Type d'article
Etat
Reliure
Particularités
Pays
Evaluation du vendeur
Edité par Louisiana Museum of Modern Art, 2012
ISBN 10 : 8791607965ISBN 13 : 9788791607967
Vendeur : HPB-Blue, Dallas, TX, Etats-Unis
Livre
Hardcover. Etat : Fine. Connecting readers with great books since 1972! May contain remainder marks. We ship orders daily and Customer Service is our top priority!.
Edité par Louisiana Museum of Modern Art, 2012
ISBN 10 : 8791607965ISBN 13 : 9788791607967
Vendeur : HPB-Ruby, Dallas, TX, Etats-Unis
Livre
Hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Edité par Louisiana Museum of Modern Art, 2012
ISBN 10 : 8791607965ISBN 13 : 9788791607967
Vendeur : HPB-Emerald, Dallas, TX, Etats-Unis
Livre
Hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Edité par Louisiana Museum of Modern Art, 2012
ISBN 10 : 8791607965ISBN 13 : 9788791607967
Vendeur : HPB Inc., Dallas, TX, Etats-Unis
Livre
Hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Edité par Louisiana Museum of Modern Art, 2012
ISBN 10 : 8791607965ISBN 13 : 9788791607967
Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Livre
Hardcover. Etat : Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.
Edité par Louisiana Museum of Modern Art, 2012
ISBN 10 : 8791607965ISBN 13 : 9788791607967
Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Livre
Hardcover. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.
Edité par Louisiana Museum of Modern Art, 2012
ISBN 10 : 8791607965ISBN 13 : 9788791607967
Vendeur : Schindler-Graf Booksellers, Westlake, OH, Etats-Unis
Livre
Hardcover. Etat : New. Etat de la jaquette : New. Hardcover; 127 pages, illustrated. Essays by Roberto Ohrt, Thomas McEvilley, and an Interview with Paul McCarthy. New hardcover, still sealed in publisher's shrink-wrap.
Edité par Louisiana Museum of Modern Art, 2012
ISBN 10 : 8791607965ISBN 13 : 9788791607967
Vendeur : Your Online Bookstore, Houston, TX, Etats-Unis
Livre
Hardcover. Etat : New.
Hardcover. Etat : Like New. Hardcover in dust jacket. Still sealed in publisher's shrink-wrap. No marks or flaws.
Edité par Louisiana Museum of Modern Art, 2012
ISBN 10 : 8791607965ISBN 13 : 9788791607967
Vendeur : Jackson Street Booksellers, Omaha, NE, Etats-Unis
Livre Edition originale
Hardcover. Etat : Fine. Etat de la jaquette : Near Fine. 1st Edition. Fine in a Near Fine jacket. 1st Printing. 127pp 4to.
Edité par Louisiana Museum of Modern Art, 2013
ISBN 10 : 8791607965ISBN 13 : 9788791607967
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Livre
Hardcover. Etat : Brand New. 127 pages. 10.50x10.50x0.75 inches. In Stock.
Edité par Louisiana Museum of Modern Art, 2012
ISBN 10 : 8791607965ISBN 13 : 9788791607967
Vendeur : The Book Spot, Sioux Falls, SD, Etats-Unis
Livre
Hardcover. Etat : New.
Edité par Louisiana Museum of Modern Art, 2012
ISBN 10 : 8791607965ISBN 13 : 9788791607967
Vendeur : Blain Art Books, LONDON, GB, Royaume-Uni
Livre
Hardcover. Etat : Good. Hardcover. Condition: GOOD. Possible clean ex-library copy, with their stickers and or stamp. Edward Kienholz's life-size tableau "Five Car Stud" (1969-72) depicts four automobiles and a pickup truck, arranged on a dirt floor in a dark room with their headlights illuminating a shocking scene: a group of white men exacting their gruesome "punishment" on an African American man. "Five Car Stud" is a harsh reminder of a shameful part of our history whose traces still linger. It was seen only in Germany in 1972 and has since remained in storage in Japan for almost 40 years. On the occasion of its first public showing in the United States, this volume examines an extraordinarily powerful artistic statement that has lost none of its potency. The catalogue presents essays by Roberto Ohrt and Thomas McEvilley, as well as an interview with American artist Paul McCarthy.