rowman littlefield publishers milwaukee (12 résultats)

Paperback. Etat : new. Paperback. Sympathy for the Drummer: Why Charlie Watts Matters is both a gonzo rush--capturing the bristling energy of the Rolling Stones and the times in which they lived--and a wide-eyed reflection on why the Greatest Rock 'n' Roll Band in the World needed the world's greatest rock 'n' roll drummer. Across five decades, Rolling Stones drummer Charlie Watts has had the best seat in the house. Charlie Watts, the anti-rock star--an urbane jazz fan with a dry wit and little taste for the limelight--was witness to the most savage years in rock history, and emerged a hero, a warrior poet. With his easy swing and often loping, uneven fills, he found nuance in a music that often had little room for it, and along with his greatest ally, Keith Richards, he gave the Stones their swaggering beat. While others battled their drums, Charlie played his modest kit with finesse and humility, and yet his relentless grooves on the nastiest hard-rock numbers of the era ("Gimme Shelter," "Street Fighting Man," "Brown Sugar," "Jumpin' Jack Flash," etc.) delivered a dangerous authenticity to a band that on their best nights should have been put in jail. Author Mike Edison, himself a notorious raconteur and accomplished drummer, tells a tale of respect and satisfaction that goes far beyond drums, drumming, and the Rolling Stones, ripping apart the history of rock'n'roll, and celebrating sixty years of cultural upheaval. He tears the sheets off of the myths of music making, shredding the phonies and the frauds, and unifies the frayed edges of disco, punk, blues, country, soul, jazz, and R&B--the soundtrack of our lives. Highly opinionated, fearless, and often hilarious, Sympathy is an unexpected treat for music fans and pop culture mavens, as edgy and ribald as the Rolling Stones at their finest, never losing sight of the sex and magic that puts the roll in the rock --the beat, that crazy beat --and the man who drove the band, their true engine, the utterly irreplaceable Charlie Watts. Sympathy for the Drummer: Why Charlie Watts Matters is both a gonzo rush-capturing the bristling energy of the Rolling Stones and the times in which they lived-and a wide-eyed reflection on why the Greatest Rock 'n' Roll Band in the World needed the world's greatest rock 'n' roll drummer. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : new. Paperback. In this behind-the-scenes look at the making of Fleetwood Mac's epic, platinum-selling double album, Tusk, producers and engineers Ken Caillat and Hernan Rojas tell their stories of spending a year with the band in their new million-dollar studio trying to follow up Rumours, the biggest rock album of the time. Following their massive success, the band continued its infamous soap opera when its musical leader and guitarist, Lindsey Buckingham, threatened to quit if he didn't get things his way, resulting in clashes not only with his band but especially Caillat, who had been essential to the band's Grammy-winning sound. Hernan Rojas's story recounts a young man who leaves Chile after General Pinochet's coup to seek his future in the music industry of Los Angeles, where he finds success at one of the hottest studios in town. When Fleetwood Mac arrives, Rojas falls in love with its star singer, Stevie Nicks, and the two of them become romantically involved. Throughout the book, both Caillat and Rojas detail not only the trials and sacrifices they made to finish the album, but also triumphs of musical inspiration and technical innovation that have made Tusk the darling of music critics and indie rockers today. In this behind-the-scenes look at the making of Fleetwood Mac's epic, platinum-selling double album, Tusk, producers and engineers Ken Caillat and Hernan Rojas tell their stories of spending a year with the band in their new million-dollar studio trying to follow up Rumours, the biggest rock album of the time. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Etat : new. Hardcover. This book tells the story of a life spent on the road recording the rich diversity of music in America when it was a major part of our lives, not just digital background noise. For music fans, there was a golden era of live music, stretching from the 1960s through the 1980s, and even evolving into the 1990s, if you want to be generous. In the pre-digital era, music fans spent a large part of their free time (and money) listening to their favorite artist's recordings. It was an analog world so if they wanted to hear the music, they actually had to listen to the radio, buy the records, and go to the concerts. Popular artists had long performed live concerts in the major markets, but it took rock 'n' roll to make national touring a viable business. Touring sound systems grew from scratch to keep up with larger and larger venues. Likewise, the ability to record those shows had to grow as well. The rudimentary collection of semi-professional gear grew into full-blown remote recording studios to keep up with the demand for live records, films, and broadcasts. The truly wonderful thing about the remote recording business was the author experienced so many different musical cultures. Where else could you go from recording a tour with the Rolling Stones to a TV special with Mohamed Ali at the Apollo Theater? How about the season opening of Carnegie Hall on PBS TV (with a different major orchestra every year) to Frank Zappa's annual Halloween Show? Or maybe