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Edité par Columbia University Press, 2011
ISBN 10 : 0231144644ISBN 13 : 9780231144643
Vendeur : HPB-Red, Dallas, TX, Etats-Unis
Livre
hardcover. Etat : Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!.
Edité par Columbia University Press, 2011
ISBN 10 : 0231144644ISBN 13 : 9780231144643
Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Livre
Hardcover. Etat : Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
Edité par Columbia University Press, 2011
ISBN 10 : 0231144644ISBN 13 : 9780231144643
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Livre
Etat : New.
Edité par Columbia University Press, 2011
ISBN 10 : 0231144644ISBN 13 : 9780231144643
Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
Livre
HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.
Edité par Columbia University Press, 2011
ISBN 10 : 0231144644ISBN 13 : 9780231144643
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Livre
Etat : As New. Unread book in perfect condition.
Edité par Columbia University Press, 2011
ISBN 10 : 0231144644ISBN 13 : 9780231144643
Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Livre
Etat : New. Series: Film and Culture Series. Num Pages: 304 pages, 29 images, 1 table. BIC Classification: 1KBB; APF; JFCA. Category: (P) Professional & Vocational. Dimension: 229 x 152 x 20. Weight in Grams: 454. . 2011. Hardcover. . . . .
Edité par Columbia University Press, 2011
ISBN 10 : 0231144644ISBN 13 : 9780231144643
Vendeur : Brook Bookstore, Milano, MI, Italie
Livre
Etat : new.
Edité par Columbia University Press 2011-05-03, New York |Chichester, 2011
ISBN 10 : 0231144644ISBN 13 : 9780231144643
Vendeur : Blackwell's, London, Royaume-Uni
Livre
hardback. Etat : New. Language: ENG.
Edité par Columbia University Press, 2011
ISBN 10 : 0231144644ISBN 13 : 9780231144643
Vendeur : GreatBookPricesUK, Castle Donington, DERBY, Royaume-Uni
Livre
Etat : New.
Edité par Columbia University Press, 2011
ISBN 10 : 0231144644ISBN 13 : 9780231144643
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
Livre
HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.
Edité par Columbia University Press, 2011
ISBN 10 : 0231144644ISBN 13 : 9780231144643
Vendeur : THE SAINT BOOKSTORE, Southport, Royaume-Uni
Livre
Hardback. Etat : New. New copy - Usually dispatched within 4 working days.
Edité par Columbia University Press 2011-05-03, 2011
ISBN 10 : 0231144644ISBN 13 : 9780231144643
Vendeur : Chiron Media, Wallingford, Royaume-Uni
Livre
Hardcover. Etat : New.
Edité par Columbia University Press, 2011
ISBN 10 : 0231144644ISBN 13 : 9780231144643
Vendeur : booksXpress, Bayonne, NJ, Etats-Unis
Livre impression à la demande
Hardcover. Etat : new. This item is printed on demand.
Edité par Columbia University Press, 2011
ISBN 10 : 0231144644ISBN 13 : 9780231144643
Vendeur : GreatBookPricesUK, Castle Donington, DERBY, Royaume-Uni
Livre
Etat : As New. Unread book in perfect condition.
Edité par Columbia University Press, 2011
ISBN 10 : 0231144644ISBN 13 : 9780231144643
Vendeur : Lucky's Textbooks, Dallas, TX, Etats-Unis
Livre
Etat : New.
Edité par Columbia University Press, 2011
ISBN 10 : 0231144644ISBN 13 : 9780231144643
Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Livre
Etat : New. Series: Film and Culture Series. Num Pages: 304 pages, 29 images, 1 table. BIC Classification: 1KBB; APF; JFCA. Category: (P) Professional & Vocational. Dimension: 229 x 152 x 20. Weight in Grams: 454. . 2011. Hardcover. . . . . Books ship from the US and Ireland.
Edité par Columbia Univ Pr, 2011
ISBN 10 : 0231144644ISBN 13 : 9780231144643
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Livre
Hardcover. Etat : Brand New. 296 pages. 9.50x6.50x1.00 inches. In Stock.
Edité par Columbia University Press, 2011
ISBN 10 : 0231144644ISBN 13 : 9780231144643
Vendeur : moluna, Greven, Allemagne
Livre
Etat : New. Über den AutorMichael Z. Newman is an assistant professor of media studies in the Department of Journalism and Mass Communication at the University of Wisconsin-Milwaukee. He blogs at zigzigger.blogspot.com.Inhaltsverzei.
