Type d'article
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Evaluation du vendeur
Edité par Wesleyan University Press, 1994
ISBN 10 : 0819562750ISBN 13 : 9780819562753
Vendeur : KuleliBooks, Phoenix, AZ, Etats-Unis
Livre
paperback. Etat : Good. The book may have minor cosmetic wear (i.e. creased spine/cover, scratches, curled corners, folded pages, minor sunburn, minor water damage, minor bent). The book may have some highlights/notes/underlined pages - Accessories such as CD, codes, toys, may not be included - Safe and Secure Mailer - No Hassle Return.
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Offres neuf à partir de EUR 15,46
Offres d'occasion à partir de EUR 0,93
Trouvez également Couverture souple Edition originale
Edité par Routledge, 1994
ISBN 10 : 0415909074ISBN 13 : 9780415909075
Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Livre
Etat : Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.
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Offres d'occasion à partir de EUR 5,08
Edité par Civitas Books, 2008
ISBN 10 : 0465008976ISBN 13 : 9780465008971
Vendeur : SecondSale, Montgomery, IL, Etats-Unis
Livre
Etat : Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
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Offres neuf à partir de EUR 13,73
Offres d'occasion à partir de EUR 5,24
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Edité par Routledge, 1994
ISBN 10 : 0415909082ISBN 13 : 9780415909082
Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Livre
Etat : Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.
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Offres neuf à partir de EUR 20,68
Offres d'occasion à partir de EUR 5,69
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Edité par Halo Publishing International, 2019
ISBN 10 : 1612447368ISBN 13 : 9781612447360
Vendeur : SecondSale, Montgomery, IL, Etats-Unis
Livre
Etat : Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
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Offres neuf à partir de EUR 21,08
Offres d'occasion à partir de EUR 5,97
Trouvez également Couverture rigide
Edité par Picador, 1900
ISBN 10 : 0312423721ISBN 13 : 9780312423728
Vendeur : Your Online Bookstore, Houston, TX, Etats-Unis
Livre
Paperback. Etat : Good.
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Offres neuf à partir de EUR 6,71
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Edité par Farrar, Straus and Giroux, 2003
ISBN 10 : 0374190615ISBN 13 : 9780374190613
Vendeur : Book Outpost, Blawnox, PA, Etats-Unis
Livre
hardcover. Etat : LikeNew. Never used! Light wear to corners/edges from shelving.
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Offres neuf à partir de EUR 7,65
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Edité par Halo Publishing International, 2020
ISBN 10 : 1612448674ISBN 13 : 9781612448671
Vendeur : GF Books, Inc., Hawthorne, CA, Etats-Unis
Livre
Etat : Very Good. Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting.
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Offres neuf à partir de EUR 14,17
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Edité par 9/27/2021, 2021
ISBN 10 : 1637650035ISBN 13 : 9781637650035
Vendeur : BargainBookStores, Grand Rapids, MI, Etats-Unis
Livre
Etat : New. The Bald Princess Defeats the Darkness (Paperback or Softback) 0.27.
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Edité par Hay House, Inc., Carlsbad, CA, et al., 2005
ISBN 10 : 1401906257ISBN 13 : 9781401906252
Vendeur : gearbooks, The Bronx, NY, Etats-Unis
Livre
Hardcover. Etat : Like New. Etat de la jaquette : Like New. Tricia Breidenthal (jacket Design); Amy Rose Szalkiewicz (Cover Design) (illustrateur). 1st Printing, May 2005. 183 pp. Flawless book and attached dj. The copy is in pristine state.
Edité par Hay House, Inc., Carlsbad, CA, London, et al., 2007
ISBN 10 : 1401916759ISBN 13 : 9781401916756
Vendeur : gearbooks, The Bronx, NY, Etats-Unis
Livre
Hardcover. Etat : Like New. Etat de la jaquette : Like New. Amy Rose Grigoriou (Front Jacket Design); Tricia Breidenthal (Jacket Design); E. Chris Wisner (Author Photo) (illustrateur). 1st Edition: September 2007/1st Printing. 227 pp. Clean, fresh copy and dust jacket with very light shelf wear, crisp pages and clean text. Small stain on top edge.
Edité par Halo Publishing International, 2019
ISBN 10 : 161244735XISBN 13 : 9781612447353
Vendeur : Lucky's Textbooks, Dallas, TX, Etats-Unis
Livre
Etat : New.
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Edité par Halo Publishing International, 2020
ISBN 10 : 1612448682ISBN 13 : 9781612448688
Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
Livre
Hardcover. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 0.65.
