Type d'article
Etat
Reliure
Particularités
Livraison gratuite
Pays
Evaluation du vendeur
Edité par Mutinae [Modena]: apud Societatem Typographicam, 1772., 1772
Vendeur : Scientia Books, ABAA ILAB, Arlington, MA, Etats-Unis
Edition originale
Hardcover. Etat : Very Good. 1st Edition. 141, [1, errata]; blank leaf, 2 folding plates. Contemporary magenta-dyed calf with gold roll-tooled frame and gold-stamped central medallion. All edges gilt. Bookplate of K. K. Wiener, M. H. Ink stamp of K. u. K. Militär-ärztliche Bibliothek on front blank leaf (with ink notation). Circular ink stamp of Der K. K. Med. Chir Iosephs. Acad. Biblioth. in outer blank margin of title page. Very Good. First Edition. Garrison-Morton 1550. Scarpa's first book. "Scarpa began his scientific activity with comparative investigation of the ear, suggested to him by Morgagni, De Structura Fenestrae Rotundae Auris, et de Tympano Secundario . . . 1772); for man and for the hen and pig he gave a more accurate and complete description of the osseous labyrinth and demonstrated the true function of the round window" (D.S.B. 12: 137). Scarpa's "treatise on the construction of the round window and its membrane. Scarpa's predecessors gave very incomplete descriptions of the round window. . . . Previous anatomists had described the shape of the window as round or oval. Scarpa defined it as being triangular. He was also aware that it closed off the opening of a canal which itself had a triangular aperture adjoining the cochlea. Although Casserio, Duverney, Cassebohm, and Haller had indicated the existence of this canal, Scarpa was the first to follow it in detail and describe its sulcus. He describes with special precision the structure, source, and position of the membrane of the round window. He emphasizes its similarity to the tympanic membrane and suggests that it be called the 'tympanum secundarium'. Numerous illustrations included on two plates surpass almost all previous otological works in exactness and beauty" (Politzer, History of Otology, pp. 157-58). Dobson, Anatomical Eponyms, 2d ed., p. 184, citing this work.
Date d'édition : 1812
Vendeur : Antiq. F.-D. Söhn - Medicusbooks.Com, Marburg, Allemagne
Manuscrit / Papier ancien Signé
Pavia und ohne Ort 22.XII.1812 - Frühjahr 1821. 11 3/4 Seiten 4°. Mit Siegelspuren und Adresse. Schwach fleckig.*. 1.: ALS - Eigenhändiger Brief mit Unterschrift. Pavia 22.XII.1812. 2 Seiten 4°. Mit Siegelspur und Adresse. Schwach fleckig. Antonio Scarpa (1752-1832), italienischer Anatom und Chirurg; verdient um die Anatomie des Ohres, entdeckte u.a. den nervus naso-palatinus und beschrieb das Scarpasche Dreieck am Oberschenkel. - An den ihm befreundeten "Rettore di Bosnasco", nachdem er in dem südöstlich von Pavia gelegenen Dorf ein Sommerhaus erworben hatte. "Am[i]co Ca[rissi]mo. / La spesa è fatta, bella o brutta che sia. Sono Padrone di Bosnasco, e non intervenendo alcun' altra difficoltà, Lunedi prossimo si fà lo stromento ." - Scarpa bittet den Freund, die nötigen Besorgungen und Arbeiten zur Herrichtung des Hauses zu überwachen und die Sache vertraulich zu behandeln, solange sie noch nicht offiziell ist. ". Tenga ancora l'affare in segreto, poiché non si può dire che è fatto finchè non è approvato ." - Auf dem Adressblatt Berechnungen wohl von der Hand des Adressaten. Scarpa schwärmte von der balsamischen Luft in dem Dörfchen Bosnasco, in dem er 1832 starb. 2.: AL - Eigenhändiger Brief ohne Unterschrift. Pavia 5. III.1820. 1 Seite 4°. Mit Blindsiegel und Adresse. Etwas fleckig, kleinerer Ausriss an der Siegelstelle (geringer Buchstabenverlust). An den ihm befreundeten "Rettore di Bosnasco" über den Ankauf eines - für sein Landhaus in Bosnasco bestimmten - Bildes des Malers Giovanni Lanfranco (1582-1647), das sein Freund, der Chirurg Nicola Morigi aus dem Nachlass des Dr. Ghizzoni vermittelt habe. ". Morigi me ne ha dato la notizia, ed a un tempo stesso mi ha partecipato un tratto assai generoso, ed amichevole del D[otto]r Ferrari a mio riguardo in questa occasione . Ora trattasi del modo di trasportare qui il detto quadro. Ho scritto a Morigi, che . dovesse essere spedito a Castel S. Giov[ann]i al Com[mandan]te Ghozzi, il quale si incaricasse di custodirlo presso di se, finche Ella ne disponesse altrimenti ." - Der Brief ist vollständig, mit einem Postscriptum, jedoch (aus Diskretionsgründen?) nicht unterschrieben. Scarpa schwärmte von der balsamischen Luft in dem Dörfchen Bosnasco; 1832 starb er dort in seinem Landhaus. 3.: AL - Eigenhändiger Brief ohne Unterschrift. Ohne Ort 15.XII. ohne Jahr. 1 Seite 4°. Mit Blindsiegel und Adresse. Schwach fleckig, kleinerer Ausriss an der Siegelstelle ohne Textberührung. An den ihm befreundeten "Rettore di Bosnasco", der Geschäfte für ihn besorgte. "A[mico] C[arissimo] / . Frà una settimana il Nocca sborserà la metà del Capitale, e per l'laltra metà assumerà degl'assegni; e quindi, riguardo a me, il risoltamento sarà come se avesse sborsato il Capitale in totalità . . La prego di non tardare un' momento a scrivere al Sgr. Marchese . e pregarlo di dire il nome del di Lui Giardiniere ." - Auf der Adressseite Berechnungen wohl von der Hand des Adressaten. Der Brief ist vollständig, mit Grußformel ("sono al solito") und einem Postscriptum, jedoch (aus Diskretionsgründen?) nicht unterschrieben. Scarpa schwärmte von der balsamischen Luft in dem Dörfchen Bosnasco; 1832 starb er dort in seinem Landhaus. 4.: ALS - Eigenhändiger Brief mit Unterschrift. Ohne Ort und Datum. 1 Seite 4°. Mit Siegelrest und Adresse. Leicht fleckig, minimaler Tintenfraß; kleines Loch an der Siegelstelle ohne Textberührung. An den ihm befreundeten "Rettore di Bosnasco", der geschäftliche Angelegenheiten für ihn besorgte; hier wegen des Verkaufs von "Frumento vecchio . a Bosnasco". "A[mico] C[arissimo] / Mi è spiaciuto assai che si voglia porre la Dogana nel mio Paliuro . / Non si dimentichi, a tempo opportuno, il Registro delle ipoteche ." Scarpa schwärmte von der balsamischen Luft in dem Dörfchen Bosnasco, in dem er 1832 starb. 5.: ALS - Eigenhändiger Brief mit Unterschrift. Ohne .
