Type d'article
Etat
Reliure
Particularités
Pays
Evaluation du vendeur
Edité par Black Dog & Leventhal Publishers, 2001
ISBN 10 : 1579121578ISBN 13 : 9781579121570
Vendeur : ThriftBooks-Atlanta, AUSTELL, GA, Etats-Unis
Livre
Hardcover. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 5.5.
Plus de choix d'achat de la part d'autres vendeurs sur AbeBooks
Offres neuf à partir de EUR 55,83
Offres d'occasion à partir de EUR 9,15
Trouvez également Couverture rigide
Edité par NYU Press, 2016
ISBN 10 : 1479843628ISBN 13 : 9781479843626
Vendeur : HPB-Emerald, Dallas, TX, Etats-Unis
Livre
paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!.
Plus de choix d'achat de la part d'autres vendeurs sur AbeBooks
Offres neuf à partir de EUR 9,86
Offres d'occasion à partir de EUR 6,97
Trouvez également Couverture souple
Edité par Black Dog & Leventhal, 2001
Vendeur : Books From California, Simi Valley, CA, Etats-Unis
Hardcover. Etat : Good.
Edité par Columbia University Press, 2019
ISBN 10 : 0231193319ISBN 13 : 9780231193313
Vendeur : Books-FYI, Inc., Cadiz, KY, Etats-Unis
Livre
Etat : Good.
Plus de choix d'achat de la part d'autres vendeurs sur AbeBooks
Offres neuf à partir de EUR 28,80
Offres d'occasion à partir de EUR 9,11
Trouvez également Couverture souple
Edité par Dover Pubns, 2002
ISBN 10 : 0486420523ISBN 13 : 9780486420523
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Livre
Paperback. Etat : Brand New. Cal Massey (illustrateur). 48 pages. 11.00x8.25x0.25 inches. In Stock.
Edité par University of Michigan Press, 2021
ISBN 10 : 0472038559ISBN 13 : 9780472038558
Vendeur : Zubal-Books, Since 1961, Cleveland, OH, Etats-Unis
Livre
Etat : New. 258 pp., Paperback, new. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.
Plus de choix d'achat de la part d'autres vendeurs sur AbeBooks
Offres neuf à partir de EUR 16,26
Offres d'occasion à partir de EUR 16,87
Trouvez également Couverture souple
Edité par Office of Multicultural Affairs, Mt. St Mary's College and Seminary N.D.
Vendeur : Zane W. Gray, BOOKSELLERS, Fairfield, PA, Etats-Unis
Edition originale
Spiral-bound. Etat : As New. Etat de la jaquette : No Dust Jacket. First Edition; First Printing. New interior, light wear on cover. Unpaginated. Baptisms, Marriages, Confirmations, Burials.
Edité par G K Hall & Co., Boston, Massachusetts, 1993
ISBN 10 : 0816106134ISBN 13 : 9780816106134
Vendeur : The Dawn Treader Book Shop, Ann Arbor, MI, Etats-Unis
Livre Edition originale
Blue Cloth. Etat : Near Fine. No Jacket. 1st Edition. Blue cloth with gold lettering on spine and front board. Minuscule bump at fore-edge, otherwise in Near Fine condition, corners sharp, spine tight, and text pristine.
Edité par Pennsylvania Historical &, 2001
ISBN 10 : 089271087XISBN 13 : 9780892710874
Vendeur : My Dead Aunt's Books, Hyattsville, MD, Etats-Unis
Livre
Paperback. Etat : VERY GOOD. Commonwealth of Pennsylvania 2000; 598 clean, unmarked, tight pages; lightly penciled price on upper half title page; light smudge at lower corner of textblock; very light shelf and corner wear on cover with a small crease at upper back corner; spine is rippled, probably from the glue underneath, but is not creased.
Edité par LIT Verlag, 2018
ISBN 10 : 3643909721ISBN 13 : 9783643909725
Vendeur : Brook Bookstore, Milano, MI, Italie
Livre
Etat : new.
Plus de choix d'achat de la part d'autres vendeurs sur AbeBooks
Offres neuf à partir de EUR 38,49
Edité par Black Dog & Leventhal Publishers Inc
Vendeur : WeBuyBooks, Rossendale, LANCS, Royaume-Uni
Etat : Good. Most items will be dispatched the same or the next working day.
