boydell brewer ltd columbia md (186 résultats)

Paperback. Etat : Very Good. First English translation of the memoirs of the vaunted theater producer Aufricht, providing an inside account of the late Weimar theater scene in Berlin and much else of interest. This is the first English translation of the memoirs of the great German-Jewish theater producer Ernst Josef Aufricht (in German 1966, rpt. 1998). The title alludes to Brecht and Weill's Threepenny Opera, the premiere of which was produced by Aufricht at his Theater am Schiffbauerdamm in Berlin in 1928, launching Brecht and Weill to worldwide fame. Aufricht's book is most notable for its insider's account of the Berlin theater scene from the great days of the late 1920s and early 30s. Its range, however, from school years and the military to his time as an actor and then producer, the rise of the Nazis, and finally his long years of exile in France and America, gives the picture of a complex individual with a talent for survival and a winningly understated sense of humor. The book will be of interest to an academic audience, but its reflections on a period of momentous artistic and political events will expand its appeal to a wider group: those interested in twentieth-century German history, music and theater history, as well as the general reader. A selection of photographs, some rare and many showing Aufricht's famous productions, enhances this English edition. Benjamin Bloch is a clinical psychologist who studied German and English Literature at Oberlin College. Marc Silberman is Emeritus Professor of German at the University of Wisconsin. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Etat : Very Good. Novelist, poet, cultural critic, Margaret Atwood is one of the most fascinating, versatile, and productive authors of our time, a superb writer in any genre she chooses to tackle. This book was prepared on the occasion of Atwood's sixtieth birthday in November 1999. Its first aim is therefore to take stock of Atwood's multifarious works and international impact at the height of her creative powers. Secondly, the book serves as a wide-ranging introductionto the writer and her works. Fifteen informative articles written specifically for this volume by Atwood specialists from Canada, the USA, the UK, Germany, and France treat her life and status, her works (up-to-date survey articles on Atwood's novels, short fiction, poetry, and literary and cultural criticism), and important approaches to her works (from the standpoints of gender politics, mythology, ecology, popular culture, constructivism, and Canadian nationalism). A final section on creativity, transmission, and reception includes an interview with Atwood on creativity, statements by some of Atwood's important transmitters, including publishers, editors, literary agents, and translators, and some 15 statements by Atwood's fellow writers, in which they explore her importance for them. A number of photographs of Atwood, several cartoons drawn by her, an up-to-date bibliography of works by and about Atwood, and an index round out the volume. Reingard M. Nischik is Professor of American literature at the University of Konstanz, Germany. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Etat : new. Paperback. A penetrating new reading of Murnau's classic silent film that shows its transitional status, both historically and stylistically, while emphasizing its innovative camerawork and the ethical stakes of its story.An undisputed masterpiece of silent cinema, F. W. Murnau's The Last Laugh (1924) stars the larger-than-life Emil Jannings as a proud hotel porter who is demoted to lowly washroom attendant. One worker's misfortune becomes a tragic turning point in a social drama as much about the struggling Weimar Republic, which had just overcome several years of social, political, and economic instability, as about its working-class citizens. At once clinging to the symbols of the old order while helplessly thrust into an unforgiving modern world, Jannings's fallen porter embodies the contradictions of this transitional moment for the young democracy. Samuel Frederick shows us that Murnau's film is similarly transitional: born at the crossroads between the Expressionist style of the early 1920s and the emerging aesthetics of New Objectivity, it is both soberly realistic and oneirically distorted. With only one intertitle, The Last Laugh's flow of images is complemented by cinematographer Karl Freund's innovative mobile camera, which, "unchained" from the tripod, swims effortlessly through the film's different urban spaces. Here, inanimate objects become charged with potency and architecture is animated, conveying both allure and danger. Frederick's incisive analysis of the film foregrounds the visual dynamism of its technological and aesthetic experimentation while also pursuing the ethical implications of its central figure's downfall. A penetrating new reading of Murnau's classic silent film that shows its transitional status, both historically and stylistically, while emphasizing its innovative camerawork and the ethical stakes of its story. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : new. Paperback. Shows how cinematic treatments of fashion during times of crisis offer subtle reflections on the everyday lives, desires, careers, and self-perceptions of postwar German women.This book steers attention toward two key aspects of German culture - film and fashion - that shared similar trajectories and multiple connections, looking at them not only in the immediate postwar years but as far back as 1939. They formed spectacular sites of the postwar recovery processes in both East and West Germany. Viewed against the background of the abundant fashion discourses in the Berlin-based press, the films discussed include classics such as The Murderers Are among Us, Street Acquaintance, and Destinies of Women as well as neglected works such as And the Heavens above Us, Martina, Modell Bianka, and Ingrid. These films' treatments of fashion during times of crisis offer subtle reflections on the everyday lives, desires, careers, and self-perceptions of the women who made up a large majority of the postwar public. Costume - in films produced both by DEFA and by West German studios - is a productive site to explore the intersections between realism and escapism. With its focus on costumes within the context of the films' production, distribution, and reception, this book opens up wider discussions about the role of the costume designer, the ways film costumes can be read as intertexts, and the impact on audiences' behaviors and looks. The book reveals multiple connections between film and fashion, both across the temporal dividing line of 1945 and the Cold War split between East and West.Mila Ganeva is Department Chair and Professor of German at Miami University, Oxford, Ohio. Shows how cinematic treatments of fashion during times of crisis offer subtle reflections on the everyday lives, desires, careers, and self-perceptions of postwar German women. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : new. Paperback. Revitalizes Alexander Kluge's classic 1979 film, showing it to be not just great storytelling but also an exploration of the poetic force of Frankfurt School Critical Theory.Alexander Kluge achieved his breakthrough at the 1966 Venice Biennale with his first feature, Yesterday Girl (Abschied von gestern), but it is arguably his 1979 film The Patriot (Die Patriotin) that first embodied the great heights his storytelling could reach. Titled after its heroine, the history teacher Gabi Teichert, The Patriot is, however, much more than just a curious story about a headstrong pedagogue intent on teaching kids a version of German history that does not end in war and death: it is one of the finest examples of Kluge's exploration of the poetic force of Frankfurt School Critical Theory. This book pursues The Patriot's conception as a cinematic extension of the theoretical agenda that Kluge and social philosopher Oskar Negt began developing just as the Frankfurt School's first generation was ending. It will guide twenty-first-century English-language readers past superficial interpretations of the film's engagement with German history. By asking how and why The Patriot brings the twin concepts of history and obstinacy - the human propensity to resist capitalism's forces of expropriation and alienation - to the screen, this book revitalizes Kluge's film for the new millennium. Revitalizes Alexander Kluge's classic 1979 film, showing it to be not just great storytelling but also an exploration of the poetic force of Frankfurt School Critical Theory. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Etat : new. Paperback. A view of a long-neglected classic of Weimar cinema - now restored and widely available - as both a gripping narrative of infidelity and jealousy and a film inherently about film.Artur Robison's Warning Shadows - in German simply Schatten, shadows - premiered in 1923 to critical acclaim. This story of a fateful dinner party at which a flirtatious wife, her jealous husband, and their guests are entertained by a traveling illusionist who deals in shadow play and hypnosis was extolled by one critic as superior to Wegener's Golem, Lubitsch's Passion, even Murnau's Nosferatu and Wiene's The Cabinet of Dr. Caligari. Yet where those films became mainstays of film history, Warning Shadows was long unknown: only recently, with the release of a restored version on DVD, has it begun to get its due. One of the few silent movies to eschew intertitles, it was an attempt to create a "pure film," drawing on the qualities of cinema that made it not an heir to literature or theater but a unique and autonomous art form. Staging a story of desire, adultery, and violence, Robison's film also engaged with discourses at the heart of Weimar culture, from changing gender norms to hysteria and hypnosis to the construction of spectatorship. Seen this way, Warning Shadows is both a gripping narrative of infidelity and jealousy and a film inherently about film. A view of a long-neglected classic of Weimar cinema - now restored and widely available - as both a gripping narrative of infidelity and jealousy and a film inherently about film. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Etat : new. Paperback. Christian Petzold's Phoenix (2014), a masterpiece from one of Germany's leading contemporary filmmakers, portrays a death-camp survivor's return to occupied Berlin just after the war has come to an end. Nelly, played by German film star Nina Hoss, returns badly wounded, her face covered in bandages, hoping that her German husband will still love her. Johnny fails to recognize her and instead offers her a role in an intricate criminal scheme. Petzold's film, which he scripted together with his frequent collaborator Harun Farocki, was an international success that has been widely compared with works by Alfred Hitchcock and Rainer Werner Fassbinder. This study explores the film's unique array of influences including the vast range of films, novels, and memoirs on which its screenwriters drew. Its central argument concerns the film's integration of a long history of German-Jewish works and ideas-its attempt to confront its audience with a neglected tradition that included figures as diverse as Peter Lorre, Fred Zinnemann, and Hannah Arendt. Offering a close reading of the film's themes, compositions, and music alongside a film-historical contextualization, this book constitutes the most significant and thorough study of Phoenix to date. Brad Prager is Professor of German and Film Studies at the University of Missouri. Offers not only a close reading but also a film-historical contextualization of Phoenix, constituting the most significant and thorough study of Petzold's film to date. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Etat : new. Paperback. When it was released in 1982, Werner Herzog's Fitzcarraldo was widely criticized for its demanding use of human and natural resources as well as its director's uncompromising aesthetic vision. Critics and scholars saw little difference between the film's protagonist's obsession with hauling a ship over a mountain in the Amazon and Herzog's own mode of cinematic production and storytelling. And yet Fitzcarraldo stands out as one of the defining moments of New German Cinema and, as the years pass, continues to raise new questions about the relation of film and society, art and nature, progress and subjectivity, the known and the unknown. This book revisits Herzog's taleof operatic entrepreneurialism from a decisively contemporary standpoint. It draws on recent writing on the Anthropocene to probe the relationship of art, civilization, and the natural world in Fitzcarraldo. It discusses the role of opera and music in Herzog's Amazon spectacle. And it brings into play the development of Herzog's own career as a filmmaker over the last few decades to offer a fresh look at this by-now classical contribution to twentieth-century German film art. Lutz Koepnick is Gertrude Conaway Vanderbilt Professor of German, Cinema and Media Arts at Vanderbilt University. Revisits Herzog's classic film from a decisively contemporary standpoint, bringing into play the development of his filmmaking career. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Etat : new. Paperback. Examines the creation, context, and significance of the first and only East German feature film about homosexuality.It took forty years for East Germany's state-run studios, DEFA, to produce a feature film about homosexuality: Coming Out. The film's story seems radically ordinary today: a young teacher, Philipp, is gay but cannot accept the truth about his sexuality. He starts a relationship with a fellow teacher, Tanja, but falls in love with a man he meets, Matthias, whose confidence in his own self-understanding is alluring for him as well as a challenge. Acclaimed director Heiner Carow created a film that shows the difficulties, both internalized and external, that queer people faced in East Germany. In a quirk of history, Coming Out premiered in German theaters on November 9, 1989, the very night on which the Berlin Wall was opened, which meant the film was initially overshadowed, to say the least, by the earthshaking political events. Yet it remains a popular film and is regularly screened around the world, including prominently at queer film festivals. Kyle Frackman's book examines the film in both the late East German context of its creation and the international context of its reception. The book will be published in both paperback and Open Access form. Examines the creation, context, and significance of the first and only East German feature film about homosexuality. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Etat : new. Paperback. Rilke's great cycle of ten elegies, perhaps his most profound poetic achievement, had its inception on the morning of January 21, 1912, but was interrupted by the First World War and not completed until a decade later. The Duino Elegies are not only the result of an extraordinary kind of contact with the unseen world; they are an attempt to understand that world in its holistic relationship to the visible, tangible world. This powerful rendering ofthe cycle is a product of the collaboration between a poet, Norris, and a Germanist, Keele. Presents a kind of contact with the unseen world. This title attempts to understand that world in its holistic relationship to the visible, tangible world. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Etat : new. Paperback. Makes available in reliable English translation Wagner's original Siegfried libretto and his early essay on the Nibelung myth.In 1848 Richard Wagner began what would become the largest stage work of his career, the Ring of the Nibelung. In preparation for the task he composed an overview of the Nibelung myth designed to lead to a drama; he then composed the verse "libretto" Siegfried's Death. Although he abandoned the idea of a single opera on Siegfried in favor of the huge project that developed out of it in the succeeding years -- the Ring cycle -- he did consider the two early documents important enough to include them in his collected works. The present volume seeks to inform the English-speaking reader in three ways: by providing modern, reliable translations of the two Wagner texts, which are otherwise not available (the German original is provided on facing pages); by furnishing an overview of German scholarship available to Wagner and others working on the Nibelung legend in the first half of the nineteenth century; and by making available a bibliography of further reading. The volume will be useful to students of musicology, to students and historians of myth and legend, and to all Wagnerians interested in the genesis of the Ring cycle. Accessible to the general reader, it maintains scholarly rigor and provides information about materials not available in English.Edward R. Haymes is Professor in the Department of Modern Languages atCleveland State University. Makes available in reliable English translation Wagner's original Siegfried libretto and his early essay on the Nibelung myth. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Etat : new. Paperback. The first book-length study in any language of the "Berlin School," the most significant filmmaking movement to come out of Germany since the 1970s.The contemporary German directors collectively known as the "Berlin School" constitute the most significant filmmaking movement to come out of Germany since the New German Cinema of the 1970s, not least because their films mark the emergence of a new film language. The Berlin School filmmakers, including Christian Petzold, Thomas Arslan, Angela Schanelec, Christoph Hochhaeusler, Ulrich Koehler, Benjamin Heisenberg, Maren Ade, and Valeska Grisebach, are reminiscent of the directors of the New German Autorenkino and of French cinema des auteurs of the 1960s.This is the first book-length study of the Berlin School in any language. Its central thesis - that the movement should be regarded as a "counter-cinema" - is built around the unusual style of realism employed in its films, a realism that presents images of a Germany that does not yet exist. Abel concludes that it is precisely how these films' images and sounds work that renders them political: they are political not because they are message-driven films but because they are made politically, thus performing a "redistribution of the sensible" - a direct artistic intervention in the way politics partitions ways of doing and making, saying and seeing.Marco Abel is Professor of English and Film Studies at the University of Nebraska, Lincoln. The first book-length study in any language of the "Berlin School," the most significant filmmaking movement to come out of Germany since the 1970s. