Edité par Princeton University Press, 2005
ISBN 10 : 069112387X ISBN 13 : 9780691123875
Langue: anglais
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Edité par Princeton University Press, 2005
ISBN 10 : 069112387X ISBN 13 : 9780691123875
Langue: anglais
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Edité par Princeton University Press, 2005
ISBN 10 : 069112387X ISBN 13 : 9780691123875
Langue: anglais
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Edité par Princeton University Press, 2005
ISBN 10 : 069112387X ISBN 13 : 9780691123875
Langue: anglais
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Edité par Princeton University Press, 2005
ISBN 10 : 069112387X ISBN 13 : 9780691123875
Langue: anglais
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Edité par Princeton University Press 8/28/2005, 2005
ISBN 10 : 069112387X ISBN 13 : 9780691123875
Langue: anglais
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Paperback or Softback. Etat : New. Jane Austen, or the Secret of Style 0.38. Book.
Edité par Princeton University Press, 2005
ISBN 10 : 069112387X ISBN 13 : 9780691123875
Langue: anglais
Vendeur : Ergodebooks, Houston, TX, Etats-Unis
Softcover. Etat : New. What is the world-historical importance of Jane Austen? An old maid writes with the detachment of a god. Here, the stigmatized condition of a spinster; there, a writer's unequalled display of absolute, impersonal authority. In between, the secret work of Austen's style: to keep at bay the social doom that would follow if she ever wrote as the person she is.For no Jane Austen could ever appear in Jane Austen. Amid happy wives and pathetic old maids, we see no successfully unmarried woman, and, despite the multitude of girls seeking to acquire "accomplishments," no artist either. What does appear is a ghostly No One, a narrative voice unmarked by age, gender, marital status, all the particulars that make a person--and might make a person peculiar. The Austen heroine must suppress her wit to become the one and not the other, to become, that is, a person fit to be tied in a conjugal knot. But for herself, Austen refuses personhood, with all its constraints and needs, and disappears into the sourceless anonymity of her style. Though often treasured for its universality, that style marks the specific impasse of a writer whose self-representation is impossible without the prospect of shame.D.A. Miller argues this case not only through the close reading that Austen's style always demands, but also through the close writing, the slavish imitation, that it sometimes inspires.
Edité par Princeton University Press, New Jersey, 2005
ISBN 10 : 069112387X ISBN 13 : 9780691123875
Langue: anglais
Vendeur : Grand Eagle Retail, Wilmington, DE, Etats-Unis
Paperback. Etat : new. Paperback. What is the world-historical importance of Jane Austen? An old maid writes with the detachment of a god. Here, the stigmatized condition of a spinster; there, a writer's unequalled display of absolute, impersonal authority. In between, the secret work of Austen's style: to keep at bay the social doom that would follow if she ever wrote as the person she is. For no Jane Austen could ever appear in Jane Austen. Amid happy wives and pathetic old maids, we see no successfully unmarried woman, and, despite the multitude of girls seeking to acquire "accomplishments," no artist either. What does appear is a ghostly No One, a narrative voice unmarked by age, gender, marital status, all the particulars that make a person--and might make a person peculiar. The Austen heroine must suppress her wit to become the one and not the other, to become, that is, a person fit to be tied in a conjugal knot. But for herself, Austen refuses personhood, with all its constraints and needs, and disappears into the sourceless anonymity of her style.Though often treasured for its universality, that style marks the specific impasse of a writer whose self-representation is impossible without the prospect of shame.D.A. Miller argues this case not only through the close reading that Austen's style always demands, but also through the close writing, the slavish imitation, that it sometimes inspires. The Austen heroine must suppress her wit to become the one and not the other, to become, that is, a person fit to be tied in a conjugal knot. But for herself, Austen refuses personhood, with all its constraints and needs, and disappears into the sourceless anonymity of her style. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Edité par Princeton University Press, 2005
ISBN 10 : 069112387X ISBN 13 : 9780691123875
Langue: anglais
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Edité par Princeton University Press, 2005
ISBN 10 : 069112387X ISBN 13 : 9780691123875
Langue: anglais
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Edité par Princeton University Press, 2005
ISBN 10 : 069112387X ISBN 13 : 9780691123875
Langue: anglais
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Ajouter au panierPaperback. Etat : Brand New. 108 pages. 8.00x5.25x0.25 inches. In Stock.