Edité par Black Dog & Leventhal., New York., 2001
Vendeur : BookMine, Fair Oaks, CA, Etats-Unis
Edition originale
Hardcover. First edition. Important reference work. Very scarce in this condition. Fine copy in fine dust jacket (in mylar). 805 pps.
Edité par Columbia University Press, 2019
ISBN 10 : 0231193300ISBN 13 : 9780231193306
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Livre
Etat : New.
Plus de choix d'achat de la part d'autres vendeurs sur AbeBooks
Offres neuf à partir de EUR 81,88
Offres d'occasion à partir de EUR 91,02
Trouvez également Couverture rigide
Edité par NYU Press, 2016
ISBN 10 : 1479885738ISBN 13 : 9781479885732
Vendeur : booksXpress, Bayonne, NJ, Etats-Unis
Livre
Hardcover. Etat : new.
Plus de choix d'achat de la part d'autres vendeurs sur AbeBooks
Offres neuf à partir de EUR 94,78
Offres d'occasion à partir de EUR 114,40
Trouvez également Couverture rigide
Edité par Greenwood, 1985
ISBN 10 : 0313249687ISBN 13 : 9780313249686
Vendeur : Lucky's Textbooks, Dallas, TX, Etats-Unis
Livre
Etat : New.
Plus de choix d'achat de la part d'autres vendeurs sur AbeBooks
Offres neuf à partir de EUR 94,81
Offres d'occasion à partir de EUR 127,56
Trouvez également Couverture rigide
Vendeur : Max Rambod Inc, Woodland Hills, CA, Etats-Unis
Edition originale
Archive of 2 Negro Spirituals, arranged for voice and piano by William Arms Fisher. Boston: Oliver Ditson Company 1925. First edition. 8 pages total, 9" x 12.5." Archive consists of 2 sheet music booklets, one for the song "Swing Low, Sweet Chariot" and the other "Everytime I Feel the Spirit." Fisher, a white composer and music historian, felt compelled to bring African American spiritual music to broader audiences after his teacher Antonín DvoÅ ák declared the genre integral to "any serious and original school of composition." Black spirituals typically carry themes of hope and religion; they were sung by enslaved people and sometimes contained hidden messages regarding safehouses and routes on the Underground Railroad. Consistent age-related toning throughout. "Swing Low" bears small stain on front wrapper and minor tear at bottom edge, not affecting text. Both are review copies, with "For the Press" stamped at bottom of front wrap. Very good condition.
Vendeur : Max Rambod Inc, Woodland Hills, CA, Etats-Unis
African American photo archive of vernacular portraits of girls graduating circa 1930s-40s. The archive consist of 9 black and white silver gelatin prints. Photos size range from 2.25" x 2" to 4.5" x 2.75" inches. This archive records educational attainment by Black girls at a time when they were still highly disadvantaged. All photos depict the graduating girls in cap and gown and some holding their diplomas. One photo shows approximately 12 girls in a graduating class. A couple photos have sepia toning. Two photos have photographers stamps on verso locating them in Denison, Texas and El Dorado, Arkansas, and one image has a woman in front of a California license plate in a city which resembles San Francisco. It is possible that the archive came from a teacher who taught these students. One photo has a note written on verso in blue ink. In very good condition overall.
Vendeur : Max Rambod Inc, Woodland Hills, CA, Etats-Unis
Archive of an African American family in Dallas in the 1920s, small archive of 5 items with four photos and a 1925 graduation program for Booker T. Washington high school, which was for many years the first and only high school for Black students in Dallas. Four black and white sepia toned photographs, two with handwritten captions, measuring between 2.5" x 3" and 3" x 4.5". These photos have been removed from album pages. Depicted are a couple, a young man (captioned "my sweetheart"), a girl sitting outside a house, and a group of friends perched atop a stone wall (captioned "a happy moment of my life"). These photos are undated, but are connected to the 1925 graduation program and depict several high school aged kids, so they were like ly taken around the same time. Alongside the commencement program, there is a separate booklet with a class roll for Washington High School's 1925 class, which, despite being the only high school for Black kids in Dallas, has a rather small graduating class of 39, of which only 13 were boys. The class motto for the school was "Solidarity" and its class flowers were a white carnation and a fern. The commencement speech was given by J.F. Williams, president of Paul Quinn College of Waco, Texas, a historically black Methodist college. This archive is an interesting piece of regional history. Photos were removed from album pages, with glue on versos, overall In good condition overall.
