Edité par Metropolitan Museum of Art / Yale University Press, New York / New Haven CT, 2004
ISBN 10 : 0300103581 ISBN 13 : 9780300103588
Vendeur : Chequamegon Books, Washburn, WI, Etats-Unis
Paperback. Etat : As New. 52 pages; 8 1/2 x 11 ".
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Edité par Yale University Press Metropolitan Museum of Art, New Haven, 2002
ISBN 10 : 0300093713 ISBN 13 : 9780300093711
Vendeur : Henry E. Lehrich, Allentown, PA, Etats-Unis
Edition originale
Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st Edition. fine unused book and d/j . Book Condition: As New. Dust Jacket Condition: As New. First Edition. Many color reproductions and black & white photos. 245 pages including index. no writing no tearing. see picture on left.
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Edité par Metropolitan Museum of Art / Yale University Press, New York / New Haven, CT, 2006
ISBN 10 : 0300117906 ISBN 13 : 9780300117905
Vendeur : Chequamegon Books, Washburn, WI, Etats-Unis
Paperback. Etat : Fine. 75pp. 8 1/2 x 11" Priority and international shipping will be extra, please inquire.
Edité par Metropolitan Museum of Art/Yale University Press, New York and New Haven, CT, 2003
ISBN 10 : 0300099622 ISBN 13 : 9780300099621
Vendeur : Saucony Book Shop, Kutztown, PA, Etats-Unis
Edition originale
Soft cover. Etat : New. 1st Edition. Stiff color illus. wraps, French flaps. New/as issued. 1st ptg. 86 pp., illus. Size: 4to - over 9¾" - 12" tall. Book.
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Edité par New York/New Haven (The Metropolitan Museum of Art/ Yale University Press), n.d.
Vendeur : Ars Libri, Ltd. (ABAA), Charlestown, MA, Etats-Unis
75pp. 106 illus. 4to. Wraps.
Edité par New York/New Haven (The Metropolitan Museum of Art/ Yale University Press), n.d.
Vendeur : Ars Libri, Ltd. (ABAA), Charlestown, MA, Etats-Unis
75pp. 106 illus. 4to. Wraps.
Edité par Yale University Press / Metropolitan Museum of Art, New Haven, CT, 2002
ISBN 10 : 0300090781 ISBN 13 : 9780300090789
Vendeur : Montana Book Company, Fond du Lac, WI, Etats-Unis
Soft cover. Etat : Near Fine. 80 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings.
Edité par Metropolitan Museum of Art; Yale University Press, New York and New Haven, CT, 2000
ISBN 10 : 0870999583 ISBN 13 : 9780870999581
Vendeur : LEFT COAST BOOKS, Santa Barbara, CA, Etats-Unis
Edition originale
Paperback. Etat : Very Good. 1st. ***FALL CLEARANCE SALE*** xvi, 636 pages, illustrations (some colour), maps; 32 cm. Exhibition held September 19, 2000 through January 7, 2001 at the Metropolitan Museum of Art, New York. Near fine. Firm binding, with one slight spine crease. Clean inside copy. Another copy available. OVERSIZE! No priority/international, except by special arrangement. Richly illustrated with colour plates. *** "In 1825 the Erie Canal, connecting the Atlantic with the American heartland via the Great Lakes, was completed, and in 1861 the Civil War, disrupting American unity, began. This volume examines the exhilarating period between these two far-reaching events. The Erie Canal turned the port of New York into the gateway to the United States, ushering in a time of enormous growth and change for the city of New York. Still very much a work in progress, New York became both an international economic and cultural center: it was transformed into what contemporary observers variously termed the Empire City, the Great Emporium, and the Empress City of the West. The cultural component of this transformation was as significant as its economic aspect. Highly skilled artists and craftsmen working in New York, both native born and immigrant, grew in number, and institutions devoted to the arts emerged and flourished. With Broadway at its heart, the Great Emporium developed into the nation's major manufacturing and retailing center, the depot for luxury goods made in and around the city and imported from Europe. The complex story of the proliferation of the arts in New York and the evolution of an increasingly discerning audience for those arts during the antebellum period is the focus of this book, which accompanies a major exhibition at The Metropolitan Museum of Art. In essays that will interest scholars as well as a more general audience, specialists from the Metropolitan Museum, the Museum of the City of New York, and the University of California at Berkeley bring new research and insights to bear on a broad range of subjects. Their texts offer both historical and cultural contexts and explore the city's development as a nexus for the marketing and display of art, as well as private collecting; landscape painting viewed against the background of tourism; new departures in sculpture, architecture, and printmaking; the birth of photography; New York as a fashion center; shopping for home decorations; changing styles in furniture; and the evolution of the ceramics, glass, and silver industries. This volume is lavishly illustrated in color and black and white, providing reproductions of the more than three hundred works in the exhibition as well as comparative material. A checklist of works in the exhibition, a bibliography, and an index are included." - Publisher. Size: Folio.
