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Edité par Warren Editions, London, 1976
Vendeur : curtis paul books, inc., Northridge, CA, Etats-Unis
Manuscrit / Papier ancien
Manuscripts/paper collectibles. Etat : Very Good+. Broadside (403X 202 mm) printed in letterpress in black on cream paper with a wood-engraving by Reynolds Stone. Black Ink annotations by the publishers. Minor signs of handling. ; 4to 11" - 13" tall.
Edité par London: Warren Editions, 1992
Vendeur : James Fergusson Books & Manuscripts, London, Royaume-Uni
Edition originale
Soft cover. Etat : Fine. 1st Edition. 297 x 210mm; spiral-bound at head. The first of Gili's photographic calendars, a series that continued until 2006: this including photographs of Barcelona, Bruges, Oxford, Paris, Rome and Saint-Vaast-la-Hougue. Documentary film-maker and collector extraordinary, Jonathan Gili (1943-2004) was also a quirky small-press publisher who deployed his eye for design not only for books as grand as John Betjeman's Metro-Land (1977, with lithographs by Glynn Boyd Harte) but also for calendars for his sometime school-friend David Game's group of tutorial colleges, founded in 1974. His photographs are sympathetic, artful and droll, whether capturing garden shadows at Hatfield, street shadows at Le Touquet, a no-entry sign in Prague or a duck at the National Theatre; whether snapping steps in Barcelona or pepper-pots in Seattle. "The eye that gave his films an effortless beauty," wrote Nicolas Barker in Gili's Independent obituary, "made his still photography as magical. An Instamatic in his hands produced prints, in black and white and then colour, that professional photographers could envy; they made the annual David Game College calendars collectors' pieces.".
Edité par London: Warren Editions, 1992
Vendeur : James Fergusson Books & Manuscripts, London, Royaume-Uni
Edition originale
Soft cover. Etat : Fine. 1st Edition. 297 x 210mm; spiral-bound at head. Photographs of Cambridge, St Merryn, Hackfall, Jumièges, Les Andelys &c. Documentary film-maker and collector extraordinary, Jonathan Gili (1943-2004) was also a quirky small-press publisher who deployed his eye for design not only for books as grand as John Betjeman's Metro-Land (1977, with lithographs by Glynn Boyd Harte) but also for calendars for his sometime school-friend David Game's group of tutorial colleges, founded in 1974. His photographs are sympathetic, artful and droll, whether capturing garden shadows at Hatfield, street shadows at Le Touquet, a no-entry sign in Prague or a duck at the National Theatre; whether snapping steps in Barcelona or pepper-pots in Seattle. "The eye that gave his films an effortless beauty," wrote Nicolas Barker in Gili's Independent obituary, "made his still photography as magical. An Instamatic in his hands produced prints, in black and white and then colour, that professional photographers could envy; they made the annual David Game College calendars collectors' pieces.".
Edité par London: Warren Editions, 1994
Vendeur : James Fergusson Books & Manuscripts, London, Royaume-Uni
Edition originale
Soft cover. Etat : Fine. 1st Edition. 297 x 210mm; spiral-bound at head. Photographs of the US; Rockefeller Center, North Brother Island, Times Square &c. Documentary film-maker and collector extraordinary, Jonathan Gili (1943-2004) was also a quirky small-press publisher who deployed his eye for design not only for books as grand as John Betjeman's Metro-Land (1977, with lithographs by Glynn Boyd Harte) but also for calendars for his sometime school-friend David Game's group of tutorial colleges, founded in 1974. His photographs are sympathetic, artful and droll, whether capturing garden shadows at Hatfield, street shadows at Le Touquet, a no-entry sign in Prague or a duck at the National Theatre; whether snapping steps in Barcelona or pepper-pots in Seattle. "The eye that gave his films an effortless beauty," wrote Nicolas Barker in Gili's Independent obituary, "made his still photography as magical. An Instamatic in his hands produced prints, in black and white and then colour, that professional photographers could envy; they made the annual David Game College calendars collectors' pieces.".
