jrp ringier zürich (895 résultats)

Paperback. Etat : Good. Binding sound, text clean, would be very good, but has a crease to corner of back cover, and some faint damp stain to top edge of back cover and head of spine. Serviceable condition for reading or reference. Book.

Soft cover. Etat : Near Fine. Softcover, 111 pgs. Near fine, with minimal wear.

Etat : Used - Very Good. 2007. Bilingual. Paperback. Very Good.

Etat : Used - Like New. Fine. Paperback. 2003. Originally published at $35.

Etat : New. Fine. Paperback. 2003. Originally published at $35.

Hardcover without dustjacket as issued, 192 pages, in English and German; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

Paperback. Etat : Very Good. light shelfwear, NICE! Oversized.

Paperback. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Soft cover. Etat : Very Good. 1st Edition. 12mo, card covers, 63pp., ills. First edition. VG+: clean, bright, sound, appealing.

Paperback. Etat : new. Paperback. This A-Z "memoir about art publishing" celebrates the ten-year anniversary of JRP|Ringier, created in 2004 by Swiss art curator Lionel Bovier and Ringier AG owner Michael Ringier. With 632 books and 1,800 authors published, 20,000 printing hours, 4,000 tons of books transported and one million sold, JRP|Ringier continues to work collaboratively with contemporary artists to produce carefully curated, high-quality publications. The book goes from A for Art Publisher and B for Books to Y for Yellowpress and Z for Zombie Books ("projects that are in the state of non-death: they are not officially stopped, so they weigh on you, on your program's list, being revived every now and then by someone who does not want them to die, without being able to make them exist") and is illustrated with images of signings and on-press scenes. This volume is published in the Hapax series. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : new. Will, Henry (illustrateur). Paperback. Written by British graphic designer Scott King (born 1969) and illustrated by Philadelphia artist Will Henry, this funny, irreverent graphic novel depicts two protagonists of British public artAnish Kapoor and Antony Gormleyattempt to solve Afghanistan's many woes. The astonishing power of public art has long been recognized by both governments and big business alike, with increasingly enormous public sculptures being deployed to "regenerate" ailing post-industrial areas or add "wow factor" to corporate HQ piazzas and ever-expanding airports. What if this strategy were employed in an attempt to turn around the fortunes of an entire country? This book, published in JRP|Ringier's Hapax series, proposes a scenario in which Kapoor and Gormley are commissioned by the United Nations in a last-ditch effort to solve the social, financial and political problems of Afghanistan. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : new. Paperback. Vern Blosum does not exist. The story can be told simply: in 1961 an artist paints five canvases inspired by pages in a horticulture book; then came parking meters, water hydrants, and animals. Some of them were shown at Leo Castelli Gallery, sold to collectors and public institutions, included in seminal exhibitions or books on Pop arta seemingly normal progression in an artist's career, were it not for a rumor that emerged regarding his true identity. Alfred H. Barr, the legendary director of MoMA, started to worry about the rumor sometime in 1964 and, after extensive inquiries, came to the conclusion that Vern Blosum did not exist. His paintings were taken down or sent back to storage, and the artist's name fell into oblivion. Vern Blosum does not exist, but his work does. This book retrieves the oeuvre of this particularly elusive artist. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : new. Paperback. Recent winner of the National Swiss Art Award, Raphael Hefti (born 1978) frequently collaborates with technicians and scientists to manipulate ordinary materials like glass, heavy metals, plants and fungi. This publication focuses on the artist's often abstract imagery in his sculpture, painting and photography. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : new. Paperback. The sequel to the 2014 bestseller (Curating) From A to Z, this book extends the investigation of curatorial practice that the writer, exhibition maker and educator Jens Hoffmann (born 1974) began in the first volume.(Curating) From Z to A offers a summary of the development of curatorial practice over the last two decades as seen through the eyes of one of its leading practitioners. Organized in reverse alphabetical order, each letter of the alphabet evokes a particular word related to the world of exhibition making: from D (Durational) and S (Scenography) to R (Relational) and F (Feminism). Other entries include those dedicated to the Venice Bienniale, Tate, Kunsthalle, Lucy Lippard, Xenophobia, Black Box and Gentrification. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Trade Paperback. Etat : NF. No Additional Printings Listed. Duodecimo sized wrappers. Black, white, and peach (vinyl?) spine and covers are all clean and shiny. Book has a nearly unnoticable trace of rubbing at the extreme tips of a couple of the corners. Binding is straight and tight. Pages are all either clean, white, and crisp or filled to the edge with color photography. Published after the exhibition Musical Paintings at the gallery Scheibler-Mitte in Berlin from November 2008 to January 2009.

Wraps. Etat : VG. Light wear.

Paperback. 78p., wraps, 4.25x6.5 inches, illus., very good condition. Published on the occasion of the exhibit Art, TV and Video at the Couvent des Cordeliers in Paris. Ice cream social is an ongoing project by Robbins consisting of "elaborate live events, a TV pilot, a feature-movie script, and this 1998 novella, here published anew and accompanied by a selection of photographs documenting the various ICS manifestations to date."-rear cover blurb.

