upswell publishing (613 résultats)

paperback. Etat : Very Good.

Paperback. Etat : new. Paperback. In her exquisite poems, Marjon Mossammaparast explores the physical experience of being human, bound to four dimensions, matched with the belief we are also spirit beings.And to Ecstasy is a poetic journey through space and time, projecting a transcendental element of reality. In her exquisite poems, Marjon Mossammaparast explores the physical experience of being human, bound to four dimensions, matching it with the belief we are also spirit beings. At its core, this work contemplates the desire to move beyond the limitations of bodies, into an expanded metaphysical notion of identity, carried by intuition.Mossammaparast constructs the collection, arranged in three parts, from displaced fragments and mere glimpses. Through the call and response of landscapes and countries, there is the constancy and insistence of reconciliation. This is the language of the exile- not just geographically, but a spirit constrained by the physical seeking return home.Where all that is vibrant vibratesbeyond the sticking place of namesto the borderfields where signs change their value-Split a piece of wood, and I am there;lift up the stone, and you will find me. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : new. Paperback. Our lucent teeth spark the rainbow dark.Here, we do not use words like love.Instead, we speak with hands that hold as shoulders tusslethe roughhouse rougher.In the absence of daylight,we are just two young men,silent save for giggle and shoe scuff-we do not rouse suspicion when touching.from 'Night Orchids'-In this volume, Scott-Patrick Mitchell propels us into the seething mess of the methamphetamine crisis in Australia today. These poems roil and scratch, exploring the precarious life of addiction and its sleep deprivation. From an unsteady and unsavoury life, we are released into the joy of a recovery made through sheer hard work.Even in the disintegration, the poet points us towards love and carries tenderness every day in memory. Scott-Patrick Mitchell's decades of spoken- word practice has enabled a fine tuning on the page when, for so many readers, we enter into an alien zone of unknowing.Shortlisted in the Victorian Premier's Literary Awards 2023 and the Best Book category in the Western Australian Premier's Book Awards 2023. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.66.

Paperback. Etat : new. Paperback. Meditations on parenthood, memory, death, the natural world, the fluctuations of pop culture, and the suburban grind with aplomb in a keen observational styleSam Morley's second collection comprises poetry that is image-rich, fusing the sublime with the common. Always committed to observation as a channel into discovery, You Do You merges meditations on parenthood, memory, death, the natural world and the fluctuations of pop culture and the suburban grind. The primary setting is the home, be it as a father or child or as a person perplexed by the vicissitudes of humanity. These poems start from the personal while remaining detached, and often undulate from the private world into something universal and large.'Poems with grandeur and freshness side by side. With vivid language, Sam Morley shifts easily between the past and the modern so we have our lives anew.' - Yumna Kassab'Morley's poems are precise, intense postcards - no word is wasted. Morley's sharp eye is unafraid to take 'quiet / counsel with God' he gives the reader breathing space, but always sticks the landing.'-Zenobia Frost Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : new. Paperback. Anna Jacobson mixes up the fiercely serious with the whimsical in her second book of poems, exploring a daily life of navigating small rituals and routines along with anxiety, a crippling companion.Anxious in a Sweet Store is Anna Jacobson's second illustrated poetry collection where the 'sweet', whimsical, humorous, and quirky is juxtaposed with the 'anxious' forces of mental illness within the disabling mental health 'care' system.Dip into this collection as you please, pick and choose, or devour the whole lot from start to finish. You are invited to take lessons in anxiety, play a French horn, learn how to photograph poets, and haunt a seclusion room in a psychiatric ward. Themes of food, family, dreams, and culture crystallise, while the poet's mind is fizz bang sherbet on the tongue.Anxious in a Sweet Store is an inventive collection of poems that build and enrich each other across threads of music, anxiety, and observation from a writer who wants her voice heard so others feel less alone in their experiences.'Unfolding tenderly and peppered with observational humour, Anxious in a Sweet Store is an intimate and insightful collection about the mind, about family, and about the beauty and complexity in daily life. Anna Jacobson lights up the dark. This gift of a book had me smiling and tearing up.' -Ellen van Neerven Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : new. Paperback. The Book of Falling circles around a thematic focus of falling- falling in love, falling from grace, and exploring fallen worlds in an age marked by calamity.To fall is to be human. We fall in love, fall asleep, and fall from grace. And in this epoch that