Type d'article
Etat
Reliure
Particularités
Pays
Evaluation du vendeur
Edité par Fitzhenry & Whiteside, 2000
ISBN 10 : 1550413848ISBN 13 : 9781550413847
Vendeur : ThriftBooks-Atlanta, AUSTELL, GA, Etats-Unis
Livre
Hardcover. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.45.
Edité par Brighton, Massachusetts, U.S.A.: Fitzhenry & Whiteside Ltd, 2001
ISBN 10 : 1550416073ISBN 13 : 9781550416077
Vendeur : Silver Creek Books & Antiques, Port Perry, ON, Canada
Livre
Soft cover. Etat : Very Good. No Jacket. VG softcover. 314 pages. Well-illustrated. Canadian antique price guide.
Edité par Fitzhenry & Whiteside Ltd, Markham, Ontario, 2001
ISBN 10 : 1550416073ISBN 13 : 9781550416077
Vendeur : ABC: Antiques, Books & Collectibles, Tantallon, NS, Canada
Livre
Trade Paperback. Etat : Good. No Jacket. Covers are creased. Otherwise clean.
Edité par Fitzhenry & Whiteside, 1999
ISBN 10 : 1550412051ISBN 13 : 9781550412055
Vendeur : THE BOOK BROTHERS, CHATHAM, ON, Canada
Livre
Soft cover. Etat : As New. No Jacket. As new copy. (see picture) 311 pages including index.
Edité par Fitzhenry & Whiteside, 2008
ISBN 10 : 1550418661ISBN 13 : 9781550418668
Vendeur : The Bookseller, Edmonton, AB, Canada
Livre
Soft cover. Etat : Very Good+. Minor shelf wear. Otherwise a square, tight, unmarked book. Index. 351 pp.
Edité par Fitzhenry & Whiteside, Markham, On, Canada, 2001
ISBN 10 : 1550416073ISBN 13 : 9781550416077
Vendeur : Riverwash Books (IOBA), Prescott, ON, Canada
Membre d'association : IOBA
Livre
Softcover. Etat : Very Good. 314 pp. Index. Photos. Light edgewear. Dated, but still a great reference for Canadian collectables. Appears unread. ; 8vo 8" - 9" tall.
Edité par Fitzhenry & Whiteside, 1999
ISBN 10 : 1550412051ISBN 13 : 9781550412055
Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
Livre
Paperback. Etat : Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 0.95.
Edité par Fitzhenry & Whiteside, 2000
ISBN 10 : 1550413848ISBN 13 : 9781550413847
Vendeur : Pulpfiction Books, Vancouver, BC, Canada
Livre Edition originale
Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. 1st Edition. First edition, first printing. Near Fine- hardback, one corner bumped, in a Near Fine dust jacket now protected in a Brodart. A clean, only cosmetically worn copy.
Edité par Fitzhenry & Whiteside, Markham
ISBN 10 : 1550413848ISBN 13 : 9781550413847
Vendeur : Burton Lysecki Books, ABAC/ILAB, Winnipeg, MB, Canada
Livre
[1-55041-384-8] 2000, Revised, updated and enlarged edition. (Hardcover) Fine in fine dust jacket. 305pp. Illustrations, bibliography, index. Includes prices. (Antiques, Antiques, Pressed Glass).
Edité par Fitzhenry & Whiteside, 2000
ISBN 10 : 1550413848ISBN 13 : 9781550413847
Vendeur : GF Books, Inc., Hawthorne, CA, Etats-Unis
Livre
Etat : Fine. Book is in Used-LikeNew condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear.
Edité par Fitzhenry & Whiteside, 2000
ISBN 10 : 1550413848ISBN 13 : 9781550413847
Vendeur : Rare&Beautiful Books, Verdun, QC, Canada
Livre
Hardcover. Etat : As New. Dust Jacket Included. Fitzhenry & Whiteside, 2000 Hardcover, 8vo, illustrated, 305 pages As new, unmarked in a like, unmarked and unclipped dust jacket Revised and Enlarged Edition As New +.
Edité par Aperture Foundation, Inc, New York, 1994
ISBN 10 : 089381606XISBN 13 : 9780893816063
Vendeur : Vincent Borrelli, Bookseller, Albuquerque, NM, Etats-Unis
Livre Edition originale Signé
Etat : Fine. 1st Edition. First edition, first printing. Limited edition of 50 numbered copies and 10 unnumbered artist's proofs (this being an AP/Artist's Proof), with 8 original Iris inkjet prints produced by Nash Editions on 16 x 20-inch Rives BFK cotton-rag paper. Each print is signed by the artist and embossed with the Nash Editions seal. The portfolio includes a title sheet with artist's biographies, limitation and colophon, printed letterpress. The prints are contained in a custom-made orange cloth-covered portfolio, with title stamped in blue on cover. Portfolio size 16-3/8 x 20-5/8 inches. Fine. Prints and portfolio in flawless, pristine condition. The prints are as follows: 1) Shelly J. Smith, "Untitled Nanbird," 1992. Image size 14 x 15-1/2 inches. 2) Robert Heinecken, "Shiva, The Lord Whose Half Is Woman (Vacation), 1990." Image size 18 x 10-1/4 inches. 3) Paul Thorel, "Paola V.," 1993. Image size 15-5/8 x 14 inches. 4) Graham Nash, "Chrome Magnum," 1991. Image size 14 x 16 inches. 5) Peter Campus, "bee being," 1994. Image size 10-7/8 x 18 inches. 6) Eva Sutton, "Disintegration #8," 1991. Image size 14 x 15-1/2 inches. 7) Barbara Kasten, "Roman Amphitheater, Medieval Church, Tarragona, Spain," 1992. Image size 13-1/2 x 18 inches. 8) Martina Lopez, "Revolutions in Time 2," 1994. Image size 10-3/4 x 17-3/4 inches. From Mark Haworth-Booth: "The artists represented here work with the idea that manipulation -- technical, political, psychological and an endless menu of ramifications -- is the underlying reality of our time. The images here do not so much 'express' this; it's what they are." From the publisher: "'Metamorphoses' is among the first fine-art portfolios of digital photography ever produced. Featured are dynamic new works by some of the most significant established and emerging artists of our time. Marrying the revolutionary potentials of digital image-making with the Iris digital printing process, this portfolio represents the state of the art of a nascent form of photographic expression. At a pivotal moment in the history of photography, this work represents a metamorphosis: the transformation of the medium from its photochemical origins to a new, digital foundation. The artists included in the 'Metamorphoses' portfolio were chosen for the sophistication and eloquence of their visual statements. Working in collaboration with Nash Editions in the proofing and production of the edition, these artists have created digital prints of photographic images that were impossible or simply unimagined before the emergence of computer-imaging techniques. A new vision is emerging at the crossroads of art and technology, and now, along with it, we have a printing method compatible with that vision." Signed by Author.