semiotext e new york (118 résultats)

Soft cover. Etat : Good. 110pp paperback, front end-paper loose, pocket edition, (Foreign Agents Series).

Softcover. Etat : Very Good. First Edition. Size: 8vo 7 3/4 - 9 3/4". 119 pp. Internally clean. Binding firm. Covers slightly creased. Quantity Available: 1. Shipped Weight: Under 500 grams. Category: Art & Design; Sociology & Culture. ISBN: 1584350202. ISBN/EAN: 9781584350200. Pictures of this item not already displayed here available upon request. Inventory No: 59570.

Soft cover. Etat : Very Good. No Jacket. First Edition. Frist printing, good condition, softcover. It's useless to wait - for a breakthrough, for the revolution, the nuclear apcylypse or a social movement. To go on waiting is madness. The catastrophe is not comng it is here. Size: 12mo - over 6¾" - 7¾" Tall. Book.

Soft cover. Etat : Very Good. No Jacket. First Edition. Frist printing, good condition, softcover. Now is the phantom chapter to the Invisible Committee's previous book, To Our Friends: a new critique from the anaoyhnous collective that establishes their opposition to capital. Size: 12mo - over 6¾" - 7¾" Tall. Book.

softcover. Etat : Fine copy. 1st. 8vo, 287 pp., Semiotext(e) Native Agents series.

Soft cover. Etat : Very Good. Very good condition. Light wear. Binding tight, pages clean. Pictures available upon request.

Soft cover. Etat : Good. Paperback booklet in good- condition. General wear to covers. Front and rear hinges weak. Top corner of half-title page clipped. Pages lightly tanned. Some pages dog-eared. 12mo. 137pp.

Trade Paperback. Etat : Used. First Edition. First Edition Semiotext(e) in Very Good Condition. Two stickers on back cover but otherwise clean, bright pages and tight spine.

As new! Paper bound, first priting, including the rejoinder Forget Baudrillard: An Interview with Sylvère Lotringer, Pp137. Includes references. Tight and unmarked - a fine copy. 120 grams. We welcome all reasonable offers on our books and also offer local curbside pick-up. All books in stock and available for immediate shipment from Winnipeg, Manitoba.

Paper bound, first thus translated by Michael Taormina, Pp323. Extensively referenced. Includes index. An unmarked, very good or better copy. 450 grams. We welcome all reasonable offers on our books and also offer local curbside pick-up. All books in stock and available for immediate shipment from Winnipeg, Manitoba.

18.0 x 11.0cms 160pp very good paperback & cover Parallel Advanced Technology Attachment (PATA) is a standard for connecting hard drives into computer systems. As its name implies PATA is based on parallel signaling technology unlike serial ATA (SATA) devices that use serial signaling technology. Parallel ATA dates back to the 1980s. Integrated Drive Electronics ( IDE ) drives operate according to this standard. This book claims that an object''s originary ''play'' makes ''parafunction malfunction misfunction or dysfunction equiprimordial possibilities''. Scarce title.

Paperback. Etat : Very Good. The cover has minor wear. The page edges are lightly tanned. The first page has a felt-tip pen mark. 112 pages. Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown. Size: Size C: 6"-7" Tall (151-177mm).

paperback. Etat : Very Good.

Etat : Very Good. Etat de la jaquette : None. 202 pages. ISBN label on back cover bottom. Very light yellowing to front cover and edges. Very small soil stain bottom gutter pg 93-103. Clean inside. Set in post-9/11 New York City, Story about female twenty-something, Reena, written by a large collective of writers and artists that bills itself as The Bernadette Corporation. Record # 30076.

Paper bound, first edition, Pp282. Includes bibliography. A total of five pages with ink markings (one of the pages with just a checkmark to the margin) else tight, very good copy. 225 grams. We welcome all reasonable offers on our books and also offer local curbside pick-up. All books in stock and available for immediate shipment from Winnipeg, Manitoba.