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Edité par Metropolitan Museum of Art ; Yale University Press, New York, New Haven, 2002
ISBN 10 : 1588390624 ISBN 13 : 9781588390622
Vendeur : Papier Mouvant, Houilles, France
Etat : Very good. x + 246 pages : illustrations (some color) ; 29 cm || English text (original) || No inscriptions.
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Edité par Metropolitan Museum of Art/Yale University Press, New York, New Haven, London, 2002
ISBN 10 : 1588390748 ISBN 13 : 9781588390745
Vendeur : Willis Monie-Books, ABAA, Cooperstown, NY, Etats-Unis
Softcover. Etat : Very Good. 128 pages.
Edité par Metropolitan Museum of Art/Yale University Press, New York/New Haven, 2008
ISBN 10 : 0300141424 ISBN 13 : 9780300141429
Vendeur : Abstract Books, Indianapolis, IN, Etats-Unis
Soft cover. Etat : Fine. 64 pages, numerous color illustrations, map, notes; 4to, green wraps/pictorial front. Fine.
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Edité par Metropolitan Museum of Art; Yale University Press, New York and New Haven, CT, 2004
ISBN 10 : 1588391175 ISBN 13 : 9781588391179
Vendeur : LEFT COAST BOOKS, Santa Barbara, CA, Etats-Unis
Paperback. Etat : Very Good. ***FALL CLEARANCE SALE*** xiv, 257 pages, illustrations (some colour); 31 cm. Published in conjunction with an exhibit held at the Museo Civico "Ala Ponzone," Cremona, from February 14 through May 2, 2004, and at The Metropolitan Museum of Art, New York, from May 27 through August 15, 2004. Near fine. Firm binding, clean inside copy. Foreedge lightly soiled. OVERSIZE! No priority/international, except by special arrangement. "Largely as a result of Leonardo's innovative work for the Sforza court in Milan, a rich vein of naturalism developed in North Italian art during the late fifteenth century. Questioning the strongly classicizing idealized style dominant in areas south of the Apennines, artists in the region of Lombardy turned to an investigation of the natural world based on direct observation and adherence to strict visual truth. This heritage of realism continued to be of key importance for more than two hundred years, finding its greatest expression in the art of Caravaggio and eventually influencing the course of Baroque painting throughout Europe. Religious scenes, portraits, and landscapes were all transformed by this new naturalism, which also spurred an interest in still lifes and genre scenes as subjects for paintings. Painters of Reality titled after an exhibition held in Milan more than fifty years ago, is the first study in English of this major aspect of Italian art. It builds on the work of the art historian Roberto Longhi. Reexamining the subject in light of copious subsequent scholarship, the authors of this volume contribute major essays that define and discuss naturalism as it appeared in both Lombard paintings and drawings. There is also a fresh consideration of the North Italian predecessors whose influence is apparent either directly or indirectly, in the paintings of Caravaggio. More detailed discussions of the subject center on the precise elements that constituted Leonardo's 'hypernaturalism': the important schools of paintings that arose in Brescia, Bergamo, Cremona, and Milan; and Caravaggio's most notable successors in northern Italy, who kept Lombard realism alive into the eighteenth century. Among the 136 paintings and drawings, many never before seen outside of Italy, are influential drawings by Leonardo and major paintings by Caravaggio. Other acknowledged masters in the history of European art are represented, including Lorenzo Lotto, Giovanni Girolamo Savoldo, Giovanni Battista Moroni, and Giacomo Ceruti. Works also appear from significant but less widely known artists such as Sofonisba, Anguissola, Vincenzo Campi, Moretto da Brescia, and Fra' Galgario. Painters of Reality brings together a group of scholars to illuminate why Lombard artists were influential in their own time and why they still hold appeal for modern audiences." - Publisher. Size: 4to.