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Edité par Johns Hopkins University Press, Baltimore, 1990
Vendeur : Bolerium Books Inc., San Francisco, CA, Etats-Unis
Magazine / Périodique
Paperback. 206p., photos, very good in original pictorial wraps. Mary Carbine's essay concerns film exhibition by African Americans in Chicago 1905-1928.
Edité par Basic Books, 2024
ISBN 10 : 1541602714ISBN 13 : 9781541602717
Vendeur : HPB-Emerald, Dallas, TX, Etats-Unis
Livre
hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
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Edité par New York: Picador, (April, 2004)., 2004
Vendeur : OLD WORKING BOOKS & Bindery (Est. 1994), West Brookfield, MA, Etats-Unis
Membre d'association : SNEAB
Stated first thus (N) edition. c.2003 Farrar, Straus, Giroux. Pictorial stiff wraps. 8vo. pp. 415. Notes, Bibliography, Index. Fine. 20 interviews. (ISBN 0312423731).
Edité par Blackstone Publishing Inc, 2023
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Livre
Etat : New.
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Edité par Halo Publishing International, 2021
ISBN 10 : 1637650043ISBN 13 : 9781637650042
Vendeur : Lucky's Textbooks, Dallas, TX, Etats-Unis
Livre
Etat : New.
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Edité par Farrar, Straus and Giroux, 2003
ISBN 10 : 0374190615ISBN 13 : 9780374190613
Vendeur : Book House in Dinkytown, IOBA, Minneapolis, MN, Etats-Unis
Membre d'association : IOBA
Livre Edition originale Signé
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. First Edition. Farrar, Straus and Giroux, 2003; stated First Edition with full number line; inscribed by author on dedication page to Minnesota philanthropist Carol Meshbesher, event program laid-in. Binding is tight, sturdy, and square; text also very good; edgewear to boards is minor. Light edgewear to unclipped dust jacket. NOT an ex-library copy, NO remainder mark, NOT a book club. Ships from Dinkytown in Minneapolis, Minnesota. Signed by Author.
Edité par Wesleyan University Press / University Press of New England, Hanover, New Hampshire, 1994
ISBN 10 : 0819552712ISBN 13 : 9780819552716
Vendeur : About Books, Henderson, NV, Etats-Unis
Livre Edition originale
Hardcover. Etat : Near Fine EX-LIBRARY. Etat de la jaquette : No dust jacket. First Printing of the First Edition. Hanover, New Hampshire: Wesleyan University Press / University Press of New England , 1994. Near Fine EX-LIBRARY, but without any library markings on the spine or covers. All text pages and illustrations are crisp, clean and unmarked. NO underlining. NO highlighting. NO margin notes. 1994. First Printing of the First Edition. Music Culture. Bibliography. Index. Bound in the original black cloth, stamped in bright gold on the spine. First Printing of the First Edition. Hardcover. Near Fine EX-LIBRARY/No dust jacket. 8vo. xviii, 246pp. Great Packaging, Fast Shipping.
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Offres d'occasion à partir de EUR 35,93
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Edité par Picador, 2004
ISBN 10 : 0312423721ISBN 13 : 9780312423728
Vendeur : Book House in Dinkytown, IOBA, Minneapolis, MN, Etats-Unis
Membre d'association : IOBA
Livre Signé
Paperback. Etat : Very Good. Signed by Tricia Rose. Very good paperback, from a private collection. Spine is uncreased, binding tight and sturdy; shelfwear is very minor. Signed by author with brief inscription on title page. Ships from Dinkytown in Minneapolis, Minnesota. Signed by Author.
Vendeur : Celler Versandantiquariat, Eicklingen, Allemagne
Membre d'association : GIAQ
Livre
WUP, Hannover, 1994, 237 Seiten, Kartoniert---Verlag: WUP Verlag: WUP - gutes Exemplar - 400 Gramm.