Edité par Turin Comini, 1794
Vendeur : Antiquariat Gerhard Gruber, Heilbronn, Allemagne
Livre Edition originale
(67,5 x 48 cm). (4) 44 S. Mit 14 Kupfertafeln von F. Anderloni nach A. Scarpa. Moderner Halblederband im Stil der Zeit. Erste Ausgabe. - "Scarpa's anatomic masterpiece, the product of twenty years of research on the nerves. The seven life-size plates illustrate the human glossopharyngeal, vagus and hypoglossal nerves, which had never before been correctly shown. Scarpa was also the first to delineate correctly the nerves of the heart, and showed that the terminal ramifications of the cardiac nerves are directly connected to cardiac muscular fibers. Scarpa also showed that nerves are not always excited by a stimulus, which shed light on the inhibitory function of the cardiac nerves" (Norman). - "Scarpa gebührt durch die Schönheit und die vollendete technische Wiedergabe seiner Abbildungen von Sinnesorganen und Nerven ein besonderer Platz in der Geschichte der anatomischen Darstellung" (Wagner, Das Anatomenbildnis). Die künstlerischen und fein gestochenen Illustrationen in vorliegendem Band liegen in einer Doppelfolge (linear und plastisch) vor. - Stellenweise etwas stockfleckig, sonst breitrandig und wohlerhalten. - Garrison-Morton 1253; Norman 1897; Waller 8545.
Edité par nella tipografia Bolzani, Pavia, 1804
Vendeur : Milestones of Science Books, Ritterhude, Allemagne
Livre Edition originale
Hardcover. Etat : Very Good. 1st Edition. Elephant folio (640 x 487 mm). [4], iv, 114 pp., 15 engraved plates by Pietro Zuliani and Pietro Anderloni after Faustino Anderloni, numbered I-X, including additional outlines to plates I, III, IV, V, and VII. Contemporary full calf, boards with gilt-decorated frame, spine lettered and decorated in gilt, original marbled endpapers (old rebacking, leather at head of spine chipped-off, boards scratched, wear to extremeties). The text and plates quite bright with only very minor occasional dust soiling, head of book block slightly bumped, short clean tear to blank fore-margin of p.103/4 and 109/10. An exceptionally crisp and clean copy. This copy comes from a private Italian collection and has an export certificate from the Italian government. ---- Garrison Morton 2975; Heirs of Hippocrates 1103; Wellcome V, p.36; Loria, Antonio Scarpa, p.62; not in Waller or Norman. RARE FIRST EDITION of this important treatise which includes ten spectacular lifesize anatomical drawings and in which the author introduces the concept of arteriosclerosis and determines the differences between a true and a false aneurysm. "Scarpa's large and excellent monograph on aneurisms, written on the detailed and comparative studies of the normal and pathologic tissues involved, established for the first time that an aneurism is not a simple dilation of an artery, but actually the result of profound and significant changes in the arterial vascular tunics. In order to provide a safe pattern for operative procedures on the large arteries he showed them with well-defined illustrations on his topgraphic sketches. These magnificent anatomical drawings are still considered tremendously important in the study of this well-determined subject today" (Loria). "In Sull' aneurisma, Scarpa makes the first distinction between true and false aneurysms. The ten accompanying plates drawn by Scarpa and engraved by Anderloni are exquisitely executed." (Heirs). - Visit our website to see more images!.
Edité par Pavia: Pietro Bizzoni, 1817., 1817
Vendeur : Scientia Books, ABAA ILAB, Arlington, MA, Etats-Unis
Edition originale
vii, 136 pp. Contemporary 1/4-leather and marbled boards. Stains on marbled boards. Corners of covers worn. Very Good. First Edition. Garrison-Morton 2940. "Scarpa's Osservazioni anatomico-chirurgiche sull'aneurisma (1804), in which he distinguished between true and false aneurisms, marked the beginning of a movement to study the diseases of the arteries in particular and all other vessels in general. Scarpa continued to perform pioneering research in this field, reporting his results in the present work which also contains an appendix to the Osservazioni. Scarpa was the first to tie the femoral artery for treatment of a popliteal aneurism, and the first to show that arteriosclerosis begins in the intima of the arteries. He demonstrated the collateral circulation in numerous dissections of cadavers and animals, and showed how the collateral and anastomotic branches of the arteries maintain the blood supply in any given area" (Norman 1902 (but giving the incorrect date of 1813). Heirs of Hippocrates 1112. Monti, Antonio Scarpa, pp. 62 and 67.
