Type d'article
Etat
Reliure
Particularités
Pays
Evaluation du vendeur
Relié Toile. Etat : Très bon. Éditions Arthaud 1981- Relié toile sous jaquette illustrée, 80 pages in-4° à l'italienne, bel album photo. Trés bon état.
Edité par Thames & Hudson, 1989
ISBN 10 : 0500275556ISBN 13 : 9780500275559
Vendeur : THE OLD LIBRARY SHOP, Bethlehem, PA, Etats-Unis
Livre
Soft Cover. Etat : fine. Raghubir Singh, photos (illustrateur). 1st paperback ed. 9-3/8" tall x 10.5"; 32pp text + 80pp color photos; glossy paper. Paperback.
Edité par Perennial Press, 1981
Vendeur : Book Broker, Berlin, Allemagne
Livre
Gebundene Ausgabe. Etat : Sehr gut. Medienartikel von Book Broker Berlin sind stets in gebrauchsfähigem ordentlichen Zustand. Dieser Artikel weist folgende Merkmale auf: Ausgabejahr:1990. Altersentsprechend nachgedunkelte/saubere Seiten in fester Bindung. Leichte Gebrauchsspuren. Sprache: Französisch Gewicht in Gramm: 800.
Edité par Thames & Hudson,, 1981
Vendeur : lamdha books, Wentworth Falls, NSW, Australie
Landscape octavo; hardcover, red cloth boards with gilt spine-titling; 32pp, & 80 full-colour photographic illustrations. Faint spotting to upper text block edges and tiny tear on head of dustwrapper spine; now professionally protected by superior non-adhesive polypropylene film. Near fine. Postage quoted is for a standard format octavo book. Final charges may vary depending on size and weight. Raghubir Singh was one of India's leading photographers. His photographs are in the permanent collection of museums and galleries such as the Art Institute of Chicago, the Museum of Modern Art in New York, the Tokyo Metropolitan Museum. Since 1974, he has published 12 books on India, including Rajasthan, his home state. Singh belongs to a tradition of small-format street photography, pioneered by photographers like Henri Cartier-Bresson, whom he met in 1966 and observed for a week while the latter was working in Jaipur, and who, with Robert Frank, was to have a lasting impact of his work; however, unlike them, he chose to work in colour, as for him this represented the intrinsic value of Indian aesthetics. In time Singh was acknowledged with William Eggleston, Stephen Shore and Joel Sternfeld as one of the finest photographers of his generation and a leading pioneer of colour photography. He travelled across India with the American photographer Lee Friedlander who, according to him, 'was often looking for the abject as subject'; in the end Singh found Friedlander's approach of 'beauty as seen in abjection' fundamentally western, which suited neither him nor India; thus, he built his own style and aesthetic imprint, which according to his 2004 retrospective created 'a documentary style vision was neither sugarcoated, nor abject, nor controllingly omniscient'. 'Because he was obsessed with authenticity, his pictures have a vividness and immediacy that convey the essence of numerous aspects of Indian life. As other critics have noted, his real passion was for portraying people so that it is rare to see a shot that does not have a living person within it.' - Bruce Palling.