Type d'article
Etat
Reliure
Particularités
Pays
Evaluation du vendeur
Edité par University of Nebraska Press, 1988
ISBN 10 : 080323127XISBN 13 : 9780803231276
Vendeur : Ergodebooks, Houston, TX, Etats-Unis
Livre
Hardcover. Etat : Good.
Edité par Wm. B. Eerdmans Publishing Company, 1987
ISBN 10 : 0802836437ISBN 13 : 9780802836434
Vendeur : JR Books, Grand Rapids, MI, Etats-Unis
Livre
Etat : VeryGood. Hardcover; ed.
Plus de choix d'achat de la part d'autres vendeurs sur AbeBooks
Offres neuf à partir de EUR 96,43
Offres d'occasion à partir de EUR 8
Trouvez également Couverture rigide Couverture souple
Edité par Art Digest, Inc., New York, 1971
Vendeur : Argyl Houser, Bookseller, Turlock, CA, Etats-Unis
Livre
Soft cover. Etat : Good. Etat de la jaquette : No Jacket As Issued. Good condition magazine. First dozen or so pages have a small water spot right against the top edge, otherwise completely clean with no other marks, wear or damage to pages. Very slight soiling to front cover. A few light scratches and some rubbing along the spine of the back cover. Upper left corner of the back cover has a small crease. Will be backed with cardboard and carefully packed in a sturdy, flat box to ensure safe delivery. This issue includes: "Editorial"; "Norton Simon Collection and Old Masters at Parke-Bernet" by Nancy Schwartz; "Auction Calendar"; "Books"; "Haacke, the Guggenheim: The Issues" by Edward Fry; "An Interview with Hans Haacke" by Jeanne Siegel; "One Sculpture" by Lawrence Alloway; "Kenneth Snelson" by Gregoire Muller; "A Protean Sensibility" by Tony Robbin; "What is American in American Art?" by Margaret Mead and Nicolas Calas; "Ingres in Love, with Rome" by Alfred Warner; "Liberman's Many Faces of the Cylinder" by Nicolas Calas; "Clarence Carter" by James Michener; "Charles Dufresne" by William D. Allen; "Los Angeles" by Melinda Terbell; "Bay Area" by Brenda Richardson; "London" by David Russell; "Paris" by Bernard Borgeaud; "Images: Rivera at Greer Gallery"; "Images: Pomodoro at Martha Jackson Gallery"; "Museums"; plus New York Gallery Reviews by Willis Domingo, Marianne Hancock, Andrea Mikotajuk, Atirnomis, and Gordon Brown.
Edité par Dell Magazines, 2007
Vendeur : Scene of the Crime, ABAC, IOBA, St. Catharines, ON, Canada
Magazine / Périodique Edition originale
Soft cover. Etat : Fine. 1st Edition. First Edition, First Printing of this Double Issue of 18 short stories. Featured are: The Carville Ghost by Bill Pronzini, Pickpocket by Marcia Muller, The Erstwhile Groom by Laura Benedict, Remote Control by Mick Herron, A Rat's Tale by Donna Andrews, The Profane Angel by Loren Estleman, Limpopo by Sheila Kohler, The World in Primary Colors by Scott William Carter, Parson Pennywick and The Whirligig by Amy Myers, A Cozy for the Jack-o'-lanterns by James Powell, Moon Madness by Tom Tolnay, Ideas in my Head by Janice Law, The Thelft of the Ostracized Ostrich by Edward D. Hoch, Blues in the Kabul Night by Clark Howard, Screem Queen by Ed Gorman, A Chance to Get Even by Lawrence Block, Camera Guy by Mark Barsotti, and No Bones About it by Marc R Soto. In Fine Condition.
