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Evaluation du vendeur
Edité par This Press, 2008
ISBN 10 : 0979019850ISBN 13 : 9780979019852
Vendeur : austin books and more, New York, NY, Etats-Unis
Livre
Paperback. Etat : Very Good. (NB148 FEB18T8AL) edge/point wear, no underlining or highlighting within.
Edité par This Press, 2009
ISBN 10 : 0979019877ISBN 13 : 9780979019876
Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
Livre
Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.01.
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Offres d'occasion à partir de EUR 12,46
Edité par This Press, 2009
ISBN 10 : 0979019885ISBN 13 : 9780979019883
Vendeur : Blue Vase Books, Interlochen, MI, Etats-Unis
Livre
Etat : Good. Mass market paperback in GOOD condition with normal wear from use. Cover art my differ from that in photo.
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Offres d'occasion à partir de EUR 13,46
Edité par Mode A/This Press, 2007
ISBN 10 : 097901980XISBN 13 : 9780979019807
Vendeur : ThriftBooks-Atlanta, AUSTELL, GA, Etats-Unis
Livre
Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.18.
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Offres neuf à partir de EUR 98,73
Offres d'occasion à partir de EUR 20
Trouvez également Couverture souple
Edité par Berkeley and Oakland, CA: Poetics Journal, 1982
Vendeur : Philip Smith, Bookseller, Berkeley, CA, Etats-Unis
Edition originale
Soft cover. Etat : Fine. 1st edition. Near Fine. 8vo, 88pp, printed wrappers. Nice copy of the second issue of this essential journal edited by Barrett Watten and Lyn Hejinian. No markings and minimal wear. Not Signed.
Edité par Berkeley, CA: Poetics Journal, 1987
Vendeur : Philip Smith, Bookseller, Berkeley, CA, Etats-Unis
Edition originale
Soft cover. Etat : Fine. 1st edition. Near Fine. 8vo, 160pp, printed wrappers. Thick issue of this essential journal edited by Barrett Watten and Lyn Hejinian. Kathy Acker contributes an excerpt from a work in progress and participates in a symoposium on postmodernity. Unmarked copy from the collection of contributor Leslie Scalapino, light edge wear and minor sunning to spine. Not Signed.
Edité par This Press, 2008
ISBN 10 : 0979019869ISBN 13 : 9780979019869
Vendeur : Majestic Books, Hounslow, Royaume-Uni
Livre
Etat : New.
Edité par Mercury House, 1991
ISBN 10 : 1562790056ISBN 13 : 9781562790059
Vendeur : Book Deals, Tucson, AZ, Etats-Unis
Livre
Etat : Good. Good condition. This is the average used book, that has all pages or leaves present, but may include writing. Book may be ex-library with stamps and stickers.
Plus de choix d'achat de la part d'autres vendeurs sur AbeBooks
Offres neuf à partir de EUR 71,10
Offres d'occasion à partir de EUR 40,29
Trouvez également Couverture souple
Edité par Boxcar Los Angeles, CA, 1983
Vendeur : Specific Object / David Platzker, New York, NY, Etats-Unis
78 pp.; 27.5 x 21 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Inaugural issue of Boxcar: A Magazine of the Arts, edited by Paul Vangelisti. Contributors include : Gretchen Lanes, Keisho Okayama, Roger Herman, Charles Garabedian, Llyn Foulkes, Richard Diebenkorn, Peter Liashkov, Tony Berlant, John Lees, Robert Kelly, John Thomas, Michael Palmer, Lyn Hejinian, Paul Vangelisti, Ron Silliman, Holly Prado, Bruce Fier, Paul Forte, Robert Crosson, Charles Bernstein, Clark Coolidge, John Yau, Jed Rasula, Dennis Phillips, Marina La Palma, Barbara Einzig, Martha Lifson, Peter Levitt, Robert Trammell, David Searcy, George Herms, Jeffrey Vallance, Michael C. McMillen, John Giorno, Jim Roche, Bruce Andrews, David Bromige, Gerald Burns, Carla Harryman, Bob Perelman, Barrett Watten, Leland Hickman, Channa Horwitz, Sonya Rapoport, Jim Van Geem, Julie Brown, Robert Peters, and Kenneth Rexroth. Cover design by Bruce Edelstein. Good. Yellow soiling and discoloration of covers with light sunning and rubbing. Light edgewear. Bumping of of top right corner of publication with a 3.5 cm. crease to verso. Contents clean and unmarked.
Edité par San Francisco: This, 1978
Vendeur : Philip Smith, Bookseller, Berkeley, CA, Etats-Unis
Edition originale
Soft cover. Etat : Very Good. 1st edition. VG+. 8vo, 96pp, printed wrappers. Ninth issue of this important seventies language-movement literary magazine, includes work by Bernadette Mayer, Charles Bernstein, Lyn Hejinian, Ron Silliman, et al. Unmarked copy, light cover wear. Not Signed.
Edité par Mode A [through 2010], Detroit, 2006
Vendeur : Fine Editions Ltd, Lancaster, PA, Etats-Unis
Membre d'association : IOBA
Edition originale Signé
Card Covers. Etat : Fine. First Edition. First Edition of this experiment in collective autobiography, complete in ten volumes. Crown 8vo (173 x 104mm): 79,[1]; 90,[6]; 127,[1]; 159,[1]; 143,[1]; 159,[1]; 207,[1]; 207,[1]; 223,[1]; 271,[1]pp. Publisher's white stiff card covers, original wrappers with French flaps, printed in various colors and priced $12.95. Part 1 signed to half-title page by Ron Silliman, one of ten poets who collaborated on the project: "For Richard / Back in the / Day," with printout of e-mail correspondence between Silliman and the recipient, California poet Richard Krech, and Bagazine postcard addressed to Krech in Albany, California. Part 2 signed to Krech by Lyn Hejinian on title page. Very Fine (pristine and unread), in custom cloth-covered slip case by Fitterer. The Grand Piano (the title derives from a legendary San Francisco coffeehouse where the project's authors programmed, coordinated, and participated in a reading and performance series from 1976 to 1979) was written over a decade of close collaboration among ten poets from what became known as the Language School. Each volume features essays by all ten writers, often responding to prompts and problems arising from one another's essays in the series. "Centered on the rise of Language poetry in San Francisco in the second half of the 1970s, the project explores a wide range of issues in poetics and the lives of poets â " then and now. . . . The Grand Piano's authors worked together via a listserv whose archive contains tens of thousands of e-mails that document the depth and intensity of collective effort this project entailed." (thegrandpiano online) Silliman's poetry newsletter, Tottel's (1970-81), contributed to the development of ideas in language poetry. According to Wikipedia: "Gertrude Stein, particularly in her writing after Tender Buttons, and Louis Zukofsky, in his book-length poem A, are the modernist poets who most influenced the Language school. In the postwar period, John Cage, Jackson Mac Low, and poets of the New York School (John Ashbery, Frank O'Hara, Ted Berrigan) and Black Mountain School (Robert Creeley, Charles Olson, and Robert Duncan) are most recognizable as precursors to the Language poets. . . . The language poets also drew on the philosophical works of Ludwig Wittgenstein, especially the concepts of language-games, meaning as use, and family resemblance among different uses, as the solution to the Problem of universals. N. B. With few exceptions (always identified), we only stock books in exceptional condition." N. B. With few exceptions (always identified), we only stock books in exceptional condition. All orders are packaged with care and posted promptly. Satisfaction guaranteed. (Fine Editions Ltd is a member of the Independent Online Booksellers Association, and we subscribe to its codes of ethics.).