a Yoko Ono tour behind the 1980s Iron Curtain to the Eagles in modern Australia? Then there are worldwide live broadcasts like the Academy Awards and the Grammy Awards to intimate jazz settings with Miles Davis or Wynton Marsalis. Compare the grandeur of the Metropolitan Opera to the irreverent comedy of Saturday Night Live. On the Road contains the stories of recording all that music live in its natural habitat, the clubs, theaters, concert halls, and arenas. There were only a few companies that succeeded in the rough and tumble business of live recording. The author was one of the most successful live recording engineers and the constructor of remote recording studios during that era, with thousands of live shows to his credit. This book will tell the story of a life spent on the road recording the rich diversity of music in America when it was a major part of our lives, not just digital background noise. For music fans, there was a golden era of live music stretching from the 1960s through the 1980s, and even evolving into the 1990s, if you want to be generous. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : new. Paperback. (Guitar Recorded Version Person). This folio features note-for-note transcriptions with tab for all seven tracks from Zappa's watershed 1973 release: Camarillo Brillo * Dinah-Moe Humm * Dirty Love * Fifty-Fifty * I'm the Slime * Montana * Zomby Woof. Includes a foreword by Zappa guitarist Warren Cuccurullo, also of Missing Persons and Duran Duran fame. This folio features note-for-note transcriptions with tab for all seven tracks from Zappa's watershed 1973 release: Camarillo Brillo * Dinah-Moe Humm * Dirty Love * Fifty-Fifty * I'm the Slime * Montana * Zomby Woof. Includes a foreword by Zappa guitarist Warren Cuccurullo, also of Missing Persons and Duran Duran fame. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : new. Paperback. Sympathy for the Drummer: Why Charlie Watts Matters is both a gonzo rush--capturing the bristling energy of the Rolling Stones and the times in which they lived--and a wide-eyed reflection on why the Greatest Rock 'n' Roll Band in the World needed the world's greatest rock 'n' roll drummer. Across five decades, Rolling Stones drummer Charlie Watts has had the best seat in the house. Charlie Watts, the anti-rock star--an urbane jazz fan with a dry wit and little taste for the limelight--was witness to the most savage years in rock history, and emerged a hero, a warrior poet. With his easy swing and often loping, uneven fills, he found nuance in a music that often had little room for it, and along with his greatest ally, Keith Richards, he gave the Stones their swaggering beat. While others battled their drums, Charlie played his modest kit with finesse and humility, and yet his relentless grooves on the nastiest hard-rock numbers of the era ("Gimme Shelter," "Street Fighting Man," "Brown Sugar," "Jumpin' Jack Flash," etc.) delivered a dangerous authenticity to a band that on their best nights should have been put in jail. Author Mike Edison, himself a notorious raconteur and accomplished drummer, tells a tale of respect and satisfaction that goes far beyond drums, drumming, and the Rolling Stones, ripping apart the history of rock'n'roll, and celebrating sixty years of cultural upheaval. He tears the sheets off of the myths of music making, shredding the phonies and the frauds, and unifies the frayed edges of disco, punk, blues, country, soul, jazz, and R&B--the soundtrack of our lives. Highly opinionated, fearless, and often hilarious, Sympathy is an unexpected treat for music fans and pop culture mavens, as edgy and ribald as the Rolling Stones at their finest, never losing sight of the sex and magic that puts the roll in the rock --the beat, that crazy beat --and the man who drove the band, their true engine, the utterly irreplaceable Charlie Watts. Sympathy for the Drummer: Why Charlie Watts Matters is both a gonzo rush-capturing the bristling energy of the Rolling Stones and the times in which they lived-and a wide-eyed reflection on why the Greatest Rock 'n' Roll Band in the World needed the world's greatest rock 'n' roll drummer. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Etat : new. Paperback. Sympathy for the Drummer: Why Charlie Watts Matters is both a gonzo rush--capturing the bristling energy of the Rolling Stones and the times in which they lived--and a wide-eyed reflection on why the Greatest Rock 'n' Roll Band in the World needed the world's greatest rock 'n' roll drummer. Across five decades, Rolling Stones drummer Charlie Watts has had the best seat in the house. Charlie Watts, the anti-rock star--an urbane jazz fan with a dry wit and little taste for the limelight--was witness to the most savage years in rock history, and emerged a hero, a warrior poet. With his easy swing and often loping, uneven fills, he found nuance in a music that often had little room for it, and along with his greatest ally, Keith Richards, he gave the Stones their swaggering beat. While others battled their drums, Charlie played his modest kit with finesse and humility, and yet his relentless grooves on the nastiest hard-rock numbers of the era ("Gimme Shelter," "Street Fighting Man," "Brown Sugar," "Jumpin' Jack Flash," etc.) delivered a dangerous authenticity to a band that on their best nights should have been put in jail. Author Mike Edison, himself a notorious raconteur and accomplished drummer, tells a tale of respect and satisfaction that goes far