Edité par Mysterious Press, New York, 2001
ISBN 10 : 0892967390ISBN 13 : 9780892967391
Vendeur : Scene of the Crime, ABAC, IOBA, St. Catharines, ON, Canada
Livre Edition originale
Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st Edition. First edition first printing of this collection of short stories. Collected are the following: Come Again? by Donald E. Westlake, The Anniversary Waltz by Loren D. Estleman, Inscrutable by Joe Gores, The Usual Table by Peter Lovesey, Them! by William Marshall, The Impostor by Marcia Muller, Activity in the Flood Plain by Ed McBain, Sometimes Something Goes Wrong by Stuart M. Kaminsky, Countess Kathleen by Jerome Charyn, Instinct by Archer Mayor, What's in a Name by Margaret Maron, Coming Around the Mountain by James Crumley, Handle With Care by M.C. Beaton, The Mule Rustlers by Joe R. Lansdale, Body Zone by Lindsey Davis, Revision by Robert Greer, Birdbath by Charlotte Carter, High Maintenance by Beth Saulnier. Light rubbing to the surface of the dustjacket. In fine / near fine condition.
Edité par Rowman & Littlefield Publishers, 2002
ISBN 10 : 0742521966ISBN 13 : 9780742521964
Vendeur : Lexington Books Inc, Idaho Falls, ID, Etats-Unis
Livre
Paperback. Etat : Very Good.
Edité par Belin , Bibliothèque Pour la Science, 1988
Vendeur : Librairie Philoscience, Malicorne sur Sarthe, France
très nombreuses illustrations dans le texte en noir et blanc, quelques-unes en couleurs nouvelle édition française, 1988 Book condition, Etat : Bon relié, cartonnage éditeur blanc, illustré par de petites perturbations de la densité de matière et d'énergie dans l'univers In-4 1 vol. - 227 pages Contents, Chapitres : Jean-Claude Pecker : Préface - 1. Les faits cosmologiques : Le ciel est noir - Ivan King : Les amas globulaires - L. Botinelli et L. Gouguenheim : Les distances des galaxies - Richard Muller : Le rayonnement thermique cosmologique - Jay Pasachoff et William Fowler : Le deutérium dans l'Univers - Patrick Osmer : Les quasars : Des témoins du début de l'Univers - Stephen Gregory et Laird Thompson : La distribution des galaxies - Jack Burns : Les plus vastes structures de l'Univers - Edward Groth, James Peebles, Michael Seldner et Raymond Soneira : Le mode de groupement des galaxies - 2. La théorie classique : Stephen Hawking : La mécanique quantique des trous noirs - John Barrow et Joseph Silk : La structure primitive de l'Univers - Alan Guth et Paul Steinhardt : L'Univers inflatoire - David Meier et Rashid Sunyaev : Des galaxies primitives - Lawrence Krauss : La matière sombre dans l'univers - Richard Gott, James Gunn, David Schramm et Beatrice Tunsley : L'expansion de l'Univers -3. Les grandes interrogations : Frank Wilczek : L'asymétrie cosmique entre la matière et l'antimatière - Brice de Witt : La gravitation quantique - George Gale : Le principe anthropique - Duane Diens, John Letaw, Doris Teplitz et Vigor Teplitz - Auteurs et Bibliographie cartonnage très légèrement empoussiéré et à peine, jauni, coins du cartonnage à peine émoussés, sinon en bon état, intérieur frais et propre, papier à peine jauni 800.
