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Edité par AFNIL, 2021
ISBN 10 : 2957452820ISBN 13 : 9782957452828
Vendeur : Ammareal, Morangis, France
Livre
Softcover. Etat : Très bon. RAEVSCHI, Violetta (illustrateur). Légères traces d'usure sur la couverture. Edition 2021. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Slight signs of wear on the cover. Edition 2021. Ammareal gives back up to 15% of this item's net price to charity organizations.
Edité par GRIN Verlag, 2012
ISBN 10 : 3656179972ISBN 13 : 9783656179979
Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Livre
Taschenbuch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - Essay from the year 2011 in the subject Art - History of Art, grade: 1, University College London, language: English, abstract: Britain was undergoing some important changes. Following the Manchester PeterlooMassacre of 1819 the government introduced the so-called Six Acts which prohibitedcongregation of more than fifty persons on matters regarding the state withoutpermission, accelerated the speed of prosecution for libel, and put further restrictionnewspaper publications.1 By 1824 the act was partially revoked, and 1832 marked thelong-awaited Reform Act, which enfranchised more men and revised representation fromnewer boroughs. In this light the Queen Caroline Affair of 1820 provided the occasionfor effective public ridicule of the oppression under the guise of carnivalesqueconviviality and caricature. This movement of the working class from subjects to citizensthrough their engagement with fearless carnivalesque subversions of the establishedsystem using the wronged Queen Caroline as the icon of mistreatment by the governmentwill be the main focus of this essay.The affair at its core is not more than a domestic quarrel between George IV, andhis unwanted wife, Caroline of Brunswick. In 1795, the king ended his illicit marriage toMaria Anne Fitzherbert in order to marry a more noble Caroline, the arrangement wasone of convenience for George IV, as the Parliament promised to pay off his substantialdebt if the notorious dandy agreed to live a more subdued life with his new wife. Themarriage was doomed from the beginning when George IV humiliated Caroline beforeshe even met him when he sent his new mistress Lady Jersey to be her lady-in-waiting.2Shortly after the wedding, with Caroline pregnant, they separated and Caroline livedapart from the court. Already by 1807 George IV was attempting to rid himself of hishomely wife by launching a 'Delicate Investigation' on the grounds of a rumor thatCaroline's adopted son was actually her bastard. The investigation concluded thatalthough some of her behaviour is indiscrete there are no grounds for divorce.3 Despiteher proven innocence, she was ostracized at court, excluded from attending importantstate events, and after a series of humiliations and restrictions on seeing her daughter,Princess Caroline chose to go abroad in 1814.4 After the death of George III, Carolineelected to return to Britain to claim her rightful place as the Queen beside George IV,however this proved to be difficult, and this is where the Affair begins.5.
Edité par Anchor Academic Publishing, 2013
ISBN 10 : 3954890585ISBN 13 : 9783954890583
Vendeur : Lucky's Textbooks, Dallas, TX, Etats-Unis
Livre
Etat : New.
Edité par Anchor Academic Publishing Mai 2013, 2013
ISBN 10 : 3954890585ISBN 13 : 9783954890583
Vendeur : BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Allemagne
Livre impression à la demande
Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This study will compare the USSR and the United States according to their cinematic use of science fiction in the late 1950s and 1960s in order to coincide with the period of de-Stalinisation and thaw in the USSR, and late McCarthyism in the United States. The genre provides an opportunity to express the two powers' scientific stand-off through fiction, and serves as a vehicle for the dissemination of ideas and propaganda. Post-1956 marks the time when the period of de-Stalinisation officially began and science fiction saw a carefully crafted rebirth for it served as a tool that could reflect the socialist ideal and quasi-religious faith in science that was promoted by the party. Science fiction uniquely demands for an imaginative view of the future, and therefore, corresponds with the Marxist- Leninist future-oriented ideology. For this period, the themes for American science fiction are hyperbolised monsters and invasion, and reflect the fear of the otherness of the Soviet Union, and its threat on domestic ideals. These themes are reflected in movies as 'Angry Red Planet', and 'Them!'.On the other hand, Soviet science fiction movies focus on the heroic Soviet man who frequently receives calls for help from outer space, and overcomes great trials to save those not living in utopia. This storyline is represented in 'Towards a Dream', and 'The Sky is calling'. The author gives special attention to the Soviet movie 'The Sky is calling' and the subsequent redubbed American version 'Battle beyond the Sun'. Further, she addresses alterations or plot, and subtle propaganda messages in the Soviet movies 'Planet of Storms', and the Hollywood remake 'Journey to the Prehistoric Planet'. 44 pp. Englisch.