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Edité par Metropolitan Museum of Art; Yale University Press, New York and New Haven, CT, 2014
ISBN 10 : 0300199465 ISBN 13 : 9780300199468
Vendeur : LEFT COAST BOOKS, Santa Barbara, CA, Etats-Unis
Edition originale
Paperback. Etat : Fine. 1st. 96 pages, illustrations (chiefly colour); 23 cm. Published in conjunction with an exhibition of the same name held at the Metropolitan Museum of Art, New York, January 14 to March 30, 2014. Firm binding, clean inside copy. "This book tells the story of Italian Renaissance master Piero della Francesca (1411/13-1492) by focusing on four paintings he created over the span of his career. It also provides the first study of his small-scale devotional paintings, including the exquisite 'Saint Jerome and a Donor'. One of today's most prominent scholars narrates the painting's mysterious history and uncovers new insights gleaned during its recent study and restoration. The author explores the relationship between this painting and other works made by Piero for private devotion, including one of his last and most striking paintings, the magnificent 'Madonna di Senigallia'. New research describes the complex relationships between Piero and his patrons and other contemporaries. This book brims with revelatory details about Piero's work that will intrigue both casual readers and devoted fans of the artist, and will form a gateway to a larger analysis of Piero's overall body of work." - Publisher. Size: 8vo. Collectible.
Edité par The Metropolitan Museum of Art, Yale University Press, New York, New Haven,London, 2005
ISBN 10 : 1588391620 ISBN 13 : 9781588391629
Vendeur : Lucky Panther Books, Leonia, NJ, Etats-Unis
Soft cover. Etat : Very Good. No Jacket. Profusely Illustrated (illustrateur). Published to accompany exhibitions at New York City's Metropolitan Museum Sept 2005-Jan 2006, and Prague Castle Feb-May 2006. Extensive text integrated with over150 illustrations, many in color. Also maps of Bohemia in 1387 and Prague after 1400; family tree of Bohemian royalty; bibliography. Book is tight and clean, appears unread. Glossy wraps have 2 1/2" closed tear along top of spine as seen in images, otherwise an overall near fine copy. 366 pages, 9" x 12" A heavy book that needs extra postage for international or expedited shipping.
Edité par Metropolitan Museum of Art New Haven : Yale University Press, New York, 2002
ISBN 10 : 1588390616 ISBN 13 : 9781588390615
Vendeur : Monroe Street Books, Middlebury, VT, Etats-Unis
Edition originale
Etat : Very Good. Etat de la jaquette : Very Good. 246 pages. Hardcover with dust jacket. Name plate of former owner in front end papers, otherwise clean and tight illustrated copy. Record # 2231134.
Edité par New York: The Metropolitan Museum of Art / New Haven and London: Yale University Press, (2002). (2002)., 2002
Vendeur : Blue Mountain Books & Manuscripts, Ltd., Cadyville, NY, Etats-Unis
Etat : Very good. - Quarto [12-3/8 inches high by 9-1/4 inches wide], cloth, in a dust wrapper. The covers are very slightly bowed. The binding is bumped & the rear panel of the dust wrapper is rubbed. 432 pages. There is a black stain with some tiny black marks & some light staining to the fore-edge. There is a small area of rubbing to the front endpaper. Profusely illustrated in color and black & white. Very good. Published in conjunction with an exhibition of the same title, which was shown at the Metropolitan Museum of Art and in Paris and Strasbourg.