Edité par Barnes and Noble Books, New York, 1993
ISBN 10 : 1566191076ISBN 13 : 9781566191074
Vendeur : W. Fraser Sandercombe, Burlington, ON, Canada
Livre Edition originale
Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. Jack Eckstein; (illustrateur). First Edition. (xiv) 561 pp. Please note, this is a very heavy book and, depending where in the world you are, the shipping might be higher than normal. Quarter bound in black cloth on black boards; lettered in gilt on the spine; headband. Light rubbed on the corners of the dustjacket; no interior markings. Dj art by Jack Eckstein. Also edited with Stefan Dziemianowicz and Martin H. Greenberg. This anthology contains: According to Plan by Ray Darby; Adventure of the Baritone Singer by George Barton; The Adventure of the Table Foot by Zero; The Adventure of the Two Collaborators by Sir James M. Barrie; The Adventures of Shamrock Jolnes; and The Clarion Call by O. Henry; Affirmative Action by Jon L. Breen; Anchor the Stiff by Dan Gordon; An Artful Touch by Charles Dickens; An Axe to Grind by Curt Hamlin; Behind Murder's Eight-Ball by Don James; Better Hands by Dale Clark; The Bloodles Corpse by O. R. Dale; Bread Ahead by C. J. Henderson; Cache and Carry by Marcia Muller and Bill Pronzini; Calling Dr. Death by C. William Harrison; The Cap'n Sleeps by John Earl Davis; The Carnival Caper by R. L. Steven; The Case of the Barking Beagle by R. L. Stevens; Checkmated by Coretta Slavska; The Clincher; and Escape by Jack Foxx; The Cop and the Lady by Booton herndon; Cop Maker by Ronald Henderson; The Course of Justice by Hugh B. Cave; Curtains for Kelly by John Randolph Phillips; Cut Glass by Frederick Arnold Kummer Jr.; Damsel with a Derringer by Stephen Dentinger; The Dead Go Overboard by Fenton W. Earnshaw; Death Racket by Frederick Arnold Kummer Jr.; The Deer that Ate a diamond by Edward D. Hoch; Detective for a Day; Die Before Bedtime; Dogs Know by Gary Lovisi; Duck Behind that Eight-Ball by Nick Spain; Dust by James W. Holden; Exhibit D by John Maclay; Extra Service by John Mallory; Eye-Witness by Donald S. Aitken; Eye Witness by David X. Manners; A Friend of Davy Jones' by Dan Gordon; GrannyGumption Solves a Murder by C. J. Henderson and Charles Hoffman; A Hand of Pinochle by Theodore Tinsley; Harsh Light of DAy by Wayne D. Dundee; Heir-in-a-Hurry by Morris Cooper; Higher Education by Sidney Waldo; Hip and Thigh by H. H. Matteson; If the Body Fits by Larry Holden; Ignorance of ARt by Vincent Hall; Incident in a Neighborhood Tavern by Bill Pronzini; In the Library by W. W. Jacobs; Ink's Jinx by Anthony Clemens; An Irreducible Detective STory by Stephen Leacock; Kansas City Connection by Wayne McMillan; Knit One-Kill Two by Fergus Truslow; The Leopard Man's Story by Jack London; The Man Who Collected "The Shadow" by J. V. Drexel The Man Who Died Too Often by Davie Crewe; The Mann Act by Michael A. Black; Memento Mori by Alex Saxon; Mrs. Belcourt Draws a Bier by Alan Ritner Anderson; Murder at Rose Cottage by Edward D. Hoch; Muderer's Handicap by Alex Barber; Murder Offstage by R. L. Stevens; Murder on the Limited by Howard Finney; The Mystery of the Rue de Peychaud by O. Henry; Naked in Darkness by Hugh B. Cave; Night Watch by Scott O'Hara; Night Work by Gerald Tollesfrud; A Novel Forgery by Rodrigues Ottolengui; Old Calamity's Stick-up by Joseph Fulling Fishman; Old Guy by Maitland LeRoy Osborne; The Outside Ledge by L. T. Meade and Robert Eustace; Packed House by Robert Zacks; The Pattern by Alex Saxon; The Rosary by Michael A. Black; Safety Deposit by B. B. Fowler; The Seventieth Number; and Smothered Mate by Stephen Dentinger; A Shroud with a Silver Lining by Marion Lineaweaver; The Sign by Tom Curry; The Sign of the "400" by R. K. Munkittrick; Smoke Sign by Dale Clark; Snapping Out of It by Bruce Holland Rogers; Something Green by Edward D. Hoch; Something Wrong; and Souls Burning by Bill Pronzini; The Spell of the Black Siren by Dick Donovan; The Stolen Cigar-Case by Bret Harte; Summer's End by William Manners; The Terrarium Principle by J. V. Drexel; Three Men and a Corpse by Victor K. Ray; Today's Special-Poison by V. E. Thiessen; The Trailor Murder Mystery by Abraham Lincoln; A Tulip in the Snow by John McCurnin; The Umbrosa Burglar Size: 8vo. Book.