Edité par London: Warren Editions, 1995
Vendeur : James Fergusson Books & Manuscripts, London, Royaume-Uni
Edition originale
Soft cover. Etat : Fine. 1st Edition. 297 x 210mm; spiral-bound at head. Photographs of Bridport, Oxford, Llandinam, Earls Court, Litton Cheney &c. Documentary film-maker and collector extraordinary, Jonathan Gili (1943-2004) was also a quirky small-press publisher who deployed his eye for design not only for books as grand as John Betjeman's Metro-Land (1977, with lithographs by Glynn Boyd Harte) but also for calendars for his sometime school-friend David Game's group of tutorial colleges, founded in 1974. His photographs are sympathetic, artful and droll, whether capturing garden shadows at Hatfield, street shadows at Le Touquet, a no-entry sign in Prague or a duck at the National Theatre; whether snapping steps in Barcelona or pepper-pots in Seattle. "The eye that gave his films an effortless beauty," wrote Nicolas Barker in Gili's Independent obituary, "made his still photography as magical. An Instamatic in his hands produced prints, in black and white and then colour, that professional photographers could envy; they made the annual David Game College calendars collectors' pieces.".
Edité par London: Warren Editions, 1996
Vendeur : James Fergusson Books & Manuscripts, London, Royaume-Uni
Edition originale
Soft cover. Etat : Fine. 1st Edition. 297 x 210mm; spiral-bound at head. Photographs of Skagway, Tintina Trench, Vancouver Island, Yukon, Aix-en-Provence &c. Documentary film-maker and collector extraordinary, Jonathan Gili (1943-2004) was also a quirky small-press publisher who deployed his eye for design not only for books as grand as John Betjeman's Metro-Land (1977, with lithographs by Glynn Boyd Harte) but also for calendars for his sometime school-friend David Game's group of tutorial colleges, founded in 1974. His photographs are sympathetic, artful and droll, whether capturing garden shadows at Hatfield, street shadows at Le Touquet, a no-entry sign in Prague or a duck at the National Theatre; whether snapping steps in Barcelona or pepper-pots in Seattle. "The eye that gave his films an effortless beauty," wrote Nicolas Barker in Gili's Independent obituary, "made his still photography as magical. An Instamatic in his hands produced prints, in black and white and then colour, that professional photographers could envy; they made the annual David Game College calendars collectors' pieces.".
Edité par London: Warren Editions, 1997
Vendeur : James Fergusson Books & Manuscripts, London, Royaume-Uni
Edition originale
Soft cover. Etat : Fine. 1st Edition. 297 x 210mm; spiral-bound at head. Photographs of Kensington Palace, the National Theatre, Lower Froyle, Forges-les-Eaux, San Francisco &c. Documentary film-maker and collector extraordinary, Jonathan Gili (1943-2004) was also a quirky small-press publisher who deployed his eye for design not only for books as grand as John Betjeman's Metro-Land (1977, with lithographs by Glynn Boyd Harte) but also for calendars for his sometime school-friend David Game's group of tutorial colleges, founded in 1974. His photographs are sympathetic, artful and droll, whether capturing garden shadows at Hatfield, street shadows at Le Touquet, a no-entry sign in Prague or a duck at the National Theatre; whether snapping steps in Barcelona or pepper-pots in Seattle. "The eye that gave his films an effortless beauty," wrote Nicolas Barker in Gili's Independent obituary, "made his still photography as magical. An Instamatic in his hands produced prints, in black and white and then colour, that professional photographers could envy; they made the annual David Game College calendars collectors' pieces.".
Edité par London: Warren Editions, 1998
Vendeur : James Fergusson Books & Manuscripts, London, Royaume-Uni
Edition originale
Soft cover. Etat : Fine. 1st Edition. 297 x 210mm; spiral-bound at head. Photographs of Oklahoma; Plymouth, Massachusetts; Hatfield; Brompton Cemetery; the Albert Memorial &c. Documentary film-maker and collector extraordinary, Jonathan Gili (1943-2004) was also a quirky small-press publisher who deployed his eye for design not only for books as grand as John Betjeman's Metro-Land (1977, with lithographs by Glynn Boyd Harte) but also for calendars for his sometime school-friend David Game's group of tutorial colleges, founded in 1974. His photographs are sympathetic, artful and droll, whether capturing garden shadows at Hatfield, street shadows at Le Touquet, a no-entry sign in Prague or a duck at the National Theatre; whether snapping steps in Barcelona or pepper-pots in Seattle. "The eye that gave his films an effortless beauty," wrote Nicolas Barker in Gili's Independent obituary, "made his still photography as magical. An Instamatic in his hands produced prints, in black and white and then colour, that professional photographers could envy; they made the annual David Game College calendars collectors' pieces.".
