monte guidobaldo marchese (5 résultats)

LeatherBound. Etat : NEW. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1581 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 280 Language: Italian Pages: 280.

Hardcover. First edition. THE GREATEST OPUS OF 16TH CENTURY MECHANICS. First edition, the beautiful Macclesfield copy, of Guidobaldo's Paraphrasis, the important companion to his Mechanicorum liber (1577), regarded as the greatest work on statics since the Greeks, which employed the mathematically rigorous proofs of Archimedes to the investigation of problems in mechanics. "This work complements the Mechanicorum liber, and together they represent the greatest opus of 16th century mechanics" (Roberts & Trent, p. 13). They had a profound and lasting impact on the methodology adopted by contemporary century Italian scientists, most notably Galileo: "Guidobaldo was Galileo's patron and friend and was possibly the greatest single influence on the mechanics of Galileo" (DSB). The Mechanicorum liber had reduced the study of simple machines to the law of the lever, according to which bodies balance on the ends of a lever when their distances from the fulcrum are inversely proportional to their weights. Guidobaldo's 1588 work is a paraphrase of Archimedes' 'On the equilibrium of plane figures,' which included a geometrical proof of the law of the lever. This is Archimedes' most important surviving work in mechanics, but much of it "is undoubtedly not authentic, consisting as it does of inept later additions or reworkings" (DSB). Guidobaldo's purpose in the Paraphrasis is to explicate and correct the Archimedean text, thereby providing a secure geometrical foundation for the law of the lever, and hence for the whole of the science of statics. "The Law of the Lever was among the first laws of nature to be formulated in quantitative terms. It dates back at least to Archimedes' On the Equilibrium of Planes and possibly even to Aristotle's Mechanics. Shortly after its first formulation, scholars like Archimedes and Euclid were already seeking to prove it by means of deduction from general axioms and postulates. The Law of the Lever thus comprises the very core of rational mechanics" (Schlaudt, p. 93). Like Archimedes, Guidobaldo also considers the application of the law of the lever to the determination of centres of gravity: of plane figures bounded by straight lines in the first book, and in the second book segments of conic sections (treated by approximating these curved figures by inscribed polygons). Monte's work is here bound with the rare first edition of Scaletti's treatise on civil engineering, with chapters on statics, mechanics, on the practical construction of fountains, buildings, bridges, etc. (BL only on COPAC; only three other copies located in auction records). "Guido Ubaldo, Marquis del Monte, was born at Pesaro on 11 January 1545. He entered the University of Padua in 1564, where one of his companions in study was the poet Torquato Tasso. On his return from the university, he continued his studies in mathematics under Federico Commandino at Urbino" (Drake, p. 44). "Writing to a friend in Paris in 1633, Galileo declared that 'at the age of twenty-one, after studying geometry for two years he worked out a number of propositions about the center of gravity of solids.' Galileo had become acquainted with Commandino's Liber de centro gravitatis solidorum that had been published in 1565 and had opened, or rather reopened, a new field of research but suffered from what Galileo called 'some imperfections.' These he sought to set right by following the example of 'that very great mathematician,' Guidobaldo del Monte, to whom he sent his demonstrations" (Shea, pp. 97-98). "In 1588 [Guido Ubaldo] received from Galileo some theorems on centers of gravity with a request for his opinion. In this way a correspondence was opened which continued until his death in 1607. Guido Ubaldo was favourably impressed with Galileo's talents, and sent to him a copy of his second important contribution to mechanics, a paraphrase of and commentary on the work of Archimedes on plane equilibrium [the offered work] . In appraising probable influences on Galileo, one should remember that, before Galileo wrote anything on motion, he had received this book from his most valued patron, [and] that it was a book on Archimedes (whom Galileo admired above all other writers)" (Drake, pp. 45-46). "Guido Ubaldo's two chief works on theoretical mechanics make clear his devotion to the idea of mathematical rigor of treatment and his repugnance for medieval writings on the science of weights and for Tartaglia's adherence to that tradition. The Mechanics contains numerous criticisms of these writers, and in the Paraphrasis of 1588 Guido Ubaldo wrote: 'And however much Jordanus Nemorarius (whose followers include Niccolo Tartaglia and others) struggled in his book De ponderibus to prove this same proportion of the general lever by many means, yet not any of the proofs were worthy to be called demonstrations, and were scarcely to be credited. For he put things together which in no way command conviction and perhaps do not even persuade anyone by probability, when in mathematical demonstrations the most precise reasons are required. And on that account it never seemed to me that this Jordanus should even be reckoned among writers on mechanics'" (ibid.). "With the Paraphrasis, Guidobaldo attended to restore the integrity of the Equilibrium of Planes, Archimedes's principal work of mechanics. The corrupted text presented Guidobaldo with problems of essentially three kinds: minor technical problems, like missing argumentative steps in the demonstrations; completely inconclusive demonstrations that requested a massive intervention in the text with lemmata or auxiliary propositions; and, most seriously, obscurities regarding the key notions of Archimedean mechanics. Approaching this challenge, Guidobaldo adopted a quite 'philological' modus operandi: firstly, to establish a correct text, he had recourse to the Greek version of the editio princeps (1544), which appeared to him less corrupt than the existing Latin translations. In the course of the Paraphrasis, he in.