Edité par The Upjohn Company, 1976
Vendeur : Epistemo Jo Books, Manhattan, KS, Etats-Unis
Livre
Soft cover. Etat : Fine. No Jacket. We find the books, you read. A portion of the proceeds benefits literary initiatives worldwide. We strive to use only biodegradable packaging. pp.88. #23022362.00.13.
Edité par American Horizon, Inc./A Subsidiary of American Heritage Publishing Co., Inc., New York, 1959
Vendeur : gearbooks, The Bronx, NY, Etats-Unis
Livre
Decorative Hardcover. Etat : Very Good. No Jacket. Irwin Glusker (Art Director); Richard B. Browner (Assistant) (illustrateur). 136 pp. Vol. 1, No. 4, March 1959 issue only! An excellent study or work or reading or research copy! Solidly and tightly bound copy with moderate external, but minimal internal wear and use. Copy with clean text on crisp pages. Slightly bumped cover board corners. No dust jacket. Over-sized and/or over weight book; may require additional postage. Please note that large and/or heavy items may incur extra shipping charge for both domestic and/or international shipments.
Date d'édition : 2023
Vendeur : True World of Books, Delhi, Inde
Livre impression à la demande
LeatherBound. Etat : New. LeatherBound edition. Condition: New. Reprinted from 1867 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 196 Language: English.
Date d'édition : 2023
Vendeur : True World of Books, Delhi, Inde
Livre impression à la demande
LeatherBound. Etat : New. LeatherBound edition. Condition: New. Reprinted from 1895 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 216 Language: English.
Edité par American Elsevier, New York, 1967
Vendeur : Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, Etats-Unis
Membre d'association : IOBA
Livre Edition originale
Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. 1st Edition. Ix, 219 Pp. Orange Cloth, Gilt. Near Fine, Touch Of Rubbing At Spine Ends, Previous Owner's Blindstamp On First Front Free Endpaper. Dj Near Fine, Tiny Ink Spot At Top Of Front Panel.
Edité par Sotheby'S, 1999
Vendeur : Cambridge Rare Books, Cambridge, GLOUC, Royaume-Uni
Paperback. Etat : VERY GOOD. 1999-01-01. Sotheby'S. Paperback. VERY GOOD.
Edité par Rowman & Littlefield Publishers, 1999
ISBN 10 : 0847695158ISBN 13 : 9780847695157
Vendeur : SGS Trading Inc, Franklin Lakes, NJ, Etats-Unis
Livre
Paperback. Etat : Good. Textbook, May Have Highlights, Notes and/or Underlining, BOOK ONLYNO ACCESS CODE, NO CD, Ships with Emailed Tracking.
Edité par 22 Charlotte Street Bloomsbury London. 'Friday Morning'. No date, 1842
Vendeur : Richard M. Ford Ltd, London, Royaume-Uni
Manuscrit / Papier ancien
1p., 4to. On bifolium. In good condition, lightly aged. The verso of the second leaf, bearing a seal in red wax, is addressed by Müller 'To the Secretary | of the | Manchester Exhibition'. Winstanley has written the picture's catalogue number (244) at the head. Letter and signature in a bold large hand. Reads: 'Sir | I take the liberty of forwarding to ye. Institution the picture of ye. Money Changers, Siout, Egypt. Price £45.' In its report of the exhibition (October 1842) the Art-Union singled out Müller's painting for praise: 'A work of the highest merit; the production of an artist who has secured a reputation second to that of very few who do honour to their country. The whole arrangement of this picture (money changers of Egypt) is excellent; it is full of strong character a deep reading of the human mind; and as an example of colour, it is in all respects masterly.'.