Edité par Ticini [Pavia]: In Typographeo Petri Galeatii, 1789., 1789
Vendeur : Scientia Books, ABAA ILAB, Arlington, MA, Etats-Unis
Livre Edition originale
Hardcover. Etat : Very Good. 1st Edition. 5 leaves, 101 pp; 16 engraved plates (8 of which are outline plates). Folio. Contemporary 3/4-leather and boards. Top & bottom of spine repaired. Corners and edges of covers scuffed. Very Good. First Edition. Garrison-Morton 1453. "In 1789 Scarpa made his historic observations on the membrane labyrinth, which he discovered together with its endolymph. Scarpa precisely described the membrane semicircular canals with their ampullae and the utricle, and discovered the vestibular nerve and its ganglion (named for him.). He was even able to observe the microscopical structure of the ampullae and identify the origin of the fibers of the vestibular nerve. Probably Scarpa had also observed the neurosensorial structure of the otolithic membrane. He accurately illustrated the course of the human acoustic nerve from the cochlea to the rhombencephalon" (D.S.B 12: 137). This work "ensures Scarpa's renown for discovering the membranous labyrinth. It was to be a keystone of otological research. Most of Scarpa's findings are still valid today. Only by means of the improved methods of preparation known to our century have some new details been added to Scarpa's examinations. The great results of Scarpa's studies in otological anatomy derive from his interest in comparative anatomy. Through the examination of lower animals who lacked some or all other parts of the human organ of hearing, Scarpa reached conclusions that led him to the discovery of the membranous labyrinth in man. Scarpa's findings are completely original, experiencing only very slight supplementation later. Valsalva's 'zonae sonorae' and Cotugno's 'neural tissue partition', both based on inadequate methods of examination, were discarded. The fine detail of Scarpa's description of the cochlea surpasses that of Cotugno. His measurement data regarding the cochlea and his description of the canals in the modiolus are especially excellent" (Politzer, History of Otology, pp. 158-60). "His anatomic prints are models of anatomic representation as regards faithful differentiation of the tissues, correctness of form, and the utmost precision of engraving" (Choulant, History and Bibliography of Anatomic Illustration, p. 299). Stevenson & Guthrie, History of Oto-Laryngology, p. 43. Heirs of Hippocrates 1103.
Edité par Pavia, 18. Dezember [1796]., 1796
Vendeur : Kotte Autographs GmbH, Roßhaupten, Allemagne
Manuscrit / Papier ancien
1 S. auf Doppelblatt. 4to. Mit eh. Adresse (Faltbrief). An den französischen Bevollmächtigten im besetzten Pavia mit der Mitteilung, daß er die neu eigenführte Militärabgabe von 600 Lire bezahlt habe, wie es jeder gute Bürger tun solle ( perchè così deve fare ogni buon cittadino"), gleichzeitig aber sein monatliches Gehalt von 77 Lire für seine Tätigkeit als chirurgischer Leiter im Unterschied zu drei seiner Kollegen noch nicht erhalten habe, ferner Spekulationen, warum die Bezahlung noch ausstehe, und Begründungen, warum ihm als Lehrer an seiner medizinischen Lehranstalt ( scuola") sein Gehalt wichtig sei. Gering fleckig und mit kleinem Ausriß auf Bl. 2 durch Siegelbruch (keine Textberührung); insgesamt sehr wohlerhalten.
Edité par Appresso Giuseppe Comini, Pavia, 1803
Vendeur : Phillip J. Pirages Rare Books (ABAA), McMinnville, OR, Etats-Unis
Edition originale
FIRST EDITION. 309 x 225 mm. (12 1/8 x 8 7/8"). 42 pp. (without the blank called for by Norman). Contemporary paper boards patterned to look like tree calf, smooth spine. WITH FIVE ENGRAVED PLATES, THREE OF THEM FOLDING, BY FAUSTINO ANDERLONI. Norman 1900; Garrison-Morton 4308. See also: Heirs of Hippocrates, p. 292; DSB XII, pp. 136-39. â Two-inch dampstain to upper right corner of front cover, also slightly affecting margins of first 10 leaves, extremities a little worn, but still a nearly fine copy--clean, fresh, and bright internally, with excellent impressions of the plates, in a sturdy contemporary binding. In excellent, unsophisticated condition, this is a rare copy of the first edition of what Garrison-Morton tells us is the "first accurate description of the pathological anatomy of congenital club-foot." In addition to correctly describing the anatomy of this common birth defect, surgeon Antonio Scarpa also devised a brace for treating the malformation--detailed engravings of which are shown on the accompanying plates. A student of Morgagni, Scarpa (1852-1932) quickly rose to prominence, becoming a professor at the age of 20, and authoring several important works in the fields of otology, cardiology, ophthalmology, and neuroanatomy (among others). As DSB relates, "his fame was so great that in 1805 he was personally complimented by Napoleon." According to Heirs of Hippocrates, Scarpa was "a brilliant artist as well as a brilliant anatomist" who included his own anatomical drawings (engraved by Faustino Anderloni) in many of his published texts, including the present work. The images here go beyond simply depictive to evoke an emotional response from the viewer, who is invited to identify with the distress of the afflicted. Our first edition is a rare book: we could trace just two copies sold on RBH.
Date d'édition : 1803
Vendeur : Antiq. F.-D. Söhn - Medicusbooks.Com, Marburg, Allemagne
Livre Edition originale
Pavia, Giuseppe Comini, 1803, Fl.-Folio, 42 pp., 5 gefalt. Kupfertafeln, Halbpergamenteinband d.Zt; feines Exemplar. Rare First Edition ! "Although the clinical appearance of club-foot had been common knowledge among surgeons ever since its elaborate description in the Hippocratic texts, its pathologic anatomy was not accurately described until Antonio Scarpa (1752-1832) published his volume in 1803. This book marked a turning point in interest in the subject. Little was added to Scarpa's description of the deformity until . Keith in 1929" Bick, Source Book of Orthopaedics, 2d ed., p. 146 "In his book ., (he) described his methods of treatment, which relied on gentle manipulation and the use of braces incorporating steel springs. He believed that the patients should be ambulatory during the treatment" Peltier, Orthopedics, a History and Iconography, p. 45 and figs. 3.6-3.10 Heirs of Hippocrates 1107 (2nd. Ed. 1806); Garrison-Morton No. 4308; Norman 1900.
Vendeur : FIRENZELIBRI SRL, Reggello, FI, Italie
Etat : MOLTO BUONO.
Date d'édition : 1804
Vendeur : Antiq. F.-D. Söhn - Medicusbooks.Com, Marburg, Allemagne
Livre Edition originale
Aus dem Italienischen übersetzt, und mit einer Vorrede begleitet von Malfatti. - Wien, in der Camesinaischen Buchhandlung, 1804, 4°, IV, 38 pp., 5 gefalteten Kupfstichtafeln, feiner Pappband der Zeit mit Rückenschildchen. Erste deutsche Ausgabe dieses Klassikers der Orthopädie!.
