redouté pierre joseph etienne pierre ventenat (8 résultats)

-120 pages-Avec 60 planches en couleur --- Etienne Pierre Ventenat et Pierre Joseph Redouté:Jardin de la MalmaisonVolume II Verlagsfrischer, bibliophil ausgestatteter Faksimile-Reprint:Gedruckt auf einem schönen alterungsbeständigen und säurefreien Werkdruckpapier, das den Originaleindruck am besten wiedergibt.Gebunden als robuste Bibliotheksversion in Ganzleinen mit Rückengoldprägung.Bibliophil ausgestattet mit rundem Rücken und Lesebändchen.Ein dem Stil der Zeit entsprechender Umschlag wurde auf dem Vorderdeckel aufgezogen. --- 44,3 x 30,5 cm.

-120 pages-Avec 60 planches en couleur --- Etienne Pierre Ventenat et Pierre Joseph Redouté:Jardin de la MalmaisonVolume I Verlagsfrischer, bibliophil ausgestatteter Faksimile-Reprint:Gedruckt auf einem schönen alterungsbeständigen und säurefreien Werkdruckpapier, das den Originaleindruck am besten wiedergibt.Gebunden als robuste Bibliotheksversion in Ganzleinen mit Rückengoldprägung.Bibliophil ausgestattet mit rundem Rücken und Lesebändchen.Ein dem Stil der Zeit entsprechender Umschlag wurde auf dem Vorderdeckel aufgezogen. --- 44,3 x 30,5 cm.

Etat : Wie neu. Volume I: 120 pages avec 60 planches en couleur Volume II: 120 pages avec 60 planches en couleur neu / Modernes Schriftbild Sprache: Französisch Gewicht in Gramm: 4650 44,3 x 30,5 cm, gebundene Ausgabe Faksimile-Reprint der Ausgabe 1803 Paris, Imprimerie Crapelet.

-Volume I:  120 pages avec 60 planches en couleur-Volume II: 120 pages avec 60 planches en couleur --- Etienne Pierre Ventenat et Pierre Joseph Redouté:Jardin de la MalmaisonVolume 1 et 2 Verlagsfrischer, bibliophil ausgestatteter Faksimile-Reprint:Gedruckt auf einem schönen alterungsbeständigen und säurefreien Werkdruckpapier, das den Originaleindruck am besten wiedergibt.Gebunden als robuste Bibliotheksversion in Ganzleinen mit Rückengoldprägung.Bibliophil ausgestattet mit rundem Rücken und Lesebändchen.Ein dem Stil der Zeit entsprechender Umschlag wurde auf dem Vorderdeckel aufgezogen. --- 44,3 x 30,5 cm.

-Volume I:  120 pages avec 60 planches en couleur-Volume II: 120 pages avec 60 planches en couleur --- Etienne Pierre Ventenat et Pierre Joseph Redouté:Jardin de la MalmaisonVolume I et II Verlagsfrischer, bibliophil ausgestatteter Faksimile-Reprint:Gedruckt auf einem schönen alterungsbeständigen und säurefreien Werkdruckpapier, das den Originaleindruck am besten wiedergibt.Hier vorliegend die auf 300 Exemplare limitierte Luxusedition in Halbleder mit unechten Bünden.Der Überzug wurde aus einem historischen Kleisterpapier hergestellt.Auf dem vorderen Umschlag ist eine dekorative Vignette aufgebracht.Diese Ausgabe wird nur auf Bestellung hergestellt, die Lieferzeit beträgt etwa 3 Wochen.  --- 44,3 x 30,5 cm.

Signature de l'auteur et cachet de l'imprimeur au verso du faux-titre du Tome I.Edition originale de la traduction française de genera plantarum d Antoine Laurent de Jussieu, avec des enrichissements concernant l'histoire, les usages et les propriétés des végétaux par Etienne-Pierre Ventenat.Elle est ornée d'une belle vignette en page de titre du Tome I et est bien complète des 24 planches de botanique en noir et blanc, réunies dans le tome IV, dessinées par Henri-Joseph Redouté, le frère du célèbre "Raphaël des Roses", et gravées par Sellier.Réf. biblio. : Nissen, 2051.