Edité par London: Warren Editions, 1999
Vendeur : James Fergusson Books & Manuscripts, London, Royaume-Uni
Edition originale
Soft cover. Etat : Fine. 1st Edition. 297 x 210mm; spiral-bound at head. Photographs of London, Oklahoma, Chinon, Paris, St Aubin-sur-Mer &c. Documentary film-maker and collector extraordinary, Jonathan Gili (1943-2004) was also a quirky small-press publisher who deployed his eye for design not only for books as grand as John Betjeman's Metro-Land (1977, with lithographs by Glynn Boyd Harte) but also for calendars for his sometime school-friend David Game's group of tutorial colleges, founded in 1974. His photographs are sympathetic, artful and droll, whether capturing garden shadows at Hatfield, street shadows at Le Touquet, a no-entry sign in Prague or a duck at the National Theatre; whether snapping steps in Barcelona or pepper-pots in Seattle. "The eye that gave his films an effortless beauty," wrote Nicolas Barker in Gili's Independent obituary, "made his still photography as magical. An Instamatic in his hands produced prints, in black and white and then colour, that professional photographers could envy; they made the annual David Game College calendars collectors' pieces.".
Edité par London: Warren Editions, 2001
Vendeur : James Fergusson Books & Manuscripts, London, Royaume-Uni
Edition originale
Soft cover. Etat : Fine. 1st Edition. 297 x 210mm; spiral-bound at head. Photographs of Brompton Cemetery, Chatsworth, Blakeney, Litton Cheney, Jumièges &c; with four decorations for the terms/seasons by Penelope Wilson. Documentary film-maker and collector extraordinary, Jonathan Gili (1943-2004) was also a quirky small-press publisher who deployed his eye for design not only for books as grand as John Betjeman's Metro-Land (1977, with lithographs by Glynn Boyd Harte) but also for calendars for his sometime school-friend David Game's group of tutorial colleges, founded in 1974. His photographs are sympathetic, artful and droll, whether capturing garden shadows at Hatfield, street shadows at Le Touquet, a no-entry sign in Prague or a duck at the National Theatre; whether snapping steps in Barcelona or pepper-pots in Seattle. "The eye that gave his films an effortless beauty," wrote Nicolas Barker in Gili's Independent obituary, "made his still photography as magical. An Instamatic in his hands produced prints, in black and white and then colour, that professional photographers could envy; they made the annual David Game College calendars collectors' pieces.".
Edité par London: Warren Editions, 2002
Vendeur : James Fergusson Books & Manuscripts, London, Royaume-Uni
Edition originale
Soft cover. Etat : Fine. 1st Edition. 297 x 210mm; spiral-bound at head. Photographs of St Pancras, Fleet Street, Windsor Great Park, the Somme &c. Documentary film-maker and collector extraordinary, Jonathan Gili (1943-2004) was also a quirky small-press publisher who deployed his eye for design not only for books as grand as John Betjeman's Metro-Land (1977, with lithographs by Glynn Boyd Harte) but also for calendars for his sometime school-friend David Game's group of tutorial colleges, founded in 1974. His photographs are sympathetic, artful and droll, whether capturing garden shadows at Hatfield, street shadows at Le Touquet, a no-entry sign in Prague or a duck at the National Theatre; whether snapping steps in Barcelona or pepper-pots in Seattle. "The eye that gave his films an effortless beauty," wrote Nicolas Barker in Gili's Independent obituary, "made his still photography as magical. An Instamatic in his hands produced prints, in black and white and then colour, that professional photographers could envy; they made the annual David Game College calendars collectors' pieces.".
