Type d'article
Etat
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Evaluation du vendeur
Edité par Columbia University Press, 2011
ISBN 10 : 0231152795ISBN 13 : 9780231152792
Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Livre
Etat : Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Edité par Columbia University Press, 2011
ISBN 10 : 0231152795ISBN 13 : 9780231152792
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Livre
Etat : As New. Unread book in perfect condition.
Edité par Columbia University Press, 2011
ISBN 10 : 0231152795ISBN 13 : 9780231152792
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Livre
Etat : New.
Edité par Columbia University Press, 2012
ISBN 10 : 0231152795ISBN 13 : 9780231152792
Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
Livre
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.
Edité par Columbia University Press, 2011
ISBN 10 : 0231152795ISBN 13 : 9780231152792
Vendeur : booksXpress, Bayonne, NJ, Etats-Unis
Livre
Soft Cover. Etat : new.
Edité par Columbia University Press, 2011
ISBN 10 : 0231152795ISBN 13 : 9780231152792
Vendeur : GF Books, Inc., Hawthorne, CA, Etats-Unis
Livre
Etat : Good. Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting.
Edité par Columbia University Press, 2011
ISBN 10 : 0231152795ISBN 13 : 9780231152792
Vendeur : Ergodebooks, Houston, TX, Etats-Unis
Livre
Paperback. Etat : Used: Good.
Edité par Columbia University Press, 2011
ISBN 10 : 0231152795ISBN 13 : 9780231152792
Vendeur : THE SAINT BOOKSTORE, Southport, Royaume-Uni
Livre
Paperback / softback. Etat : New. New copy - Usually dispatched within 4 working days.
Edité par Columbia University Press, 2011
ISBN 10 : 0231152795ISBN 13 : 9780231152792
Vendeur : Ria Christie Collections, Uxbridge, Royaume-Uni
Livre
Etat : New. In.
Edité par Columbia Univ Pr, 2011
ISBN 10 : 0231152795ISBN 13 : 9780231152792
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Livre
Paperback. Etat : Brand New. 88 pages. 7.75x5.00x0.50 inches. In Stock.
Edité par Columbia University Press, 2012
ISBN 10 : 0231152795ISBN 13 : 9780231152792
Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Livre
Etat : New. Series: The Wellek Library Lectures. Num Pages: 104 pages, 38 illustrations. BIC Classification: ABA; HPN; JFC. Category: (P) Professional & Vocational. Dimension: 167 x 204 x 9. Weight in Grams: 176. . 2011. Paperback. . . . .
Edité par Columbia University Press, 2011
ISBN 10 : 0231152795ISBN 13 : 9780231152792
Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Livre
Etat : New. Series: The Wellek Library Lectures. Num Pages: 104 pages, 38 illustrations. BIC Classification: ABA; HPN; JFC. Category: (P) Professional & Vocational. Dimension: 167 x 204 x 9. Weight in Grams: 176. . 2011. Paperback. . . . . Books ship from the US and Ireland.
Edité par Columbia University Press, 2011
ISBN 10 : 0231152795ISBN 13 : 9780231152792
Vendeur : GreatBookPricesUK, Castle Donington, DERBY, Royaume-Uni
Livre
Etat : New.
Edité par Columbia University Press, 2011
ISBN 10 : 0231152795ISBN 13 : 9780231152792
Vendeur : GreatBookPricesUK, Castle Donington, DERBY, Royaume-Uni
Livre
Etat : As New. Unread book in perfect condition.
Edité par Columbia University Press, 2012
ISBN 10 : 0231152795ISBN 13 : 9780231152792
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
Livre
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.
