Type d'article
Etat
Reliure
Particularités
Pays
Evaluation du vendeur
Edité par Roost Records, Inc., New York, N.Y., 1951
Vendeur : Cat's Curiosities, Pahrump, NV, Etats-Unis
Edition originale
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. Not a book but a 10-inch, 33-1/3 rpm, "Long Playing Microgroove" (mono) jazz record, Royal Roost Records RLP 404 "Recorded in Sweden," very-good-plus vinyl in a very-good cardboard jacket with some chipping to edges of said cardboard jacket. In 1951 there were only three jazz clubs in Paris, according to Teddy Reig's jacket notes -- one each featuring Don Byas, Sidney Bechet, and Roy Eldridge -- all three players "with backgrounds of over 15 years on the Jazz Scene." For the newer sounds, clearly, the scene was then in Scandinavia, where at Easter time the Swedes offer "a series of Jazz Concerts in seven major cities. They usually import one or two American jazz musicians depending upon the cost of the artist. This year they honored Stan Getz with an invitation. . . ." These three medleys "recorded in Sweden," presumably before the Muslim "guest workers" decided to start burning the place down, most with Gunnar Johnson on bass and Jack Noren on drums, one with Lars Gullin on Baritone. 1950s jazz. Reduced from $90.
Edité par Scarecrow Press, Incorporated, 1995
ISBN 10 : 0810823268ISBN 13 : 9780810823266
Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Livre
Etat : Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Edité par Scarecrow Press, 1995
ISBN 10 : 0810823268ISBN 13 : 9780810823266
Vendeur : BennettBooksLtd, North Las Vegas, NV, Etats-Unis
Livre
Etat : New. New. In shrink wrap. Looks like an interesting title! 0.97.
Edité par Scarecrow Press, 1995
ISBN 10 : 0810823268ISBN 13 : 9780810823266
Vendeur : Books Unplugged, Amherst, NY, Etats-Unis
Livre
Etat : Good. Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within.
Edité par Scarecrow Press, Lanham, MD, 1990
ISBN 10 : 0810823268ISBN 13 : 9780810823266
Vendeur : CitiRetail, Stevenage, Royaume-Uni
Livre
Hardcover. Etat : new. Hardcover. Teddy Reig (1917-1984) was a larger-than-life character, a self-described hustler who had a profound effect on the music world from the 1940s to the 1970s. As a record producer, he captured the work of dozens of leading jazz innovators. Teddy Reig (1917-1984) was a larger-than-life character, a self-described hustler who had a profound effect on the music world from the 1940s to the 1970s. As a record producer, he captured the work of dozens of leading jazz innovators. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Edité par Scarecrow Press, 1995
ISBN 10 : 0810823268ISBN 13 : 9780810823266
Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Livre
Etat : New. Teddy Reig (1917-1984) was a larger-than-life character, a self-described hustler who had a profound effect on the music world from the 1940s to the 1970s. As a record producer, he captured the work of dozens of leading jazz innovators. Series: Studies in Jazz. Num Pages: 238 pages, 53ill. BIC Classification: AVGJ; AVH; BGF. Category: (G) General (US: Trade). Dimension: 229 x 152 x 25. Weight in Grams: 431. . 1995. The Life and Times of a Jazz Hustler. Hardcover. . . . . Books ship from the US and Ireland.
Edité par Scarecrow Press, 1995
ISBN 10 : 0810823268ISBN 13 : 9780810823266
Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Livre
Etat : New. Teddy Reig (1917-1984) was a larger-than-life character, a self-described hustler who had a profound effect on the music world from the 1940s to the 1970s. As a record producer, he captured the work of dozens of leading jazz innovators. Series: Studies in Jazz. Num Pages: 238 pages, 53ill. BIC Classification: AVGJ; AVH; BGF. Category: (G) General (US: Trade). Dimension: 229 x 152 x 25. Weight in Grams: 431. . 1995. The Life and Times of a Jazz Hustler. Hardcover. . . . .