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Edité par White Bones Press, New York, 1969
Vendeur : Vashon Island Books, Vashon, WA, Etats-Unis
Edition originale
Paperback. Etat : Very Good. Cover By Donna Dennis (illustrateur). First Edition. In stapled pictorial wraps, 8vo, 84pp. Includes contributions by: Gerard Malanga, Thomas Disch, Ted Berrigan, Tom Clark, Ron Padgett, Diane Wakoski, Jack Anderson, Anne Waldman, et al. (minor light shelfwear to extremities). Size: 8vo - over 7¾" - 9¾". Book.
Edité par New York: White Bones Press, 1971
Vendeur : Philip Smith, Bookseller, Berkeley, CA, Etats-Unis
Edition originale
Soft cover. Etat : Fine. 1st edition. Near Fine. 8vo, 84pp, stapled wrappers. Third and final issue of this scarce underground literary magazine from 1971 NYC, with an impressive group of contributors. Nice unmarked copy, a bit of rubbing to back cover. Not Signed.
Edité par White Bones Press, New York, 1971
Vendeur : Better Read Than Dead, Brooklyn, NY, Etats-Unis
Cover by Martha Diamond (illustrateur). Small and scarce literary journal based in New York City, whose scope certainly extended beyond the contemporary "New York School" but still included some of its heavies, with poetry from Peter Schjeldahl and Gerard Malanga as well as an excerpt from Ted Berrigan's experimental Western novel "Clear the Range." Very good, creasing along spine and edges, wear and light soiling to wraps Saddle-stapled in illustrated glossy wraps, 7" x 8 1/2", 84 pp.
Edité par New York: White Bones Press, 1967
Vendeur : Philip Smith, Bookseller, Berkeley, CA, Etats-Unis
Edition originale
Soft cover. Etat : Very Good. 1st edition. Near VG. 8vo, 64pp, stapled wrappers. Includes poetry by Thomas Disch, Anne Waldman, Jonathan Cott, and others. Errata slip bound in. Unmarked copy; lap front cover has some edge wear, light outer spotting and wear, faint must. Not Signed.
Edité par White Bones Press, New York, 1971
Vendeur : Vashon Island Books, Vashon, WA, Etats-Unis
Edition originale Signé
Paperback. Etat : Very Good. Cover By Martha Diamond (illustrateur). First Edition. In stapled pictorial wraps, 8vo, 84pp. Signed and Inscribed By the Editor Terance Anderson on title page: "Hi! We finally made it with another issue - it only took us 2 years - hope you really enjoy it, Peace, Terry". Includes contributions by: Lyn Lifshin, Stephen Kessler, Roger Sauls, Jack Anderson, Gerard malanga, Raymond DiPalma, bob Woodward, et al. (minor light shelfwear to extremities, initials to cover). Size: 8vo - over 7¾" - 9¾". Signed and Inscribed By the Editor. Book.
Edité par [New York], [NY], 1969
Vendeur : Specific Object / David Platzker, New York, NY, Etats-Unis
[1] pp.; 28 x 21.6 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Flyer / announcement published to promote events held between 13th and 14th Streets and 6th and 5th Avenues, New York City, on April 18, 1969. Participating artists included Vito Hannibal Acconci, Terence Anderson, Arakawa, Gregory Battcock, Matthew Benedict, Michael Brownstein, Scott Burton, James Lee Byars, Rosemarie Castoro, Eduardo Costa, Bill Creston, Larry Fagin, Madeline Gins, John Giorno, Bobbi Gormley, Tom Gormley, Dan Graham, Katherine Greef, Stephen Kaltenbach, Joseph Kosuth, Leandro Katz, Alcides Lanzy, Lucy Lippard, Rosemary Mayer, Ben Patterson, John Perreault, Lil Picard, Adrian Piper, H Alexander Roberts, Marjorie Strider, Mr. T., Bernar Venet, Frank Lincoln Viner, Anne Waldman, Lewis Warsh, Luis Wells, Hannah Weiner and Lawrence Weiner. These organized street works can be understood as extensions of both the Pop art Happenings of the earlier 1960s and the street protests taking place in New York City and throughout the country during the 1968 elections, the Civil Rights Movement, and the Vietnam War. Whereas the Pop happenings usually took place in galleries and performance spaces, the street works were unconfined by physically walled-in spaces. Enacted in open environments, comingled with the natural flow of pedestrians, these performances created unlimited possibilities for happenstance with the sidewalk as the stage and the city as backdrop, the inhabitants of New York became active participants with the artists, willingly or not. Fair / Good. Folded in three and two tape stains. Name of recipient on verso in ink.