Edité par F Lewis, Leigh-on-sea, 1948
Vendeur : David Bunnett Books, London, Royaume-Uni
Edition originale
HARDCOVER. 1st Edition. 4to in broight red cloth, gilt lettering to spine and front cover, 116pp text on thick laid paper plus 9 tipped-in colour plates in text, and 35 b/w plates at rear. No 385 of a limited edition of 500 copies CONDITION: An extremely well preserved almost AS NEW very clean and bright unread and unmarked copy (slight tanning or foxing to top edge of page block, slight sunning to spine). No dust jacket ] ._ __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box._We Ship in PROTECTIVE CARD PARCELS.
Date d'édition : 1880
Vendeur : Sulis Fine Art, Corsham, Royaume-Uni
Art / Affiche / Gravure
Etat : used. A view of a woman, shepherd, and dog on a country path with the flock of sheep in the background after William James Muller (1812-1845). Initialled and dated on the verso. On wove. Size: Large (30-60cm) Framed: Yes Style: Realism.
Edité par powerHouse Books New York, NY, 2008
ISBN 10 : 1576874257ISBN 13 : 9781576874257
Vendeur : Specific Object / David Platzker, New York, NY, Etats-Unis
Livre
251 pp.; 28 x 21.5 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Monograph about Colin De Land and his gallery American Fine Arts. Chiefly composed of photographs from the Colin De Land Photo Archive documenting art, installations, and activities at the gallery. Edited by Dennis Balk. Text contributions by Balk, Mitchell Algus, John Armleder, Massimo Audiello, Jan Avgikos, Judith Barry, Patterson Beckwith, Francesco Bonami, Gavin Brown, Tom Burr, Merlin Carpenter, Moyra Davey, Joshua Decter, Stephan Dillemuth, Mark Dion, Seth Edenbaum, Peter Fend, Andrea Fraser, Carol Greene, Rachel Harrison, Marie Hearn, Mary Heilmann, Dave Karlin, John Knight, Rosalie Knox, Silvia Kolbowski, Jackie McAllister, Marlene McCarty, Carlo McCormick, Daniel McDonald, James Meyer, Mariko Mori, Paul Morris, Barbara and Howard Morse, Christian Philipp Müller, Christian Nagel, Barry Neuman, Nils Norman, Todd Parkin, Jack Pierson, Sam Samore, Peter Santino, Pieter Schoolwerth, Christopher Sperandio, Jean Stein, Jessica Stockholder, Christine Tsvetanov, Craig Wadlin, John Waters, and Christopher Williams. "Within the international art world, American Fine Arts, Co., Colin de Land Fine Art was a gallery known equally for its anti-commercial, risk-taking practices and for its charismatic owner, who championed a perennially marginalized discourse that critiqued the status quo of gallery practice. Culled from de Land's extensive archive, Colin de Land, American Fine Arts provides an incomparable look at the activities and personalities that frequented the gallery during its heyday. The photographs and snapshots are accompanied by remembrances from more than 50 international artists and writers associated with the gallery. Part personal history, part expose, Colin de Land, American Fine Arts takes us back to the essence of south SoHo during the late 1980s and 90s, serving as a testament to de Land and his loving wife, gallerist Pat Hearn, both of whom died of cancer but left a legacy of personal style in their respective gallery practices, which have since been sorely missed." -- publisher's statement Very Good. Light wear to covers and corners. Contents clean and unmarked. Due to size and weight additional shipping charges will be required for international orders.