Paperback. Etat : Fine. 1st. [94] pages, chiefly illustrations (some colour); 40 cm. Published on the occasion of the exhibition 'Distorted Faces & Portraits, 1978-2007' at BFAS Blondeau Fine Art Services, Geneva, from May 24 to July 14, 2007. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. Large-format book. *** "Dedicated to different types of portraits realized by the American artist between the end of the 1970s and today, this publication is presented as a large-format album, with a dust jacket-cum-poster. The format, layout, and mode of printing underlines the graphic talent of the artist, while the gathering of the works juxtaposes the famous "Distorted Faces" series with the hyperreal portraits, symbolic depictions, such as that of Ronald Reagan whose face is literally haunted by figures from the American culture of violence (Charles Manson, Rambo, etc.), and Hollywood subjects." - Publisher. *** CONTENTS: Distorted faces series: paintings (1986-2007); Noir portraits series (1978); Distorted faces series: works on paper (1978-1985); Sketches for giant face paintings (1992); Other portraits & faces (1993-2006). Size: Folio.

Paperback. Etat : new. Paperback. 12 February 1972--I had slept badly. I decided to go out for breakfast, but when I got down to the street, there was no one there, and I thought, Andy, you must be still dreaming. It was like New York at eight in the morning on New Year's Day. Completely deserted. Everything shut. It's my favorite time to be out, actually. I decided to go to my favorite diner, the Star Palace, on 37th and Madison. And there, sitting alone at the window was, believe it or not, Robert Smithson, who I've met a few times.They all think he's a genius. But I still can't get through the stuff he writes in Artforum. I get a headache almost right away. Saul Anton, an Editor-at-Large at Cabinet magazine who has written for Salon and Artforum, among other publications, describes an imaginary encounter between Robert Smithson and Andy Warhol, drifting together for a day through an empty New York City, talking about entropy, glamour, science fiction, cinema and the art of their times. Published in conjunction with les Presses du reel, this highly informative and witty essay on both artists' works in the form of a fiction could be considered a contemporary Platonic Symposium. "12 February 1972—I had slept badly. I decided to go out for breakfast, but when I got down to the street, there was no one there, and I thought, Andy, you must be still dreaming. It was like New York at eight in the morning on New Year's Day. Completely deserted. Everything shut. It's my favorite time to be out, actually. I decided to go to my favorite diner, the Star Palace, on 37th and Madison. And there, sitting alone at the window was, believe it or not, Robert Smithson, who I've met a few times They all think he's a genius. But I still can't get through the stuff he writes in Artforum. I get a headache almost right away."Saul Anton, an Editor-at-Large at Cabinet magazine who has written for Salon and Artforum, among other publications, describes an imaginary encounter between Robert Smithson and Andy Warhol, drifting together for a day through an empty New York City, talking about entropy, glamour, science fiction, cinema and the art of their times. Published in conjunction with les Presses du reel, this highly informative and witty essay on both artists' works in the form of a fiction could be considered a contemporary Platonic Symposium. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Soft cover. Etat : Very Good. Etat de la jaquette : Very Good. Paperback in dustjacket; binding sound, text clean very light shelfwear. 160 pages. Folio (oversize) volume, may require additional charges for expedited or international shipping. Book.

Soft cover. Etat : Very Good. 1st Edition. 4to, card covers, 156pp., ills. Exhibition catalogue, Kunsthalle Zurich. Text in German and English. VG+: clean, bright and sound. Extra postage may be asked (3).

Paperback. Etat : new. Paperback. Swiss artist Alfredo Aceto (born 1991) works in painting, sculpture, drawing and sound, mixing personal anecdotes and art-historical references. His obsessional relationship with French artist Sophie Calle, for instance, ended with her signature tattooed on his arm; his projects often deal with obsession, identity and death. This first monograph follows his residence at the Centre dArt Contemporain, Geneva. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

sewn PAPERBACK, used copy with thick pencil lines in margins scattered throughout but some pencil underining on only a few pages, book remains quite good usable copy for reading and study. HANTELMANN, DOROTHEA VON. How to do things with art: the meaning of art's performativity COPY WITH PENCIL MARKINGS. Preface by Hans Ulrich Obrist. Zürich : Dijon : New York: JRP Ringier ; Les Presses du Réel ; Distributed by D.A.P./Distributed Art Publishers, 2010, 199pp., . Series: Documents (Zurich, Switzerland), 4 Überarbeitete Version der Dissertation - CONTENTS: Preface: Wily Strategems, by Hans Ulrich Obrist - Introduction: The Societal Efficacy of Art - The Temporality of Art: Presence, Experiene and Historicity in the Works of James Coleman - The Reality of Art: Context and Agency in the Works of Daniel Buren - The Materiality of Art : Object and Situation in the Works of Tino Sehgal - Critique and Construction: Concluding with Jeff Koons. ISBN 9783037641040.

