Type d'article
Etat
Reliure
Particularités
Pays
Evaluation du vendeur
Edité par Staempfli Gallery, New York, NY, 1969
Vendeur : Olana Gallery, Brewster, NY, Etats-Unis
Livre
Paper. Etat : Good. Good paper copy 4 page folder ex. cat Oct. 14 - Nov. 1, 1969, 2 color plates and 2 B/W illus, biography, statement by artist.
Trade Paperback. Etat : Good. No Jacket. First Edition. 4to - over 9¾" - 12" tall. G+ [16] pages (including wrappers). Catalogue of the exhibition at Staempfli Gallery, New York, and the Tennessee Fine Arts Center, Nashville, February - June 1965. Notable for the facsimile reproduction of an autograph letter of Gatch's to Staempfli Gallery's co-director Philip Bruno, December 17, 1962. Upper wrapper portrait photograph of Gatch by Marvin P. Lazarus. A good+ cpopy with a vertical crease to middle; slight rubbing to wrappers (chiefly to spine edge); slight internal browning to edges.2 Color & 9 b/w Illustrations (including facsimiles).
Edité par Staempfli, 1971
Vendeur : Orca Knowledge Systems, Inc., Novato, CA, Etats-Unis
Unknown Binding. Etat : Very Good. Lightly read. Sunning to page edges. Stapled binding is fine. No markings in book.
Edité par New York, 1960
Vendeur : Ars Libri, Ltd. (ABAA), Charlestown, MA, Etats-Unis
(16)pp. 12 illus. 4to. Wraps.
Edité par Staempfli Galleries, 1977
Vendeur : Books From California, Simi Valley, CA, Etats-Unis
paperback. Etat : Very Good.
Vendeur : Storm Mountain Books, Silver Spring, MD, Etats-Unis
Edition originale
Etat : Collectible; Good. [Baur Collection] New York: Staempfli Gallery, 1961. Softcover in glossy white stapled wraps. Unpaginated (20 pages) illustrated with 3 color & 21 b/w plates. With an introductory essay by Paul Mills. List of 65 works; Chronology; list of exhibitions. First edition. From the library of John I. H. Baur, Director of the Whitney Museum with his name in pencil on title page, light soiling to covers, else very good overall condition. (Baur).
Date d'édition : 1959
Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Etat : VG. Bw wraps. [40] pp. 1 color, 26 bw plates. Illustrated catalogue listing of 26 works, with brief introductory essay by Robert Giron and two-page essay by Em. Langui, "The Work of Paul Delvaux". Nicely done full-page illustrations. Loose invitation to exhibition inserted inside front cover. Text in French and English.
Edité par New York, 1961
Vendeur : Ars Libri, Ltd. (ABAA), Charlestown, MA, Etats-Unis
(16)pp. 14 illus. Sm. oblong 4to. Wraps. (slightly foxed).
Edité par Staempfli Gallery, New York, 1959
Vendeur : Ann Becker, Houston, TX, Etats-Unis
PB(Trade). Etat : Good. Etat de la jaquette : No Dust Jacket. Back Cover Soiled.
Edité par New York, NY: Staempfli Gallery., 1967
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-Unis
Etat : Good. 8vo. [8 pp]. Soft, stapled grey and color illustrated wraps. Good with marginal edgewear from use. Black plates. Includes essay by George W. Staempfli. Catalogue created on occasion of exhibition at Staempfli Gallery in New York from October 10 through 28, 1967. From the Collection of the Art Historian Peter Selz.
Edité par New York, NY: Staempfli Gallery., 1965
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-Unis
Etat : Good. [Exhibition catalogue]. 8vo. Oblong. [8 pp.] Soft, stapled white and color illustrated wraps. Very good with marginal toning along wrap edges. Mostly black and white plates. Includes text by Perry T. Rathbone. Catalogue created on occasion of exhibition ?Lee Gatch: Recent Paintings? at Staempfli Gallery in New York, NY from March 23 through April 10, 1965 and at the Arts Club of Chicago in Chicago, IL from May 13 through June 16, 1966. Includes, as insert, small glossy printed invitation card: ?You are cordially invited to meet Lee Gatch at a preview of the exhibition of his recent paintings on March 23, 1965 from 5-7 pm.? Scarce. From the Collection of the Art Historian Peter Selz.
Edité par New York, NY: Staempfli Gallery., 1967
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-Unis
Etat : Good. [Exhibition catalogue]. 8vo. Oblong. [6 pp.]. Single soft white and color illustrated sheet, folded into thirds. Good with marginal toning along interior fold creases. 2 color plates and 4 black and white plates. Includes text by James A. Michener. Includes list of 19 exhibited works. Catalogue created on occasion of exhibition ?Lee Gatch: Stone Paintings? in New York, NY at Staempfli Gallery from February 7 through March 4, 1967. From the Collection of the Art Historian Peter Selz.
