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Evaluation du vendeur
Edité par A & W Pub, 1979
ISBN 10 : 0891040978ISBN 13 : 9780891040972
Vendeur : Wonder Book, Frederick, MD, Etats-Unis
Livre
Etat : Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
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Edité par Arthur Barker, 1977
ISBN 10 : 0213166593ISBN 13 : 9780213166595
Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
Livre
Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Offres neuf à partir de EUR 94,83
Offres d'occasion à partir de EUR 0,92
Trouvez également Couverture rigide Couverture souple Edition originale
Edité par Arthur Barker, 1977
ISBN 10 : 0213166542ISBN 13 : 9780213166540
Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
Livre
Hardback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Offres d'occasion à partir de EUR 3,82
Edité par Arthur Barker Ltd., 1980
ISBN 10 : 0213167468ISBN 13 : 9780213167462
Vendeur : BoundlessBookstore, Wallingford, Royaume-Uni
Livre
Etat : Good. Reprint. Light wear to boards. Content is clean with light toning. Good DJ with some edge wear and toning.
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Edité par Forgotten Books, 2018
ISBN 10 : 1528218655ISBN 13 : 9781528218658
Vendeur : Forgotten Books, London, Royaume-Uni
Livre impression à la demande
Paperback. Etat : New. Print on Demand. Excerpt from Loess Formations of the Mississippi Valley. About the Publisher, Forgotten Books publishes hundreds of thousands of rare and classic books. This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. This text has been digitally restored from a historical edition. Some errors may persist, however we consider it worth publishing due to the work's historical value. The digital edition of all books may be viewed on our website before purchase. print-on-demand item.
Edité par Seven Publications, 2004
ISBN 10 : 2952162808ISBN 13 : 9782952162807
Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
Livre
Hardback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Offres neuf à partir de EUR 157,54
Offres d'occasion à partir de EUR 15,75
Trouvez également Couverture rigide Edition originale
Edité par Book Club Associates by arrangement with Arthur Barker Limited, London, 1977
Vendeur : Ryde Bookshop Ltd, Isle of Wight, Royaume-Uni
Livre
Hardcover. Etat : Very Good. Etat de la jaquette : Good. photography Bill Ling (illustrateur). Book Club Edition. Firmly bound, navy blue cloth boards, no writing inside. Fading on the spine of the jacket.
Edité par London: Arthur Baker, 1984
Vendeur : BookLovers of Bath, Peasedown St. John, BATH, Royaume-Uni
Hardback in Dust Wrapper. Bill Ling (illustrateur). Hardback in dust wrapper (blue boards with gilt titling to the spine) Physically 9¼" x 8¼" (0.8 kg); 96pp; Illustrated by Bill Ling; Cover art by Grant Bradford; Contains: Black & white photographs; ISBN: 0-213-16654-2 || The book is on my shelves and will be carefully packed and posted from the pastoral paradise of Peasedown St. John, Bath, by a real bookseller in a real book shop - with my personal guarantee and my beady eye on the Consumer Contracts Regulations. REMEMBER! Buying my copy means the bookshop Jack Russells get their supper! My Book #144599|| Condition: Very Good in Very Good Dust Wrapper.
Date d'édition : 2023
Vendeur : True World of Books, Delhi, Inde
Livre impression à la demande
LeatherBound. Etat : New. LeatherBound edition. Condition: New. Reprinted from 1950 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 36 Volume Reporof Insgaons No. 149 Leighton, Morris M. (Morris Morgan), 1887-1971,Willman, H. B. (Harold Bowen), 1901- joint author.
Edité par London: Collins' Clear-Type Press nd roy.8vo ill.
Vendeur : N & A Smiles, Kellerberrin, WA, Australie
Hardcover. Etat : Good. Good reading copy.
Edité par Harper And Brothers, New York, 1933
Vendeur : Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, Etats-Unis
Membre d'association : IOBA
Magazine / Périodique Edition originale
Soft cover. Etat : Very Good. B/W Illustrations (illustrateur). First Edition. Single Issue In Original Wrappers. Light Wear, Bright, Foxing On Foredges, 3/4" X 1/" Chip At Center Of Top Of Front Panel.