Edité par London: Warren Editions, 2003
Vendeur : James Fergusson Books & Manuscripts, London, Royaume-Uni
Edition originale
Soft cover. Etat : Fine. 1st Edition. 297 x 210mm; spiral-bound at head. Photographs of Arsoli, Carlisle, London, Paris, Rome, Thrumpton &c. Documentary film-maker and collector extraordinary, Jonathan Gili (1943-2004) was also a quirky small-press publisher who deployed his eye for design not only for books as grand as John Betjeman's Metro-Land (1977, with lithographs by Glynn Boyd Harte) but also for calendars for his sometime school-friend David Game's group of tutorial colleges, founded in 1974. His photographs are sympathetic, artful and droll, whether capturing garden shadows at Hatfield, street shadows at Le Touquet, a no-entry sign in Prague or a duck at the National Theatre; whether snapping steps in Barcelona or pepper-pots in Seattle. "The eye that gave his films an effortless beauty," wrote Nicolas Barker in Gili's Independent obituary, "made his still photography as magical. An Instamatic in his hands produced prints, in black and white and then colour, that professional photographers could envy; they made the annual David Game College calendars collectors' pieces." Gili died on 1 October 2004: his photograph for the month is of a table set plainly for dinner, the Italian evening sun streaming in through the wide-open window and casting long, delicate wineglass shadows.
Edité par London: Warren Editions, 2005
Vendeur : James Fergusson Books & Manuscripts, London, Royaume-Uni
Edition originale
Soft cover. Etat : Fine. 1st Edition. 297 x 210mm; spiral-bound at head. Photographs of Prague, London, the Gare de Lyon, Thrumpton, Veules-les-Roses &c. Documentary film-maker and collector extraordinary, Jonathan Gili (1943-2004) was also a quirky small-press publisher who deployed his eye for design not only for books as grand as John Betjeman's Metro-Land (1977, with lithographs by Glynn Boyd Harte) but also for calendars for his sometime school-friend David Game's group of tutorial colleges, founded in 1974. His photographs are sympathetic, artful and droll, whether capturing garden shadows at Hatfield, street shadows at Le Touquet, a no-entry sign in Prague or a duck at the National Theatre; whether snapping steps in Barcelona or pepper-pots in Seattle. "The eye that gave his films an effortless beauty," wrote Nicolas Barker in Gili's Independent obituary, "made his still photography as magical. An Instamatic in his hands produced prints, in black and white and then colour, that professional photographers could envy; they made the annual David Game College calendars collectors' pieces." The last of Gili's David Game College calendars. He died in October 2004; additional credit is given to Daisy Gili and Anna MacDonald.
Edité par London, UK: Curtis Warren, 1952, 1st Edition, First Printing, London, England, 1952
Edition originale
Soft Cover. Etat : Very Good (see description). Uncredited Cover Art (illustrateur). First Edition. -----------( 1st Printing of the First Edition ) ---paperback, about 5 x 7.25 inches, a solid Good example, light wear and rubbing, browning to the paper as usually seen, some light flaking to edges, cover crease, any image directly beside this listing is the actual book and not a generic photo ///NOT SIGNED ---GUARANTEED to be AVAILABLE/// ---size is approximate ( generally within 1/8 inch)--- Size: 5w x 7.25h Inches. Not Signed.
Edité par London : Warren Editions,, 1983
Vendeur : Our Kind Of Books, Liphook, Royaume-Uni
Livre Edition originale
Soft cover. Etat : Very Good. No Jacket. 1st Edition. This rare first edition is in very good condition. Some fading to the cover as shown in the photo. Internally excellent and fine with pages free from signs of wear.
Edité par Warren Editions Christmas 1981, London, 1981
ISBN 10 : 0950596930ISBN 13 : 9780950596938
Vendeur : Attic Books (ABAC, ILAB), London, ON, Canada
Livre Signé
Etat : Very good +. Edition of 750 copies. 1 b&w photo. Booklet in green paper covers. Faint soiling to front. Signed by the author on colophon. Eulogy given for Reynolds Stone - stone carver, lettering artist, wood engraver.
Edité par London: Warren Editions, 1990
Vendeur : James Fergusson Books & Manuscripts, London, Royaume-Uni
Edition originale
Soft cover. Etat : Fine. 1st Edition. 297 x 210mm; spiral-bound at head. Produced at the September Press. Documentary film-maker and collector extraordinary, Jonathan Gili (1943-2004) was also a quirky small-press publisher who deployed his eye for design not only for books as grand as John Betjeman's Metro-Land (1977, with lithographs by Glynn Boyd Harte) but also for calendars for his sometime school-friend David Game's group of tutorial colleges, founded in 1974. Latterly, he used his own artful photographs; his early calendars deployed a talented team of illustrators. Peter Bailey is perhaps best known for his work with Philip Pullman.