Edité par Columbia University Press, New York, 2011
ISBN 10 : 0231152795ISBN 13 : 9780231152792
Vendeur : AussieBookSeller, Truganina, VIC, Australie
Livre
Paperback. Etat : new. Paperback. Many on the left lament an apathy or amnesia toward recent acts of war. Particularly during the George W. Bush administration's invasion of Iraq, opposition to war seemed to lack the heat and potency of the 1960s and 1970s, giving the impression that passionate dissent was all but dead. Through an analysis of three politically engaged works of art, Rosalyn Deutsche argues against this melancholic attitude, confirming the power of contemporary art to criticize subjectivity as well as war. Deutsche selects three videos centered on the deployment of the atomic bomb: Krzysztof Wodiczko's Hiroshima Projection (1999), made after the first Gulf War; Silvia Kolbowski's After Hiroshima mon amour (2005-2008); and Leslie Thornton's Let Me Count the Ways (2004-2008), which followed the U.S. invasion of Iraq. Each of these works confronts the ethical task of addressing historical disaster, and each explores the intersection of past and present wars. These artworks profoundly contribute to the discourse of war resistance, illuminating the complex dynamics of viewing and interpretation. Deutsche employs feminist and psychoanalytic approaches in her study, questioning both the role of totalizing images in the production of warlike subjects and the fantasies that perpetuate, especially among the left, traditional notions of political dissent. She ultimately reveals the passive collusion between leftist critique and dominant discourse in which personal dimensions of war are denied. Many lament an apathy or amnesia toward recent acts of war. Particularly during the George W. Bush administration's invasion of Iraq, opposition to war seemed to lack the heat and potency of the 1960s and 1970s, giving the impression that passionate dissent was all but dead. Through an analysis of three politically engaged works of art, Rosalyn Deutsche argues against this melancholic attitude, confirming the power of contemporary art to criticize subjectivity as well as war. Deutsche selects three videos centered on the deployment of the atomic bomb: Krzysztof Wodiczko's Hiroshima Projection (1999), completed after the first Gulf War; Silvia Kolbowski's After Hiroshima mon amour (2005-2008); and Leslie Thornton's Let Me Count the Ways (2004-2008), which followed the U.S. invasion of Iraq. Each of these works confronts the ethical task of addressing historical disaster, and each explores the intersection of past and present wars. These artworks profoundly contribute to the discourse of war resistance, illuminating the complex dynamics of viewing and interpretation. Deploying feminist and psychoanalytic approaches, Deutsche questions both the role of totalizing images in the production of warlike subjects and the fantasies that perpetuate, especially among the left, traditional notions of political dissent. She ultimately reveals the passive collusion between leftist critique and dominant discourse, in which the personal dimensions of war are denied. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Edité par Columbia University Press, New York, 2011
ISBN 10 : 0231152795ISBN 13 : 9780231152792
Vendeur : CitiRetail, Stevenage, Royaume-Uni
Livre
Paperback. Etat : new. Paperback. Many on the left lament an apathy or amnesia toward recent acts of war. Particularly during the George W. Bush administration's invasion of Iraq, opposition to war seemed to lack the heat and potency of the 1960s and 1970s, giving the impression that passionate dissent was all but dead. Through an analysis of three politically engaged works of art, Rosalyn Deutsche argues against this melancholic attitude, confirming the power of contemporary art to criticize subjectivity as well as war. Deutsche selects three videos centered on the deployment of the atomic bomb: Krzysztof Wodiczko's Hiroshima Projection (1999), made after the first Gulf War; Silvia Kolbowski's After Hiroshima mon amour (2005-2008); and Leslie Thornton's Let Me Count the Ways (2004-2008), which followed the U.S. invasion of Iraq. Each of these works confronts the ethical task of addressing historical disaster, and each explores the intersection of past and present wars. These artworks profoundly contribute to the discourse of war resistance, illuminating the complex dynamics of viewing and interpretation. Deutsche employs feminist and psychoanalytic approaches in her study, questioning both the role of totalizing images in the production of warlike subjects and the fantasies that perpetuate, especially among the left, traditional notions of political dissent. She ultimately reveals the passive collusion between leftist critique and dominant discourse in which personal dimensions of war are denied. Many lament an apathy or amnesia toward recent acts of war. Particularly during the George W. Bush administration's invasion of Iraq, opposition to war seemed to lack the heat and potency of the 1960s and 1970s, giving the impression that passionate dissent was all but dead. Through an analysis of three politically engaged works of art, Rosalyn Deutsche argues against this melancholic attitude, confirming the power of contemporary art to criticize subjectivity as well as war. Deutsche selects three videos centered on the deployment of the atomic bomb: Krzysztof Wodiczko's Hiroshima Projection (1999), completed after the first Gulf War; Silvia Kolbowski's After Hiroshima mon amour (2005-2008); and Leslie Thornton's Let Me Count the Ways (2004-2008), which followed the U.S. invasion of Iraq. Each of these works confronts the ethical task of addressing historical disaster, and each explores the intersection of past and present wars. These artworks profoundly contribute to the discourse of war resistance, illuminating the complex dynamics of viewing and interpretation. Deploying feminist and psychoanalytic approaches, Deutsche questions both the role of totalizing images in the production of warlike subjects and the fantasies that perpetuate, especially among the left, traditional notions of political dissent. She ultimately reveals the passive collusion between leftist critique and dominant discourse, in which the personal dimensions of war are denied. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Edité par Columbia University Press, 2011
ISBN 10 : 0231152795ISBN 13 : 9780231152792
Vendeur : Iridium_Books, DH, SE, Espagne
Livre
PAPERBACK. Etat : Good. 0231152795.