Edité par The Metropolitan Museum of Art, Yale University Press, New York, London, New Haven, 2001
ISBN 10 : 0300090811 ISBN 13 : 9780300090819
Vendeur : Lucky Panther Books, Leonia, NJ, Etats-Unis
Soft cover. Etat : As New. No Jacket. Accompanies exhibition at Metropolitan Museum of Art, NYC during Dec 2001 - Aug 2002. Profusely illustrated including many color plates. Book appears unread - a crisp, clean copy tightly bound. 80 pages, 8" x 11".
Edité par Metropolitan Museum of Art/Yale University Press, New York and New Haven, CT, 2003
ISBN 10 : 0300098790 ISBN 13 : 9780300098792
Vendeur : Saucony Book Shop, Kutztown, PA, Etats-Unis
Edition originale
Hardcover. Etat : Fine. Etat de la jaquette : Near Fine. 1st Edition. Dark blue cloth, lettered in gold foil. As issued. Color illus. dust jacket shows crease to top front flap corner, slight nick on lower front panel, otherwise as issued, now in mylar. 1st ptg. vii,195 pp., illus. Size: 4to - over 9¾" - 12" tall. Book.
Edité par New York & New Haven: The Metropolitan Museum of Art & Yale University Press, 2003, 2003
ISBN 10 : 0300101848 ISBN 13 : 9780300101843
Vendeur : Atlantic Bookshop, Brooklyn, NY, Etats-Unis
Edition originale
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. Oblong 4to, cloth, dust jacket, 288pp., 237 ills. (81 in color). First edition. VG+/VG+: a very clean, very sound book in a very clean and presentable jacket. Extra postage will be asked (5).
Edité par New York/New Haven (The Metropolitan Museum of Art/ Yale University Press), 2004
Vendeur : Ars Libri, Ltd. (ABAA), Charlestown, MA, Etats-Unis
xxiv, 392pp. 514 illus. (479 color), 8 maps. Lrg. 4to. Wraps. Published in conjunction with an exhibition at The Metropolitan Museum of Art, New York, Oct. 2004-Jan. 2005.
Edité par New York/New Haven (The Metropolitan Museum of Art/ Yale University Press), 2004
Vendeur : Ars Libri, Ltd. (ABAA), Charlestown, MA, Etats-Unis
xxiv, 392pp. 514 illus. (479 color), 8 maps. Lrg. 4to. Wraps. Published in conjunction with an exhibition at The Metropolitan Museum of Art, New York, Oct. 2004-Jan. 2005.
Edité par New York/New Haven (The Metropolitan Museum of Art/ Yale University Press), 2000
Vendeur : Ars Libri, Ltd. (ABAA), Charlestown, MA, Etats-Unis
303pp. 212 color illus., 98 figs. Lrg. 4to. Wraps.
Edité par New York/New Haven (The Metropolitan Museum of Art/ Yale University Press), 2004
Vendeur : Ars Libri, Ltd. (ABAA), Charlestown, MA, Etats-Unis
xxiv, 392pp. 514 illus. (479 color), 8 maps. Lrg. 4to. Wraps. Published in conjunction with an exhibition at The Metropolitan Museum of Art, New York, Oct. 2004-Jan. 2005.
Edité par New York/New Haven (The Metropolitan Museum of Art/ Yale University Press), 2004
Vendeur : Ars Libri, Ltd. (ABAA), Charlestown, MA, Etats-Unis
xxiv, 392pp. 514 illus. (479 color), 8 maps. Lrg. 4to. Wraps. Published in conjunction with an exhibition at The Metropolitan Museum of Art, New York, Oct. 2004-Jan. 2005.