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Etat : new. Paperback. Fritz Lang's classic 1927 film Metropolis has justifiably become an icon for the complexities of Weimar culture. Among the important general issues it also raises are the relation between ideology and art, the status and authorship of the film text in the entertainment market, the city, the construction of gender, the relation between the human body and the machine in modernity, and the relation between mass and high culture. This volume provides a broad range of materials and resources for the study of Lang's film, including both well-known, previously published critical essays and contributions appearing for the first time here. The editors provide a two-part introduction that furnishes context for what follows: Bachmann's part deals with the genesis, production, and contemporary reception of the film, while Minden's defines the problems posed by the text and reviews the solutions to these problems as proposed by later generations of critics. The first part of the book proper includes selected contemporary reviews, commentary by Fritz Lang and others involved in the making of the film, and extracts from Thea von Harbou's original novel.In the second part, eight modern scholars provide fresh essays on the genesis, promotion, and reception of the film. Approximately half of the material in the volume has never before appeared in print. The volume will appeal to students of German, film, cultural and intellectual history, and social theory.Michael Minden is University Lecturer in German at Cambridge University and a fellow of Jesus College. Holger Bachmann received his Ph.D. from Cambridge on Arthur Schnitzler and film. A collection of essays on the German expressionist film, Metropolis. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Etat : new. Paperback. Rarely has a single figure had as much influence on Western thought as Sigmund Freud. His ideas permeate our culture to such a degree that an understanding of them is indispensable. Yet many otherwise well-informed students in the humanities labor under misconceptions or lack of knowledge about Freudian theory. There are countless introductions to Freudian psychoanalysis but, surprisingly, none that combine a genuinely accessible account of Freud's ideas with an introduction to their use in literary and cultural studies, as this book does. It is written specifically for use by advanced undergraduate and graduate students in courses dealing with literary and cultural criticism, yet will also be of interest to the general reader. The book consists of two parts. Part one explains Freud's key ideas, focusing on the role his theories of repression, conscious and unconscious mental processes, sexuality, dreams, free associations, "Freudian slips," resistance, and transference play in psychoanalysis, and on the relationship between ego, superego, and id. Here de Berg refutes many popular misconceptions, using examples throughout.The assumption underlying this account is that Freud offers not simply a model of the mind, but an analysis of the relation between the individual and society. Part two discusses the implications of Freudian psychoanalysis for the study of literature and culture. Among the topics analyzed are Hamlet, Heinrich Heine's Lore-Ley, Freud's Totem and Taboo and its influence on literature, the German student movement of the late 1960s, and the case of the Belgian pedophile Marc Dutroux and the public reactions to it. Existing books focus either on Freudian psychoanalysis in general or on psychoanalytic literary or cultural criticism; those in the latter category tend to be abstract and theoretical in nature. None of them are suitable for readers who are interested in psychoanalysis as a tool for literary and cultural criticism but have no firm knowledge of Freud's ideas. Freu. A genuinely accessible introduction to Freud's theory and its application to literary and cultural studies. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Etat : new. Paperback. A handbook to Hemingway's famous collection of short stories that emphasizes its status as a modernist masterwork.The volume of collected short stories and vignettes In Our Time was Ernest Hemingway's first commercial publication. Its appearance in 1925 launched the full-fledged literary career of this century's most famous American fiction writer. And while other later works of Hemingway have eclipsed In Our Time's fame, none of Hemingway's subsequent works would again carry the degree of experimentation found in this distinctly modernist masterwork. Modernism and Tradition in Ernest Hemingway's In Our Time: A Guide for Students and Readers is a well-paced, lucidly written handbook intended to guide university students and teaching faculty towards a better understanding of this complex work. It provides a reading of each story and vignette, while simultaneously stressing the status of In Our Time as a discrete volume. Included are discussions of the book's biographical and historical background, and considerations of Hemingway's prose style, theories of writing, formal achievements, his literary mentors and influences, and the relation between In Our Time and his later works.Matthew C. Stewart isAssociate Professor of Humanities and Rhetoric at Boston University. A handbook to Hemingway's famous collection of short stories that emphasizes its status as a modernist masterwork. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Etat : new. Paperback. New view of the crucial role of fashion discourse and practice in Weimar Germany and its significance for women.In the Weimar Republic, fashion was not only manipulated by the various mass media -- film, magazines, advertising, photography, and popular literature -- but also emerged as a powerful medium for women's self-expression. Female writers and journalists, including Helen Grund, Irmgard Keun, Vicki Baum, Elsa Maria Bug, and numerous others engaged in a challenging, self-reflective commentary on current styles. By regularly publishing on these topics in the illustrated press and popular literature, they transformed traditional genres and carved out significant public space for themselves. This book re-evaluates paradigmatic concepts of German modernism such as the flaneur, the Feuilleton, and Neue Sachlichkeit in the light of primary material unearthed in archival research: fashion vignettes, essays, short stories, travelogues, novels, films, documentaries, newsreels, and photographs. Unlike other studies of Weimar culture that have ignored the crucial role of fashion, the book proposes a new genealogy of women's modernity by focusing on the discourse and practice of Weimar fashion, in which the women were transformed from objects of male voyeurism into subjects with complex, ambivalent, and constantly shifting experiences of metropolitan modernity.Mila Ganeva is Associate Professor of German at Miami University, Oxford, Ohio. New view of the crucial role of fashion discourse and practice in Weimar Germany and its significance for women. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Etat : new. Paperback. Examines key contemporary Austrian literary texts, films, and memorials that treat Nazism and the Holocaust for what they reveal about the country's contemporary politics of memory.2018 CHOICE Outstanding Academic TitleThe process of coming to terms with its National Socialist past has been a long and difficult one in Austria. It is only over the past thirty years that the country's view of its role during the Third Reich has shifted decisively from that of victimhood to complicity, prompted by the Waldheim affair of 1986-1988. Austria's writers, filmmakers, and artists have been at the center of this process, holding upa mirror to the country's present and drawing attention to a still disturbing past.Katya Krylova's book undertakes close readings of key contemporary Austrian literary texts, films, and memorials that treat the legacy of Nazism and the Holocaust. The analysis focuses on texts by Robert Schindel, Elfriede Jelinek, and Anna Mitgutsch, documentary films by Ruth Beckermann and by Margareta Heinrich and Eduard Erne, as well as recent memorial projects inVienna, examining what these reveal about the evolving memory culture in contemporary Austria. Aimed at a broad readership, the book will be a key reference point for university teachers, undergraduates, and postgraduates engagedin scholarship on contemporary Austrian literature, film, and visual culture, and for general readers interested in confrontations with the National Socialist past in the Austrian context.KATYA KRYLOVA is Lecturer in German, Film and Visual Culture at the University of Aberdeen, UK. The Long Shadow of the Past is her second book. Examines key contemporary Austrian literary texts, films, and memorials that treat Nazism and the Holocaust for what they reveal about the country's contemporary politics of memory. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Etat : new. Paperback. A comprehensive survey of German literary writers' political writing and involvement since 1945.George Orwell said that all writing is political; but the writers of some nations and some periods are more political than others. German writers after 1945 have exemplified such heightened politicization, and this book considerstheir contribution to the democratic development of Germany by looking principally at their directly political, non-fictional writings. It pays particular attention to writers and the student movement of the 1960s and '70s, when some proclaimed the death of literature and called for a turn to direct political action. Yet writers in both parts of Germany gradually came to identify with their respective states, even if the idea of one Germany never entirelydisappeared. The unification of 1989-1990, in which this idea astonishingly became reality, posed a major (and some would say unmet) challenge to writers in both East and West. After looking at this period of intense political activities, the book considers the continuing East/West division and changing attitudes to the Nazi past, asking whether the intellectual climate has swung to the right. It also asks to what extent political involvement has been a generational project for the immediate postwar generation and is less important for younger writers who see the Federal Republic as a "normal" democratic state.Stuart Parkes is Emeritus Professor of German from the University of Sunderland (UK). A comprehensive survey of German literary writers' political writing and involvement since 1945. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Etat : new. Paperback. Shows Goethe, the most famous of German writers, as a child of the Enlightenment.Throughout his oeuvre Goethe invokes the writers and thinkers of the Enlightenment: Voltaire and Goldsmith, Sterne and Bayle, Beccaria and Franklin. And he does not merely reference them: their ideas make up the salt of his most acclaimed works. Like Hume before him, Goethe takes up the topic of suicide, but in a best-selling novel, Werther; the beating heart of Faust I is the fate of a woman who commits infanticide, a burning social issue ofhis age; in an article for a popular journal Goethe takes up the cause of Kant and Penn, who wrote treatises on how to establish peace in Europe. In another essay Goethe calls for reconciliation between Germans who had fought against each other in those same Wars, as well as for worldwide understanding between Christians, Jews, Muslims, and Heathens. Professor Kerry shows that Goethe is a child of the Enlightenment and an innovator of its legacy. To do sohe discusses a chronological swath of Goethe's works, both popular and neglected, and shows how each of them engages Enlightenment concerns.Paul Kerry is Professor of History at Brigham Young University. Shows Goethe, the most famous of German writers, as a child of the Enlightenment. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Etat : new. Paperback. Translation of nineteenth-century novel of life in a still-feudal Moravian village.Marie von Ebner-Eschenbach (1830-1916) is Austria's most important nineteenth-century woman writer, but her works have remained largely unknown to English speakers, even her most important, the compelling Their Pavel, firstpublished serially in 1887. Based on a true incident, Their Pavel investigates the troubled social relations of a Moravian village that is endowed with the right of local governance but steeped in the habits of its feudalrelationship to the local barony. The novel explores the parallel fates of the children of a hanged murderer and thief. Milada, the appealing and alert daughter, is adopted on a whim by the aging baroness, while Pavel, the awkwardand taciturn son, is thrown upon the uncertain mercy of the village, but both suffer the stigma of their father's crime. In her sometimes grimly humorous picture of village life, the author spares neither the Catholic Church northe landed aristocracy nor the villagers themselves.Lynne Tatlock is Hortense and Tobias Lewin Distinguished Professor in the Humanities in the Department of Germanic Languages and Literatures at Washington Universityin St. Louis. Translation of nineteenth-century novel of life in a still-feudal Moravian village. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Etat : new. Paperback. Garcia Mainar's critical study of the films of the late Stanley Kubrick includes analysis of all but his last work, Eyes Wide Shut, and offers both a formal analysis of the films based on style and narrative pattern, and a theoretical, postmodernist approach to ideas presented in the films. Garcia Mainar is particularly concerned with analyzing the relevance of spectacle in Kubrick's films, seeing it as a disruptive mechanism that can call into question the value and necessity of communication. He identifies different kinds of spectacle in the films, and proceeds to a detailed examination of these different forms in 2001 A Space Odyssey, Barry Lyndon, and Full Metal Jacket. Luis M. Garcia Mainar teaches English at the University of Zaragoza, Spain. A critical study of the films of Stanley Kubrick, one of the great directors of the century. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Etat : new. Paperback. Essays in this volume rethink conventional ways of conceptualizing female authorship and re-examine the formal, aesthetic, and thematic terms in which German women's literature has been conceived.What is the status of women's writing in German today, in an era when feminism has thoroughly problematized binary conceptions of sex and gender? Drawing on gender and queer theory, including the work of Lauren Berlant, Judith Butler, and Michel Foucault, the essays in this volume rethink conventional ways of conceptualizing female authorship and re-examine the formal, aesthetic, and thematic terms in which "women's literature" has been conceived. With aneye to the literary and feminist legacy of authors such as Christa Wolf and Ingeborg Bachmann, contributors treat the works of many of contemporary Germany's most significant literary voices, including Hatice Akyun, Sibylle Berg,Thea Dorn, Tanja Duckers, Karen Duve, Jenny Erpenbeck, Julia Franck, Katharina Hacker, Charlotte Roche, Julia Schoch, and Antje Ravic Strubel -- authors who, through their writing or their roles in the media, engage with questionsof what it means to be a woman writer in twenty-first-century Germany.Contributors: Hester Baer, Necia Chronister, Helga Druxes, Valerie Heffernan, Alexandra Merley Hill, Lindsay Lawton, Sheridan Marshall, Mihaela Petrescu, Jill Suzanne Smith, Carrie Smith-Prei, Maria Stehle, Katherine Stone.Hester Baer is Associate Professor of Germanic Studies at the University of Maryland. Alexandra Merley Hill is Associate Professor of German at the University of Portland. Essays in this volume rethink conventional ways of conceptualizing female authorship and re-examine the formal, aesthetic, and thematic terms in which German women's literature has been conceived. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Etat : new. Paperback. The first study to utilize the Klagenfurt Edition of Musil's Nachlass offers a close reading of textual variations, emphasizing Musil's commitment to the artist's role in re-creating the world.Robert Musil, known to be a scientific and philosophical thinker, was committed to aesthetics as a process of experimental creation of an ever-shifting reality. Musil wanted, above all, to be a creative writer, and he obsessively engaged in almost endless deferral via variations and metaphoric possibilities in his novel project, The Man without Qualities. This lifelong process of writing is embodied in the unfinished novel by a recurring metaphor of self-generating de-centered circle worlds. The present study analyzes this structure with reference to Musil's concepts of the utopia of the Other Condition, Living and Dead Words, Specific and Non-Specific Emotions, Word Magic, and the Still Life. In contrast to most recent studies of Musil, it concludes that the extratemporal metaphoric experience of the Other Condition does not fail, but rather constitutes the formal and ethical core of Musil's novel. The first study to utilize the Klagenfurter Ausgabe (Klagenfurt edition) of Musil's literary remains (a searchable annotated text), The World as Metaphor offers a close reading of variations and text genesis, shedding light not only on Musil's novel, but also on larger questions about the modernist artist's role and responsibility in consciously re-creating the world. The first study to utilize the Klagenfurt Edition of Musil's Nachlass offers a close reading of textual variations, emphasizing Musil's commitment to the artist's role in re-creating the world. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Etat : new. Paperback. This collection of essays offers a view of Nazi Germany through an analysis of twenty films, representing a sampling of the period's directors and reflecting the film medium's major genres. In spite of the control that Goebbels's film industry exercised over all aspects of filmmaking in the Third Reich, the films reveal an individuality that belies subsuming them under any one rubric or containing them within any one theory. Films such as Hitlerjunge Quex, Die groe Liebe, and Auf Wiedersehen Franziska represent the Nazi film industry's efforts to propagandize through entertainment. Others such as Immensee, Kleider machen Leute, and Der Schimmelreiter reveal an attempt to expropriate Germany's rich literary past for the regime. These literary adaptations and films like Gluckskinder, La Habanera, and Der Kaiser von Kalifornien today seem void of Nazi ideology if viewed outside the context of Nazism. But another film, Der ewige Jude, shocks us with its virulent anti-Semitism and hateful propaganda almost sixty years after its release.All of the films treated, regardless of their fame or notoriety or the level of commitment of their directors to the Nazi cause, played an important role in a cinema that not only represents the dreams and lives of the citizens of the Third Reich, but influenced them as well.Robert C. Reimer is professor of German at the University of North Carolina, Charlotte. A fascinating look at Nazi Germany as revealed in its films. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Etat : new. Paperback. New essays by leading scholars giving a new picture of the variety of German expressionist cinema.This volume of fresh essays by leading scholars develops a new approach to expressionist film. For nearly half a century Siegfried Kracauer's From Caligari to Hitler and Lotte Eisner's The Haunted Screen have shapedthe understanding of the cinema of this period. However, fifty years on, there is a growing awareness that a new account is overdue. This attempt to rewrite the story of expressionist cinema begins with a fundamentally new interpretation of Dr. Caligari, and together with fresh views of other expressionist classics, offers new perspectives on important alternative film styles and genres that emerged in films by such eminent directors as Ernst Lubitsch, Joe May, Fritz Lang, Karl Grune, F. W. Murnau, and E. A. Dupont. In pursuing such variety, the book strives for a picture of the cinema in the early years of Weimar that in thematic as well as stylistic terms reflects the vibrant, multifaceted cultural and political developments of the period. The book is a joint venture of the Centre for European Film Studies at the University of Edinburgh, the Institute for Film Studies at the University of Mainz, and the German Film Museum in Frankfurt.The late Dietrich Scheunemann was Professor of German at the University of Edinburgh and wrote and edited several books on German literature and on film and media. New essays by leading scholars giving a new picture of the variety of German expressionist cinema. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Etat : new. Paperback. New essays examining the complex period of rich artistic ferment that was German literary Expressionism.More than any other avant-garde movement, German Expressionism captures the aesthetic revolution of 20th-century modernity in all its contrasts and conflicts. In continuous eruptions from 1905 to 1925, Expressionism upset reigningpractices in the arts, most vividly in painting and the visual arts. In the literature, a heady intellectualism combined with dramatic gesture, graphic visions, exuberant emotions and urgent proclamations to forge forceful stylesof verbal expression. Expressionism introduced into art both visual and verbal a shockingly new intensity with many facets and many faces. This volume presents the literature of German Expressionism, which is far less known in the English-speaking world, with essays by leading scholars on Expressionism's philosophical origins, its thematic preoccupations, and its divergent stylistic manifestations by writers whose common bond is intensity and whose lineson the page read like the gouges of a woodcut: Georg Kaiser, Walter Hasenclever, and Ernst Toller in drama; Gottfried Benn, Georg Heym, Else Lasker-Schuler, and Georg Trakl in poetry; Alfred Doeblin, Carl Einstein, and Carl Sternheim in prose, to name just a few. Against the background of the journals, exhibitions, and anthologies, the cafe meeting places and public life of Expressionism, the volume's highly focused, intrinsic analyses of texts and comprehensive overviews of extrinsic contexts (and of the most up-to-date research) shows the fervor and complexity of the period and its effulgent literary formations.Neil H. Donahue is Professor of German and Comparative Literature at Hofstra University. New essays examining the complex period of rich artistic ferment that was German literary Expressionism. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Etat : new. Paperback. New essays demonstrating and exploring the abiding fascination of Wagner's controversial work.Richard Wagner's Parsifal remains an inexhaustible yet highly controversial work. This "stage consecration festival play," as the composer described it, represents the culmination of his efforts to bring medieval myth and modern music together in a dynamic relationship. Wagner's engagement with religion--Buddhist as well as Christian--reaches a climax here, as he seeks through artistic means "to rescue the essence of religion by perceiving its mythical symbols . . . according to their figurative value, enabling us to see their profound, hidden truth through idealized representation." The contributors to this collection break fresh ground in exploring the text, the music, andthe reception history of Parsifal. Wagner's borrowings-and departures-from the medieval sources of the Grail legend, Wolfram's Parzival and Chretien's Perceval, are considered in detail, and the tensional relation of the work to Christianity is probed. New perspectives emerge that bear on the long genesis of the text and music, its affinities to Wagner's earlier works, particularly Tristan und Isolde, and the precise way in which the music was composed. Essays address the work's bold, modernistic musical language and its unprecedented soundscape involving hidden choruses and other unseen sources of sound. The turbulent, astonishing, and sometimes disturbing history of Parsifal performances from 1882 until 2004 is traced in vivid detail for the first time, demonstrating the abiding fascination exerted by this uniquely challenging work of art.Contributors: MaryA. Cicora, James M. McGlathery, Ulrike Kienzle, Warren Darcy, Roger Allen.William Kinderman and Katherine Syer teach at the University of Illinois at Urbana-Champaign, and often lead study seminars during the Wagner Festival in Bayreuth, Germany. New essays demonstrating and exploring the abiding fascination of Wagner's controversial work. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Etat : new. Paperback. Essays shedding light on the increasingly open cultural debate on the German past.Since unification in 1990, Germany has seen a boom in the confrontation with memory, evident in a sharp increase in novels, films, autobiographies, and other forms of public discourse that engage with the long-term effects of National Socialism across generations. Taking issue with the concept of "Vergangenheitsbewaeltigung," or coming to terms with the Nazi past, which after 1945 guided nearly all debate on the topic, the contributors to this volume view contemporary German culture through the more dynamic concept of "memory contests," which sees all forms of memory, public or private, as ongoing processes of negotiating identity in the present. Touching on gender, generations, memory and postmemory, trauma theory, ethnicity, historiography, and family narrative, the contributions offer a comprehensive picture of current German memory debates, in so doing shedding light on the struggle to construct a Germanidentity mindful of but not wholly defined by the horrors of National Socialism and the Holocaust.Contributors: Peter Fritzsche, Anne Fuchs, Elizabeth Boa, Stefan Willer, Chloe E. M. Paver, Matthias Fiedler, J. J. Long, Dagmar C. G. Lorenz, Cathy S. Gelbin, Jennifer E. Michaels, Mary Cosgrove, Andrew Plowman, Roger Woods.Anne Fuchs is Professor of Modern German literature and Georg Grote is Lecturer in German history, both at University College Dublin. Mary Cosgrove is Lecturer in German at the University of Edinburgh. Essays shedding light on the increasingly open cultural debate on the German past. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Etat : new. Paperback. The first book that presents key original texts from the modern German philosophical tradition to English-language students and scholars of German, with introductions, commentaries, and annotations that make them accessible.German-language thinkers such as Kant, Marx, Nietzsche, and Freud are central to modernity. Yet their reception in the English-speaking world has largely depended on translations, a situation that has often hampered full engagement with the rhetorical and philosophical complexity of the German history of ideas. The present volume, the first of its kind, is a response to this situation. After an introduction charting the remarkable flowering of German-language thought since the eighteenth century, it offers extracts - in the original German - from sixteen major philosophical texts, with extensive introductions and annotations in English. All extracts are carefully chosen to introduce the individual thinkers while allowing the reader to pursue broader themes such as the fate of reason or the history of modern selfhood. The book offers students and scholars of German a complement to linguistic, historical, andliterary study by giving them access to the wealth of German-language philosophy. It represents a new way into the work of a succession of thinkers who have defined modern philosophy and thus remain of crucial relevance today.The philosophers: Immanuel Kant, G. W. F. Hegel, Ludwig Feuerbach, Karl Marx, Arthur Schopenhauer, Friedrich Nietzsche, Sigmund Freud, Martin Heidegger, Walter Benjamin, Georg Lukacs, Max Horkheimer and Theodor Adorno, Jurgen Habermas.Henk de Berg is Professor of German at the University of Sheffield. Duncan Large is Professor of European Literature and Translation at the University of East Anglia. The first book that presents key original texts from the modern German philosophical tradition to English-language students and scholars of German, with introductions, commentaries, and annotations that make them accessible. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Etat : new. Paperback. A volume of carefully focused essays illuminating the works of one of the leading 20th-century German writers.Alfred Doeblin (1878-1957) was one of the great German-Jewish writers of the 20th century, a major figure in the German avant-garde before the First World War and a leading intellectual during the Weimar Republic. Doeblin greatly influenced the history of the German novel: his best-known work, the best-selling 1929 novel Berlin Alexanderplatz, has frequently been compared in its use of internal monologue and literary montage to James Joyce's Ulysses and John Dos Passos's Manhattan Transfer . Doeblin's oeuvre is by no means limited to novels, but in this genre, he offered a surprising variety of narrative techniques, themes, structures, and outlooks. Doeblin's impact on German writers after the Second World War was considerable: Gunter Grass, for example, acknowledged him as "my teacher." And yet, while Alexanderplatz continues to fascinate the reading public, it has overshadowed therest of Doeblin's immense oeuvre. This volume of carefully focused essays seeks to do justice to such important texts as Doeblin's early stories, his numerous other novels, his political, philosophical, medical, autobiographical, and religious essays, his experimental plays, and his writings on the new media of cinema and radio.Contributors: Heidi Thomann Tewarson, David Dollenmayer, Neil H. Donahue, Roland Dollinger, Veronika Fuechtner, Gabriele Sander, Erich Kleinschmidt, Wulf Koepke, Helmut F. Pfanner, Helmuth Kiesel, Klaus Muller-Salget, Christoph Bartscherer, Wolfgang Dusing.Roland Dollinger is Associate Professor of German at Sarah Lawrence College; Wulf Koepke is Professor Emeritus of German at Texas A&M University; Heidi Thomann Tewarson is Professor of German at Oberlin College. A volume of carefully focused essays illuminating the works of one of the leading 20th-century German writers. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.