Edité par Baldassare Comini, Pavia, 1801
Vendeur : SOPHIA RARE BOOKS, Koebenhavn V, Danemark
Membre d'association : ILAB
Edition originale
First edition. THE FIRST TEXTBOOK OF OPHTHALMOLOGY IN ITALIAN. First edition of the first textbook on the diseases of the eye to be published in Italian. "The author has been called the father of Italian ophthalmology" (Garrison-Morton). "In this work Scarpa first described the operation of iridodialysis. The chapters on diseases of the vessels in the eye, on cataract, and on staphyloma are particularly noteworthy. Scarpa's books were all superbly illustrated with his own drawings and the plates in this work, engraved by Faustino Anderloni, bear witness to Scarpa's artistic talent. Duke-Elder considered this the greatest work on ophthalmology that had appeared up to its time." Becker Garrison considered Scarpa's illustrations to be the "crown and flower of achievement in anatomic pen-drawing." Scarpa "himself trained the famous Faustino Anderloni (who become the engraver of his illustrations). The latter's brother, Pietro Anderloni, assisted Faustino in the beginning. His anatomic prints are therefore models of anatomic representation as regards faithful differentiation of the tissues, correctness of form, and the utmost perfection of engraving. They rank with Soemmerring's illustrations and even surpass them in respect of the vigor of the engravings" (Choulant, p. 298). "This classic work on ophthalmology remained the standard text for several decades, going through several editions and translations. It established Scarpa's reputation as a leading ophthalmologist and is especially notable for its copperplate engravings of the anatomy of the eye, drawn by the anatomist" (Heirs of Hippocrates). Antonio Scarpa studied at the University of Padua, where he served as assistant and personal secretary to Morgagni, the master of pathological anatomy. After ten years as professor of anatomy and clinical surgery at the University of Modena, Scarpa joined the medical faculty at Pavia and served as chair of anatomy for the rest of his professional life. Scarpa wrote important works in otolaryngology, orthopedics, ophthalmology, neuroanatomy, and general surgery. He was the first to demonstrate cardiac innervation and to accurately describe the pathological anatomy of congenital club-foot. He also introduced the concept of arteriosclerosis, identified 'Scarpa's triangle' of the thigh, and provided the first detailed description of sliding hernia of the large bowel. Provenance: Gaetano Tamanti (?) (signature on title). "Antonio Scarpa (1747-1832) was not an ophthalmologist, yet he wrote a hugely influential textbook on ophthalmology. He studied under a professor who gave his name to a type of cataract, yet he severely retarded the progress of cataract surgery throughout Europe. And despite his interest in ocular disease, he was scathing about the idea that eye surgery should exist as a distinct surgical speciality. He was famous in his time and gave his name to several anatomical features, yet was shunned and alone at the time of his death. Who was this contrary doctor and why was his influence on ophthalmology so great? "Scarpa was born into a poor family in the northern Italian town of Motta di Livenzo in 1752. His early education was heavily influenced by his uncle, a priest. And, having become as a result of this tuition an excellent Latinist, he was able to pass the entrance examinations of the University of Padua at just 15 years of age. There he came under the tutelage of the renowned anatomist Giovanni Baptista Morgagni (he of the morgagnic cataract) who became so impressed with Scarpa's Latin and anatomical skills that he appointed him as his personal assistant and secretary. Scarpa received his medical degree when still only 19 years old from Morgagni himself, only a short time before the great man's death. "With the first of some notable acts of patronage in his favour Morgagni, before his death, had eased the way for Scarpa to obtain the post of Professor of Anatomy and Clinical Surgery at Modena, a mere year later - a post he was to keep for a decade. His star rising, Scarpa published important work on the inner ear in which its membranous labyrinth was elucidated for the first time. But his work on the second tympanic membrane partly mirrored work on the subject by Galvani, who became convinced that he was being plagiarised. Perhaps not coincidentally, Scarpa managed now to obtain funding from the Duke of Modena for a study tour of Europe, thus keeping him away from the worst of the controversy. "The two-year tour of France, Austria and England (where he worked with the famous surgeons John and William Hunter) was a success on its own terms. But probably the most useful outcome of the trip was the friendship he made with Alessandro Brambilla, chief surgeon to Emperor Joseph II of Austria. Soon after his return to Modena he learned that Brambilla had procured an invitation for Scarpa to take up the chair of anatomy at the University of Pavia. The city of Pavia was then under the rule of the Austrian Emperor, and its university one of Italy's oldest and most prestigious. Somehow Scarpa managed to extricate himself from Modena and his previous patron on amicable terms. "Scarpa's first lecture at Pavia, on November 25 1783, was to prove a watershed in medical education. Instead of a lecture in the classic style, Scarpa gave an anatomical demonstration showing the relationship between structures and organs while paying due attention to the physiology of those structures. The students were required to repeat his exercises in dissection so as to gain knowledge by experience, a standard technique in medical schools today. "Emperor Joseph II's patronage was important in Pavia becoming the world's premier centre of anatomical study. Scarpa's innovative teaching and research were pivotal too and resulted in him being given an additional post after four years there, the chair of clinical surgery. At Scarpa's suggestion, the emperor decreed that all the bodies of the deceased from the state hospital were to be tran.