First edition. THE THEORY OF THE ARCHIMEDEAN SCREW - THE MACCLESFIELD COPY. First edition, the Macclesfield copy, of this very rare and important work of Renaissance engineering and mathematics, Guidobaldo's analysis of the theory and operation of Archimedes' most famous mechanical invention, the 'cochlea' or 'Archimedean screw'. This is a device used for raising water consisting of a helical tube wound around the outside of a cylinder; when the cylinder is inclined at an angle to the horizontal and the lower end of the tube is placed in water, rotating the cylinder causes water to be raised through the tube and ejected from the top. The Archimedean screw, and other variants of it, is still in use today; it is also used in reverse to generate hydraulic power (when water is poured into the tube at the top it causes the screw to rotate). The first to correctly explain the functioning of the Archimedean screw was Galileo: in Le meccaniche (written around 1600 but not published until 1634), he wrote that "the screw-pump 'is not only marvellous, but it is miraculous' ('non solo è meravigliosa, ma è miracolosa'), because in the screw-pump the water ascends by continually descending" (Koetsier & Blauwendraat, p. 188). But De Cochlea is the first printed account of how the screw-pump actually works. "The four books on the cochlea by Guido Ubaldo del Monte (1545-1607) are almost unknown to scholars who studied Archimedes' machine (perhaps due to the fact that the author used the Latin language in the few copies that were printed and to the different ways in which the author's name has been spelled over time) . Galileo himself requested a copy of it from Guido Ubaldo" (Magnini & Molari). Guidobaldo's analysis of the Archimedean screw was not improved upon until the 18th century, when calculus methods (invented by Newton half a century after the publication of De cochlea) were applied to the problem by Daniel Bernoulli in Hydrodynamica (1738) and by Leonhard Euler in his paper 'De cochlea Archimedis' (Novi Commentarii academiae scientiarum Petropolitanae 5 (1760), pp. 259-298). "Guidobaldo was Galileo's patron and friend for twenty years and was possibly the greatest single influence on the mechanics of Galileo" (DSB). Guidobaldo was also influential in securing appointments for Galileo, first at Pisa and then Padua. Together they conducted a series of experiments on the trajectories of cannonballs, asserting that projectiles follow parabolic paths. "After [Federico] Commandino's death in 1575, the commitment to the restoration of Greek mathematics was carried on by his disciples Guidobaldo dal Monte and Bernardino Baldi, to whom he had taught mathematics from about 1568" (Frank). According to Stillman Drake (p. 35), Guidobaldo was writing De Cochlea in the early 1590s: "In September 1593 Guidobaldo wrote an invitation to Galileo to visit him at Monte Baroccio . His patron wanted to show him a book on perspective he had written but not yet published . Guidobaldo was also writing a book on the Archimedean screw; this was probably related to a patent Galileo obtained in September 1594 on a device for raising water by horse power." However, Guidobaldo's book on the screw-pump was not published until after his death more than a decade later, by his son Orazio. ABPC/RBH list no other copy in a contemporary binding since the Honeyman sale in 1978. Provenance: The Earls of Macclesfield (South Library bookplate on front pastedown, small embossed stamp to first three leaves); sold Sotheby's, April 14, 2005, lot 1439, £2,880 ($5,461). The Archimedean