Edité par Columbia University Press, 2011
ISBN 10 : 0231144644ISBN 13 : 9780231144643
Vendeur : THE SAINT BOOKSTORE, Southport, Royaume-Uni
Livre impression à la demande
Hardback. Etat : New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Edité par Columbia University Press, New York, 2011
ISBN 10 : 0231144644ISBN 13 : 9780231144643
Vendeur : CitiRetail, Stevenage, Royaume-Uni
Livre
Hardcover. Etat : new. Hardcover. America's independent films often seem to defy classification. Their strategies of storytelling and representation range from raw, no-budget projects to more polished releases of Hollywood's "specialty" divisions. Yet understanding American indies involves more than just considering films. Filmmakers, distributors, exhibitors, festivals, critics, and audiences all shape the art's identity, which is always understood in relation to the Hollywood mainstream.By locating the American indie film in the historical context of the "Sundance-Miramax" era (the mid-1980s to the end of the 2000s), Michael Z. Newman considers indie cinema as an alternative American film culture. His work isolates patterns of character and realism, formal play, and oppositionality and the functions of the festivals, art houses, and critical media promoting them. He also accounts for the power of audiences to identify indie films in distinction to mainstream Hollywood and to seek socially emblematic characters and playful form in their narratives. Analyzing films such as Welcome to the Dollhouse (1996), Lost in Translation (2003), Pulp Fiction (1994), and Juno (2007), along with the work of Nicole Holofcener, Jim Jarmusch, John Sayles, Steven Soderbergh, and the Coen brothers, Newman investigates the conventions that cast indies as culturally legitimate works of art. He binds these diverse works together within a cluster of distinct viewing strategies and invites a reevaluation of the difference of independent cinema and its relationship to class and taste culture. America's independent films often seem to defy classification. Their strategies of storytelling and representation range from raw, no-budget projects to more polished releases of Hollywood's "specialty" divisions. Yet understanding American indies involves more than just considering films. Filmmakers, distributors, exhibitors, festivals, critics, and audiences all shape the art's identity, which is always understood in relation to the Hollywood mainstream. By locating the American indie film in the historical context of the "Sundance-Miramax" era (the mid-1980s to the end of the 2000s), Michael Z. Newman considers indie cinema as an alternative American film culture. His work isolates patterns of character and realism, formal play, and oppositionality and the functions of the festivals, art houses, and critical media promoting them. He also accounts for the power of audiences to identify indie films in distinction to mainstream Hollywood and to seek socially emblematic characters and playful form in their narratives. Analyzing films such as Welcome to the Dollhouse (1996), Lost in Translation (2003), Pulp Fiction (1994), and Juno (2007), along with the work of Nicole Holofcener, Jim Jarmusch, John Sayles, Steven Soderbergh, and the Coen brothers, Newman investigates the conventions that cast indies as culturally legitimate works of art. He binds these diverse works together within a cluster of distinct viewing strategies and invites a reevaluation of the difference of independent cinema and its relationship to class and taste culture. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Edité par Columbia University Press, New York, 2011
ISBN 10 : 0231144644ISBN 13 : 9780231144643
Vendeur : AussieBookSeller, Truganina, VIC, Australie
Livre
Hardcover. Etat : new. Hardcover. America's independent films often seem to defy classification. Their strategies of storytelling and representation range from raw, no-budget projects to more polished releases of Hollywood's "specialty" divisions. Yet understanding American indies involves more than just considering films. Filmmakers, distributors, exhibitors, festivals, critics, and audiences all shape the art's identity, which is always understood in relation to the Hollywood mainstream.By locating the American indie film in the historical context of the "Sundance-Miramax" era (the mid-1980s to the end of the 2000s), Michael Z. Newman considers indie cinema as an alternative American film culture. His work isolates patterns of character and realism, formal play, and oppositionality and the functions of the festivals, art houses, and critical media promoting them. He also accounts for the power of audiences to identify indie films in distinction to mainstream Hollywood and to seek socially emblematic characters and playful form in their narratives. Analyzing films such as Welcome to the Dollhouse (1996), Lost in Translation (2003), Pulp Fiction (1994), and Juno (2007), along with the work of Nicole Holofcener, Jim Jarmusch, John Sayles, Steven Soderbergh, and the Coen brothers, Newman investigates the conventions that cast indies as culturally legitimate works of art. He binds these diverse works together within a cluster of distinct viewing strategies and invites a reevaluation of the difference of independent cinema and its relationship to class and taste culture. America's independent films often seem to defy classification. Their strategies of storytelling and representation range from raw, no-budget projects to more polished releases of Hollywood's "specialty" divisions. Yet understanding American indies involves more than just considering films. Filmmakers, distributors, exhibitors, festivals, critics, and audiences all shape the art's identity, which is always understood in relation to the Hollywood mainstream. By locating the American indie film in the historical context of the "Sundance-Miramax" era (the mid-1980s to the end of the 2000s), Michael Z. Newman considers indie cinema as an alternative American film culture. His work isolates patterns of character and realism, formal play, and oppositionality and the functions of the festivals, art houses, and critical media promoting them. He also accounts for the power of audiences to identify indie films in distinction to mainstream Hollywood and to seek socially emblematic characters and playful form in their narratives. Analyzing films such as Welcome to the Dollhouse (1996), Lost in Translation (2003), Pulp Fiction (1994), and Juno (2007), along with the work of Nicole Holofcener, Jim Jarmusch, John Sayles, Steven Soderbergh, and the Coen brothers, Newman investigates the conventions that cast indies as culturally legitimate works of art. He binds these diverse works together within a cluster of distinct viewing strategies and invites a reevaluation of the difference of independent cinema and its relationship to class and taste culture. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Edité par Columbia University Press, 2011
ISBN 10 : 0231144644ISBN 13 : 9780231144643
Vendeur : Iridium_Books, DH, SE, Espagne
Livre
Hardcover. Etat : Good. 0231144644.