lars muller publishers switzerland baden (65 résultats)

Trade Paperback. Etat : Very Good Plus. Very Good Plus, internally clean, solid paperback with some erasure marks on the glossy title page. 254 pages, mostly pictures. Text in German and English. #.

Soft cover. Etat : Near Fine. 1st Edition. Binding tight. Cover unclipped. Text bright, unmarked.

Paperback. Etat : Very Good/NO DUSTJACKET. Black & White/Color Illus. & Photos (illustrateur). Baden, Switzerland: Lars Muller Publishers. Very Good/NO DUSTJACKET. circa 1995. . Paperback. 4to., 271 pp., cover very light shelf wear to edges and corners, otherwise very good; pages clean and unmarked. .

Soft cover. Etat : Very Good. First published 1963. This later edition edited by Jaime Snyder. The thoughts of a great thinker-architect (he invented the geodesic dome), cartographer, engineer and philosopher. Illustrate b/w. Light rubbing to card covers with French flaps o/w clean and sound throughout with no markings or inscription. All proceeds to Amnesty International.

Soft cover. Etat : Fine. New, in shrinkwrap. Book.

Hardcover. Etat : Near Fine. Etat de la jaquette : Fine. 1st. Cloth, 423 pages, illustrations (some colour); 25 cm. PRESENTATION COPY. Signed by the author Jack [Masey], with a personalized inscription. A near-fine copy of the first printing, spine slightly rolled at the crown. Dust jacket protected in a mylar cover. *** "World's Fairs and International Exhibitions have a political as well as a commercial and cultural context. This book details the significant role played by architects and designers in shaping America's image during the cultural Cold War." - Publisher. *** CONTENTS: A warm welcome to the Cold War: Marshall Plan traveling caravans, Western Europe, 1948-1951; Atoms for India: "Atomics" Exhibition, United States Pavilion, Indian Industries Fair, New Delhi, India, 1955; A splendid pleasure dome: United States Pavilion, Jeshyn International Fair, Kabul, Afghanistan, 1956; Walls in Berlin: United States Exhibitions, George C. Marshall House, West Berlin, 1957-1959; Atomic Europe: United States Pavilion, Universal and International Exposition, Brussels, Belgium, 1958; High noon at Sokolniki Park: American National Exhibition, Moscow, USSR, 1959; Traveling hopefully: American National Exhibitions, USSR, 1961-1965; Montreal magnifique: United States Pavilion, Canadian World Exhibition, Montreal, Canada, 1967; Kimonos and moon rock: United States Pavilion, Japan World Exposition, Osaka, Japan, 1970; After the fair: Opportunities lost and found, 1981 to present. Size: 8vo. SIGNED. Collectible.

Soft cover. Etat : Fine. New, in shrinkwrap. Book.

Etat : Good. 8vo. 47 pp. Soft cover. Very Good. B/W Plates, Illustrations. Features works by Karim Noureldin + a published conversation between the artist and Beat Wismer. Text in German and English.

Sprache: Deutsch Mit zahlreichen Abbildungen. Pappband. Altersentsprechend guter Zustand!

Trade Paperback. Etat : Used - Good.

Hardcover. Etat : Near Fine. Color and b&w Photgraphs; 16mo 6" - 7" tall; 592 pages; 2001 Lars Müller Publishers. Stout square format HC. Tightly bound and very neat in gilt titled red cloth boards. Contents clean, bright, and unmarked. Profusely illustrated with primarily color but some b&w photographs. Tiny spot of soiling to rear board. Feels and appears unread and about as new. Issued without dust wrapper. NF.

Hardcover. Etat : Very Good+. Unpaginated; 9 3/8 x 11 3/4" Contributors include Joan Ockman, Avner Shalev, Moshe Safdie, and Elie Wiesel. Light bumping to top spine edge front board long edge and a tiny bump to front board panel; light smudges on boards. Shipping will be extra for this large and heavy book, please inquire.

Hardcover. Etat : Very Good. DVD- Rom not included.; 8vo - over 7¾" - 9¾" tall.

Soft cover. Etat : As New. No Jacket. As New / - Unpaginated. Colour and b/w illustrations Geometric perforated design to covers with French flaps.