we have called the Anthropocene, we are witnessing nothing less than the fall of nature.This extraordinary collection, the fifth by the prize-winning poet David McCooey, covers the full tragicomic spectrum of falling- from pratfalls to tragic demises, from accident-prone parents to ruinous celebrities.Within its unifying thematic focus, The Book of Falling is tonally and formally diverse, attending with great artistry to the calamities and absurdities of history and the contemporary world. The collection comprises of satires and elegies, inventive poetic autofictions and biofictions, and innovative photopoems, employing found photos and photographs by the author. This is a collection that welcomes its readers, even as it plunges them into new ways of understanding the beautiful, fallen worlds that we inhabit. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : new. Paperback. A collection of new work by award-winning poet Ann Shenfield. Delving into family trauma in a post-Holocaust context and informed by psychoanalysis, these poems explore identity and the frailty of the human and physical world.A Treatment presents a poetic reflection of family trauma in a post-holocaust context, which is grounded in these times. The poems articulate the past as it intersects with the present, as well as the way the present writes over what has been before, both in human and ecological terms. The writing is informed by psychoanalysis, and the aim of the work is to elucidate a version of truth or to touch on something of the ephemeral. A Treatment is about questions of identity and speaks to the frailty of both the human and physical world in all their incomprehensibility. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : new. Paperback. The wild secrets of boyhood is where Lloyd Jones sets off in his first book of poetry; intoxicated with images, and invoking dream spaces where language is forever in play.Lloyd Jones was seven years old the first time he climbed high into a grandstand to watch rugby with his father. The experience was baptismal. From his new elevated perspective Jones believed he could see everything that mattered - a field of play that rolled out, green with promise, from suburban New Zealand to the wider world.The grandstand is a guiding metaphor for these questing narrative poems that reach back into childhood and forward into the life of a writer constantly experimenting with form and voice.Jones writes of the wild secrets of boyhood - riding dogs, falling from trees, destroying the class ukuleles, learning to sail in small boats. He is alert to the airless small-town grievances that must inevitably be escaped.As an aspiring young writer Jones travelled widely, testing his identity against difference - places, people, politics and importantly, language.The more recent poems are a re-assembling of coordinates and a return to the local view. The grandstand has long been decommissioned - it's a housing estate now, but the poems are full of air and greenery. Dream spaces where language is forever in play. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : new. Paperback. Like To The Lark is a poetic Back to Mine that is diverse in form- from sonnets to new forms invented by Barnes, and in inspiration, from popular culture to classical mythology. Framed by conversations with famous artists, this collection fearlessly explores rape, illness, death, remembrance, ecology, love and joy.The long-awaited second collection from the winner of the 2015 Arts Queensland Thomas Shapcott Poetry Prize.In his stunning collection of new poetry, Stuart Barnes reimagines the poetic form and fearlessly explores topics of illness, death, rape, remembrance, ecology and love.Like To The Lark is Stuart Barnes's accumulation of lifetime fascinations with music and sound, form and transformation. Beginning with an apparition of a doomed world brooding over itself and ending with a kvelling globe, this collection plunges into seas, scoots across countries and hurtles towards space. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : new. Paperback. New poetry from the author of Anxious in a Sweet StoreAll Rage Blaze Light, Anna Jacobson's third fiery illustrated poetry collection, is for anyone who has ever needed therapy from their therapy. Join Anna in escaping darkrooms to become a colour artist, dancing with pianos resisting magnetism, surviving rentals on the same street as your therapist's office, becoming trauma's apprentice, learning to say- don't tell me how to breathe, crossing through yellow lines to paint with golden thread, and above all, witnessing how words and art can heal and provide solace.Traversing emotional registers with sharp observation and wit, Anna's poetic voice is experimental in style and form as she powerfully navigates and connects moments with light. Sharing recognition and an understanding with readers about the frustrations of seeking help, this blazing poet digs for agency. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : new. Paperback. Seeking ways to understand her chosen continent better, Belinda Probert bought a rural property outside of Melbourne to observe the land more closely and learn how to garden differently.How do we understand a country?At a time when many easy assumptions about how we live and how our society functions are being questioned there is room for contemplation of a country that is ancient, occupied for at least sixty thousand years, and young, a national federation for only twelve decades. Belinda Probert, a migrant from England sets out to question in words and action how well she understands the landscapes she has seen and the people that have shaped them. She takes with her a set of writers who have asked the same questions, or provided interpretations of our sense of belonging, to test their words against her own emerging views. Wondering how a nation of immigrants can fully settle here she decided she needed to buy a property in the 'country' so she could observe it more closely, and learn to garden differently. Trees fell on her, ants bit her, bowerbirds stole her crops, but from the exercise she discovers much more about soil, trees, water, animals and protecting herself from fire emergencies. Driving back and forth she learns to see the ancient heritage all around us, and rural industries that have destroyed and created so much. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

paperback. Etat : Very Good.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : new. Paperback. When assembling my work, I assembled myself, laid out on an autopsy table (of sorts). And soft meteorites presented itself as three themes - art, death, and friendship.In soft meteorites Nathan Shepherdson has installed a type of two-way valve that attaches the page to the flesh. Moments are emptied of words then refilled with fresh observations. The pulse quietly excludes standard angles for a free-form geometry that collects spiralling perspectives. He sings inside the silence he listens to. Meditations are a material. Sometimes lean and elegant, almost emaciated. At other times the complexities compound themselves under lingua-thermal pressure, moving very fast, jumping ship like a sailor who doesn't even know if the ocean is still there. Wry smiles are laid out like the silver-plated cake forks inherited from your grandmother, tattered velvet a warm home for memories used only on special occasions. Memory and Memoriam are primary yet differentiated blocks by which Shepherdson's body is drawn but not yet quartered. Elastic hands reach into holes that aren't there to find the ones that are.The counterbalance is in the mood and gestures Shepherdson creates, which invite and repel the chaos which parades unnoticed in its endless supply of costumes. The question mark, inverted, bristles added to its profiled dome sweeps it all away with thinking. Falling is the secondary purpose of any cliff small or large. Micro-shadows from dust disturbed form answers and shapes for capture and translation before they again settle into nothing. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Etat : New.

Paperback. Etat : new. Paperback. Memoiric essays on who we were and how we have changed.What happens when who you are is different to who you imagined you'd be?When her son was three, Brooke Boland was diagnosed with depression. She went back to find where it all started - the panic attacks, the dissociation - in the early days of motherhood. When she found it difficult to read or write.In this wide-ranging collection of essays Boland moves on from the person she was and writes to understand who she is now. She swims with sharks, falls in love with a rabbit, and watches her father fight for his life. She is a newcomer in a small regional town and a mother, but what else? She writes about family and friends, life and mortality, memory and forgetting, and along the way she finds her voice again.This book is for anyone who has felt unmoored. It is about the unremarkable in-between, the way we try to build a home from nothing, the dirty dishes and the loads of washing. The uncertainty and the love. But written in sparkling prose with a sly and wry tone that is illuminating about the everyday as it pitches for a rich and fulfilled life. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : new. Paperback. A darkly funny memoir and investigation into the charms and crimes of the untrustworthy.Romance scams, pyramid schemes, bogus debts and fake news, the world is awash with confidence tricksters and swindlers. But what happens if the fraudster is your lover?It has been said that trust is a risk masquerading as a promise and, as Hemingway suggested, 'The way to make people trust-worthy is to trust them'. Once we have fallen under the spell of malevolent hucksters, their power is real, as is the loss of self and hope when the spell breaks.A hybrid memoir and a personal detective story, Trust is an exploration of what it means to trust, why we trust, and what happens when trust is betrayed. With a particular view to fraud and corruption within the hallowed walls of sandstone universities, Ryckmans brings to light the oft subtle, brutal nature of control that fraudsters have over their victims, and shows the deep impacts their actions have on others personally and professionally. The cover up - sometimes said to be worse than the crime - has insidious effects.Trust is a fractured fable. It is darkly funny, wistful, and spare in tone and approach. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Etat : New.