Edité par New York, NY: Staempfli Gallery, 1963
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-Unis
Edition originale
Etat : Good. [Exhibition catalogue]. 8vo. [12 pp.]. Soft, stapled glossy black and white photographic wraps. Good with marginal sunning and rubbings along spine. Color and black and white plates. Includes artist C.V. and catalogue of 20 exhibited works. Catalogue created on occasion of exhibition ?Lee Gatch: Recent Paintings? taking place at Tennessee Fine Arts Center in Nashville, TN from May 18 through June 8, 1965 and at Staempfli Gallery in New York, NY from February 5 through 25, 1965. First edition. From the Collection of the Art Historian Peter Selz.
Edité par NY, NY.: Staempfli Gallery., 1967
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-Unis
Etat : Good. 8vo. Oblong. [4] pp. Stiff, stapled white and colored illustrated wraps. As New. Very Good. Scarce.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author.Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA) (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-1977). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.
Edité par NY, NY.: Staempfli Gallery., 1963
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-Unis
Etat : Good. 8vo. [12] pp. Soft cover. Stapled Wraps. Color and black and white plates. Very Good. Minor shelf wear and age toning. Scarce.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author.Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA) (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-1977). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.
Edité par NY, NY.: Staempfli Gallery., 1972
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-Unis
Etat : Good. 8vo. Paper folder with 6 sides. Three page text: The Jurassic Days, 1960-1968 by Peggy Lewis. Color plates. Very Good. Scarce.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author.Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA) (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-1977). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.
Edité par New York : Staempfli., 1963
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-Unis
Etat : Good. 4to. 1 fold-out sheet. Color plates. Light signs of shelf wear. Minor creasing. Very Good.Provenance: From the Collection of Art Historian Peter Selz (1919-2019).
Edité par stampfli & cie / Staempfli Gallery, Bern / New York, 1966
Vendeur : William Allen Word & Image, London, Royaume-Uni
Edition originale
Etat : Very good. 1st Edition. Exhibition brochure. Max Bill, Staempfli Gallery, stampfli & cie / Staempfli Gallery, Bern / New York, 1966. 197x229 mm. Folded brochure printed in black and colour on white glossy card. The brochure was designed my Max Bill and showcases his works on show at Staempfli Gallery, 47 East 77 Street, New York 21, May 24 to June 18, 1966. The brochure includes four photographs (2 coloured and 2 black and white) and an essay on the artist by Margit Staber. Condition: light soiling to cover as seen, some toning and handling marks to back cover, overall: Very good.
Edité par New York: Staempfli Gallery., 1963
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-Unis
Etat : Good. 4to. [16 pp.] Soft cover. Black and white plates. Very Good. Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author. Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-77). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.
Edité par New York, NY: Staempfli Gallery., 1960
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-Unis
Manuscrit / Papier ancien
Etat : Good. [Exhibition brochure]. 8vo. [4 pp.]. Glossy black and white illustrated single sheet, folded into half. Very good with edgewear from age. Black and white plates. Includes excerpt of a text by Eliseo Vivas. Includes brief biographical information on exhibited artist. Brochure created to accompany the exhibition ?Zogbaum?, held from September 27 through October 15, 1960 at the Staempfli Gallery in New York, NY. Scarce. From the Collection of the Art Historian Peter Selz.
Edité par New York, NY: Staempfli., 1964
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-Unis
Etat : Good. Exhibition pamphlet. 8vo. Oblong. 6 pp. Tri-fold card wraps with color and black and whie illustrates and black lettering. Good with marginal edgewear and toning from age. Includes text by George Staempfli and list of 10 works exhibited. Pamphlet created on occasion of exhibition ?Jan Muller? at Staempfli in New York from November 17 through December 5, 1964. Limited edition.From the Collection of the Art Historian Peter Selz.
Edité par New York, NY: Staempfli., 1963
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-Unis
Etat : Good. [Exhibition brochure]. 8vo. Oblong. [4 pp.]. Stiff white and color illustrated sheet, folded into halves. Good with marginal sunning along top of back wrap and marginal edgewear from use. 1 color plate and 2 black and white plates. Includes text by Peter Selz. Brochure created to accompany the exhibition ?Jan Muller: Fifty small oils, pastels and gouaches? held from May 7 through May 25, 1963 at Staempfli in New York, NY. Scarce.From the Collection of the Art Historian Peter Selz.
Edité par Berne: Staempfli Gallery, [1968]., 1968
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-Unis
Etat : Good. 4to. [30 pp.] Soft cover. Some color plates. Very Good. Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author. Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-77). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.
Edité par Berne: Staempfli Gallery, [1968]., 1968
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-Unis
Etat : Good. 4to. [30 pp.] Soft cover. Some color plates. Very Good. Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author. Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-77). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.
Soft cover. Etat : Fine. No Jacket. Staempfli Gallery [160] pp. w/ 92 lots 1979 11" x 9 1/2" Kim Tschang-yeul (24 December 1929 5 January 2021) was a South Korean artist known for his abstract paintings of water droplets. He formed part of the Modern Artists' Association in South Korea and joined the Art Informel movement of the 1950s and 60s. From the late 1960s, Kim Tschang-yeul presented works in international stages, studied in the United States, and eventually relocated to Paris in 1969, where he developed his signature water droplet paintings. He is the father of French artist Oan Kim.