screw is one of the oldest machines still in use. "The earliest representation of a water-screw is on a fresco from the Casa di P. Cornelius Teges in Pompeii, obviously dating from before 79 AD. On the fresco an individual is moving a cylinder with his feet in a landscape that is allegedly Egyptian. Because water comes out of the cylinder it is generally assumed it must be a water-screw. From the imperial period we have two other Egyptian representations (in the British Museum and the Archaeological Museum Cairo, respectively) and an Egyptian model of a water-screw (in the Hilton-Price collection). Moreover, remains of water-screws dating from the imperial period have been found in mines in Spain. None of these representations or remains of water-screws dates from before the time of Archimedes" (Koetsier & Blauwendraat, p. 182). "Its invention has traditionally been credited to Archimedes (ca. 287-212 BCE). For example, Diodorus Siculus (Greek historian, circa first century BCE) writes: 'men easily irrigate the whole of it [an island in the delta of the Nile] by means of a certain instrument conceived by Archimedes of Syracuse, and which gets its name [cochlias] because it has the form of a spiral or screw.' And from Athenaeus of Naucratis (Greek historian, circa 200 AD): 'The bilge-water [of the ship Syracusia], even when it became very deep, could easily be pumped out by one man, with the aid of the screw, an invention of Archimedes'" (Rorres, p. 72). "Drachmann has argued (p. 153) that Archimedes invented the screw-pump after having seen in Egypt the operation of a water-drum or tympanum (a water-lifting wheel with a body consisting of eight compartments). While the tympanum rotates, water enters a compartment through a hole close to the periphery of the drum, and after half a turn the water leaves the compartment again through a hole close to the axis. Oleson, who sympathises with Drachmann's reconstruction, described the moment of Archimedes' breakthrough as follows (p. 298): 'if the tympanum were to be drawn slowly along the axis of its rotation as it turned, its compartment walls would describe the spirals of just such a screw'" (Koetsier & Blauwendraat, p. 183). Koetsier & Blauwendraat argue that Archimedes may have been led to the discovery by his interest in the problem of the quadrature of the circle, equivalent to the problem of constructing by ruler and compass a.

Couverture rigide. Etat : Bon État. 1ere Édition. Venetiis, Apud Bernardum Iuntam, Io. Baptistam Ciottum, & Socios. MDCVIIII. Superiorum permissu. Reliure plein velin, dos à nerfs avec titres manuscrits. Dimensions: 22,5 x 33,8 cm. 1(f), titre avec vignette gravée, 1 feuille d'introduction, 4 feuilles d'index, 128 feuilles, 1(f). Erreur de numérotation de la feuille 17 à la feuille 40. Exemplaire complet de cette première édition, illustrée de très nombreuses gravures in texte. Habile restauration dans la marge du feuillet 22. Ouvrage prépondérant du maitre et ami de Galilée, Guidobaldo del Monte, ou Guidobaldi, ou encore Guido d'Ubalde1 (né le 11 janvier 1545 à Pesaro dans la province des Marches - mort le 6 janvier 1607 dans son château de Montebaroccio), Marquis del Monte, était un mathématicien, philosophe et astronome italien du XVIe siècle. Ses travaux de statique annoncèrent la notion de travail mécanique. Il développa de nouvelles méthodes de calcul du centre de gravité pour des surfaces et des volumes variés. Il était sûrement, d'après Galilée lui-même, un des plus grands spécialistes de mécanique et mathématiques du 16ème siècle. Size: In Folio.