Edité par Fusi- Gabon, Pavia-Parigi,, 1819
Vendeur : libreria antiquaria perini Sas di Perini, Verona, VR, Italie
Un volume di testo in folio (mm. 525x345) ed un volume di tavole in folio (mm. 435x270); rispettivamente di pagg. VI, 181; pagg. (15), XI tavole.I: Sguardie originali color carta da zucchero. Cartonato coevo con rinforzo al dorso in cartone.Seconda edizione di quest'opera edita originariamente nel 1809. Esemplare marginoso, con barbe, fioriture. Alcune macchie alla legatura.II: Legatura coeva in cartone azzurro marmorizzato con piccole mende dovute all'uso. Il tomo di tavole appartiene alla prima edizione francese e comprende XI tavole anatomiche con doppia suite (tranne l'ultima), disposte su 21 carte, in modo che le prime 10 tavole sulla destra incise in acquaforte, fronteggino sulla sinistra altrettante incisioni identiche, ma incise al tratto le quali, per mezzo di lettere minuscole, rimandano alla legenda. La tav. XI Ë singola (aggiunta in acquaforte solo a partire dalla seconda edizione italiana) e riporta le lettere di rimando. "This authorative work on hernia, from which are derived the epynoms Scarpa's fascia and Scarpa's triangle of the thigh, is enhanced by the ten life-size plates artistically drawn by Scarpa himself, depicting the operation and anatomical sections" (Heirs of Hippocrates).Antonio Scarpa (Motta di Livenza, Treviso 1752 - Pavia 1832) celebre medico e chirurgo italiano, allievo di Morgagni, insegnÚ nelle universit? di Modena e di Pavia. Oltre ad aver apportato fondamentali innovazioni nel campo della tecnica chirurgica, Scarpa fu celebre per la sua attivit? di ricercatore anatomista. Particolare merito fu quello di aver fatto dell'oftalmologia una disciplina autonoma . Bell'esemplare con barbe, fioriture, alcune tracce di umidit?.Heirs of Hippocrates 691; Waller 8544; Garrison & Morton 3583 (ed. 1809) Nr.cat: 119-06.
Edité par Firenze, Tipografia e Calcografia Speranza, 1856., 1856
Vendeur : Peter Bichsel Fine Books, Zürich, Suisse
Title and 72 anatomical plates in Lithography by Stefani, Salucci, and Batelli. Large folio. Contemp. half morocco. The anatomical drawings by the Venetian physiologist Antonio Scarpa (1747 1832) show not only the surgical knowledge of his time but also the artistic talent of its creator. Some foxing in parts.
Edité par Pavia, 2 Nov. 1820., 1820
Vendeur : Antiquariat INLIBRIS Gilhofer Nfg. GmbH, Vienna, A, Autriche
Manuscrit / Papier ancien
Large 4to. ¾ p. Together with a lithographic portrait. To an unnamed female recipient, talking about the printing of one of his works and the problems of buying paintings: "'il bravo Tardini [ ] mi ha proposto tempo fa un quadro di Jacopo Bassano del valore di 18 zecchini [ ] A male andare metterò questa frà le disgrazie cui sono [avvezzi?] quelli che comprano quadri, e che mettono piena fiducia in persone che non si conoscono a fondo". - Somewhat spotty, edges slightly frayed; small loss to paper in the lower section (not touching text).
Edité par dalla Tipografia di Pietro Bizzoni successo a Bolzani, Pavia, 1817
Vendeur : Libreria Ex Libris ALAI-ILAB/LILA member, Roma, Italie
Edition originale
Legatura coeva in mz. pelle con fregi e titolo oro su tassello al ds. Piatti in carta marmorizzata. Tagli colorati. Frima di appartenenza ai tre frontespizi. Due quaderni leggermente bruniti nella seconda opera, lievi fioriture sulle tavole. Nel complesso, esemplare in ottimo stato di conservazione. Tre rari scritti del noto medico chirurgo italiano in prima edizione. Wellcome V, 36; Garrison-Morton 2940 e 3584. Folio (cm. 31,5), VII-(1)136 pp. (unito) Idem, Saggio di osservazioni sul taglio retto-vescicale per l estrazione della pietra dalla vescica orinaria., Ibidem 1823, 62 pp. con una tav. più volte rip. f.t. (unito) Idem, Sull ernia del perineo. Memoria., Ibidem 1821, 32 pp. con 5 tavv. più volte rip. f.t.
Edité par dalla Reale Stamperia, Milano, 1809
Vendeur : AU SOLEIL D'OR Studio Bibliografico, ACQUI TERME, AL, Italie
Livre
Brossura editoriale a stampa. Etat : ottimo. 5 fascicoli conservati nella brossura originale con 20 grandi tavole incise a grandezza naturale (mm. 486 x 667) da Faustino Anderloni (10 in chiaroscuro e altre 10 ripetute al tratto); pp. VI, 84. Qualche lievissima gora, ma esemplare superbo dell'edizione originale di questo prezioso studio del medico pavese. Bibliografia: Garrison-Morton 3583; Heirs of Hippocrates 1110; Norman 1901; Onti, Scarpa pp. 67-68; Waller 8544. Choulant "Bibliogr. of Anatomic Illustr.", p. 298: "Scarpa himself trained the famous Faustino Anderloni to become his engraver. His prints are therefore models of anatomic representation as regards correctness of form, and the utmost perfection of engraving".
