oliver simon stanley morison (5 résultats)

, 5 volumes, each with examples of typography throughout Reprints and First Editions , ex-library copies with stamps and labels at front, covers a little rubbed at edges, all internally clean, the books are in good+ condition overall , cloth and card covers Octavo Paperback and Hardback ISBN:

Hardcover. Etat : Very Good. 7 vols. 4to. 28 cm. Insets. Plates. Illusts. Vol. 1 qtr. cloth, otherwise full cloth. Vol. 1 boards foxed, some spotting elsewhere, but generally a nice, crisp set, vols 2 & 3 in the orig. d.w. (vols. 2 chipped). Additional postage required, charged at cost. 'For me, collecting volume VII of The Fleuron from Zwemmer's in the Charing Cross Road was as heady an aesthetic experience as my first sight of Venice. For others, too. That notable wood engraver, Reynolds Stone, told me.of a similar experience. Entering the Cambridge University Press as a trainee.he discovered that one of the printers there.Mr Nobbs, had a complete set of The Fleuron. That journal of typography changed Stone's life, as it changed mine.' Robert Harling, from the Foreword to Grant Shipcott, Typographical periodicals between the wars, Oxford, 1980.

Hardcover. Etat : Good. 4to, illustrated, quarter cloth with paper sides (nos. 1 and 2) and full cloth (nos. 3 to 7); original dustjacket for no. 3 only, all other dustjackets are later-made with title and volume number printed on the spine panel (presumably by a previous owner). With numerous color and black-and-white illustrations, tip-ins, and specimens, some fold-out. Printer and typographer Bernard Newdigate (1869-1944) positively gushes over the first volume in his "Book Production Notes" for The London Mercury: "The first number of The Fleuron is a brilliant piece of book-production. The book itself is a sumptuous production of the Curwen Press and shows, both in its general appearance and in nearly every detail, the care and skill and good taste which have conspired to the splendid achievement" (quoted by Ruari McLean in "The Most Underrated of Typographers," Matrix 6, pp. 172-3). "The Fleuron was an occasional journal of the arts of the book, in hardback form; it was a sumptuous publication which included the writings of many contemporary scholars as well as original work by artists, and specially composed type specimens of many types as they appeared. It had sprung from conversations between [Stanley] Morison and Oliver Simon, designer at the Curwen Press" (Sebastian Carter, in "Stanley Morison and Jan van Krimpen," Matrix 8, p. 117). Volume 5 with the booklabel of Charles Antin, proprietor of the Serendipity Press, on rear pastedown; prior owner signature on vol. 6 pastedown. Contents generally very good to near fine. Most condition issues are with the covers: some wear to head and/or foot of spine of all volumes except vol. 3 (most heavily in vol. 5); vols. 1 and 5 rear hinge has short or partial split; vol. 2 has horizontal inch-length heavy crease along top of both boards and one-inch split at the hinge; light cover edge wear to vols. 1, 2 and 4; some light soiling to covers, except vol. 5, which is heavily soiled; spines to vols. 2 and 4 a bit faded. Pastedowns and first and last few leaves foxed. Dustjackets show some chipping; vol. 1 spine jacket panel partially repaired.

Hardcover. Etat : Very Good +. First edition. London and Cambridge: Curwen Press and Cambridge University Press, 1923-1930. A complete run of arguably the greatest English typographical and fine press journal, all deluxe edition copies, Vols 1-4 on Batchelor Kelmscott handmade paper, 5-7 on deluxe paper. The paper in these editions is wonderful, all volumes here completely free of foxing. Volumes 1-4 were edited by Oliver Simon, volumes 5-7 by Stanley Morison. This is an uncomplicated set lacking only the dust jackets for volumes 5-7. All bindings VG+ or better throughout (see photos). Volume 7 spine a touch faded as always. Vol 1-4 TEG. Deckled paper edges of all 7 volumes in very nice condition. No bumps or splits to any volumes, no gutter splits inside or out. All bindings tight, Volume 1 just a touch more wear. Contents of all volumes completely and uniformly fine, no tears, no spotting, no folds, no bookplates. All extras and inserts present, including the signed works by Eric Gill and David Jones. The combination of scholarship and skill on display in these volumes is second to none. As a set, this is one of the great fine press achievements of the twentieth century. Rare as a complete deluxe set.

Hard Cover. Etat : Very Good. First Edition. 7 volume set, all issued. Volumes 1 & 2, quarter cloth with paper covers boards, volumes 3 to 7 full cloth. Volumes 1 to 4: 28 x 22cm, volume 5 to 7: 28.5 x 22.5cm. Numerous colour and monochrome illustrations, tipped-in specimens, papers, facsimiles, some folding. All with a little wear to extremities. Volume 4 a little stained to base of spine, volume 5, small abrasion to rear boards. Bookplate to front pastedown in volume 2.