Hardcover. First edition. RENAISSANCE ASTRONOMICAL INSTRUMENTS. First edition, very rare, of the principal astronomical work of one of the greatest Renaissance mathematicians. "Guidobaldo was Galileo's patron and friend for twenty years and was possibly the greatest single influence on the mechanics of Galileo" (DSB). Guidobaldo was also influential in securing appointments for Galileo, first at Pisa and then Padua. Together they conducted a series of experiments on the trajectories of cannonballs, asserting that projectiles follow parabolic paths. The present work, originally composed in the 1580s but published posthumously by Guidobaldo's son Orazio, is devoted to mathematical astronomy, but is particularly notable for its descriptions of several newly invented instruments, both for making astronomical observations and for carrying out the calculations involved in solving problems in astronomy. These include an 'astronomical theodolite' for measuring the altitude and azimuth of celestial bodies, and a geared instrument which can divide circular arcs into degrees, minutes, seconds, thirds, and so on. "Guidobaldo helped to develop a number of mathematical instruments, including the proportional compass, the elliptical compass, and a device for dividing the circle into degrees, minutes, and seconds" (DSB). "In general Guidobaldo's attitude to mathematical instruments paralleled his attitude towards machines. Through these material devices, he felt, abstract mathematical truth could be made completely visible" (Rose, p. 224). A letter written by Orazio on 26 August 1609 documents that he "had contacted Galileo in order to ask advice about the publication [of the Problematum Astronomicorum]: Galileo seems to have answered to the former to have 'learned many new things' from the Problematum Astronomicorum Libri septem and to 'appreciate it very much'" (Frank, p. 547). The first book of the Problematum Astronomicorum contains Guidobaldo's descriptions of his instruments; the next four books deal with typical problems of mathematical positional astronomy; the sixth book is devoted to the estimation of the depression of the Sun towards the horizon at the beginning of the morning twilight and at the end of the evening twilight; and the seventh (and last) book is on comets. ABPC/RBH records no sales of this book at auction since the Macclesfield copy in 2005 (part of a sammelband), and only one before that (Christie's New York, November 13, 1996, lot 408, $5,175). Guidobaldo del Monte (1545-1607) was one of the most prominent Italian mathematicians from the second half of the sixteenth century. He was a nobleman from the Duchy of Urbino and occupied a central position at the courts of the Dukes Guidobaldo II and Francesco II della Rovere for large part of his life, until he fell out of favour in the 1590s. He studied mathematics at Padua, and later at Urbino he became the friend and pupil of Federico Commandino, whose translation of Pappus he edited and published. He combined practical work as an architect, designer of instruments, and surveyor of fortifications, with theoretical works on astronomy, perspective and mechanics. In cosmology he appears to have been an orthodox Aristotelian, as judged by his reaction to the supernova of 1604. Notwithstanding this latter position, he was also one of the most important patrons of the young Galileo. Together with his brother, Cardinal Francesco Maria del Monte (well known for having been a patron of Caravaggio), he helped Galileo secure his first teaching positions at the University of Pisa (in 1589) and Padua (in 1592). His "first book, the 'Liber mechanicorum' (1577), was regarded by contemporaries as the greatest work on statics since the Greeks [and his 'Perspectivae libri sex' (1600)] the best Renaissance study of perspective . Guidobaldo was Galileo's patron and friend for twenty years and was possibly the greatest single influence on the mechanics of Galileo. In addition to giving Galileo advice on statics, Guidobaldo discussed projectile motion with him, and both scientists reportedly conducted experiments together on the trajectories of cannonballs. In Guidobaldo's notebook (Paris MS 10246), written before 1607, it is asserted that projectiles follow parabolic paths; that this path is similar to the inverted parabola (actually a catenary) which is formed by the slack of a rope held horizontally; and that an inked ball that is rolled sideways over a near perpendicular plane will mark out such a parabola. Remarkably the same two examples are cited by Galileo at the end of the Two New Sciences, although only as postscripts to his main proof-which is based on the law of free fall-of the parabolic trajectory" (DSB). "At the beginning of the Problematum astronomicorum (ff. 2v-3v), Guidobaldo, after having tackled the problem of graduated scales, proposes an instrument (ff. 7r-7v) to detect the height and azimuth of celestial bodies, that is a sort of astronomical theodolite . The Guidobaldo apparatus consists of two graduated metal circles: one horizontal with compass, the other vertical, the latter equipped with an alidade with open slit sights. The graduated circles present the engravings of the scales as in the more traditional astrolabes, to which the instrument appears closely related. The apparatus made it possible to sight angles of any width both for topographical and geographic surveys and for astronomical observations. Especially for the latter, an aspect of central importance was the appreciation of the fractions of a degree. Guidobaldo, aware of the extent of the problem, confronts it at the very beginning of the Problematum astronomicorum. He does so from a very general point of view, that is, he deals with reading on a standard scale, regardless of the instrument that hosts it: and then he tries to generalize it. What he describes is a recursive procedure that allows one in theory to go back not only to the usual fractions of a degree, that is to the first and s.