Date d'édition : 1801
Vendeur : Antiq. F.-D. Söhn - Medicusbooks.Com, Marburg, Allemagne
Livre
Pavia, B. Comino, 1801, Large 4°,(2), XI, (1), 288 pp., 1 fl. "Errori", engraved frontis. portrait *) and three fine engraved plates, rebacked gold tooled contemp halfleather binding; extra strong paper, very fine copy. First edition of the first textbook on the subject to be published in the Italian language; Antonio Scarpa (1752-1832) has been called "the father of Italian ophthalmology." "In this work Scarpa first described the operation of iridodialysis. The chapters on diseases of the vessels in the eye, on cataract, and on staphyloma are particularly noteworthy. Scarpa's books were all superbly illustrated with his own drawings and the plates in this work, engraved by Faustino Anderloni, bear witness to Scarpa's artistic talent. Duke-Elder considered this the greatest work on ophthalmology that had appeared up to its time." Becker Garrison considered Scarpa's illustrations to be the "crown and flower of achievement in anatomic pen-drawing." Scarpa "himself trained the famous Faustino Anderloni (St.to become the engraver of his illustrations. The latter's brother, Pietro Anderloni, assisted Faustino in the beginning. His anatomic prints are therefore models of anatomic representation as regards faithful differentiation of the tissues, correctness of form, and the utmost perfection of engraving. They rank with Soemmerring's illustrations and even surpasse them in respect of the vigor of the engravings.ct of the vigor of the engravings." Choulant, p. 298. "This classic work on ophthalmology remained the standard text for several decades, going through several editions and translations. It established Scarpa's reputation as a leading ophthalmologist and is especially notable for its copperplate engravings of the anatomy of the eye, drawn by the anatomist". Heirs. *) "Dagegen findet sich ein Bildnis (Portrait) seiner Abhandlung über die Augenkrankheiten (Pavia, Comino, 1801) vorgeheftet, welches von seinem Stecher Anderloni (St. Eufermia bei brescia 1766-1847 Pavia) nach einem Gemälde des Mailänder Künstlers Gaetano Gattaneo (gestorben 1841 Triest) ausgeführt wurde, der in späteren Jahren als Numismatiker bekannt war. Es befindet sich nur in dieser Erstausgabe in Großquart und ging auch hier in den meisten Exemplaren verloren. Diese Ausgabe enthält übrigens auch zwei schöne Tafeln zur Anatomie des Auges. Die kleineren italienischen Nachdrucke dieser Arbeit in Oktav (Venedig 1805 und 1811) enthalten nur kleinere, unsignierte Nachstiche dieses schönen Bildnisses von Scarpa aus jungen Jahren. " Wegener Garrison-Morton 5835; Waller 8543; Becker coll. 327; Norman 1899; Heirs of Hippocrates 1106; R.N. Wegener, Das Anatomenbildnis (1939), pp.117-118.
Edité par presso Baldassare Comino, Pavia, 1801
Vendeur : Libreria Ex Libris ALAI-ILAB/LILA member, Roma, Italie
Edition originale
Legatura d origine in cartone alla rustica (piccola mancanza nella parte inferiore del ds.). Timbretto ex libris ed antico numero di collocazione sulla prima carta bianca. Piccolo strappo restaurato al margine inferiore bianco del ritratto. Nel complesso, esemplare assai fresco ed in ottimo stato di conservazione. Rara edizione originale. Garrison-Morton (n. 4987): This beautifully illustrated work was the first textbook on the subject to be published in the Italian language. Its author has been called The Father of Italian ophthalmology . 4to (cm. 31), 2 cc.nn. (compreso ritratto dell A. in antiporta inciso da F. Anderloni su disegno di G. Cattaneo), XI(3)-278 pp., 1 c.nn. Con 3 tavv. calcografiche f.t. in fine.
Edité par ENIT, 1958
Vendeur : s.t. foto libreria galleria, Roma, RM, Italie
Art / Affiche / Gravure Edition originale
senza rilegatura. Etat : buono. prima edizione. 29.B. Biennale Internazionale d Arte 1958 Manifesto pubblicitario della 29 Biennale Internazionale d Arte, Venezia, 14 giugno 19 ottobre 1958 ENIT Ente Nazionale per l incremento delle Industrie Turistiche Progetto grafico: Carlo Scarpa Stampa cromolitografica su carta cm. 99,5 x 68 Stampa: Offset- Ommassini & Pascon Venezia Giudecca Prima edizione Buone condizioni.
Edité par Petri Galeatii, Ticini, 1789
Vendeur : Barter Books Ltd, Alnwick, NORTH, Royaume-Uni
Membre d'association : IOBA
Edition originale
First Edition. 440mm x 290mm (17" x 11"). [x], 101pp + plates. 16 b/w plates. Worn condition. Ex Royal College of Surgeons Ireland Library. Boards and eps detached. Foxing and marking. Occasional stamping Brown hardback half-leather cover.
Vendeur : AU SOLEIL D'OR Studio Bibliografico, ACQUI TERME, AL, Italie
Livre
Rilegato. Etat : ottimo. [prima opera:] Mutinae, Typis Heredum Bartholomaei Soliani, Impressor Ducalium, 1799 (liber primus); Ticini Regii, Typis R. & I. Monasterii S. Salvatoris, 1785 (liber secundus). [seconda opera:] Lugduni Batavorum, apud Conradum Wishoff et Georg.Jac, Wishoff, 1739. 2 opere in 1 volume in-4 (255x195 mm.). La prima opera, di A. Scarpa, è partita in 2 tomi rispettivamente di pp. 112, con 2 tavole incise fuori testo, e pp. VIII, 104, con 4 tavole incise fuori testo. La seconda opera, di D.C. Courcelles, consta di pp. (2), 68, con 7 tavole incise fuori testo. Legatura in mezza pelle coeva con angoli, dorso a 5 nervi con scomparti dorati, titolo su tassello amaranto inciso in oro. Bell'esemplare, con lievi fiuriture. Edizione originale molto rara di questo studio anatomico dello Scarpa, che raramente si trova completo essendo stato pubblicato nell'arco di 6 anni e presso distinti stampatori in distinti luoghi. Risulta inoltre assai prezioso in ragione del fatto che l'autore ricusò l'"editio altera" che si fece successivamente a questa, reputandola maldestra, scorrettissima e lacunosa. E' partita in 2 libri; il primo (Modena, 1779) ragiona intorno ai gangli e ai plessi nervosi, il secondo (Pavia, 1785), disserta intorno a quei nervi nasali e celebrali che sovrintendono all'organo olfattivo. Anche l'opera del Courcelles, nel nostro esemplare unita al lavoro dello Scarpa, è in edizione originale e rappresenta l'ideale continuazione della storia dei muscoli dell'Albino. Bibliografia: Garrison-Morton, 1453. Waller, 8532. Choulant-Frank, p. 299.