Hardcover. Etat : As New. 1st Edition. 1st Printing. Signed. Unpaginated. Published in 2005. Retrospective collection of color photographs. One of the greatest photography books of our time. The first and only edition. Published in a small and limited print run as a hardcover original only. The First Edition is now scarce. A brilliant production by Jules Spinatsch and Winfried Heininger: Oversize-volume format. Black leatherette boards with titles on cover and spine and photographic reproduction pasted on the back, as issued. Photographs and text by Jules Spinatsch. Essays by Martin Jaeggi and Jamie Shea. Printed on glossy stock paper in Switzerland to the highest standards. The book ironically mimics the look and feel of an Annual Corporate Report. Without DJ, as issued. Presents Jules Spinatsch's "Temporary Discomfort". In five interrelated chapters. An anti-heroic visual approach is shown as the only possible antidote to the toxic effects of the imagery of power. "Spinatsch examines the waiting for the big event as meticulously planned down to the last detail. Whatever will happen is already inscribed in its security architecture. He creates landscapes that could serve as the antithesis to the Romantic tradition. He shows landscapes and cityscapes as they appear under the cold, strategic gaze of security planners, a terrain where every movement must be controlled and contained. Spinatsch mimics the gaze of power, power as a gaze that sees the world only as a security hazard to be contained. At the heart of the security architecture that Spinatsch shows us, we find a hermetically sealed vacuum in which politicians and managers meet to organize world trade in the name of liberal democracy while they smile at TV cameras, remote and untouchable. Spinatsch does not want to be a hero. He is a spy behind enemy lines. Only such a clever anti-strategist can show the cold and imperious glance of power so clearly and hauntingly" (Martin Jaeggi). In the Age of CNN and Fox News, power means having absolute control over the image that people see of power. By taking photographs of the preparations, security measures, and other precautions needed to achieve this goal (while no one else, including all other photographers, was looking or paying attention), Spinatsch exposes the heroic iconography of power as a pompous lie. An absolute "must-have" title for Jules Spinatsch collectors. This copy is very prominently and beautifully signed in black ink-pen by Jules Spinatsch. It is signed directly on the page itself, not on a tipped-in page. This title is a great photography book. This is one of few such signed copies of the First Hardcover Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright, a pristine beauty. A rare signed copy thus. Jules Spinatsch's "Temporary Discomfort" was selected as one of the greatest photography books in "The Photobook". One of the most brilliant photographers of our time. A fine copy. ISBN 3037780479. Signed by Author.

Hardcover. Etat : As New. No Jacket. 1st Edition. First edition: no later printings listed. Signed by the author on the title page with a pen and ink drawing of an abstract human face. No wear to the binding. No distortion from reading or improper shelving. Pages are tight and clean with no marks. No name of previous owner. No odor. No water damage. No soiling. No dust jacket as issued. Signed by Author(s).

Hardcover. Etat : Good. Etat de la jaquette : Very Good. 1st Edition. 520pp., b/w illustrations, notes, lectures. English/German Text. Age toned, spotted text block. Slight foxing to pastedowns and endpapers. Lightly browned edges else clean and bright. Dustjacket has some surface scratches to back panel.(BH) 11/2025.

Hardcover. Etat : Very Good. Facsimile of a dissertation submitted 1963 at the University of Cambridge. Illustrated with drawings. 381 pages. Folio. Hardcover, bound in black cloth. Very Good.

Hardcover. Etat : Fine. 1st Edition. First edition, first printing. Signed in black marker verso the rear free endpaper by Spinatsch. Hardcover. Photographically illustrated paper-covered boards. Photographs by Jules Spinatsch. Text (in English) by Sam Samore. Essay (in German and English) by Gianni Jetzer. Includes a list of plates, brief biography and chronology. 224 pp., with 130 four-color plates (numerous full-bleed and two-page spreads), and 10 black and white full-bleed two-page spreads, printed on fine coated matte paper in Switzerland by Stämpfli AG, Bern. 9-5/8 x 6-3/4 inches. Fine. From the essay by Gianni Jetzer: "The pictures Jules Spinatsch takes have multiple meanings. They contain reality and also what is hidden beneath it. You invent them and they reflect you. You find them and, in their openness, they seek you. Embracing high-rise buildings. LOVE scratched on the skin of the city. Two chairs wrestling with each other in reunited Berlin. A lonely bottle. The high-rise is sweating. In obvious contrast to the man in the air-conditioned limo, a Chaplinesque hint of Hitler on his face. Fish on tour. A snow cannon as a monument. Hardened concrete stars flowing. Materials touch. Clouds. Airplanes. Bright. Jules Spinatsch fills his camera with pictures of life, like a botanist filling his herbarium, and then pours them out again as a river of color. Many of these shots (especially by night) shine in their chomatographic wetness like mirrored brake lights after a downpour." Signed by Author.

Hardcover. Etat : Near Fine. 1st Edition. First edition, first printing. Signed in black marker verso the rear free endpaper by Spinatsch. Hardcover. Photographically illustrated paper-covered boards. Photographs by Jules Spinatsch. Text (in English) by Sam Samore. Essay (in German and English) by Gianni Jetzer. Includes a list of plates, brief biography and chronology. 224 pp., with 130 four-color plates (numerous full-bleed and two-page spreads), and 10 black and white full-bleed two-page spreads, printed on fine coated matte paper in Switzerland by Stämpfli AG, Bern. 9-5/8 x 6-3/4 inches. Near Fine (small bump to the crown of the spine, not affecting any pages, else Fine). From the essay by Gianni Jetzer: "The pictures Jules Spinatsch takes have multiple meanings. They contain reality and also what is hidden beneath it. You invent them and they reflect you. You find them and, in their openness, they seek you. Embracing high-rise buildings. LOVE scratched on the skin of the city. Two chairs wrestling with each other in reunited Berlin. A lonely bottle. The high-rise is sweating. In obvious contrast to the man in the air-conditioned limo, a Chaplinesque hint of Hitler on his face. Fish on tour. A snow cannon as a monument. Hardened concrete stars flowing. Materials touch. Clouds. Airplanes. Bright. Jules Spinatsch fills his camera with pictures of life, like a botanist filling his herbarium, and then pours them out again as a river of color. Many of these shots (especially by night) shine in their chomatographic wetness like mirrored brake lights after a downpour." Signed by Author.