Paperback. Etat : new. Paperback. The final collection from the award-winning 'poet of the Hawkesbury River'In the old days I used to think artThat was purely imagined could fly higherThan anything real. Now I feel a small flutteringBird in my own pulse, a connection to the sky.-from 'The Kingfisher's Soul'In the last year of his life, with the help of friend and poet Devin Johnston, Robert Adamson put together a selection of his writings on the natural world. Birds and Fish defines the presences in his life on the Hawkesbury River and includes excerpts from his autobiography, Inside Out, as well as essays written over the years for Fishing World; some prose poems; and journal excerpts related to his bowerbird Spinoza. Adamson's prose is vivid, precise, and draws on his life on the river and his poetic sensibility. The final book will include selected black and white photographs by Adamson's partner Juno Gemes.' Adamson is as deft and resourceful a craftsman as exists, and his poems move with a clarity and ease I find unique.' -Robert Creeley'Robert Adamson is one of Australia's national treasures.' -John Ashbery Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : new. Paperback. A beautiful work of the imagination, straddling history, memory, trauma and testimonyIn 1917, a young composer writes a suite of twenty pieces for piano. Each pass by like a gust of wind. They are short, violent and strange - the music of another world. In 1938, a young Jewish family flees Italy for Sydney, Australia. In 1942, another family, this time Polish, is nearly destroyed.Half a century later, a young man begins to understand the role the young composer's strange visions have played in everything that came before him and all that has come to be.In his first book, Simon Tedeschi applies elements - from history, memory and the body of the musician - to make a remarkable work of imagination and fractal beauty. He straddles the borders of poetry and prose, fiction and fact, trauma and testimony. Fugitive is filled with what Russian poet Konstantin Balmont called 'the fickle play of rainbows'. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : new. Paperback. Tom, our narrator, is a stranger in an intellectual community whose members experience the world by wondering how things are made and how they might be made differently.Instead of characters undergoing dramatic changes, Tom's life in this world is defined by the changing plans for these things- objects that might help people overcome injuries, virtual reality experiences that induce profound nostalgia about memories, ambiguous and ordinary robots, and failed services intended to replace the function of mirrors. Tom's job is to tell stories about the work going on in this intellectual community and to look for the unacknowledged storytelling that is already part of the world. Many of the stories Tom hears and observes involve types of people called clients, consumers and designers - all figures who in this story are bound together by the common thread of trying to make visions and aspirations tangible.Tom listens and watches people pour their practical and imaginative energies into plans for thing-projects and in the process gives centre stage to a pervasive but oddly inconspicuous aspect of what it means to be human in the world today Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : new. Paperback. By telling this story, Iain McCalman illuminates much about human-animal relations and the tyranny of gender inequality. He reinstates a twentieth century story of a dedicated amateur primatologist and her adopted Vervet monkey.On an East-African hunting expedition in 1909, Delia Akeley, a forty-year-old American woman, captured a baby female monkey. Delia's loneliness in an isolating patriarchal world, and her long-frustrated desire to adopt a child, had motivated her to nurture the animal. She named the monkey JT Jr and decided to study her interactions with humans.The unique relationship between Delia and JT unlocked Delia's latent talents of research and observation, anticipating both Jane Goodall's chimpanzee writings and Margaret Mead's Samoan ethnographies. However, Delia's love for JT clashed with her husband Carl's obsession to create a temple of African wildlife dioramas at the Museum of Natural History in New York. Nursing Carl's broken body and realising their diverging interests pushed Delia into a breakdown in Uganda, which led to a savage divorce in Manhattan, and the heartbreaking caging of JT in a Washington zoo. Carl's death triggered a long battle between Delia and Carl's widow, who succeeded in obliterating most of Delia's achievements.In Delia Akeley and the Monkey, Iain McCalman uses official records and personal documents to build a story of passionate love and hate among women, men, animals and museums that predates our times but speaks to our present. It illuminates much about human-animal relations and the tyranny of gender inequality, through reinstating an obscured story of a dedicated amateur primatologist. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : new. Paperback. A new contribution to literature that grapples with grief, death and the shape of what's left behind.Who would think to call Ophelia a corpse? She is but a woman emptied of herself.In 1993, when she was 18 years old, Dani Netherclift witnessed the drowning deaths of her father and brother in an irrigation channel in North-East Victoria. Or, she saw her father and brother disappear beneath an opaque surface and never saw these loved ones again. But also, never stopped imagining the shape of this bodily loss. Not viewing the bodies grows into a form of ambiguous loss that makes the world dangerous, making people seem liable to suddenly vanishing.What would it have been like to have seen them, after the fact? To have looked upon their bodies. To picture the emptied vessels of her father and brother is to reach toward a sense of closure; a form of magical thinking in which goodbye is made possible. Vessel pulls together a language of space and ruin, interleaving stories of what it means to lose the physical body of a person you love with a bricolage of literature, history and (vessel) translations, and the realisation that all bodies become in the end bodies of text, beautifully written palimpsests-elegies-inked on the skins of the dead. Who would think to call Ophelia a corpse? She is but a woman emptied of herself. In 1993, when she was 18 years old, Dani Netherclift witnessed the drowning deaths of her father and brother in an irrigation channel in North-East Victoria. Or, she saw her father and brother disappear beneath an opaque surface and never saw these loved ones a Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : new. Paperback. A meditation on the burden and joy of inheritance, and the strange power of the objects and keepsakes that connect us'This is how I became interested in things. In their strange pull and power; in the ways they hold on to us and we to them.'After her father dies of cancer, Gemma Nisbet is inundated with keepsakes connected to his life by family and friends. As she becomes attuned to the ways certain items can evoke specific memories or moments, she begins to ask questions about the relationships between objects and people. Why is it so difficult to discard some artefacts and not others? Does the power exerted by precious things influence the ways we remember the past and perceive the future? As Nisbet considers her father's life and begins to connect his experiences of mental illness with her own, she wonders whether hanging on to 'stuff' is ultimately a source of comfort or concern.Intimate and wide-ranging, The Things We Live With is a collection of essays about how we learn to live with the 'things' handed down in families which we carry throughout our lives- not only material objects, but also grief, memory, anxiety and depression. It's about notions of home and restlessness, inheritance and belonging - and, above all, the ways we tell our stories to ourselves and other people.'The Things We Live With is a tender cartography of grief and familial legacy, in which Gemma Nisbet elegantly explores how the maps we make-whether by story, memory, art, or artefact-inevitably fall shy of the territory.' -Josephine Rowe'What are we to make of all these things around us? And what are they to make of us? Delicately, as if unpacking a box of fragile treasures, Nisbet cups in her hands and presents us with a series of relationships- with old, loved things, with her family, and her own crushable centre. They are all, it turns out, well kept in the same box. Nisbet wraps her meditations in soft words and firm intelligence, and in this wonderful, digressive and intently considered work she uncovers the tender meaning of possessions, and what it is to be possessed by them too. As a devoted keeper of objects, I read this book with recognition and envy, and anyone who inherits, hoards, abhors or adores the relics of their lives will appreciate Nisbet's candour and contemplations.' -Kate Holden'Wise, profound and with tender humour The Things We Live With expands our thinking about the power of objects to shape our sense