Paperback. Etat : new. Paperback. The increasingly chaotic rhythm of our respiration, and the sense of suffocation that grows everywhere- an essay on poetical therapy.Since the hopeful days of the Occupy movement, many things have changed in the respiration of the world, and we have entered a cycle of spasm, despair, and chaos.Breathingis a book about the increasingly chaotic rhythm of our respiration, about the sense of suffocation that grows everywhere."I can't breathe." These words panted by Eric Garner before dying, strangled by a police officer on the streets of Staten Island, capture perfectly catching the overall sentiment of our time. InBreathing, Franco "Bifo" Berardi comes back to the subject that was the core of his 2011 book,The Uprising-the place of poetry in the relations between language, capital, and possibility. InThe Uprising,he focuses on poetry as an anticipation of the trend toward abstraction that led to the present form of financial capitalism. InBreathing, he tries to envision poetry as the excess of the field of signification, as the premonition of a possible harmony inscribed in the present chaos.The Uprisingwas a genealogical diagnosis.Breathingis an essay on poetical therapy. How we deal with chaos, as we know that those who fight against chaos will be defeated, because chaos feeds upon war? How do we deal with suffocation? Is there a way out from the corpse of financial capitalism? The increasingly chaotic rhythm of our respiration, and the sense of suffocation that grows everywhere: an essay on poetical therapy. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Etat : new. Paperback. McKenzie Wark invents a new genre for another gender- not a memoir but an auto-ethnography of the opacity of the self.Another genre for another gender.What if you were trans and didn't know it? What if there were some hole in your life and you didn't even know it was there? What if you went through life not knowing why you only felt at home in your body at peak moments of drugs and sex? What if you expended your days avoiding an absence, a hole in being? Reverse Cowgirl is not exactly a memoir. The author doesn't, in the end, have any answers as to who she really is or was, although maybe she figures out what she could become.Traveling from Sydney in the 1980s to New York today, Reverse Cowgirl is a comedy of errors, chronicling the author's failed attempts at being gay and at being straight across the shifting political and media landscapes of the late twentieth century. Finding that the established narratives of being transgender don't seem to apply to her, Wark borrows from the genres of autofiction, fictocriticism, and new narrative to create a writing practice that can discover the form of a life outside existing accounts of trans experience- an auto-ethnography of the opacity of the self. McKenzie Wark invents a new genre for another gender: not a memoir but an auto-ethnography of the opacity of the self. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. 187p., 4.5x7 inches, two old price stickers on rear wrap, else very good paperback in pictorial wraps. Native Agents Series. "Mary is a 31-year-old man with a revolver in a cheap cotton dress." Set in Seattle.

Paper bound, first edition edite by David Lapoujade and translated by Ames Hodges and Mike Taormina, Pp415. Includes references, source materials, and index. An unmarked, very good or better copy. 600 grams. We welcome all reasonable offers on our books and also offer local curbside pick-up. All books in stock and available for immediate shipment from Winnipeg, Manitoba.