Edité par Harper And Brothers, New York, 1934
Vendeur : Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, Etats-Unis
Membre d'association : IOBA
Magazine / Périodique Edition originale
Soft cover. Etat : Near Fine. First Edition. Single Issue In Original Wrappers. Light Wear, Bright, Foxing On Edges Of Page Block.
Edité par NewsWest, Los Angeles, 1976
Vendeur : Bolerium Books Inc., San Francisco, CA, Etats-Unis
Magazine / Périodique Edition originale
Newspaper. 52p., folded tabloid newspaper, ads, services, reviews, news, columns, lightly toned newsprint. Also: Dallas: Hot Police Town. Gay Consciousness & Catholic Ideals. Subsequent title "Out!".
Edité par Seven Publications, France, 2004
ISBN 10 : 2952162808ISBN 13 : 9782952162807
Vendeur : M RICHARDSON RARE BOOKS (PBFA Member), Ashby cum Fenby, NE Lincolnshire, LINCS, Royaume-Uni
Membre d'association : PBFA
Livre Edition originale
Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. 1st Edition. Lovely, clean and very presentable copy with no inscriptions. Just let down slightly by a gouge to the page block bottom edge, and slight knocks to the corner tips, both of which are hardly noticeable really.The dust jacket is nice and bright, not price clipped, albeit a little edge worn at the top edge. A great copy of this scarce book.
Edité par Springer-Verlag, New York, 1988
ISBN 10 : 0387183019ISBN 13 : 9780387183015
Vendeur : PsychoBabel & Skoob Books, Didcot, Oxfordshire, OXON, Royaume-Uni
Livre Edition originale
hardcover. Etat : Good. Etat de la jaquette : No Dust Jacket. First Edition, First Printing. numerous figures and tables, lightly rubbed tail of spine, softening to head of spine, light chipping to corners of front cover, red pen mark on page 85, otherwise text clean and tight. Ex - Library, Usual Stamps.
Edité par Seven Publications, Paris, 2004
Livre Edition originale Signé
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. First Edition (first printing) - this copy signed by three celebrated stylists: Jo Hansford ("the best tinter on the planet" - American Vogue), Richard 'Golden Scissors' Ward, and the late Michael Rasser (co-founder of legendary London salon MichaelJohn). 4to. 187pp. Very good indeed with very slightly chafed and lifting dust wrapper. A chronicle "in words and pictures of the rise and rise of British hairdressers" - blurb. Signed by Author(s).
Edité par CRC Pr I Llc, 2000
ISBN 10 : 0849322650ISBN 13 : 9780849322655
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Livre impression à la demande
Hardcover. Etat : Brand New. 1st edition. 227 pages. 9.75x6.75x0.75 inches. In Stock. This item is printed on demand.
Edité par Published by William McIlroy Ltd., circa . 1925., 1925
Vendeur : Little Stour Books PBFA Member, Canterbury, Royaume-Uni
Membre d'association : PBFA
Hard back binding in publisher's original colour illustrated paper covered boards with three schoolboys in different school blazers to the front, scarlet title and author lettering to the spine and the upper panel. 4to. 10½'' x 8¼''. Contains full-page colour plates and monochrome illustrations throughout. First story 'Dulcie' by Robert Leighton. Light surface soiling to the paper covers, fox spotting to the top edge, dusty page edges, without any ownership markings, binding firm and square and in Very Good condition, no dust wrapper. Member of the P.B.F.A. STORIES FOR BOYS.
Edité par Duke University Press, Durham, 1945
Vendeur : Dan Pope Books, West Hartford, CT, Etats-Unis
Livre Edition originale
Hardcover. Etat : Near Fine. No Jacket. 1st Edition. First printing. A near-fine copy, without a jacket. A clean, unmarked copy. Full text. Features William Styron's very first stories in print, "Autumn" and "The Long Dark Road." Selections from William Styron, Frances Gray Patton, Frances Wright, Lorenz Eitner, Ovid Williams Pierce, Harold Grier McCurdy, Archie Robertson, R.P. Harriss, Newman Ivey White, Julian Lee Rayford, Richard Austin Smith, Ralph Nash, H.P. Koenig, and others. Fiction-S.
Edité par Arthur Barker, 1980
ISBN 10 : 0213167522ISBN 13 : 9780213167523
Vendeur : AwesomeBooks, Wallingford, Royaume-Uni
Livre
Paperback. Etat : Very Good. The Complete Book of Hair Care This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .
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Offres d'occasion à partir de EUR 102,57
Edité par The New York Times Company, New York, 1945
Vendeur : RareNonFiction, IOBA, Ladysmith, BC, Canada
Membre d'association : IOBA
Livre Edition originale
Single Issue Magazine. Etat : Good. Leighton, Clare (illustrateur). First Edition. 56 Pages. Features: Cover photo of FDR and Molotov; One-page color ad for Commercial Travelers insurance; Nice one-page ad for Harriet Hubbard Ayer's Luxuria products; First-Hand Report on the German Soldier - photo-illustrated article by correspondent who questioned German prisoners fresh from the front; Photos of the "Big Three" meeting at Yalta between Stalin, FDR and Churchill; Poland - Country of the Missing - article and depressing photos; "People Must Speak to People' - article on freedom of communication to prevent misunderstandings; Notes of War Nurse Lt. Doris Schwartz - photo-illustrated article; Photo-illustrated article on France and how it must cleanse the faults which led to her betrayal by some of her citizens; Bold color one-page Celanese ad features red chain; Porto Rico Line ad; The House Washington Loved; Lovely color-photo one-page fashion ad for Tegra Labtex fabric; How Long Should a Movie Be?; Photo-illustrated article on Congressional freshmen Emily Taft Douglas and Helen Gahagan Douglas, "The Douglas Girls"; Coty has sponsored a classy one page announcement of the American Fashion Critics' Award for 1944; The Bull Cook - wonderful article on this camp job; Article on Black Market in Babies; San Benito Champagne ad; Nice one-page ad for Thor washing machines; West Point goes in for skiing - article with photos; Rinso ad features the Dietz twins, Merrie and Eiileen, of Flushing, Long Island; Meatless recipes; Parent and Child - Freedom from Prejudice against those of other races; Two pages of lovely fashion photos for spring; Nice one-page color-photo ad forDuo-Byrds reversible raincoats; Nice one-page ad for Shalimar; Nice color ad on back cover for Decca Records features Bing Crosby. Average wear. Unmarked. A sound vintage wartime issue.
Edité par EMI Films, London, 1971
Vendeur : Royal Books, Inc., ABAA, Baltimore, MD, Etats-Unis
Vintage borderless double weight photograph of director Joseph Losey, actor Michael Redgrave, and a camera crew on the set of the 1971 film. With a printed mimeo snipe affixed to the verso, along with a provenance stamp. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey, following "The Servant" (1963) and "Accident" (1967). Set and shot on location in Norfolk, England. 10 x 8 inches, with a wide bottom margin. Near Fine. Vogel, Film as a Subversive Art.
Edité par EMI Films, London, 1971
Vendeur : Royal Books, Inc., ABAA, Baltimore, MD, Etats-Unis
Vintage borderless double weight photograph of director Joseph Losey filming a scene on location in Norwich with actor Dominic Guard, with cast and crew members looking on. With two printed mimeo snipes affixed to the verso. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey, following "The Servant" (1963) and "Accident" (1967). Set and shot on location in Norfolk, England. 10 x 7 inches. Near Fine. Vogel, Film as a Subversive Art.
Edité par EMI Films, London, 1971
Vendeur : Royal Books, Inc., ABAA, Baltimore, MD, Etats-Unis
Vintage borderless reference photograph of director Joseph Losey, actor Dominic Guard, and crew members on the set of the 1971 film. Based on L.P. Hartley's 1953 novel. A young boy acts as the go-between for a tenant farmer and a wealthy young woman engaged in an illicit affair. Screenwriter Harold Pinter's final collaboration with Losey, following "The Servant" (1963) and "Accident" (1967). Set and shot on location in Norfolk, England. 10 x 8 inches, with a wide bottom margin. About Near Fine, slightly wavy on the bottom edge. Vogel, Film as a Subversive Art.
