raymond lafage (10 résultats)

No binding. Raymond Lafage (illustrateur). '107. IOSUE ARRESTE LE SOLEIL.'(Joshua stops the sun.) Joshua makes the sun rest / darken / eclips during the battle of Amor.Made by Jacques Coelemans after Raymond Lafage.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 28.4 x 34.5 cm (11.18 x 13.58 inch). Image size: 21.5 x 29 cm. (8.46 x 11.42 inch).BATTLE OF AMOR-JOSHUA-SUN ECLIPSPCO-B6-48BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Raymond Lafage (1656-1684) was a Baroque French artist from the Island of Lisle-sur-Tam, notable for his mythological prints and drawings. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

No binding. Raymond Lafage (illustrateur). '108. REMITTUNTUR CI PECCATA MULTA QUIA DILEXIT MULTUM.'(Many sins are forgiven, because he loves all.) Jesus at the table with Simon the Pharisee. Mary Magdalena washes his feet.Made by Jacques Coelemans after Raymond Lafage.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 50 x 36.5 cm (19.69 x 14.37 inch). Image size: 43.5 x 28 cm. (17.13 x 11.02 inch).JESUS WITH SIMON THE PHARISEE-MARY MAGDALENE WASHES FEETPCO-B6-48BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Raymond Lafage (1656-1684) was a Baroque French artist from the Island of Lisle-sur-Tam, notable for his mythological prints and drawings. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Raymond Lafage (illustrateur). '103. NEMROD FONDATEUR DU ROYAUME DE BABILONE BASTIT LA VILLE ET TOUR DE BABEL.'(Nimrod, founder of the Kingdom of Babylon, built the city and tower of Babel.) Large plate.Made by Jacques Coelemans after Raymond Lafage.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 58.5 x 47.5 cm (23.03 x 18.7 inch). Image size: 52 x 39 cm. (20.47 x 15.35 inch).NIMROD-FOUNDER BABYLON-TOWER OF BABELPCO-B6-46BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Raymond Lafage (1656-1684) was a Baroque French artist from the Island of Lisle-sur-Tam, notable for his mythological prints and drawings. Condition: very good, given age. Some paper separation at bottom middle fold, backed. Light foxing. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Raymond Lafage (illustrateur). '106. TOBIE EFFRAIE.'(Tobias scared / frightened.) Tobias is scared by a fish but god's angel reassures him to catch the fish.Made by Jacques Coelemans after Raymond Lafage.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 27.4 x 33 cm (10.79 x 12.99 inch). Image size: 20.5 x 29.5 cm. (8.07 x 11.61 inch).TOBIAS SCARED FOR A FISH-ANGELPCO-B6-47BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Raymond Lafage (1656-1684) was a Baroque French artist from the Island of Lisle-sur-Tam, notable for his mythological prints and drawings. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

No binding. Raymond Lafage (illustrateur). '110. S. FRANCISCUS.'Saint Francis is being held a crucifix by angels. He want to ressemble Jesus and receives the wounds in his hands.Made by Jacques Coelemans after Raymond Lafage.Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined).Sheet size: 23.5 x 29 cm (9.25 x 11.42 inch). Image size: 17.5 x 22.5 cm. (6.89 x 8.86 inch).SAINT FRANCIS-ANGELS-CRUCIFIXPCO-B6-48BACKGROUND INFORMATIONFrom: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles, his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare.Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.Raymond Lafage (1656-1684) was a Baroque French artist from the Island of Lisle-sur-Tam, notable for his mythological prints and drawings. Condition: very good, given age. Some foxing. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

No Binding. Etat : Very Good. No Jacket. Raymond Lafage (illustrateur). '113. INVENERUNT PUERUM CUM MARIA MATRE EIUS ET PROCIDENTES ADORAVERUNT EUM.' (They found the boy with his mother Maria, and they fell down and worshiped him.) The pilgrimage of the magi. Made by Jacques Coelemans after Jean Baptiste Boyer d'Aiguilles. Etching / engraving on hand laid (verge) paper. Watermark: (present to be determined). Sheet size: 27.5 x 30.9 cm (10.83 x 12.17 inch). Image size: 20.8 x 28.5 cm. (8.19 x 11.22 inch). Condition: very good, given age. Some foxing. Rust stain from iron particle at bottom left. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. THE PILGRIMAGE OF THE MAGI-HOLY FAMILY PCO-B6-48 BACKGROUND INFORMATION From: 'Receuil d'Estampes d'apres les tableaux des peintres des plus celebres d'Italie, des Pays Bas et de France .' by Jacques Coelemans, in the edition (3rd ed. after ed. by Coelamans and Mariette in 1709 and 1744) published by Basan & Poignant from 1767-1797. This series of prints document the collection of Jean-Baptiste Boyer d'Eguilles, the engraving of which was started by Sebastien Barras (1653-1703) and Boyer himself, who was also an amateur engraver. Jean-Baptiste Boyer, Marquis d'Eguilles (1650-1709) was a French aristocrat, lawyer and engraver. Jacobus Coelemans or Jacob Coelemans, known in France as Jacques Coelemans (Antwerp, 1654-Aix-en-Provence, 1732) was a Flemish engraver and printmaker, known for his reproductive prints after famous painters and portraits. He trained in his native Antwerp and moved to Aix-en-Provence in France in 1690 where he worked for the remainder of his life. He was a pupil of Frederik Bouttats the younger. In Aix he was hired by Jean-Baptiste Boyer d'Aguilles (1650-1709), his patron, Attorney General of the Provence and famous art collector to engrave his entire collection. His work is recognized for its brilliance, good understanding of chiaroscuro and accuracy. Rare. Reference: (for the work) Greasse II, p.14; Dumesnil IV, p.213.