Edité par Whitney Museum of American Art, 1994
ISBN 10 : 0874270936ISBN 13 : 9780874270938
Vendeur : Yesterday's Muse, ABAA, ILAB, IOBA, Webster, NY, Etats-Unis
Livre Edition originale
Soft Cover. Etat : Very Good. First Edition. First edition. Sticker remains on rear cover. 1994 Soft Cover. 223 pp. On December 12, 2014, the Education department presented Looking Back at Black Male, a public program to mark the twentieth anniversary of the exhibition Black Male: Representations of Masculinity in Contemporary American Art, (November 10, 1994-March 5, 1995). Curated by Thelma Golden, now the Director and Chief Curator at the Studio Museum of Harlem, Black Male investigated the complex aesthetics and politics at work in representations of African American men in the post-Civil Rights era. Looking Back at Black Male brought together exhibition curator Golden, Hilton Als, a writer who edited the exhibition catalogue, and Huey Copeland, art historian and critic, to discuss the exhibition and its afterlives. The program considered Black Male?s significance for cultural debates twenty years ago as well as how it has inspired artists and curators working in its wake. At the beginning of the conversation, Copeland remarked, 'As the nationwide protests of the unpunished murders of two unarmed black men, Michael Brown and Eric Garner have again brought into vivid focus, the 'black male' is a perennial site of fear and projection, policing and pathology, contestation and coalition.' He also stated that the exhibition was not about offering a mirror or image of black masculinity, but providing a context to comprehend how a black male might be produced visually, and the many ways that one might work through that visual production. Referring to the Black Male catalogue as a landmark anthology that has continually sparked many conversations, and a five-part film program organized by John Hanhardt, the Whitney's former film and video curator, Copeland asked Golden and Als to talk about the ways in which they created a multi-pronged curatorial and cultural approach to the exhibition. Golden explained that in order to address the complexities of black masculinity, the exhibition demanded many voices and perspectives. There was no previous model for understanding the complicated manifestations and nuances of representations of black men, and she described her feeling that in order to make this exhibition, it was as if a new language had to be invented. Both Golden and Als underscored the importance of the multiple exhibition components to create a broader context for considering the ideas and themes in the works themselves and to engage a wide audience that Golden was hoping would visit the show. Among these components was a context room (located within the exhibition) that displayed a thematic timeline created by cultural historian Maurice Berger, and a series of public programs organized by Connie Wolf, former director of the Whitney?s Education department. The context room featured an introductory panel and ten large-scale wall texts that, in Berger?s words, were intended to 'narrate very selective moments from this complex history of oppression, struggle, survival, and triumph; it is meant as an adjunct to the Black Male exhibition, as a space of learning and contemplation, as a means of contextualizing some of the issues explored in the exhibition.' Themes included Community and Leadership, Civil Rights, Business and Employment, Television and the Media, and Gender and Sexuality. The Business and Employment text panel provided historical information such as: '1971, The U.S. Bureau of Labor statistics reports that African Americans lag far behind whites in economic prosperity, earning three-fifths of the average white income.' Public programs related to the exhibition included an extensive film program as well as discussions of the event of the show itself. One of these programs was a conversation between cultural historian and Harvard University professor Henry Louis Gates, Jr. and philosopher and activist Cornel West. At the beginning of the conversation, Gates asked if the art-viewing public can 'move beyond all the polemics about so called positive and negative imagery.' During their conversation about, West mused, 'Did [the exhibition] shake you, did it unsettle you, did it in some sense unstiffen your presuppositions as to who and what you are in relation to these black bodies'' Gates emphasized that the importance of discussing the questions posed by the artworks was not only imperative to the exhibition as a whole, but also challenged the viewer to probe his or her understanding of black masculinity. In her discussion of the exhibition Black Male, Golden emphasized that its accompanying programs were intended to frame the show in dialogue with ideas far beyond the Museum's walls. Collectively the programs encouraged broader conversations about the exhibition and related cultural issues as a whole. As the exhibition's introductory wall panel read: '. . . in the end, the images reveal how the study of art is an essential tool for interpreting difficult social issues and promoting change in our society. We also discover that through an understanding of the social context, we gain a deeper appreciation of art itself.' - Whitney Museum of American Art.
Date d'édition : 1994
Vendeur : LibreriaElcosteño, Ciudad de Buenos Aires, BA, Argentine
Tapa Blanda. Etat : Bien. IMAGENES: En caso que no exista imagen de tapa. no dude en solicitarla. Ejemplar Usado, puede (o no) contener signos de uso como firma, anotaciones o subrayados, consultenos para mayor informacion del estado.
Date d'édition : 1994
Vendeur : LibreriaElcosteño, Ciudad de Buenos Aires, BA, Argentine
Tapa Blanda. Etat : Bien. IMAGENES: En caso que no exista imagen de tapa. no dude en solicitarla. Ejemplar Usado, puede (o no) contener signos de uso como firma, anotaciones o subrayados, consultenos para mayor informacion del estado.