Edité par GRIN Verlag Dez 2012, 2012
ISBN 10 : 3656322686ISBN 13 : 9783656322689
Vendeur : BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Allemagne
Livre impression à la demande
Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Bachelor Thesis from the year 2012 in the subject Art - History of Art, grade: 2.1, , language: English, abstract: Science fiction is always political as it has the power to stage contemporary problems through the lens of impossible events, it imagines theoretical futures out of present issues. The essay will compare the use of science fiction in cinema in the USSR and the United States of the late 1950s and 1960s to coincide with the period of de-Stalinisation and thaw in the USSR, and late McCarthyism in the United States.The genre provides an opportunity to express the scientific stand-off between the two powers through fiction, it is also a vehicle for dissemination of ideas and propaganda. Post-1956, when the period of de-Stalinisation officially began, science fiction saw a carefully crafted rebirth as a tool to reflect the socialist ideal and quasi-religious faith in science promoted by the Party. Science fiction uniquely demands for an imaginative view of the future, which corresponds with the Marxist- Leninist future-oriented ideology.The fear of external influence from the enemy for both countries results in heavily ideological cinema, especially in the sci-fi genre as an imagined reflection of contemporary issues onto a fictional future. The themes for American science fiction of this period are hyperbolised monsters and invasion, which reflect the fear of the otherness of the Soviet Union and its threat on domestic ideals. Soviet science fiction films focus on the heroic Soviet man, who frequently receives calls for help from outer space and overcomes great trials to save those not living in utopia. 44 pp. Englisch.
Edité par Anchor Academic Publishing, 2013
ISBN 10 : 3954890585ISBN 13 : 9783954890583
Vendeur : Ria Christie Collections, Uxbridge, Royaume-Uni
Livre impression à la demande
Etat : New. PRINT ON DEMAND Book; New; Fast Shipping from the UK. No. book.
Edité par Anchor Academic Publishing, 2013
ISBN 10 : 3954890585ISBN 13 : 9783954890583
Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
Livre impression à la demande
PAP. Etat : New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Edité par Anchor Academic Publishing, 2013
ISBN 10 : 3954890585ISBN 13 : 9783954890583
Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Livre impression à la demande
Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This study will compare the USSR and the United States according to their cinematic use of science fiction in the late 1950s and 1960s in order to coincide with the period of de-Stalinisation and thaw in the USSR, and late McCarthyism in the United States. The genre provides an opportunity to express the two powers' scientific stand-off through fiction, and serves as a vehicle for the dissemination of ideas and propaganda. Post-1956 marks the time when the period of de-Stalinisation officially began and science fiction saw a carefully crafted rebirth for it served as a tool that could reflect the socialist ideal and quasi-religious faith in science that was promoted by the party. Science fiction uniquely demands for an imaginative view of the future, and therefore, corresponds with the Marxist- Leninist future-oriented ideology. For this period, the themes for American science fiction are hyperbolised monsters and invasion, and reflect the fear of the otherness of the Soviet Union, and its threat on domestic ideals. These themes are reflected in movies as 'Angry Red Planet', and 'Them!'.On the other hand, Soviet science fiction movies focus on the heroic Soviet man who frequently receives calls for help from outer space, and overcomes great trials to save those not living in utopia. This storyline is represented in 'Towards a Dream', and 'The Sky is calling'. The author gives special attention to the Soviet movie 'The Sky is calling' and the subsequent redubbed American version 'Battle beyond the Sun'. Further, she addresses alterations or plot, and subtle propaganda messages in the Soviet movies 'Planet of Storms', and the Hollywood remake 'Journey to the Prehistoric Planet'.
Edité par GRIN Verlag, 2012
ISBN 10 : 3656322686ISBN 13 : 9783656322689
Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Livre
Taschenbuch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - Bachelor Thesis from the year 2012 in the subject Art - History of Art, grade: 2.1, , language: English, abstract: Science fiction is always political as it has the power to stage contemporary problems through the lens of impossible events, it imagines theoretical futures out of present issues. The essay will compare the use of science fiction in cinema in the USSR and the United States of the late 1950s and 1960s to coincide with the period of de-Stalinisation and thaw in the USSR, and late McCarthyism in the United States.The genre provides an opportunity to express the scientific stand-off between the two powers through fiction, it is also a vehicle for dissemination of ideas and propaganda. Post-1956, when the period of de-Stalinisation officially began, science fiction saw a carefully crafted rebirth as a tool to reflect the socialist ideal and quasi-religious faith in science promoted by the Party. Science fiction uniquely demands for an imaginative view of the future, which corresponds with the Marxist- Leninist future-oriented ideology.The fear of external influence from the enemy for both countries results in heavily ideological cinema, especially in the sci-fi genre as an imagined reflection of contemporary issues onto a fictional future. The themes for American science fiction of this period are hyperbolised monsters and invasion, which reflect the fear of the otherness of the Soviet Union and its threat on domestic ideals. Soviet science fiction films focus on the heroic Soviet man, who frequently receives calls for help from outer space and overcomes great trials to save those not living in utopia.
Edité par Anchor Academic Publishing, 2013
ISBN 10 : 3954890585ISBN 13 : 9783954890583
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
Livre impression à la demande
PAP. Etat : New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Edité par Anchor Academic Publishing, 2013
ISBN 10 : 3954890585ISBN 13 : 9783954890583
Vendeur : moluna, Greven, Allemagne
Livre impression à la demande
Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This study will compare the USSR and the United States according to their cinematic use of science fiction in the late 1950s and 1960s in order to coincide with the period of de-Stalinisation and thaw in the USSR, and late McCarthyism in the United States. .
Edité par GRIN Verlag, 2012
ISBN 10 : 3656322686ISBN 13 : 9783656322689
Vendeur : Mispah books, Redhill, SURRE, Royaume-Uni
Livre
Paperback. Etat : Like New. Like New. book.