Edité par London: Warren Editions, 2000
Vendeur : James Fergusson Books & Manuscripts, London, Royaume-Uni
Edition originale
Soft cover. Etat : Fine. 1st Edition. 297 x 210mm; spiral-bound at head. Photographs of Houston, Holywood, London, New York, Le Touquet &c; with four decorations for the terms/seasons by Hannah Firmin. Documentary film-maker and collector extraordinary, Jonathan Gili (1943-2004) was also a quirky small-press publisher who deployed his eye for design not only for books as grand as John Betjeman's Metro-Land (1977, with lithographs by Glynn Boyd Harte) but also for calendars for his sometime school-friend David Game's group of tutorial colleges, founded in 1974. His photographs are sympathetic, artful and droll, whether capturing garden shadows at Hatfield, street shadows at Le Touquet, a no-entry sign in Prague or a duck at the National Theatre; whether snapping steps in Barcelona or pepper-pots in Seattle. "The eye that gave his films an effortless beauty," wrote Nicolas Barker in Gili's Independent obituary, "made his still photography as magical. An Instamatic in his hands produced prints, in black and white and then colour, that professional photographers could envy; they made the annual David Game College calendars collectors' pieces.".
Edité par London: Warren Editions, 2004
Vendeur : James Fergusson Books & Manuscripts, London, Royaume-Uni
Soft cover. Etat : Fine. 297 x 210mm; spiral-bound at head. Photographs of London, Dawson City, Wytham, Tisbury, Angoulême &c. Documentary film-maker and collector extraordinary, Jonathan Gili (1943-2004) was also a quirky small-press publisher who deployed his eye for design not only for books as grand as John Betjeman's Metro-Land (1977, with lithographs by Glynn Boyd Harte) but also for calendars for his sometime school-friend David Game's group of tutorial colleges, founded in 1974. His photographs are sympathetic, artful and droll, whether capturing garden shadows at Hatfield, street shadows at Le Touquet, a no-entry sign in Prague or a duck at the National Theatre; whether snapping steps in Barcelona or pepper-pots in Seattle. "The eye that gave his films an effortless beauty," wrote Nicolas Barker in Gili's Independent obituary, "made his still photography as magical. An Instamatic in his hands produced prints, in black and white and then colour, that professional photographers could envy; they made the annual David Game College calendars collectors' pieces." Gili died in October 2004; additional credit is given to Daisy Gili and Anna MacDonald.
Edité par London: Warren Editions, 1984
Vendeur : James Fergusson Books & Manuscripts, London, Royaume-Uni
Edition originale
Soft cover. Etat : Fine. 1st Edition. 297 x 210mm; spiral-bound at head. "These vinyl cuts by Hannah Firmin originally appeared in Living during 1984." Printed by Skelton's Press; produced by the September Press. Documentary film-maker and collector extraordinary, Jonathan Gili (1943-2004) was also a quirky small-press publisher who deployed his eye for design not only for books as grand as John Betjeman's Metro-Land (1977, with lithographs by Glynn Boyd Harte) but also for calendars for his sometime school-friend David Game's group of tutorial colleges, founded in 1974. Latterly, he used his own artful photographs; his early calendars deployed a talented team of illustrators. Hannah Firmin is best known for her book covers for Alexander McCall Smith's No. 1 Ladies' Detectives Agency series.
Edité par London: Warren Editions, 1986
Vendeur : James Fergusson Books & Manuscripts, London, Royaume-Uni
Edition originale
Soft cover. Etat : Fine. 1st Edition. 297 x 210mm; spiral-bound at head. Produced at the September Press. Documentary film-maker and collector extraordinary, Jonathan Gili (1943-2004) was also a quirky small-press publisher who deployed his eye for design not only for books as grand as John Betjeman's Metro-Land (1977, with lithographs by Glynn Boyd Harte) but also for calendars for his sometime school-friend David Game's group of tutorial colleges, founded in 1974. Latterly, he used his own artful photographs; his early calendars deployed a talented team of illustrators. These drawings by Peter Brookes were reproduced from The Sunday Times, The Times, Radio Times and The Listener.
