Marmelade, 2008
ISBN 10 : 3950257802ISBN 13 : 9783950257809
Vendeur : Antiquarische Fundgrube e.U., Wien, Autriche
Livre
Softcover/Paperback. 78 S. Einband gering bestaubt, m. geringen Markierungen im Text (Bleistift) // Heilpflanzen, Landwirtschaft, Veterinärmedizin, Bräuche, Etikette, Folklore L043 9783950257809 *.* Sprache: Deutsch Gewicht in Gramm: 330.
Edité par Austrian Film Museum, 2013
ISBN 10 : 3901644369ISBN 13 : 9783901644368
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Livre
Paperback. Etat : Brand New. 208 pages. German language. 7.80x6.70x1.00 inches. In Stock.
Edité par PARIS EXPERIMEN, 2017
ISBN 10 : 2912539501ISBN 13 : 9782912539502
Vendeur : Gallix, Gif sur Yvette, France
Livre
Etat : Neuf.
Edité par Film Culture New York, NY, 1992
Vendeur : Specific Object / David Platzker, New York, NY, Etats-Unis
48 pp.; 27.9 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1992 issue of Film Culture, edited by Jonas Mekas. Contents include: "Pastario or Atlas of Italian Pastas," by Peter Kubelka; "Hollis Frampton at Anthology Film Archives - November 2nd, 1974;" "Parker Tyler's Own Scandal," by Charles Boultenhouse; "Free Association Interview with Jack Smith - April 23rd, 1964," by David Brooks; "American Intelligence Report on Leni Riefenstahl - May 30th, 1945;" "Natural Industry: A Review of Pat O'Neill's 'Water and Power,'" by Fred Camper and "Books Received." Cover photo: Hollis Frampton at Anthology Film Archives, 1974, photo by Tome Haar. Good. Dusting and light soiling of covers with rubbing and bumping of edges. Contents clean and unmarked.
Edité par München. Delp., 1982
Vendeur : HENNWACK - Berlins größtes Antiquariat, Berlin, Allemagne
Livre
1. Auflage. 8vo. 284 S. OLn. mit OSchU. Schutzumschlag an den Ecken minimal berieben, sonst gutes Exemplar. = Schriftenreihe der Künstlergilde; Herausgegeben von Ernst Schremmer und Hanns Gottschalk; Band 23.
Edité par Osterreichisches Fotoarchiv im Museum moderner Kunst, Wien = VIenna, 1984
Vendeur : LEFT COAST BOOKS, Santa Barbara, CA, Etats-Unis
Edition originale
Paperback. Etat : Very Good. 1st. [16] pages, illustrations; 22 cm. Text in German/Text Deutsch. SEHR GUT. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. Friedl Kubelka-Bondy is an exponent of Viennese Feminist Actionism. Size: 8vo.
Edité par Hatje Cantz Verlag, 2023
ISBN 10 : 3775754954ISBN 13 : 9783775754958
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Livre
Hardcover. Etat : Brand New. 240 pages. German language. 11.50x8.25x1.06 inches. In Stock.
Edité par PVS Verleger, 1995
ISBN 10 : 3901196196ISBN 13 : 9783901196195
Vendeur : Moe's Books, Berkeley, CA, Etats-Unis
Livre
Soft cover. Etat : Fair. No jacket. German edition. Cover is worn along edges. Light smudge marks on front and back covers and small scratch on back cover, not affecting legibility. Front page is detached from binding, but present. All other pages remain attached. Pages are slightly yellowed, but otherwise clean and unmarked. As is.
Edité par WALTHER KONIG, 2022
ISBN 10 : 3753300810ISBN 13 : 9783753300818
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Livre
Hardcover. Etat : Brand New. 448 pages. 12.09x9.02x1.46 inches. In Stock.
Edité par Edicoes Babushka, 2002
Vendeur : ANARTIST, New York, NY, Etats-Unis
Softcover, 150 pages; in Portuguese; as new condition, stray marks to rear cover; clean and crisp; no internal marks. Foreign shipping may be extra.
Edité par Wien, Österreichisches Filmmuseum., 1966
Vendeur : Georg Fritsch Antiquariat, Wien, Autriche
Edition originale
12°. Doppelblatt. Die Karte wurde von der Grafikerin Gertie Fröhlich / Gertrud Prachensky (1930-2020) entworfen, einer frühen Mitarbeiterin der Galerie St. Stephan und Kubelka eng verbunden. Sie entwarf auch die Plakate für das Österreichische Filmmuseum. Dieser letzte Film aus der großen Periode seiner Arbeit bis zu diesem Zeitpunkt, mit dem er seit 1961 beschäftigt war, ist im Oktober in New York uraufgeführt worden. Die Wiener Uraufführung hat massive Auseinandersetzungen mit den Auftraggebern hervorgerufen; in deren Wohnort Wels durfte der Film nicht gezeigt werden. Sprache: Deutsch.