Vendeur : johnson rare books & archives, ABAA, Covina, CA, Etats-Unis
A veritable who's who in British hair styling is represented in this archive which contains thousands of photographic images of industry icons ranging from the legendary inventor of the bob haircut, Vidal Sassoon, to punk stylist Simon Forbes, the inventor of Monofibre hair extensions. The material mirrors the photographs that appear in Harold Leighton's book From Salon to Celebrity, The British Hair Dressing Story (London: Seven Publications, 2004). Leighton (b.1932), an icon in the hair styling industry, received copyright credit for the photographs in the book, an inscribed copy of which is included with this archive. The book also contains profiles of the British hairdressing icons featured, including Leighton's recollection of working with each of them. His business card and address label appear throughout the archive, which includes thousands of 35 mm negatives, hundreds of contact print sheets, and several hundred photographic prints. The images are shot and printed in both color and black-and-white. Although the images are not dated, it appears they were taken between the late 1970s and late '90s. Approximately half of the material in this archive is identified. Some of the images are labeled as having been photographed by Leighton, who worked as a professional photographer but is best known for styling some of Britain's top models and Hollywood stars. He entered the industry in 1947 at his uncle's salon on Portobello Road and worked side-by-side during his formative years at Romaines and other top London salons with Vidal Sassoon, Leslie Green, and Trevor Sorbie. He lives in Boca Raton and continues to work as a beauty consultant. A handful of vintage photographs are included in the collection, including a small black-and-white snapshot of a row of hair dryers, which is labeled on the verso "Romain's drying bay 1950 as written in the VS book." Another unique photographic print in this collection is an undated, vintage 8" x 10" portrait of Leighton with a model, stamped on the verso Barry Lategan, the photographer who discovered supermodel Twiggy. The archive includes: PHOTOGRAPHS A group of vintage photographs, including eight Polaroids from a model shoot, older images of Leighton at a Time Magazine party, and a black-and-white snapshot of a row of hair dryers, on the verso is written "Romain's drying bay 1950 as written in the VS book" Six 5" x 7" color photographs with a John Paul Mitchell Systems UK label on the verso and handwritten captions of the images, which include the greenhouse for the Paul Mitchell farm in Hawaii, his solar car, and a solar tractor Various photographs: 36 color and black-and-white photographs measuring 3" x 5" to 5" x 7" of various people, including several images of Leighton cutting hair. None of the images are identified. Another 12 images of similar size have captions on the verso, including a black-and-white image from The Advertiser in Croydon of Vidal Sassoon judging a hair contest. 21 photographs in black-and-white and color with no identification of various people. All the images are 8" x 10" or larger. 23 photographs in black-and-white and color, all are 8" x 10" or larger and have captions written or typed on the verso, including a color image of celebrity English hairdresser Lee Stafford and his wife Jessica Jane-Clement, and a sepia tone portrait of Joshua Galvin (1938-2011), one of Vidal Sassoon's top London stylists who was Judy Garland's personal hairdresser in New York Five envelopes for Costco imaging services containing prints of a photo shoot with businessman/hairdresser Stephen Way with his wife Gloria Hunniford, a British television presenter, as well as groups of images of other unidentified people NEGATIVES Approximately 145 strips of black-and-white film, representing more than 700 images, that are not identified, photographer unknown Approximately 120 strips of black-and-white film, representing more than 600 images, that are not identified, photographer unknown Approximately 75 strips of black-and-white and color film, representing more than 375 images, with the subjects identified in marker on the front, including highly regarded hair stylists such as Antoinette Beenders, senior vice president of global professional artistry at Aveda, and long hair expert Patrick Cameron CONTACT SHEETS Five contact sheets in color with the subject matter identified, including images of Vidal Sassoon Fourteen contact sheets in color with no identification Twenty four contact sheets in black-and-white with no identification Twenty three contact sheets in black-and-white with identification, including a series of images of Michael Gordon, considered a rebel in the hair world and the founder of Bumble and Bumble Three color contact sheets with negatives attached with no identification CONTACT SHEETS WITH NEGATIVES Ten color contact sheets with negatives attached with identification, including celebrity British stylist Daniel Galvin, an expert colorist who gave Twiggy the blond hair that launched her career and served as Princess Diana's colorist for the last ten years of her life Ten black-and-white contact sheets with negatives attached with identification, including Tim Hartley, former international creative director at Vidal Sassoon Six black-and-white contact sheet with negatives attached with no identification SEPARATE FOLDERS WITH CONTACT SHEETS There are also 16 separate folders with negatives, contacts sheets, and photographs of a variety of top British stylists, including the following: Adele Phelan - 2000 winner of the British Men's Hairdresser of the Year award, who also won the image of the year award 2002, following David Beckham's mohawk in the GQ shoot prior to the World Cup Anthony Mascolla - three-time winner of the British Men's Hairdresser of the Year award and international creative director of the hair care line TIGI Guido Palau - a hair stylist for photographic shoots and fashion shows, who styled George Michael's Freedom!.
