Edité par Martin Lewis, 2020
ISBN 10 : 1503293181 ISBN 13 : 9781503293182
Vendeur : HPB-Ruby, Dallas, TX, Etats-Unis
Paperback. Etat : Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
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Edité par Martin Lewis, 2020
ISBN 10 : 1505281954 ISBN 13 : 9781505281958
Vendeur : HPB Inc., Dallas, TX, Etats-Unis
Paperback. Etat : Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Edité par Martin Lewis, 2014
ISBN 10 : 1505297400 ISBN 13 : 9781505297409
Vendeur : Your Online Bookstore, Houston, TX, Etats-Unis
Paperback. Etat : New.
Edité par Lewis Publications, Martin, SD, 1996
Vendeur : Antiques & Art, Piedmont, SD, Etats-Unis
sc. Etat : very good. 44 Story of one family who came to the prairies of Western South Dakota to file on a homestead and have been here ever since.
Edité par Martin Lewis, 2014
ISBN 10 : 1503262146 ISBN 13 : 9781503262140
Vendeur : Ergodebooks, Houston, TX, Etats-Unis
Softcover. Etat : New. Faust is the protagonist of a classic German legend. He is a scholar who is highly successful yet dissatisfied with his life, so he makes a pact with the Devil, exchanging his soul for unlimited knowledge and worldly pleasures. The Faust legend has been the basis for many literary, artistic, cinematic, and musical works that have reinterpreted it through the ages. Faust and the adjective Faustian imply a situation in which an ambitious person surrenders moral integrity in order to achieve power and success for a delimited term.The Faust of early books-as well as the ballads, dramas, movies, and puppet-plays which grew out of them-is irrevocably damned because he prefers human to divine knowledge; "he laid the Holy Scriptures behind the door and under the bench, refused to be called doctor of Theology, but preferred to be styled doctor of Medicine" Plays and comic puppet theatre loosely based on this legend were popular throughout Germany in the 16th century, often reducing Faust and Mephistopheles to figures of vulgar fun. The story was popularised in England by Christopher Marlowe, who gave it a classic treatment in his play, The Tragical History of Doctor Faustus. In Goethe's reworking of the story two hundred years later, Faust becomes a dissatisfied intellectual who yearns for "more than earthly meat and drink" in his life.
Edité par Martin Lewis, (Los Angeles, CA), 1973
Vendeur : Aladdin Books, Fullerton, CA, Etats-Unis
Soft cover. Etat : Good. K Taylor (illustrateur). Date is an estimate. Good condition with no markings. 13 page lecture notes covering: Dice Finale, Bill in the Card, The Rising Cards and Hank,The Stampede Second, The Color Changing Pencil, Telephone Number Prediction, Card Stab (Carl Sten), Big Coin Production, Spontaneous Combustion & Impossible Miniature Card Rise. Uncommon early notes.
Edité par Henry Lewis Martin Co., 1950
Vendeur : G.J. Askins Bookseller, New Lebanon, NY, Etats-Unis
Membre d'association : SNEAB
Hardcover. Etat : Very Good. No Jacket. 498 page hardcover with many persons highlighted for contributions in their fields. The review cover the period 1492 to 1950 and in all areas of pursuit. Many names and brief descriptions of the contribution. Index and Bibliographic Sources at rear. Unmarked, tight and clean.
Edité par Martin Lewis Publishing, Mammoth Lakes, CA, 1998
Vendeur : Les Livres des Limbes, Chisseaux, France
Staplebound. Etat : Good. Rubbed edges and spine; POS on FFEP; full length vertical crease on front cover; back cover extensively soiled; every page has a map or diagram; only one page tip creased, clean unmarked throughout except for index "Routes by Rating"; corner bends. Still a solid copy. 8th revised edition. 99 pages. Book.
Edité par Martin Lewis Crook, Ipswich,, 2007
ISBN 10 : 0951656368 ISBN 13 : 9780951656365
Vendeur : Burwood Books, Wickham Market, Royaume-Uni
Membre d'association : PBFA
Edition originale
Paperback. Etat : Very Good. First Paperback Edition. 8vo. pp x, 132. Large format paperback. Limited edition of 400 copies. ISBN: 0951656368 Very good indeed.