First edition. Softcover. 127 pages. Exhibition catalog for a show that ran November 1, 2008 through January 24, 2009. Curated by Bernd Wurlitzer. Includes numerous color and black and white illustrations. A fine copy in wrappers.

First edition. Hardcover. 63 pages. Published in conjunction an exhibition that ran January 15 through February 21, 2009 at Marc Jancou Contemporary and January 31 through March 7, 2009 at Zach Feuer Gallery. Essay by Catherine Taft and with the text of a conversation between Lieberman and Jacques Vidal. Includes numerous color illustrations, checklist and bibliography. A near fine copy in illustrated boads with some slight bumping to the corners. No dust jacket as issued.

[152] pp.; 27.9 x 21.5 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Monograph of drawings by Olaf Breuning edited by Olaf Breuning. Good. Gallery desk copy with 6.6 cm. "Do not remove from desk" sticker on recto and a pink sticker wrapping around from verso to recto: 7 mm. (recto), 1.5 cm. (spine), 8 mm. (verso). Light yellowing and dust soiling of covers, light rubbing and bumping of corners, and a 10.5 cm. dog ear to top right corner of recto. Contents clean and unmarked. Due to large size and weight of this publication additional shipping charges will be required for international orders.

Paperback. Etat : new. Paperback. In 1975, a small group of enterprising, discontented members of the international art community in Quebec posed the question: What do we know of contemporary art outside of Quebec, in Canada or abroad? Do we even know what contemporary art exists in Montreal? How does information about art circulate? By way of an answer, the artistically unconventional and theoretically cutting-edge magazine Parachute was launched, founded by Chantal Pontbriand and France Morin. Artists such as Jeff Wall, Bill Viola, Stan Douglas, Eija-Liisa Ahtila and many others had the first significant critical reception of their work in Parachute. Similarly, figures such as Douglas Crimp, Thomas Crow, Thierry de Duve, Georges Didi-Huberman, Hal Foster and Laura Mulvey published important early essays in the journal. This second volume of writings from Parachute gathers texts around Performance and Performativity. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : new. Paperback. Art Altstetten Albisrieden is published on the occasion of an exhibition project of the same name held in Zurich in summer 2015. Inviting more than 30 artists to present works in the public space, the manifestation takes as a point of departure the urban transformation of two traditional Zurich neighborhoods. Altstetten and Albisrieden were small villages at the beginning of the 20th century and developed popular cooperative housing. Now these villages are undergoing rapid transformation as the city of Zurich is growing fast. Altstetten and Albisrieden have long been very popular as studio addresses for artists such as Fischli/Weiss, Carl Bucher and Pipilotti Rist, but they are gradually losing their original charm. The publication includes contributions by Nico Anklam, Ursula Badrutt, Vanessa Bersis, Konrad Bitterli, Kate Brown, Clifford E. Bruckmann, Georgina Casparis, Christoph Doswald, Elisabeth Gerber, Isabel Hanstein, Ute Christiane Hoefert, Brigitte Huck, Aline Juchler, Damian Jurt, Ferial Nadja Karrasch, Florian Keller, Caroline Kesser, David Killian, Max Kueng, Katarina Kurcubic, Werner Mueller, Aoife Rosenmeyer, Ingeborg Ruthe, Sabine Maria Schmidt, Sascha Serfoezoe, L. S. Tyroller, Anna Vetsch, Andreas Vogel, Stefan Wagner and Sarah Wiesendanger. Art Altstetten Albisrieden is published on the occasion of an exhibition project of the same name held in Zurich in summer 2015. Inviting more than 30 artists to present works in the public space, the manifestation takes as a point of departure the urban transformation of two traditional Zurich neighborhoods: Altstetten and Albisrieden. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : new. Paperback. A critical reader on art, democracy and resistance todayThis volume of essays by leading international philosophers, cultural theoreticians and art historians offers new ideas and practices for resistance today. From case studies on artists (Nalini Malani) and recent events (StrikeMoMA, "artwashing") to philosophical essays on the relationship between art and democracy and resistance as value creation, this book offers a polyphonic take on our complex global world.Contributors include Dutch cultural theorist and video artist Mieke Bal; Belgian philosopher Pascal Chabot; museum director Bernard Fibicher; German philosopher Markus Gabriel; German art historian Isabelle Graw; American curator and writer Mary Jane Jacob; French philosopher Plinio Prado; American activist Andrew Ross; American artist and activist Gregory Sholette; German philosopher Markus Steinweg; and Swiss art historian Michel Thevoz. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : NEW. 1st. 200 pages, colour illustrations; 25 cm. + 1 folded sheet (3 pages; 30 cm). Published by ARTSPACE and Clouds on the occasion of the exhibition "The Pleasure of Obvious Problems: Meg Cranston 1987-2007", organised by ARTSPACE, curated by Brian Butler and exhibited at ARTSPACE, Auckland, New Zealand from 4 August to 15 September 2007, and Dunedin Public Art Gallery, Dunedin, New Zealand from 1 December 2007 to 31 March 2008. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. Size: 8vo. Collectible.