Edité par Pavia, 1808
Vendeur : Jeremy Norman's historyofscience, Novato, CA, Etats-Unis
Signé
Concerning Publication of His Masterpiece on Hernias Scarpa, Antonio (1747-1832). Autograph letter signed to [Francesco] Aglietti (1757-1836), in Italian. Pavia, 28 November 1808. 1 page, 258 x 191 mm., address on verso. Lightly creased where previously folded, small lacuna in upper margin repaired where seal was broken, but otherwise clean and fine. English translation accompanies. Fascinating letter concerning the publication of Scarpa's great folio masterpiece on hernia, Sull'ernie (1809; Garrison-Morton 3583), from which come the eponyms "Scarpa's fascia" (creasteric fascia) and "Scarpa's triangle" (of the thigh); although the letter does not mention Sull'ernie by name, the date and content of the letter leave little doubt as to the identity of the work it discusses. Scarpa spent much of the money he earned as professor of anatomy at Pavia to produce and print his magnificent anatomical works, which were illustrated with beautifully engraved plates prepared after Scarpa's drawings by his house artist, Faustino Anderloni. However, in 1808, the year before the publication of Sull'ernie, Scarpa found himself strapped for cash-probably due to the enormous amount of money he had spent on his Sull'aneurisma (1804), another lavishly illustrated folio, and was forced to solicit funds from friends and fellow medical men, including Aglietti, professor of practical medicine at the Venice Hospital. In the present letter, which accompanied a copy of Sull'ernie for Aglietti's review, Scarpa alluded to the difficulty he had had in completing this work, and the financial predicament in which he found himself: "I have incurred a major expense in completing this project. I must confess to you that I am still frightened by the expenses I had incurred for my last work on aneurysm. In order for me to avoid bankruptcy, I will need help from other professionals as associates to assist in publishing this project. I am also hoping to publish this work in separate fascicules at an affordable price." Scarpa went on to state that he had already asked "all my Italian friends" to be subscribers to Sull'ernie, and that "now I am asking you for the same favor. Since you are well respected as a professional and very well known in Venice, I believe that you would be the right person to encourage other surgeons, as well as other physicians, to join in the effort to publish my work." At the foot of the letter is a list of persons and institutions, all of whom presumably received similar letters from Scarpa. Besides Aglietti, the list includes the names of Cesare Ruggieri (1768-1828), professor of practical surgery at the University of Padua; Francesco Pajola (1741-1816), the Venetian lithotomist; and the Pub. Societe di Medicina. DSB. Hirsch (Aglietti et al.). Monti / Lauria, Antonio Scarpa, pp. 67-68. .
Edité par Nürnberg, Raspes, 1800
Vendeur : Librarium of The Hague, The Hague, Pays-Bas
Livre
Hardcover. Etat : . Crown quarto. Pp. viii, 176. Plus 8 plates on 7 large folding sheets with multiple copper engraved illustrations to each. The last section of the text, pages 147-176, comprises of a detailed explanation of the plates. Woodcut head-pieces. HARDCOVER, bound in contemporary half calf snd sprinkled boards, spine with 5 raised bands between gilt tooled compartments, black morocco lettering-piece in gilt to second compartment, contemporary faded unobtrusive manuscript label to fifth, old repair for minute splits at head of spine, old unobtrusive institutional stamp to title-page; corner-tips trifle worn, light imprint left by a glass laid on cover. Very good copy in fine internal condition, crisp plates, by far the cleanest and most superbly preserved we have ever came across. ~ First German edition. Translated from the Latin "Anatomicae Disquisitiones de auditu et olfactu". Exceptionally well preserved copy with all the wonderful plates fresh and bright. C-1.
Edité par Pavia Elephant folio. 10 of 14 plates only, 1794
Vendeur : Patrick Pollak Rare Books ABA ILAB, SOUTH BRENT, DEVON, Royaume-Uni
Comprising 7 outline plates and 3 fully engraved plates, lacking the full plates numbers 1 to 4. All plates engraved by FAUSTINO ANDERLONI. The outline plates are on heavy paper, SHEET SIZE : 62.5 X 47 cms. The full plates have been cropped to within the plate mark for tab. 5 and short of the plate marks for tabs. 6 and 7. All plates are foxed and spotted, the outline plates have an old and faded damp-mark in the top gutter corner, the full plate for image 5 is torn in the lower left corner with a very small bit of loss affecting the image and has two adhesion spots in the left border with tiny bits of loss not affecting the image. The plates are sewn together in a dismantled atlas, condition as above. Offered as a collection of plate from this renowned and beautiful atlas, no text. *Plates 1-3 describe the cerebral nerves, 4 and 5 the glossopharyngeal nerves, and 6 and 7, the cardiac nerves. *GARRISON-MORTON #1253 - HEIRS OF HIPPOCRATES #687 : 'This study of the nerves of the heart is Scarpa's most famous work and is illustrated with his outstanding life-size drawings.'.
Vendeur : LIBRERIA PAOLO BONGIORNO, Modena, MODEN, Italie
Pavia, Dalla Tipografia di Pietro Bizzoni, 1817. PRIMA EDIZIONE. In 4to grande (cm. 34); cartoncino coevo; pp. VII, (1), 136. Garrison Morton, 2940. Piccola traccia di tarlo (restaurata) alle ultime tre carte e piccole mancanze al dorso ma bella copia con barbe. Axs.
Edité par Pavia, Presso Baldassare Comino, 1801
Livre Edition originale
Couverture rigide. Etat : Très bon. Edition originale. In-4 (315 x 225 mm) de 1 f.n.ch., un port., XI, 278 pp.ch., 1 f.n.ch., et 3 pl.gr. Demi-vélin ivoire (reliure moderne). Garrison-Morton, 5835; Waller, 8543; Becker coll., 327; Norman, 1899. Édition originale. Premier ouvrage important d'ophtalmologie publié en Italie, qui permit à Scarpa d'être qualifié de "father of Italian Ophthalmology". "In this work, Scarpa first described the operation of iridodialysis. The chapters on diseases of the vessels in the eye, on cataract, and on staphyloma are particularly noteworthy. Scarpa's books were all superbly illustrated with his own drawings and the plates in this work, engraved by Faustino Anderloni, bear witness to Scarpa's artistic talent. Duke-Elder considered this the greatest work on ophthalmic pathology that had appeared up to its time" (Becker coll.). Déchirure restaurée dans les fonds de 4 feuillets avec légère perte de texte. De la bibliothèque du Dr. Jacques Mawas avec son cachet à froid.(inv 6052).