Edité par Musée national d'art moderne, Centre national d'art et de culture Georges-Pompido, 1976
ISBN 10 : 2858500053ISBN 13 : 9782858500055
Vendeur : Librairie de l'Avenue - Henri Veyrier, Saint-Ouen, FR, France
Livre
Couverture souple. Etat : Satisfaisant. In-8 broché 24 cm sur 20. 237 pages. Couverture et dos légèrement passés, manque important de pelliculage au dos, intérieur frais État correct d occasion. Exposition conçue par Peter Kubelka in-8°.
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Edité par Mercer Arts Center New York, NY, 1972
Vendeur : Specific Object / David Platzker, New York, NY, Etats-Unis
[4] pp.; 27.8 x 21.6 cm. (pp.'s 1, 3, 4) ; 27.8 x 19.7 cm. (pp. 2); staple bound; black-and-white; edition size unknown; unsigned and unnumbered; photocopy / xeroxed Press release with supplemental material published in conjunction with performance by Hermann Nitsch, "O.M. Theatre (Orgies-Mysteries Theatre)," held at The Kitchen at Mercer Arts Center, New York City, December 2, 1972. Starring Peter Kubelka. Press release by Beate Koenig with an additional text by Hermann Nitsch. Includes biographies of Nitsch and Kubelka. Good. Folded in three. 2.2 cm. dog-ear to upper right corner and 5 mm. dog-ear to bottom left corner. Bumping of right side edge and additional handling wear. Contents clean and unmarked.
Fondazione Morra, 1995 - pag. 88. NUOVO.
Edité par Lightworks, Ann Arbor, Michigan, 1977
Vendeur : William Allen Word & Image, London, Royaume-Uni
Etat : Very good +. Charlton Burch (Ed.) Lightworks Issue 8/9 , Lightworks, Ann Arbor, Michigan, Winter 1977. 58pp periodical stapled, 280 x 215 printed black, blue & brown on white stock with mirror effect to front & inside cover. Centrepiece if John Giorno contribution (an except from Everyone is a Complete Disappointment).Mirror & cloud fluxus style composition by Bill Gaglione (aka Dadaland). Take Nirvana by William Burroughs, Notes on the history of the Alternative Press by Ken Friedman From the Bible to Schmuck other contribution by or concerning: G.A. Cavellini, Gerhard Schlanzky, Marilyn Zimmerman, Barbara Kopple, Peter Kubelka, Lawrence Goodrich, Gary Grimshaw. Envelope with green rubber stamp of INSERTS glued to back page complete with inserts by Ken Saville, Detroit Power diagram and Cavellini. The design of this issue is influenced by Schmuck (in particular Japanese Schmuck) Text in English.Provenance Klaus Groh founder of A.I.C. (International Artists Cooperation). There is a neat accession stamp date to first page & the initials of A.I.C.Condition minor wear / rubbing to front cover. Minor toning to pages. Overall VG+Rare £90.
Etat : Neuf. Bolzano, Janvier 1974,230x173mm, broché sous couverture en sérigraphie. Tirage de 500 ex. Edition originale. Livres d'artistes.
Edité par Rick Vermeulen / Paul Bonger Hague, Netherlands, 1972
Vendeur : Specific Object / David Platzker, New York, NY, Etats-Unis
3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Curl to bottom right quadrant of the three volumes. Rubbing, scratching and light edge wear to covers. Volume 1 has 6.2 cm., 1 cm. and 1 mm. areas of surface tearing to verso. Volume 2 has 10 cm. area of surface tearing to recto. Contents of all volumes are clean and unmarked.
Edité par Rick Vermeulen / Paul Bonger Hague, Netherlands, 1972
Vendeur : Specific Object / David Platzker, New York, NY, Etats-Unis
3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Rubbing, scratching and light edge wear to covers and soiling to text block edges. Volume 1 has bumping of upper right corner extending to first three pages; Volume 2 has 10.5 cm. dog-ear to lower right corner and 2.7 cm. dog-ear to verso corner; volume three has 2.5 cm. area of numeric embossment and bumping of bottom right corner. Contents of all volumes are otherwise clean and unmarked.