Edité par Henry Lewis Martin, Charlotte, NC, 1950
Vendeur : KULTURAs books, Los Angeles, CA, Etats-Unis
Edition originale
Hardcover. Etat : Fine+. Etat de la jaquette : No Dust Jacket. First Edition. Black leather boards, some fraying to bottom part of spine, otherwise sharp and square, Fine +. Book is firm in binding, previous owner's name on front end page, 498 pages include Index. Free of any markings, not ex-library. ; 8vo 8" - 9" tall; 498 pages.
Edité par Hand Set & Printed by Michael Martin & David Lewis, apprentices at Uranian Press N.Y.C., New York, 1960
Vendeur : W. C. Baker Rare Books & Ephemera, ABAA, Brooklyn, NY, Etats-Unis
Edition originale
Softcover. Etat : Near fine. First Edition. Bifolium, [4] pp., with 2 inserted leaves (printed rectos only), all 12 x 9 inches, printed in red and black on brown paper. Light wear at edges, 1 3/4- inch crease in outer edge of first leaf, else near fine. The existential manifesto of the Uranian Press, presenting the original basis of Tyler's integrative vision of art, life, creativity, and journeys through forms of consciousness. Its main text, printed in three pages on a bifolium, is supplemented with two broadside inserts, one of which introduces the manifesto: In this this paper Creativity is to be understood in the sense of a Self Documented life work toward a more fully integrated individual, able to bridge consciousness between these states, & impart the result in a symbol system seeking to evolve self transcendence to the point of holding in consciousness the knowledge of unity with the universe. From his decision to leave Chicago in 1958 to his final years conducting underground tattoo and burial ceremonies under the aegises of the Uranian Phalanstery and the First New York Gnostic Lyceum Temple, Tyler was committed to the vision outlined in this document. He also increasingly came to know the "very real dangers" with which "exploration of this dark & terrible, spaceless primordial realm is fraught." He warns in both CREATIVITY's main text and a second broadside insert about these risks: demon possession, "the nihilistic necromancer becom[ing] the False Magician," the "Yang & Yin balance of Violent, vandalistic, nihilistic, Murderous destruction." Stefan Brecht, who dedicates a chapter of his history of the Bread and Puppet Theater to Tyler, suggests that Tyler ultimately succumbed to those dangers, casting him as both an influence on and a kind of antithesis to Bread and Puppet's founder, Peter Schumann. In their early acquaintance, the two had both seen "the threat of nuclear war as crucial, contemporary fact, saw it as a symptom of the preponderant form of madness, rational madness, and saw as only salvation a mass transformation of consciousness from the intellectual to the intuitive" (Brecht, p. 68). Whereas Schumann's "sacrifice of consciousness," however, called on radical love traditions and archetypes from Christian sources, leading him to become a major, transformative player in the peace movement, Brecht contends that Tyler's art was stuck in the sacrifice alone the "mission is reported on, not any achievement of it" (p. 66). Peter Schumann's son, Max Schumann, himself remembers Tyler as "part genius, part madman" and has long been engaged with his art and philosophy, recently curating the first major retrospective of Tyler's work, The Schizophrenic Bomb, at Printed Matter. He contrasts Tyler's work not with Bread and Puppet's but with the commercial gallery culture surrounding Tyler on one hand and insipid New Age movements that emerged around him, using similar symbolic systems, on the other. Tyler defied them all to the end, "not only not being engaged or aspiring to high art or the institutions of arts just completely not recognizing the values" and remaining fully committed to an integrated "art-life practice" that never yielded its "dark, death current" to facile spiritual formulas (Lynch, 2017). A rare and significant document in postwar psychic exploration and American antiestablishment art. OCLC records two copies, at Northwestern and the Harry Ransom Center.Sources: Dennis Lynch, "Rolling Out a Slice of Village Art Psychedelia," in THE VILLAGER, April 6, 2017.