Hardcover. Etat : Near Fine. 1st Edition. First edition, first printing. Signed in black marker on the last page by Spinatsch. Hardcover. Black leatherette-covered boards, with title stamped in white on front cover and spine and a four-color plate tipped in debossed rear cover, no dust jacket as issued. Photographs and notes (in English and German) by Jules Spinatsch. Texts (in English and German) by Jamie Shea and Martin Jaeggi. Includes a list of exhibitions of Temporary Discomfort, and a list of selected publication and awards. Also includes descriptions of the works and an installation (Live - Panorama Installation Pulver Gut, 2003). 192 pp. total (80 pages comprise the primary section of the book with color plates, including four 2-page gatefolds, and 32 additional pages of texts bound in the rear of the book), with numerous four-color plates and additional black and white reproductions (in the texts section of the book), printed by Ast & Jakob, Vetsch AG, CH-Köniz. The texts section is printed on heavy newsprint stock paper, in contrast to the glossy color plate section of the book. 13-1/8 x 9-5/8 inches. [Cited in Martin Parr and Gerry Badger, The Photobook: A History, Volume II. (London and New York: Phaidon, 2006).]. Near Fine (very small bump to boards at one corner, not affecting any pages, else As New, opened only for signature). Jules Spinatsch's recent installation in "New Photography 2006" at The Museum of Modern Art, New York, included a wall of photographs, with multiple video monitors (with looped video made at 2001-2003 WEF and G8 global economic summits) separating the viewers from the photographs, successfully capturing the essence of "surveillance" concurrently from the outsider and insider perspectives. a brilliant effect in addressing issues of political and economic power! From the publisher: "Temporary Discomfort is artist Jules Spinatsch's documentation of three cities in a transitory state of emergency lock-down during two global economic summits (WEF and G8). It combines different photographical genres: landscape photography of the site, photojournalism, and police photography, but with the camera lens turned, atypically, on the security forces. The photo series and videos aim to achieve a speculative reconstruction of the situations in Davos, New York, Genoa and Evian/Geneva, while they also ask questions about the conditions under which photography is and can be produced today. Spinatsch's position while working on the project was that of an informed outsider--his presence in the area around the meetings was acknowledged by the security forces but not really appreciated, which was one the factors that determined his work. Spinatsch's new approach to documentary photography is theorized here by essayist Martin Jaeggi and presented through beautiful photographs with strong political undertones." Signed by Author.

Cartonnage éditeur. Etat : Très bon. Philippe Apeloig (illustrateur). Edition originale. Texte en français et en anglais de ces entretiens de Michel Rozenberg avec le graphiste et typographe Philippe Apeloig. Illustrations en noir et en couleurs. 96 pp. - A discussion between the graphic designer and Michel Rozenberg. Text is in English and French.

Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

4°, gebundene Ausgabe, 331 Seiten, Einband leicht berieben, lichtrandig, Ecken leicht berieben, sonst in sehr gutem Zustand Abgleich des Titelbildes bitte bei nika-books. 9783037780831 Sprache: Englisch Gewicht in Gramm: 1800.

VG/VG.near fine. hardcovers. decorative dj. which is without blemish. collectable condition. no inscriptions or marginalia. From the personal collection of a dealer/collector.

Etat : Bueno. Cita Books is an online bookshop run by readers for readers. Through its website it offers for sale items of its own library: a selection of titles collected over two decades, during which it has kept alive its interest in themes belonging to the fields of art, architecture and design.

Original-Pappband. Etat : Sehr gut. 4 Original-Pappband en o.P. frz./engl.

Hardcover. Etat : Near Very Good. No Jacket. First Edition. First edition, hardcover published on the occasion of the exhibition of the same title, the book has a skew to the binding, rubbing with some smudging to the covers, a faint stain and a small scrape to the front, slight sunning to the spine with minor offsetting to the covers, and a hint of shallow waving to the edges of the text block. Otherwise, this is a solid, tight, Near Very Good copy.

Soft cover. Etat : Very Good. No Jacket. 1st Edition. VG+ / -- Scarce. First printing of first edition. Colour, b/w illustrations and line drawings. Black and grey titles to spine and upper cover on white covers with French flaps . Binding is very firm and tight. No inscriptions. Not ex-library.

Etat : Sehr gut. Erstausgabe. Dochantschi, Markus (ed.) unpag., 33 x 20, 5 cm, bound, white cardboard cover, blind-stamped, illsutrations and colour photographs. Sprache(n)/language(s): enVery good condition.