Edité par Metropolitan Museum of Art; Yale University Press, New York and New Haven, CT, 2003
ISBN 10 : 1588390772 ISBN 13 : 9781588390776
Vendeur : LEFT COAST BOOKS, Santa Barbara, CA, Etats-Unis
Paperback. Etat : Fine. xiv, 545 pages, illustrations (chiefly colour); 31 cm. Published in conjunction with the exhibition "A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University," Musee des Beaux-Arts, Lyon, March 15 to May 26, 2003; The National Gallery, London, June 25 tom September 14, 2003; The Metropolitan Museum of Art, New York, October 23, 2003 to January 25, 2004. Firm binding, clean inside copy. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. *** "For the Winthrop collection's international debut exhibition, curators at the Fogg Art Museum of the Harvard University Art Museums, headed by Stephan Wolohojian, organized the selection and invited more than sixty specialists to write on artworks in their particular area of expertise. Works include such highlights in their creator's oeuvre as Jacques-Louis David's sketchbooks for The Coronation of Napoleon and the Crowning of Josephine, Theodore Gericault's Mutiny on the Raft of the Medusa, Vincent van Gogh's The Blue Cart, Jean-Auguste-Dominique Ingres's Odalisque with the Slave, William Blake's illustrations for the Divine Comedy, Dante Gabriel Rosetti's Blessed Damozel, and James Abbott McNeill Whistler's Nocturne in Blue and Silver. In addition, an essay by Wolohojian provides a fascinating and informative description of Winthrop and the growth of his collection. / Grenville L. Winthrop (1864-1943) was a lawyer and banker by profession, but his true passion was collecting art. He had the resources, the intuition, and talented advisers to help him create a collection that is distinct not only in its depth and breadth, but also in its quality. The Winthrop Collection of French, British, and American art includes the best group of Delacroix and Ingres drawings outside of France, the most significant group of pre-Raphaelite paintings outside of Britain, and a world-renowned collection of Sargent watercolors.Some seventy paintings and twice as many drawings and watercolors by more than fifty French, British, and American artists will be featured in this selection from the legendary Winthrop Collection, bequeathed in 1943 to the Fogg Art Museum at Harvard University. Masterpieces by David, Ingres, Gericault, Chasseriau, and Moreau will be seen alongside great works by Blake, Rossetti, and Burne-Jones, as well as Homer, Sargent, and Whistler. They are discussed in the catalogue by more than sixty authors, all of whom are among the leading authorities in their various fields." - Publisher. Size: 4to.
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Edité par Metropolitan Museum of Art; Yale University Press, New York and New Haven, CT, 2007
ISBN 10 : 1588392309 ISBN 13 : 9781588392305
Vendeur : LEFT COAST BOOKS, Santa Barbara, CA, Etats-Unis
Paperback. Etat : Very Good. x, 563 pages, illustrations (some colour); 32 cm. Catalogue of an exhibition at the Metropolitan Museum of Art, New York, October 17, 2007 to January 6, 2008; and at the Palacio Real, Madrid, March 6 to June 1, 2008. Near fine. Firm binding, clean inside copy. Light shelfwear. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. *** "Drawing from collections in more than fifteen countries, Tapestry in the Baroque presents forty-five rare tapestries made between 1590 and 1720. About half of these derive from Flemish workshops, including such highlights of the Brussels tapestry industry as the Triumphs of the Church designed by Rubens for Archduchess Isabella in 1626 and tapestries from the Austrian state collection designed by Jacob Jordaens and others in the 1630s and 1640s. Flemish weavers also played key roles elsewhere in Europe, establishing new enterprises and training native weavers, and the publication also features rare examples from these new workshops." - Publisher. *** CONTENTS: Introduction: The Golden Age of Netherlandish tapestry weaving, by Thomas P. Campbell; The disruption and diaspora of the Netherlandish tapestry industry, 1570-1600, by Thomas P. Campbell; The development of new centers of production and the recovery of the Netherlandish tapestry industry, 1600-1620, by Thomas P. Campbell; Stately splendor, woven frescoes, luxury furnishings: tapestry in context, 1600-1660, by Thomas P. Campbell; The Parisian workshops, 1590-1650, by Isabelle Denis; The Mortlake Manufactory, 1619-49, by Wendy Hefford; Tapestry in the Spanish Netherlands, 1625-60, by Guy Delmarcel; Tapestry production in Florence: The Medici tapestry works, 1587-1747, by Lucia Meoni; Tapestry production in seventeenth-century Rome: The Barberini Manufactory, by James G. Harper; Collectors and connoisseurs: the status and perception of tapestry, 1600-1660, by Thomas P. Campbell; Tapestry production at the Gobelins during the reign of Louis XIV, 1661-1715, by Pascal-Francois Bertrand; Manufacture Royale de Tapisseries de Beauvais, 1664-1715, by Charissa Brewer-David; Flemish production, 1660-715, by Koenraad Brosens; Continuity and change in tapestry use and design, 1680-1720, by Thomas P. Campbell. Size: Folio.