Edité par 1920s 1940s., 1920
Vendeur : Bernard Quaritch Ltd ABA ILAB, London, Royaume-Uni
Approximately 80 mostly gum bichromate (also known as gum dichromate) prints, each 4¼ x 6 inches (10.8 x 15.2 cm.), most inscribed by Leighton below in pencil, many also titled on verso, mounted on thick card, some with tissue guards, 33 with exhibition labels or information on verso; presented in original cloth-covered folding portfolio with Leighton's bookplate on inside cover; very seldom, minor spots, some creases or tears to guards, portfolio a little worn, but overall a very excellent set of prints.An impressive international exhibition portfolio - by renowned Pictorialist and an expert in this process.Leighton, a fellow of the Royal Photographic Society and prominent Pictorialist from Bradford, was a great promoter of the gum bichromate process. He said that 'among the many photographic printing processes there is none more fascinating than thegum-bichromate. It lends itself especially to pictorial work, and has the great advantage of being cheap. There are no doubt many ways of working the process, and I should imagine every worker has his own particular way of working according to the results he wishes to obtain' (The American Annual of Photography, Vol. 38, 1924, p. 40). The ability to manipulate the process to achieve one's own artistic ends was part of the appeal of this very 'hands-on' method of photographic printing. At its simplest the photographer coated a piece of paper with a mixture of a salt (usually ammonium or potassium bichromate), gum arabic and a coloured pigment. This sensitized paper was placed in contact with the negative and exposed to ultraviolet light (sunlight or artificial). The gum arabic in the solution became insoluble in relation to the amount of light exposure so image areas under the least dense sections of the negative (the shadows of the final image) received more light and became the most insoluble. Highlights and midtones received less exposure, remaining more water soluble. After exposure, the print was washed in a warm water bath and the unhardened parts of the mixture were removed. At this point the photographer could manipulate the print, altering or removing areas with brushstrokes or running water. Finally the print was dried. Photographers often repeated the printing process multiple times, layering pigments to increase the image's richness and tonal gradation. Each print in this collection has been mounted and titled, some annotated or inscribed, ready for exhibition or display, showing these were the best examples of Leighton's art. His bookplate in the portfolio also suggests these were representative of his photographic achievements and preserved by him to serve as a catalogue of his output, available for exhibition.The gum bichromate process allows for deeper tones and particular textures which suited the petite but intensely atmospheric prints of landscape and architectural subjects that Leighton so favoured. His work as a Pictorialist photographer seems deeply rooted in the style that gum bichromate embodies. The appreciation by his Pictorialist peers abroad has bestowed numerous exhibition labels on the versos, helpful in tracking each image's history and Leighton's international relationships.The wide geographical remit of the salons and galleries at which these prints were exhibited is remarkable, giving an impression of a vibrant international Pictorialist community with a strong network spreading from the North of England as far as India and Canada. Several were shown in North America: the Salon of the Camera Pictorialists of Los Angeles, San Francisco Invitational Salon of International Photography, The Vancouver Photographers' Association, the Chicago International Photographic Salon, and the Smithsonian Institution. Dutch, French and Hungarian exhibitions also feature, as well as that of the Camera Pictorialists of Bombay. Leighton also exhibited prolifically within the UK, and in addition to numerous images shown in Bradford, there is exhibition information from London (Trafalgar House, 1933, Hammersmith Hampshire House Photographic Society, 1933 and 1935, and The London Salon of Photography, 1937); Manchester (M.A.P.S. Gallery, 1925 and City Art Gallery, 1934 35); Grange-over-Sands, 1953; Derby, 1940; Rugby, 1931 and 1933; and Coventry, 1846. A full list of titles with exhibition information is available on request. Provenance: from the estate of J. Harold Leighton; The Bradford Photographic Society collection (deaccess ioned).