Type d'article
Etat
Reliure
Particularités
Pays
Evaluation du vendeur
Edité par MIT Press, 2004
ISBN 10 : 0262572230ISBN 13 : 9780262572231
Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
Livre
Paperback. Etat : Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 1.5.
Edité par The MIT Press, 2004
ISBN 10 : 0262572230ISBN 13 : 9780262572231
Vendeur : Bellwetherbooks, McKeesport, PA, Etats-Unis
Livre
paperback. Etat : Good. Crease to Cover and Pages.
Edité par The MIT Press, 2004
ISBN 10 : 0262572230ISBN 13 : 9780262572231
Vendeur : HPB-Red, Dallas, TX, Etats-Unis
Livre
paperback. Etat : Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!.
Edité par The MIT Press, 2004
ISBN 10 : 0262572230ISBN 13 : 9780262572231
Vendeur : Book Deals, Tucson, AZ, Etats-Unis
Livre
Etat : Fair. Acceptable/Fair condition. Book is worn, but the pages are complete, and the text is legible. Has wear to binding and pages, may be ex-library. 1.6.
Edité par The MIT Press, 2004
ISBN 10 : 0262572230ISBN 13 : 9780262572231
Vendeur : Books Unplugged, Amherst, NY, Etats-Unis
Livre
Etat : Fair. Buy with confidence! Book is in acceptable condition with wear to the pages, binding, and some marks within 1.6.
Edité par The MIT Press, 2004
ISBN 10 : 0262572230ISBN 13 : 9780262572231
Vendeur : GF Books, Inc., Hawthorne, CA, Etats-Unis
Livre
Etat : Good. Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. 1.6.
Edité par MIT Press, 2004
ISBN 10 : 0262572230ISBN 13 : 9780262572231
Vendeur : Ergodebooks, Houston, TX, Etats-Unis
Livre
Softcover. Etat : Good. An overview of the art historical antecedents to virtual reality and the impact of virtual reality on contemporary conceptions of art.Although many people view virtual reality as a totally new phenomenon, it has its foundations in an unrecognized history of immersive images. Indeed, the search for illusionary visual space can be traced back to antiquity. In this book, Oliver Grau shows how virtual art fits into the art history of illusion and immersion. He describes the metamorphosis of the concepts of art and the image and relates those concepts to interactive art, interface design, agents, telepresence, and image evolution. Grau retells art history as media history, helping us to understand the phenomenon of virtual reality beyond the hype.Grau shows how each epoch used the technical means available to produce maximum illusion. He discusses frescoes such as those in the Villa dei Misteri in Pompeii and the gardens of the Villa Livia near Primaporta, Renaissance and Baroque illusion spaces, and panoramas, which were the most developed form of illusion achieved through traditional methods of painting and the mass image medium before film. Through a detailed analysis of perhaps the most important German panorama, Anton von Werner's 1883 The Battle of Sedan, Grau shows how immersion produced emotional responses. He traces immersive cinema through Cinerama, Sensorama, Expanded Cinema, 3-D, Omnimax and IMAX, and the head mounted display with its military origins. He also examines those characteristics of virtual reality that distinguish it from earlier forms of illusionary art.His analysis draws on the work of contemporary artists and groups ART+COM, Maurice Benayoun, Charlotte Davies, Monika Fleischmann, Ken Goldberg, Agnes Hegedues, Eduardo Kac, Knowbotic Research, Laurent Mignonneau, Michael Naimark, Simon Penny, Daniela Plewe, Paul Sermon, Jeffrey Shaw, Karl Sims, Christa Sommerer, and Wolfgang Strauss. Grau offers not just a history of illusionary space but also a theoretical framework for analyzing its phenomenologies, functions, and strategies throughout history and into the future.
Edité par The MIT Press, 2004
ISBN 10 : 0262572230ISBN 13 : 9780262572231
Vendeur : HPB Inc., Dallas, TX, Etats-Unis
Livre
Paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Edité par The MIT Press, 2004
ISBN 10 : 0262572230ISBN 13 : 9780262572231
Vendeur : HPB-Movies, Dallas, TX, Etats-Unis
Livre
Paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Edité par The MIT Press, 2004
ISBN 10 : 0262572230ISBN 13 : 9780262572231
Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Livre
paperback. Etat : Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.
Edité par The MIT Press, 2004
ISBN 10 : 0262572230ISBN 13 : 9780262572231
Vendeur : Textbooks_Source, Columbia, MO, Etats-Unis
Livre
Paperback. Etat : Good. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. Ships same or next business day. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).
Edité par MIT Press, 2004
ISBN 10 : 0262572230ISBN 13 : 9780262572231
Vendeur : TextbookRush, Grandview Heights, OH, Etats-Unis
Livre
Etat : Good. Ships SAME or NEXT business day. We Ship to APO/FPO addr. Choose EXPEDITED shipping and receive in 2-5 business days within the United States. See our member profile for customer support contact info. We have an easy return policy.
Edité par The MIT Press, 2004
ISBN 10 : 0262572230ISBN 13 : 9780262572231
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Livre
Etat : good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.
Edité par MIT Press, 2004
ISBN 10 : 0262572230ISBN 13 : 9780262572231
Vendeur : Books of the Smoky Mountains, Del Rio, TN, Etats-Unis
Livre
Etat : very good. Gently used book with ongoing seller support until you're fully satisfied with your purchase.
Edité par The MIT Press, 2004
ISBN 10 : 0262572230ISBN 13 : 9780262572231
Vendeur : GoldBooks, Denver, CO, Etats-Unis
Livre
Paperback. Etat : very good. Very Good Copy. Customer Service Guaranteed.