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Edité par Metropolitan Museum of Art / Yale University Press, New York / New Haven, CT, 2002
ISBN 10 : 0300096909 ISBN 13 : 9780300096903
Vendeur : Fahrenheit's Books, Denver, CO, Etats-Unis
Membre d'association : RMABA
Edition originale
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good+. 1st Edition. First edition, hardcover, has a slight lean to the binding, small bumps to spine ends and cover corners, some faint smudging to edges of the text block, and a touch of bowing to the boards, otherwise a solid, tight VG copy in a VG+ dust jacket, which has slight bumps to spine ends and corners, some rubbing, and a hint of edgewear. Jacket is wrapped in a removable Mylar cover.
Edité par New York: The Metropolitan Museum of Art / New Haven: Yale University Press, . First Edition., 2003
Vendeur : Lighthouse Books, ABAA, Dade City, FL, Etats-Unis
Quarto, red cloth, gilt letters, xi, 328 pp. Color photographs throughout. Fine in Fine dust jacket. Native American, American Indian, Ancient Civilization, Art. zslic.
Edité par New Haven: Published for The Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture, New York, and The Metropolitan Museum of Art, New York, by Yale University Press, ()., 2006
Vendeur : Lighthouse Books, ABAA, Dade City, FL, Etats-Unis
Square quarto, russet cloth (hardcover), gilt letters, xi, 205 pp. Fine in a Fine dust jacket. From dust jacket: This fascinating book explores the history, techniques, and cultural significance of medieval aquamanilia, cast metal objects used to pour liquids in both religious and secular rituals. Often created in appealing animal or human forms, aquamanilia feature two openings, one for filling and the other for pouring. They represent the first emergence of hollow-cast vessels in Western Europe and a significant development in the history of technology. The Metropolitan Museum of Art houses one of the world's most important collections of these medieval bronze vessels and this landmark book results from a collaborative project between the Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture, and the museum. It presents and catalogues the museum's entire aquamanilia collection for the first time, as well as selected examples from other collections and other related medieval objects. Informative essays by the curators discuss the meaning, usage, and stylistic development of the aquamanile as well as recent technological discoveries concerning aquamanilia and medieval metalworking. A DVD reveals the original techniques employed to make aquamanilia. Antiques & Collectibles, Middle Ages, Metalwork, European History zslic.
Edité par New York New Haven : Metropolitan Museum of Art ; Yale University Press, 2010
ISBN 10 : 1588393690 ISBN 13 : 9781588393692
Vendeur : MW Books Ltd., Galway, Irlande
Edition originale
First Edition. Near fine paperback copy; edges very slightly dust-dulled. Remains particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description: 79 pages : illustrations (some colour), map ; 31 cm. Subjects: Embalming Egypt ; Exhibitions. Tutankhamen King of Egypt Tomb ; Exhibitions. Mummies Egypt ; Exhibitions. Genre: Art. Language: English. 1 Kg.
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