Paperback. Etat : new. Paperback. A cult classic in France, the first translation of a novel that captures a subjective stroll through an underground, glamorous Parisfinally there are the rolling stones who call for all these at the same time among them and around them- the policeman, the cross-dresser, the dancer, Frankenstein, the dandy, the robot-from Dusty PinkWritten with the hope of achieving a "dreary distant banality," Jean-Jacques Schuhl's first novel is a subjective stroll through an underground, glamorous Paris, a city that slips into the background but never disappears, hovering on the verge of its own suppression. An elegiac and luminous cut-up, Dusty Pink brings together race wire results, editions of France-Soir, the lyrics to well-known British songs, scripts from famous old films, pharmaceutical leaflets, fashion ads, and strips and scraps of culture in which the avant-garde and academicism blur in an overview of the cultural scene. This world of atmospheres, portraits, and dazzling associations of ideas creates a plane of shimmering surfaces.Published in French in 1972, Jean-Jacques Schuhl's Dusty Pink became a cult classic. This is its first translation. A cult classic in France, the first translation of a novel that captures a subjective stroll through an underground, glamorous Paris Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Etat : new. Paperback. Audio journals that document Wojnarowicz's turbulent attempts to understand his anxieties and passions, and tracking his thoughts as they develop in real time.In these moments I hate language. I hate what words are like, I hate the idea of putting these preformed gestures on the tip of my tongue, or through my lips, or through the inside of my mouth, forming sounds to approximate something that's like a cyclone, or something that's like a flood, or something that's like a weather system that's out of control, that's dangerous, or alarming. It just seems like sounds that have been uttered back and forth maybe now over centuries. And it always boils down to the same meaning within those sounds, unless you're more intense uttering them, or you precede them or accompany them with certain forms of violence.-from The Weight of the EarthArtist, writer, and activist David Wojnarowicz (1954-1992) was an important figure in the downtown New York art scene. His art was preoccupied with sex, death, violence,and the limitations of language. At the height of the AIDS epidemic, Wojnarowicz began keeping audio journals, returning to a practice he'd begun in his youth.The Weight of the Earthpresents transcripts of these tapes, documenting Wojnarowicz's turbulent attempts to understand his anxieties and passions, and tracking his thoughts as they develop in real time.In these taped diaries, Wojnarowicz talks about his frustrations with the art world, recounts his dreams, and describes his rage, fear, and confusion about his HIV diagnosis. Primarily spanning the years 1987 and 1989, recorded as Wojnarowicz took solitary road trips around the United States or ruminated in his New York loft,the audio journals are an intimate and affecting record of an artist facing death. By turns despairing, funny, exalted, and angry, this volume covers a period largely missing from Wojnarowicz's written journals, providing us with an essential new record of a singular American voice. Audio journals that document Wojnarowicz's turbulent attempts to understand his anxieties and passions, and tracking his thoughts as they develop in real time. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Etat : new. Paperback. A memoir of gay life in 1970s Long Island by one of the leading proponents of the New Narrative movement.Fascination brings together an early memoir, Bedrooms Have Windows (1989) and a previously unpublished prose work, Bachelors Get Lonely, by the poet and novelist Kevin Killian, one of the founding members of the New Narrative movement. The two together depict the author's early years struggling to become a writer in the sexed-up, boozy, drug-ridden world of Long Island's North Shore in the 1970s.It concludes withTriangles in the Sand, a new, previously unpublished memoir of Killian's brief affair in the 1970s with the composer Arthur Russell.Fascination offers a moving and often funny view of the loneliness and desire that defined gay life of that era-a time in which Richard Nixon's resignation intersected with David Bowie's Diamond Dogs-from one of the leading voices in experimental gay writing of the past thirty years. "Move along the velvet rope," Killian writes in Bedrooms Have Windows, "run your shaky fingers past the lacquered Keith Haring graffito- 'You did not live in our time! Be Sorry!'" A memoir of gay life in 1970s Long Island by one of the leading proponents of the New Narrative movement. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Etat : new. Paperback. Selections from the work of radical feminist author Andrea Dworkin, famous for her antipornography stance and role in the feminist sex wars of the 1980s.Radical feminist author Andrea Dworkin was a caricature of misandrist extremism in the popular imagination and a polarizing figure within the women's movement, infamous for her antipornography stance and her role in the feminist sex wars of the 1980s. She still looms large in feminist demands for sexual freedom, evoked as a censorial demagogue, more than a decade after her death. Among the very first writers to use her own experiences of rape and battery in a revolutionary analysis of male supremacy, Dworkin was a philosopher outside and against the academy who wrote with a singular, apocalyptic urgency.Last Days at Hot Slit brings together selections from Dworkin's work, both fiction and nonfiction, with the aim of putting the contentious positions she's best known for in dialogue with her literary oeuvre. The collection charts her path from the militant primer Woman Hating (1974), to the formally complex polemics of Pornography (1979) and Intercourse (1987) and the raw experimentalism of her final novel Mercy (1990). It also includes "Goodbye to All This" (1983), a scathing chapter from an unpublished manuscript that calls out her feminist adversaries, and "My Suicide" (1999), a despairing long-form essay found on her hard drive after her death in 2005. Selections from the work of radical feminist author Andrea Dworkin, famous for her antipornography stance and role in the feminist sex wars of the 1980s. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Etat : Good to Very Good. 311 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. Light bump to lower page corners not affecting the text. Remainder mark top fore-edge.

Soft Cover. Etat : Very Good. First English Language Edition. 127pp, notes. Or card. A few small pencil marks on pp17-18 otherwise excellent. Size: 8vo.

Paperback. Etat : Very Good. 213 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. Remainder mark bottom fore-edge.