Edité par Marshall Jones Co./Archaeological Institute of America, Boston, 1916
Vendeur : Saucony Book Shop, Kutztown, PA, Etats-Unis
Edition originale
Hardcover. Etat : Very Good. Etat de la jaquette : Not Issued. 1st Edition. Complete in thirteen (13) volumes, uniformly bound in light brown buckram with spine panels lettered in gilt, top text block edge in gilt. Ex-library copy, with relatively minor stamps/marks and only modest wear, most volumes showing mild rubbing to spine extremities, mild surface rubbing/soiling, with firm bindings. Each volume shows label ghost/faded handwritten call label to lower spine panel, institutional book plate with "discarded" stamp mounted inside front cover, "discarded" stamp over embossed label on each title page, and a few pencil notations to copyright and dedication pages, but interiors are otherwise unmarked; a circulation slip is mounted on each rear flyleaf, but the volumes never actually circulated. Volumes range 300-600 pp., all illus. present and intact (numerous plates and guards, some color, also folding maps). Issued 1916-32, and thus rarely offered as a complete set. CONTENTS: I: Greek and Roman; II: Eddic; III: Celtic/Slavic; IV: Finno-Ugric/Siberian; V: Semitic; VI: Indian/Iranian; VII: Armenian/African; VIII: Chinese/Japanese; IX: Oceanic; X: North American; XI: Latin American; XII: Egyptian/Indo-Chinese; XIII: Complete Index. Size: 4to - over 9¾" - 12" tall. Book.
Date d'édition : 1835
Vendeur : Arader Books, New York, NY, Etats-Unis
Manuscrit / Papier ancien Signé
No binding. Etat : Very good. WILLIAM JAMES MULLER (1812-1845): The Rialto Bridge, Venice, signed and dated l.r. "W Muller/1835" (?), watercolor over pencil heightened with touches of bodycolor (17 ½ x 29 ¼ inches sheet; 29 x 40 ½ inches framed). Provenance: Likely Daniel Wade Acraman Esq. (1775-1847); his sale at Christie's, Bristol, August 24, 1842 as lot 190 (View of the Rialto, with numerous Boats and Figures) where bought by Pollentine (Alfred?); anonymous sale at Sotheby's, October 10, 1974 as lot 46; Sotheby's London, March 26, 2004 as lot 89 where acquired by Graham Arader (present owner). Condition: very good with scattered repairs and minimal foxing; minor chips on gold leaf frame. An early 19th century polyglot in the tradition of the Grand Tourists, Muller traveled to Germany, Switzerland, and Italy with the watercolor artist and member of the Royal Society of Painters George Arthur Fripp. They reached Venice on 29th September 1834, staying there for nearly two months before going on to Rome and beginning their return journey on 16th January 1835. Though a number of drawings and watercolor sketches were made on this journey, Muller continued to paint Venetian subjects as late as the 1840s. The present work may be identical with the one exhibited at the Society of British Artists in 1836. It shows the Rialto Bridge with the 18th century campanile by Giovanni Scalfarotto and the Fondaco dei Tedeschi, a multi-purpose structure built by mainly German merchants from the cities of Augsburg, Judenburg, and Nuremberg. The streets along the canal include genre-scenes of merchant activities such as the loading and unloading of boats, the displaying of fabrics, and a gondolier manoeuvring between the barges. Muller's style is very linear and derivative of the classicist approach to Venetian vedute painting with a heavily geometric composition and visible penlines. According to the Dictionary of National Biography, Muller was one of the most original and powerful of painters from nature. He seized the characteristics of a scene with wonderful clearness and promptitude, and set it down without hesitation or difficulty. His selection and generalisation were nearly always masterly, his color pure and strong, and he could probably suggest more, with fewer touches, than any other painter of his time. Born in Bristol in 1812, William James Muller became the apprentice of James Baker Pyne who introduced him to the Bristol Sketching Club together with artists Samuel Jackson, J. Skinner Prout, and William West. He departed from the poetical style of their landscapist and imaginary subjects and exhibited at the Royal Academy for the first time in 1833. After Muller's return from Italy, he sent works to the Royal Academy in 1836 and to the Exhibition of the Society of Artists in Suffolk Street in 1836, 1837, and 1838. He visited the Middle East twice and accompanied the government expedition to Lycia in southwest Turkey where Charles Fellows was removing the Xanthus Marbles for the British Museum in 1843/44. A series of sketches from a journey to France was lithographed in 1841. Muller died in Bristol on September 8, 1845 at only 33 years of age. His works have continued to be in high demand. They appear on the market very rarely.