Date d'édition : 1794
Vendeur : Antiq. F.-D. Söhn - Medicusbooks.Com, Marburg, Allemagne
Livre Signé
Milano, Galeati, 1794, Folio, (19); 101, (1) pp., mit 16 Kupfertafeln, Halbledereinband der Zeit; fleckig. Antonio Scarpa (1752-18) "made important researches concerning the auditory and olfactory apparatus, birds, reptiles, and man," further he is know in otology for Scarpa's liquor, the fluid in the membranous labyrinth of the inner ear and Scarpa's hiatus, the semi lunar opening of the tip of the cochlear canal where the scala tympani and scala vestibuli unite. "This work "ensures Scarpa's renown for discovering the membranous labyrinth. It was to be a keystone of otological research. Most of Scarpa's findings are still valid today. Only by means of the improved methods of preparation known to our century have some new details been added to Scarpa's examinations. The great results of Scarpa's studies in otological anatomy derive from his interest in comparative anatomy. Through the examination of lower animals who lacked some or all other parts of the human organ of hearing, Scarpa reached conclusions that led him to the discovery of the membranous labyrinth in man. Scarpa's findings are completely original, experiencing only very slight supplementation later. Valsalva's 'zonae sonorae' and Cotugno's 'neural tissue partition', both based on inadequate methods of examination, were discarded. The fine detail of Scarpa's description of the cochlea surpasses that of Cotugno. His measurement data regarding the cochlea and his description of the canals in the modiolus are especially excellent" Politzer Scrapa, a brilliant artist as well as a brilliant anatomist, was trained in anatomy by Morgagni at Padua and studied surgery in Bologna. At the age of twenty he became professor at Modena, and in 1783 he went to Pavia where he helped bring the University to pre-eminence. His legacy includes works in otolaryngology, orthopedics, ophthalmology, neuroanatomy, and surgery. The plates were drawn by the author. His anatomic prints are models of anatomic representation as regards faithful differentiation of the tissues, correctness of form, and the utmost precision of engraving. "Both editions contain the same copperplates, viz., eight finished plates, each with an outline plate with letters. The first five plates deal with zoötomic subjects, the last three with human anatomy. They are all drawn by Scarpa. The first two are engraved by Bededotto Eredi of Florence, the third does not give the name of the engraver, but seems to have been done by Faustino Anderloni, whose name is signed under the last five plates. This work was translated into German: "Anatomische Untersuchungen des Gehörs und des Geruchs ."(1800)." Choulant Garrison & Morton No. 1453(1st.Ed. 1789); Heirs of Hippocrates 1103 (1st.Ed.); Stevenson & Guthrie, History of Oto-Laryngology, p. 43; L. Sellers and B. Anson, (Scarpa's) Anatomical observations on the round window. Arch. Otolaryng. 1962, 75, pp.2-45; Politzer, History of Otology, pp.158-160; Choulant, History and Bibliography of Anatomic Illustration, pp.298-300.
Date d'édition : 1807
Vendeur : Antiq. F.-D. Söhn - Medicusbooks.Com, Marburg, Allemagne
Manuscrit / Papier ancien
Pavia 8.VI, (1807). 1/3 Seite kl.-folio. Bläuliches Papier. Mit Siegelspur und Adresse (Poststempel und -vermerke). Antonio Scarpa (1752-1832), italienischer Anatom und Chirurg, verdient um die Anatomie des Ohres, er entdeckte u.a. den Nervus naso-palatinus und beschrieb das Scarpasche Dreieck am Oberschenkel. - An seinen Freund Nicola Morigi (1746-1836), Erster Chirurg am Hospital in Piacenza, mit der Nachricht, dass dessen beide in Pavia studierenden Söhne soeben ihre Examina im Fach Medizin erfolgreich abgelegt hätten. ". Vi scrivo in fretta per notificarvi che due ore fa i vostri Figli . sono stati approvati ambedue a pieni voti. Non hò voluto lasciarvi senza questa notizia autentica, perché deve, come di ragione, farvi gran piacere. Al più presto si farà la Ceremonia della Laurea ." 1814 wurde Morigi als Nachfolger Scarpas nach Pavia berufen. In Antonio Scarpa, Lettere a Nicola Morigi (2008) nicht gedruckt. Autographen von Antonio Scarpa sind im Handel sehr selten.
Date d'édition : 1818
Vendeur : Antiq. F.-D. Söhn - Medicusbooks.Com, Marburg, Allemagne
Livre Edition originale
Edinburg, printed for Archibald Constable and Comp., and Longman, Hurst, Rees, Orme, and Brown, London, 1818, 4°, IX, (1), 59, (1), (1), (1) pp., mit 5 orig. Engravings by Anderloni, modern marbled boards. Rare - First English Edition of "Memoria chirurgica sui piedi torti congeniti dei fanciulle", of the first accurate description of the pathological anatomy of the congenital clubfoot - translated from the Italian by John Henry Wishart (25 MAR 1781 in Kirkliston, West Lothian, Scotland - 9 Jun 1834), Fellow of the Royal College of Surgeons, and one of the Surgeons of the Royal Infirmary and Dispensary of Edinburgh. "The first description of the pathological anatomy of clubfeet was given by Antonio S. Scarpa (1752-1832). Scarpa a s student by Giovanni Morgagni, was the professor of anatomy and theoretical surgery at Pavia. He traveled widely throughout Europe and was an accomplished linguist and artist. He made substantial contributions to the study of anatomy and surgery. In his book "Memoria chirurgica sui piedi torti congenita dei fanciulli e sulle maniera di correggere questa deformita", published in Pavia in 1803, he described his methods of treatment, which relied on gentle manipulation and the use of braces incorporating steel springs. He believed that the patient should be ambulatory during the treatment. On the basis of his anatomical studies, he observed that : . on dissecting the feet of such unfortunate children, we find that the bones of the tarsus are not, properly speaking, dislocated, but merely removed, in part, from their mutual contact, and twisted around their smaller axis. This displacements and twisting round the smaller axis, are more remarkable in the os naviculare, the cuboides, and os calcis, and much less in the astragalus, without, however, either of these bone quitting entirely the cavity, or acetabulum, in which they are contained. (pp.8-9)" Leonard F. Peltier, Orthopedics (1993), p.45.