beyond drums, drumming, and the Rolling Stones, ripping apart the history of rock'n'roll, and celebrating sixty years of cultural upheaval. He tears the sheets off of the myths of music making, shredding the phonies and the frauds, and unifies the frayed edges of disco, punk, blues, country, soul, jazz, and R&B--the soundtrack of our lives. Highly opinionated, fearless, and often hilarious, Sympathy is an unexpected treat for music fans and pop culture mavens, as edgy and ribald as the Rolling Stones at their finest, never losing sight of the sex and magic that puts the roll in the rock --the beat, that crazy beat --and the man who drove the band, their true engine, the utterly irreplaceable Charlie Watts. Sympathy for the Drummer: Why Charlie Watts Matters is both a gonzo rush-capturing the bristling energy of the Rolling Stones and the times in which they lived-and a wide-eyed reflection on why the Greatest Rock 'n' Roll Band in the World needed the world's greatest rock 'n' roll drummer. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Etat : new. Paperback. In this behind-the-scenes look at the making of Fleetwood Mac's epic, platinum-selling double album, Tusk, producers and engineers Ken Caillat and Hernan Rojas tell their stories of spending a year with the band in their new million-dollar studio trying to follow up Rumours, the biggest rock album of the time. Following their massive success, the band continued its infamous soap opera when its musical leader and guitarist, Lindsey Buckingham, threatened to quit if he didn't get things his way, resulting in clashes not only with his band but especially Caillat, who had been essential to the band's Grammy-winning sound. Hernan Rojas's story recounts a young man who leaves Chile after General Pinochet's coup to seek his future in the music industry of Los Angeles, where he finds success at one of the hottest studios in town. When Fleetwood Mac arrives, Rojas falls in love with its star singer, Stevie Nicks, and the two of them become romantically involved. Throughout the book, both Caillat and Rojas detail not only the trials and sacrifices they made to finish the album, but also triumphs of musical inspiration and technical innovation that have made Tusk the darling of music critics and indie rockers today. In this behind-the-scenes look at the making of Fleetwood Mac's epic, platinum-selling double album, Tusk, producers and engineers Ken Caillat and Hernan Rojas tell their stories of spending a year with the band in their new million-dollar studio trying to follow up Rumours, the biggest rock album of the time. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Etat : new. Paperback. In this behind-the-scenes look at the making of Fleetwood Mac's epic, platinum-selling double album, Tusk, producers and engineers Ken Caillat and Hernan Rojas tell their stories of spending a year with the band in their new million-dollar studio trying to follow up Rumours, the biggest rock album of the time. Following their massive success, the band continued its infamous soap opera when its musical leader and guitarist, Lindsey Buckingham, threatened to quit if he didn't get things his way, resulting in clashes not only with his band but especially Caillat, who had been essential to the band's Grammy-winning sound. Hernan Rojas's story recounts a young man who leaves Chile after General Pinochet's coup to seek his future in the music industry of Los Angeles, where he finds success at one of the hottest studios in town. When Fleetwood Mac arrives, Rojas falls in love with its star singer, Stevie Nicks, and the two of them become romantically involved. Throughout the book, both Caillat and Rojas detail not only the trials and sacrifices they made to finish the album, but also triumphs of musical inspiration and technical innovation that have made Tusk the darling of music critics and indie rockers today. In this behind-the-scenes look at the making of Fleetwood Mac's epic, platinum-selling double album, Tusk, producers and engineers Ken Caillat and Hernan Rojas tell their stories of spending a year with the band in their new million-dollar studio trying to follow up Rumours, the biggest rock album of the time. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Etat : new. Paperback. (Guitar Recorded Version Person). This folio features note-for-note transcriptions with tab for all seven tracks from Zappa's watershed 1973 release: Camarillo Brillo * Dinah-Moe Humm * Dirty Love * Fifty-Fifty * I'm the Slime * Montana * Zomby Woof. Includes a foreword by Zappa guitarist Warren Cuccurullo, also of Missing Persons and Duran Duran fame. This folio features note-for-note transcriptions with tab for all seven tracks from Zappa's watershed 1973 release: Camarillo Brillo * Dinah-Moe Humm * Dirty Love * Fifty-Fifty * I'm the Slime * Montana * Zomby Woof. Includes a foreword by Zappa guitarist Warren Cuccurullo, also of Missing Persons and Duran Duran fame. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Etat : new. Hardcover. This book tells the story of a life spent on the road recording the rich diversity of music in America when it was a major part of our lives, not just digital background noise. For music fans, there was a golden era of live music, stretching from the 1960s through the 1980s, and even evolving into the 1990s, if you want to be generous. In the pre-digital era, music fans spent a large part of their free time (and money) listening to their favorite artist's recordings. It was an analog world so if they wanted to hear the music, they actually had to listen to the radio, buy the records, and go to the concerts. Popular artists had long performed live concerts in the major markets, but it took rock 'n' roll to make national touring a viable business. Touring sound systems grew from scratch to keep up with larger and larger venues. Likewise, the ability to record those shows had to grow as well. The rudimentary collection of semi-professional gear grew into full-blown remote recording studios to keep up with the demand for live records, films, and broadcasts. The truly wonderful thing about the remote recording business was the author experienced so many different musical cultures. Where else could you go from recording a tour with the Rolling Stones to a TV special with Mohamed Ali at the Apollo Theater? How about the season opening of Carnegie Hall on PBS TV (with a different major orchestra every year) to Frank Zappa's annual Halloween Show? Or maybe a Yoko Ono tour behind the 1980s Iron Curtain to the Eagles in modern Australia? Then there are worldwide live broadcasts like the Academy Awards and the Grammy Awards to intimate jazz settings with Miles Davis or Wynton Marsalis. Compare the grandeur of the Metropolitan Opera to the irreverent comedy of Saturday Night Live. On the Road contains the stories of recording all that music live in its natural habitat, the clubs, theaters, concert halls, and arenas. There were only a few companies that succeeded in the rough and tumble business of live recording. The author was one of the most successful live recording engineers and the constructor of remote recording studios during that era, with thousands of live shows to his credit. This book will tell the story of a life spent on the road recording the rich diversity of music in America when it was a major part of our lives, not just digital background noise. For music fans, there was a golden era of live music stretching from the 1960s through the 1980s, and even evolving into the 1990s, if you want to be generous. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Etat : new. Hardcover. This book tells the story of a life spent on the road recording the rich diversity of music in America when it was a major part of our lives, not just digital background noise. For music fans, there was a golden era of live music, stretching from the 1960s through the 1980s, and even evolving into the 1990s, if you want to be generous. In the pre-digital era, music fans spent a large part of their free time (and money) listening to their favorite artist's recordings. It was an analog world so if they wanted to hear the music, they actually had to listen to the radio, buy the records, and go to the concerts. Popular artists had long performed live concerts in the major markets, but it took rock 'n' roll to make national touring a viable business. Touring sound systems grew from scratch to keep up with larger and larger venues. Likewise, the ability to record those shows had to grow as well. The rudimentary collection of semi-professional gear grew into full-blown remote recording studios to keep up with the demand for live records, films, and broadcasts. The truly wonderful thing about the remote recording business was the author experienced so many different musical cultures. Where else could you go from recording a tour with the Rolling Stones to a TV special with Mohamed Ali at the Apollo Theater? How about the season opening of Carnegie Hall on PBS TV (with a different major orchestra every year) to Frank Zappa's annual Halloween Show? Or maybe a Yoko Ono tour behind the 1980s Iron Curtain to the Eagles in modern Australia? Then there are worldwide live broadcasts like the Academy Awards and the Grammy Awards to intimate jazz settings with Miles Davis or Wynton Marsalis. Compare the grandeur of the Metropolitan Opera to the irreverent comedy of Saturday Night Live. On the Road contains the stories of recording all that music live in its natural habitat, the clubs, theaters, concert halls, and arenas. There were only a few companies that succeeded in the rough and tumble business of live recording. The author was one of the most successful live recording engineers and the constructor of remote recording studios during that era, with thousands of live shows to his credit. This book will tell the story of a life spent on the road recording the rich diversity of music in America when it was a major part of our lives, not just digital background noise. For music fans, there was a golden era of live music stretching from the 1960s through the 1980s, and even evolving into the 1990s, if you want to be generous. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Etat : new. Paperback. (Guitar Recorded Version Person). This folio features note-for-note transcriptions with tab for all seven tracks from Zappa's watershed 1973 release: Camarillo Brillo * Dinah-Moe Humm * Dirty Love * Fifty-Fifty * I'm the Slime * Montana * Zomby Woof. Includes a foreword by Zappa guitarist Warren Cuccurullo, also of Missing Persons and Duran Duran fame. This folio features note-for-note transcriptions with tab for all seven tracks from Zappa's watershed 1973 release: Camarillo Brillo * Dinah-Moe Humm * Dirty Love * Fifty-Fifty * I'm the Slime * Montana * Zomby Woof. Includes a foreword by Zappa guitarist Warren Cuccurullo, also of Missing Persons and Duran Duran fame. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.