Edité par Warren House Press 1st first English Edition, London, 1982
Vendeur : Abbey Antiquarian Books, Blockley, GLOS, Royaume-Uni
Etat : Very Good. Etat de la jaquette : Very Good. Frontis portrait. Octavo plum cloth in dust jacket (tips bumped) 56pp inscription to half title else clean and tight. Poetry. 1 volume. Hardcover.
Edité par London: Warren Editions, 1976
Vendeur : Barry McKay Rare Books, Appleby-in-Westmorland, CUMBR, Royaume-Uni
Membre d'association : PBFA
Art / Affiche / Gravure
Broadside (403x202mm), printed in letterpress in black on wove paper with a wood-engraving by Reynolds Stone at the head. Some ink annotations by the publishers at the end of the printed text. Very slightly creased at the edges otherwise in good state.
Edité par Published by Zachary Kwintner Books Ltd., 6/7 Warren Mews, London First Thus Edition . 1991., 1991
Vendeur : Little Stour Books PBFA Member, Canterbury, Royaume-Uni
Membre d'association : PBFA
Hard back binding in publisher's original green paper covers, black lettering to the spine and the upper panel. Folio 13½'' x 10'' 119 pages. ISBN 1872532403. Four tipped-in colour plates, colour and monochrome illustrations throughout. Fine condition book in Very Good condition dust wrapper with small dent mark to lower cover, shallow rubs across spine tips and corners, spine not faded. Member of the P.B.F.A. ART [French].
Edité par Warren Editions, London, 1983
Vendeur : Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, Etats-Unis
Edition originale
Softcover. Etat : Fine. First edition. Fine in wrappers. One of 300 numbered copies.
Edité par Warren Editions, London, 1983
Vendeur : Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, Etats-Unis
Edition originale
Softcover. Etat : Fine. Etat de la jaquette : Fine. First edition. Introduction by Philip Larkin. Preface by Pennie Denton. Illustrated by John Piper, Phillida Gili, and Glynn Boyd Harte. Narrow small quarto. [32]pp. Fine in unprinted wrappers and integral printed dust jacket. One of 300 numbered copies (of 380 total). A catalogue of works by John Betjeman from the collection of Ray Carter, shown in London in 1983. Includes an unpublished poem by Betjeman.
Edité par Warren Editions, London S W 10, 1976
Vendeur : The Sanctuary Bookshop., Lyme Regis, Royaume-Uni
Edition originale
First And Only. A delightful little 16 pp pocket poetry edition 10 x 14 cms, all original softbound stapled, staples howing minor rusting. "With a Latin translation by E D Stone and an Introduction by Reynolds Stone". One of 500 copies only.,
Edité par Warren Editions, (London), 1981
ISBN 10 : 0950596930ISBN 13 : 9780950596938
Vendeur : Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, Etats-Unis
Livre Edition originale Signé
Softcover. Etat : Fine. First edition. Slim octavo. [12]pp. Frontispiece portrait of Stone and two small designs printed from the original blocks. Plain sewn wrappers and printed dust jacket. A fine copy. Printed in an edition of 750 copies. Signed by Murdoch on the limitation page.
Edité par London: Warren Editions, 1987
Vendeur : James Fergusson Books & Manuscripts, London, Royaume-Uni
Edition originale
Soft cover. Etat : Fine. 1st Edition. 297 x 210mm; spiral-bound at head. Produced at the September Press. Documentary film-maker and collector extraordinary, Jonathan Gili (1943-2004) was also a quirky small-press publisher who deployed his eye for design not only for books as grand as John Betjeman's Metro-Land (1977, with lithographs by Glynn Boyd Harte) but also for calendars for his sometime school-friend David Game's group of tutorial colleges, founded in 1974. Latterly, he used his own artful photographs; his early calendars deployed a talented team of illustrators. Christopher Brown applied himself to linocuts at the suggestion of Edward Bawden, who is a benign and obvious influence.
Edité par Warren Editions, London, 1976, 1976
Vendeur : ROBIN SUMMERS BOOKS LTD, Aldeburgh, Royaume-Uni
Edition originale
Etat : Very Good. First edition. Hardback. Limited to 250 copies. Slight spine fading otherwise near fine in lightly used, near fine slip-case.