of self, anchor our memories, and reflect our place in the world. In these superb, engrossing essays Gemma Nisbet draws us in close as she examines what we hold onto, what we let go, and the complex relationships between the tangible and intangible. A moving portrayal of grief, love, and legacy, this is a collection to treasure.' -Vanessa Berry Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : new. Paperback. Abandon Every Hope mournfully investigates the literatures of the slaughterhouse and a world motivated by profitable death, to ultimately ask- where does this horror begin and how can it end?Can anyone smell the suffering of souls? Of sadness, of hell on earth? Hell, I imagine, has a smell that bloats into infinity. Has a nasty sting of corpses. What was it Dante wrote?Abandon Every Hope is a lament, an elegy, a deranged encyclopedia, and a diary of anxiety. How can anyone document the vastness of violence against animals in a bloated industrial age?Across a series of essays, Hayley Singer investigates the literatures of the slaughterhouse to map the contours of a world cut to pieces by organised and profitable death. A compelling debut in poetic prose, Singer asks how we may write the life of the dead; the smell of an egg factory; of multispecies PTSD; of planetary harm and self-harm- of the horror we make on earth. Where does the slaughterhouse begin and how can it end?"Singer writes with a magnificent intensity, moving between different registers in order to bear witness to the pain and suffering of the slaughterhouse." Stephanie King, Readings"Abandon Every Hope takes the form of a thanatography - an attempt to write death - which Hayley Singer describes as having a "nearness to biography." Fiona Wright, The Saturday Paper"A quietly ambitious book about suffering." Ben Brooker, Australian Book Review"Singer's skill likes in controlling the level of discomfort in the essays to the point where you feel it as a reader but don't put the book down for a breath of fresh air or a long stare out the window, reflecting on your own part in all this." Jasper Linde, The Canberra Times"Experimental and jostling in its use of poetic, lyric, academic and reflective writing styles, this book grapples with the industrial meat complex." -Stella Prize Judges comments Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Etat : very_good. This book is in Very Good condition. The cover and pages have minor shelf wear. Binding is tight and pages are intact.

Paperback. Etat : new. Paperback. A young girl navigates the joys and sorrows of rural life on the cusp of the modern world in mid-twentieth century Turkey.A close-knit family is transformed forever when its matriarch tragically dies, leaving behind a husband, Timur the blacksmith, and their three young daughters. The Blacksmith's Daughter follows the life of the eldest daughter, G l, who is growing up in rural Turkey in the 1940s and '50s.When Timur remarries, the girls' new stepmother has none of their mother's warmth, so G l feels compelled to take on the role of mother to her younger siblings. Their village upbringing is full of simple pleasures- summer evenings sat outside listening to the radio, games played in the street. But the world is evolving, and with an emerging focus on economic growth and prosperity as modernity creeps in, G l's future is unknown. Through all the hardships and uncertainty, what remains ever-constant is the close bond she shares with her father, who deeply respects and cherishes his first-born.The Blacksmith's Daughter is an enchanting glimpse into how a young girl navigates loss, identity and altered family dynamics, while her simple way of life is changing too. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : new. Paperback. Is a patrimony something we inherit or something we create? Does it mark the continuation of the past or its disappearance?Combining elements of criticism, cultural history and memoir, Patrimonies addresses the questions- How do we take from and give back to those who came before? How have their actions and choices left their mark on us? The instigation for these questions is an awareness of precariousness-people, places and histories on the brink. This is what gives George Kouvaros's essays their sense of occasion and responsibility-to those who came before and those still to come. The outcome is a form of writing that is deeply moving and alert to the tension between survival and transformation, preservation and appropriation that defines the engagements with our forebears. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Etat : New.