Revue mensuelle de Topographie, Phototopographie, Economie Rurale, Cadastre, Remembrement, Livre Foncier, Expertises, Lotissements, Plans de Villes, Organisation Corporative, 1933, ensemble de 12 numéros, du numéro 147 au 158, format 240x160mm, environ 50 pages par numéro et quelques pages publicitaires imprimées sur un papier orange, couvertures usagées et insolées, sans atteinte au texte, sinon l'état est correct. Chroniques professionnelles, Alidade Alti-Stadimétrique Auto-Réductrice, Evaluation des Terrains urbains, Contribution à l'histoire de la Tachéométrie, Le rétrécissement des terrains en montagne, Petit Niveau à Lunette Wild avec ou sans cercle horizontal, Tachéomètre auto-réducteur Blanc, L'Urbanisme et le Géomètre, Essai d'une carte agronomique cadastrale, Tachéomètre auto-réducteur à contact Kern, Propos sur les Feudistes, Concours du meilleur borneur, Immatriculation foncière en Tunisie, Le Diplôme et l'Alsace-Lorraine, De l'application de la Photo-Aérienne aux levers de Remembrement, Formation des géomètres en Suède, Application pratique de la méthode de la mesure indirecte des longueurs, Nouveau petit théodolite Wild pouvant être utilisé comme théodelite ordinaire ou comme théodolite-boussole, La Stéréophotogrammétrie - études, récréations mathématiques, Législation, Jurisprudence, Revue des journaux, etc.etc.

Revue mensuelle de Topographie, Phototopographie, Economie Rurale, Cadastre, Remembrement, Livre Foncier, Expertises, Lotissements, Plans de Villes, Organisation Corporative, 1938, ensemble de 12 numéros, format 245x160mm, environ 60 pages par numéro, quelques pages publicitaires imprimées sur un papier orange, dos légèrement salis sinon exemplaires dans un état correct. Chroniques professionnelles, Coup d'oeil d'ensemble sur la Photogrammétrie Aérienne et Terrestre, Recherche d'un mode d'évaluation raisonnée d'un Cabinet de Géomètre, Evolution Agricole du Clunysois depuis un siècle d'après les cadastres successifs, Crainquebille chez les experts, La Technique de la colonisation en Russie Subcarpathique, La mensuration cadastrale suisse 25e anniversaire, Le Cadastre en Pologne et le Régime Foncier, Note sur la préparation des dossiers de lotissement dans le département de la Seine, La Reproduction des cartes cadastrales, Mesurage optique des longueurs ( étude comparée ), La propriété culturale, Planchette Topographique, Qui doit-être chargé du plan d'aménagement ? , Le Cadastre probatoire, Origines de la profession, 6e Congrès International des Géomètres à Rome du 5 au 10 Octobre 1938, Législation, Jurisprudence, Revue des journaux, etc.etc.

The Hague, Martinus Nijhoff, 1963. XV,93 pp. 55 b./w. plts. Orig. hardcover (green cloth), d./j. Oblong.- Dustjacket with light shelfwear.

Couverture souple. Etat : Bon. Ed. originale. Paris, Images de Paris, 1923. 21,5 x 14 cm, non paginé (12 ff. n. ch.), 1 planche hors texte, 2 gravures sur bois originales à pleine page, ill. en noir dans le texte, agrafé. Edition originale. Dans ce numéro, des textes de Guillaume Apollinaire (Allons plus vite), Charles Baudoin, Robert Boudry, Philippe Chabaneix, Léon Lafage, Elie Richard. Illustrations de Henri Boulage, Geneviève Rostan, Henri Parayre et Raymond Thiollière. Bel exemplaire.