Edité par The MIT Press, 2004
ISBN 10 : 0262572230ISBN 13 : 9780262572231
Vendeur : LibraryMercantile, Humble, TX, Etats-Unis
Livre
Etat : new.
Edité par The MIT Press, 2004
ISBN 10 : 0262572230ISBN 13 : 9780262572231
Vendeur : GoldenWavesOfBooks, Fayetteville, TX, Etats-Unis
Livre
Paperback. Etat : new. New. Fast Shipping and good customer service.
Edité par The MIT Press, 2004
ISBN 10 : 0262572230ISBN 13 : 9780262572231
Vendeur : GoldBooks, Denver, CO, Etats-Unis
Livre
Paperback. Etat : new. New Copy. Customer Service Guaranteed.
Edité par The MIT Press, 2004
ISBN 10 : 0262572230ISBN 13 : 9780262572231
Vendeur : Wizard Books, Long Beach, CA, Etats-Unis
Livre
Paperback. Etat : new. New.
Edité par The MIT Press, 2004
ISBN 10 : 0262572230ISBN 13 : 9780262572231
Vendeur : Big Bill's Books, Wimberley, TX, Etats-Unis
Livre
Paperback. Etat : new. Brand New Copy.
Edité par The MIT Press, 2004
ISBN 10 : 0262572230ISBN 13 : 9780262572231
Vendeur : GoldenDragon, Houston, TX, Etats-Unis
Livre
Paperback. Etat : new. Buy for Great customer experience.
Edité par MIT Press, 2004
ISBN 10 : 0262572230ISBN 13 : 9780262572231
Vendeur : Front Cover Books, Denver, CO, Etats-Unis
Livre
Etat : new.
Edité par The MIT Press, 2004
ISBN 10 : 0262572230ISBN 13 : 9780262572231
Vendeur : Grumpys Fine Books, Tijeras, NM, Etats-Unis
Livre
Paperback. Etat : new. Prompt service guaranteed.
Edité par The MIT Press, 2004
ISBN 10 : 0262572230ISBN 13 : 9780262572231
Vendeur : GreatBookPricesUK, Castle Donington, DERBY, Royaume-Uni
Livre
Etat : good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.
Edité par MIT Press, 2004
ISBN 10 : 0262572230ISBN 13 : 9780262572231
Vendeur : Ergodebooks, Houston, TX, Etats-Unis
Livre
Softcover. Etat : New. An overview of the art historical antecedents to virtual reality and the impact of virtual reality on contemporary conceptions of art.Although many people view virtual reality as a totally new phenomenon, it has its foundations in an unrecognized history of immersive images. Indeed, the search for illusionary visual space can be traced back to antiquity. In this book, Oliver Grau shows how virtual art fits into the art history of illusion and immersion. He describes the metamorphosis of the concepts of art and the image and relates those concepts to interactive art, interface design, agents, telepresence, and image evolution. Grau retells art history as media history, helping us to understand the phenomenon of virtual reality beyond the hype.Grau shows how each epoch used the technical means available to produce maximum illusion. He discusses frescoes such as those in the Villa dei Misteri in Pompeii and the gardens of the Villa Livia near Primaporta, Renaissance and Baroque illusion spaces, and panoramas, which were the most developed form of illusion achieved through traditional methods of painting and the mass image medium before film. Through a detailed analysis of perhaps the most important German panorama, Anton von Werner's 1883 The Battle of Sedan, Grau shows how immersion produced emotional responses. He traces immersive cinema through Cinerama, Sensorama, Expanded Cinema, 3-D, Omnimax and IMAX, and the head mounted display with its military origins. He also examines those characteristics of virtual reality that distinguish it from earlier forms of illusionary art.His analysis draws on the work of contemporary artists and groups ART+COM, Maurice Benayoun, Charlotte Davies, Monika Fleischmann, Ken Goldberg, Agnes Hegedues, Eduardo Kac, Knowbotic Research, Laurent Mignonneau, Michael Naimark, Simon Penny, Daniela Plewe, Paul Sermon, Jeffrey Shaw, Karl Sims, Christa Sommerer, and Wolfgang Strauss. Grau offers not just a history of illusionary space but also a theoretical framework for analyzing its phenomenologies, functions, and strategies throughout history and into the future.
Edité par The MIT Press, 2004
ISBN 10 : 0262572230ISBN 13 : 9780262572231
Vendeur : Pieuler Store, Suffolk, Royaume-Uni
Livre
Etat : good. 100% Customer Satisfaction Guaranteed ! The book shows some signs of wear from use but is a good readable copy. Cover in excellent condition. Binding tight. Pages in great shape, no tears. Not contain access codes, cd, DVD.
Edité par The MIT Press, 2004
ISBN 10 : 0262572230ISBN 13 : 9780262572231
Vendeur : Basi6 International, Irving, TX, Etats-Unis
Livre
Etat : Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.
Edité par Mit Pr, 2004
ISBN 10 : 0262572230ISBN 13 : 9780262572231
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Livre
Paperback. Etat : Brand New. 416 pages. 9.00x7.00x1.00 inches. In Stock.
Edité par The MIT Press, 2004
ISBN 10 : 0262572230ISBN 13 : 9780262572231
Vendeur : Pieuler Store, Suffolk, Royaume-Uni
Livre
Etat : new. Book is in NEW condition. Satisfaction Guaranteed! Fast Customer Service!!.
Edité par MIT Press Ltd Sep 2004, 2004
ISBN 10 : 0262572230ISBN 13 : 9780262572231
Vendeur : Wegmann1855, Zwiesel, Allemagne
Livre
Taschenbuch. Etat : Neu. Neuware -An overview of the art historical antecedents to virtual reality and the impact of virtual reality on contemporary conceptions of art.