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Art & Antiques September 1991
Edité par Art & Antiques Associates, New York, NY, 1991
Vendeur : Argyl Houser, Bookseller, Turlock, CA, Etats-Unis
Evaluation du vendeur :
Magazine / Périodique
Soft cover. Etat : Very Good. Etat de la jaquette : No Jacket As Issued. A few small marks on the back cover; the rest of the magazine is clean and unmarked. Mailing label on the front cover. Light wear to edges of back cover. One 1/2" edge tear in the bottom edge of the back cover. The lower left corner of the back cover is creased. Some pages have a light crease or wrinkle in the upper right corner. Very little wear otherwise. The magazine will be packed with a backing card, bubble-wrapped and shipped in a sturdy, flat box to ensure safe transit. This issue includes: "Who Was Rembrandt?" (As the authorship of half his paintings has been reattributed or at least challenged, long-smoldering debates about the most powerful self-portraitist of all time return to their basic questions. Will we ever know the real identity of the old master behind the masks, the man who so profoundly transformed the visual arts?" by Robert Kenner; "Armchair Revolutionary" (The seat of the greatest revolution in the history of biological thought was literally that: an armchair in the study at Down House, where Charles Darwin sat and write his monumental works. One of the most important evolutionary theorists of the twentieth century contemplates the home of his nineteenth-century spiritual mentor and happily reports that, unlike many houses of famous people, Down is not the passive repository of Darwin's early insight, but the site of his active genius) by Stephen Jay Gould; "Amish Expressionism" (The unlikely and provocative kinship between quilts made by Amish women in the late nineteenth and early twentieth centuries and paintings by some of the twentieth century's best abstract artists) by Frank Miele; "Thrones of the Soul" (To most people, the name Bugatti means the car. But there's another Bugatti--the designer who's finally getting the attention he deserves as creator of the most original Italian furniture ever made) by Donna Dorian; "Camera and Action" (A portfolio and last visit with photographer Hans Namuth, the man whose pictures of the people who paint pictures put abstract expressionism on the map) by Carol Strickland; "International Report" (An uncertain season, with a few players dominating the field) by Geraldine Norman; "Value Judgments" (Is your sterling silver really a metal mutant?) by Emyl Jenkins; "Critic's Notebook" (Architectural jokes and their unfunny punch lines) by Hilton Kramer; "Inside Story" (George Seurat's eloquent silence) by Hugh Kenner; "Notes from the Editor"; "Letters"; "Sketchbook" edited by Robert Kenner; "Openings"; "The Market"; "In the Galleries" (Multidimensional Matters) edited by Jed Perl; "Books"; "Queries"; and "Credits".