Edité par Princeton University Press, 2005
ISBN 10 : 069112387X ISBN 13 : 9780691123875
Langue: anglais
Vendeur : Russell Books, Victoria, BC, Canada
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Edité par Princeton University Press, 2005
ISBN 10 : 069112387X ISBN 13 : 9780691123875
Langue: anglais
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Ajouter au panierTaschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - What is the world-historical importance of Jane Austen An old maid writes with the detachment of a god. Here, the stigmatized condition of a spinster; there, a writer's unequalled display of absolute, impersonal authority. In between, the secret work of Austen's style: to keep at bay the social doom that would follow if she ever wrote as the person she is.For no Jane Austen could ever appear in Jane Austen. Amid happy wives and pathetic old maids, we see no successfully unmarried woman, and, despite the multitude of girls seeking to acquire 'accomplishments,' no artist either. What does appear is a ghostly No One, a narrative voice unmarked by age, gender, marital status, all the particulars that make a person--and might make a person peculiar. The Austen heroine must suppress her wit to become the one and not the other, to become, that is, a person fit to be tied in a conjugal knot. But for herself, Austen refuses personhood, with all its constraints and needs, and disappears into the sourceless anonymity of her style. Though often treasured for its universality, that style marks the specific impasse of a writer whose self-representation is impossible without the prospect of shame.D.A. Miller argues this case not only through the close reading that Austen's style always demands, but also through the close writing, the slavish imitation, that it sometimes inspires.
Edité par Princeton University Press, 2005
ISBN 10 : 069112387X ISBN 13 : 9780691123875
Langue: anglais
Vendeur : moluna, Greven, Allemagne
EUR 31,21
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Ajouter au panierEtat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. The Austen heroine must suppress her wit to become the one and not the other, to become, that is, a person fit to be tied in a conjugal knot. But for herself, Austen refuses personhood, with all its constraints and needs, and disappears into the sourceless .
Edité par Princeton University Press, 2005
ISBN 10 : 069112387X ISBN 13 : 9780691123875
Langue: anglais
Vendeur : BennettBooksLtd, North Las Vegas, NV, Etats-Unis
Etat : New. New. In shrink wrap. Looks like an interesting title! 0.4.
Edité par Princeton University Press, New Jersey, 2005
ISBN 10 : 069112387X ISBN 13 : 9780691123875
Langue: anglais
Vendeur : AussieBookSeller, Truganina, VIC, Australie
EUR 53,25
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Ajouter au panierPaperback. Etat : new. Paperback. What is the world-historical importance of Jane Austen? An old maid writes with the detachment of a god. Here, the stigmatized condition of a spinster; there, a writer's unequalled display of absolute, impersonal authority. In between, the secret work of Austen's style: to keep at bay the social doom that would follow if she ever wrote as the person she is. For no Jane Austen could ever appear in Jane Austen. Amid happy wives and pathetic old maids, we see no successfully unmarried woman, and, despite the multitude of girls seeking to acquire "accomplishments," no artist either. What does appear is a ghostly No One, a narrative voice unmarked by age, gender, marital status, all the particulars that make a person--and might make a person peculiar. The Austen heroine must suppress her wit to become the one and not the other, to become, that is, a person fit to be tied in a conjugal knot. But for herself, Austen refuses personhood, with all its constraints and needs, and disappears into the sourceless anonymity of her style.Though often treasured for its universality, that style marks the specific impasse of a writer whose self-representation is impossible without the prospect of shame.D.A. Miller argues this case not only through the close reading that Austen's style always demands, but also through the close writing, the slavish imitation, that it sometimes inspires. The Austen heroine must suppress her wit to become the one and not the other, to become, that is, a person fit to be tied in a conjugal knot. But for herself, Austen refuses personhood, with all its constraints and needs, and disappears into the sourceless anonymity of her style. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.