2 volumes. Folio (20 3/8 x 13 3/8 inches). Half-titles. With 60 engraved plates by Sellier after P. J. Redouté, P. Bessa and others (light spotting or browning, especially in volume II). Contemporary red paper boards with vellum corners (backstrip of volume two worn with considerable loss, scuffed and worn with minor loss at extremities). Provenance: With contemporary stenciled shelfmarks on front covers and title-pages; small 19-th century library label of "M.M.B." on each front paste-down; ink library stamp of C Gattiker, Paris, on the half-title of volume one, and the front free endpaper and verso of the frontispiece in volume II. First edition. Redoute's first collaboration with Ventenat was his commission from the Empress Josephine Beauharnais to make an artistic record of her garden of rare plants at Malmaison. The result was the celebrated "Jardin de Malmaison" (1803-04). This present work, published around the same time, is further testimony to their successful collaboration. Jacques-Philippe-Martin Cels (1740-1806) was a tax collector from 1761 until the Revolution when he was forced to resign and take up the study of botany under the guidance of Bernard de Jussieu and Louis-Guillaume Le Monnier, and the influence of Roussea. At the beginning of the nineteenth century Cels had established a garden of about eighteen acres, first described by Ventenat in his "Description des plantes nouvelles et peu connues cultivées dans le jardin de J. M. Cels" (1800-1802), with 100 color plates by P. J. Redouté. "Choix de plantes dont la plupart sont cultivées dans le jardin de Cels", is their second book capturing the beauty of Cels's celebrated garden, recognized by his contemporaries as one of the most beautiful in Europe. It had previously been depicted in Charles-Louis L'Héritier's "Stirpes novae" (1784-1791), of Candolle and Redoute's "Plantarum succulentarum historia, ou Histoire naturelle des plantes grasses" (1799) and "Astragalogia nempe astragali" (1802), and their magnum opus "Les Liliacees" (1802-1816). Nissen BBI 2047; Stafleu & Cowen, VI 16.008. Catalogued by Kate Hunter.

"2 volumes bound in one, folio (20 3/4 x 13 3/4 in.; 52.7 x 34.9 cm). Half-title, title-page, dedication to the Empress Joséphine, 120 fine stipple-engraved plates after Pierre-Joseph Redouté printed in color and finished by hand, by L.J. Allais, J. B. Dien, P. F. Legrand and many others; without half-title and title in volume 2 as usual when bound as one volume, index leaf, and errata leaf not present, small, pale blue MHS ink stamp discreetly stamped in lower right corner of each plate not affecting image, occasional minor spotting and negligible soiling chiefly to top margins and fore-edges, most plate marks and numbers typically shaved by binder, tiny nick to plate 111. A FINE, BRIGHT COPY. Modern brown calf gilt inlaid with center panels of 19th-century calf gilt covers, smooth spine filleted gilt with two black morocco lettering pieces, modern marbled endpapers, inlaid gilt dentelles, edges gilt. FIRST EDITION OF "THE GREAT OPUS OF REDOUTÉ . AMONG THE MOST IMPORTANT MONUMENTS OF BOTANICAL ILLUSTRATION EVER TO BE PUBLISHED" (Stafleu in Hunt/Redoutéana). Stafleu further writes that "This series of one hundred and twenty colored plates, plus the series of over five hundred plates in his "Les liliacées" constitute the highest peak of Redouté's artistic and botanical achievement . They have well-proportioned full-page illustrations which suit the size of the page: the lay-out and relative proportions of paper and drawing are in perfect balance. The execution of the presswork and of the hand retouching . is superb . "Les liliacées" . surpasses in size but only equals in beauty of the "Jardin de la Malmaison." The work was originally issued in 20 installments between April 1803 and November 1805. The Empress Joséphine's most important and enduring legacy was the creation of the gardens at the Château de Malmaison, just west of Paris-which she purchased in 1798 and named after her father's plantation in St. Lucia-and in the commission of several books dealing with its botanical treasures. Enormous sums were spent on expanding the estate and eventually the gardens and park comprised 726 hectares (or nearly 1,800 acres or 2.8 square miles). The gardens were designed in the style of a "jardin paysager," which was much in vogue at the beginning of the nineteenth century. She employed distinguished botanists and horticulturists that included Thomas Blaikie and André Dupont, both horticultural experts,the Scottish gardener Alexander Howatson, and the French botanist Jacques Philippe Martin Cels. With their expert assistance and Joséphine's connoisseurship, "[t]he abundance of rare plants and their careful selection transformed Malmaison into a horticultural enclave in an otherwise French monoculture at the beginning of the nineteenth century. At its peak, Josephine's garden included more than two hundred and fifty varieties of plants. She was constantly in touch with the great plant collectors and nurserymen of her time; and even corresponded and traded with the enemy She even shared the costs of a botanical collecting voyage to the Cape of Good Hope with the firm of Lee & Kennedy of Hammersmith" (Griesinger). To document her important plant collection, Joséphine commissioned several books among which was "Jardin de la Malmaison," with text by the eminent botanist E.P. Ventenat and 120 engraved plates after Redouté , which were executed by a legion of fifteen engravers. In his dedication, Ventenat praises the illustrated specimens as a conjunction of "the rarest plants of the French soil [and] the sweetest souvenir of the conquests of your illustrious consort." Upon Joséphine's premature death in 1814, the house and gardens were sold by the children of her first marriage in order to acquit the enormous debt she had amassed. "Today the park is reduced to a one-hundredth of its former size The chateau and a small park surrounding it are all that is left" (Griesinger). 6.5V.2C. REFERENCES: Dunthorne 255; Great Flowe".