Paperback. Etat : new. Paperback. No more jobs, no more taxes, no more checkbook, no more bills, no more credit cards, no more credit, no more money, no more mortgages, no more rent, no more savings, no more junk mail, no more junk, no more mail, no more phones, no more faxes, no more busy signals, no more computers, no more cars, no more drivers' licenses, no more traffic lights, no more airports, no more flying, no more tickets, no more packing, no more luggage, no more supermarkets, no more health clubs.While her "current" spends the summer researching public housing in Stockholm, a moderately wealthy, object-oppressed, and terminally hip New York female of a certain age seeks adventure in the sedate dyke bars of lower Manhattan. Finding none, she answers a personal ad. She is ordered to put on a blindfold before the first meeting with the woman she knows only as "Sir." Not knowing what someone looks like turns out to be freeing, as do the escalating constraints that alienate her not just from her former life, but from her very conception of who she is. Part Georges Bataille, part Fran Leibowitz, this is the Story of O told with a self-referentially perverse sense of humor. Leash extends the logic of S&M to its inexorable and startling conclusion, darkly and hilariously revealing the masochistic impulse as the urge to disappear from the chores, obligations, and emotional vacuity of daily life. First published in 2002. "No more jobs, no more taxes, no more checkbook, no more bills, no more credit cards, no more credit, no more money, no more mortgages, no more rent, no more savings, no more junk mail, no more junk, no more mail, no more phones, no more faxes, no more busy signals, no more computers, no more cars, no more drivers' licenses, no more traffic lights, no more airports, no more flying, no more tickets, no more packing, no more luggage, no more supermarkets, no more health clubs." While her "current" spends the summer researching public housing in Stockholm, a moderately wealthy, object-oppressed, and terminally hip New York female of a certain age seeks adventure in the sedate dyke bars of lower Manhattan. Finding none, she answers a personal ad. She is ordered to put on a blindfold before the first meeting with the woman she knows only as "Sir." Not knowing what someone looks like turns out to be freeing, as do the escalating constraints that alienate her not just from her former life, but from her very conception of who she is. Part Georges Bataille, part Fran Leibowitz, this is the "Story of O" told with a self-referentially perverse sense of humor. "Leash" extends the logic of S&M to its inexorable and startling conclusion, darkly and hilariously revealing the masochistic impulse as the urge to disappear from the chores, obligations, and emotional vacuity of daily life. First published in 2002. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Etat : Very Good. 157 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. Remainder mark bottom fore-edge. This copy is a paperback with French flaps.

Paperback. Etat : Very Good. 191 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. Remainder mark bottom fore-edge. (one small dot).

Paperback. Etat : new. Paperback. Essays and stories on fashion, art, and culture in the New York of the 2010s.We were supposed to meet Rose McGowan at Cafe d'Alsace after the party, but she cancelled at the last minute. I saw on Twitter that she had been hit with a drug possession charge, which she insisted was a scheme to keep her Weinstein dirt quiet. I hadn't even read her Weinstein story.I still wanted to know that the articles were being published, and in large quantities, but reading stories of abuse and humiliation was as stupefying as a hangover. I didn't feel empowered; I only felt more hopeless. I wanted to watch the patriarchy go up in flames, but I wasn't excited about what was being pitched to replace it. If we got all of it out in the open, what would we have left? My fear was that guilt would destroy the classics and there'd be no one left to fuck. All movies would be as low-budget and as puritanical as the stuff they play on Lifetime, all of New York would look like a Target ad, every book or article would be a cathartic tell-all, and I'd be sexually frustrated but too ashamed to hook up with assholes, or even to watch porn.-from SleevelessEve Babitz meets Roland Barthes inSleeveless, Natasha Stagg's follow up toSurveys, her 2016 novel about internet fame. Composed of essays and stories commissioned by fashion, art, and culture magazines, Sleeveless is a scathing and sensitive report from New York in the 2010s. During those years, Stagg worked as an editor forVmagazine and as a consultant, creating copy for fashion brands.Through these jobs, she met and interviewed countless industry luminaries, celebrities, and artists, and learned about the quickly evolving strategies of branding.InSleeveless, she exposes the mechanics of personal identity and its monetization that propelled the narrator ofSurveysfrom a mall job in Tucson to international travel and internet fame. Essays and stories on fashion, art, and culture in the New York of the 2010s. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.