Vendeur : Max Rambod Inc, Woodland Hills, CA, Etats-Unis
[African American-Film] Adapted from the Pulitzer Prize winning novel A Soldier's Play, by African American playwright, Charles Fuller. A Soldier's Story follows the lives of WWII African American soldiers and an African American officer in the midst of Jim Crow South. Columbia Pictures. 1984. Archive of 12 silver gelatin press release photographs. The cast is led by Howard E. Rollins Jr., Denzel Washington, and Adolph Caesar, whose performance was nominated for a Best Supporting Actor Oscar. The plot follows the investigation of a murdered Black soldier in a remote Louisiana military base led by officer Davenport, played by Rollins. The plot unfolds as Davenport is met with criticism and doubt from his white counterparts as this film deals with themes of racism, segregation, racial pride, and racial shame. A Soldier's Story was nominated for three Academy Awards including Best Picture, and, among other honors, it won the New York Drama Critics Award and the NAACP Image Award for Outstanding Motion Picture, in addition to being one of 1984's Ten Best Films of the Year, chosen by the National Board of Review. Many of the 12 photo stills show African Americans in military uniforms, some being interrogated by both Black and white officers. A few show the lightness of the film with characters singing together as many of them were once part of the Negro Baseball League. This emotive and compelling archive showcases the true to life racial tensions of an era fueled by political strife. Some minor edge wear to corners. Overall very good condition.
Vendeur : Max Rambod Inc, Woodland Hills, CA, Etats-Unis
[African American] [Photography] Archive of 10 silver gelatin photographs and real photo post cards of Southern African American ranch hands. Photos measure 2.75" x 4.5" - 3.5" x 5.5". The photographs are an interesting record of the nature of postbellum Southern Black life. Despite slavery's abolition a generation before, the lack of capital and opportunity left many rural African Americans still bonded to farm life through exploitative sharecropping and tenant farming. One real photo post card shows a mixed racial group of white and Black farmers using steel plows pulled by horses down a dirt road. Another shows two Black workers operating a molasses mill in Dixie, both smiling widely, wearing brimmed fedoras popularized in the 1920s. Some of the smaller images show groups of African American men gathered in hot fields in jeans, white collared shirts and hats working the plows, one on a wagon pulled by oxen with what appears to be a European or mixed heritage child in the back. A few images seem to be from a travelers photo diary. One image shows a large rural farm property with a Black woman and four young Black children standing in front of a sign that says "For Sale", the inscription on the back reads "Negroes making baskets - N. Carolina". Another photograph shows Three African Americans smiling at the camera in a wooden wagon being pulled by two mules, the inscription en verso reads "Louisiana Negroes". These impactful photographs display the raw realism behind the lives of African American farmers and working class families in the rural parts of the U.S. Overall very good condition.
Edité par Steidl/ICP, 2006
ISBN 10 : 3865212255ISBN 13 : 9783865212252
Vendeur : BooksElleven, Three Oaks, MI, Etats-Unis
Livre
Hardcover. Etat : Very Good. Cover has a faint bump to front edge, being otherwise nice. Interior text and images are clean in every way throughout. Binding excellent. Scarce photobook.
Vendeur : Max Rambod Inc, Woodland Hills, CA, Etats-Unis
[African American-Film] Adapted from the Pulitzer Prize winning novel A Soldier's Play, by African American playwright, Charles Fuller. A Soldier's Story follows the lives of W.W.II African American soldiers and an African American officer in the midst of Jim Crow South. Columbia Pictures. 1984. Archive of 12 silver gelatin press release photographs. The cast is led by Howard E. Rollins Jr., Denzel Washington, and Adolph Caesar, whose performance was nominated for a Best Supporting Actor Oscar. The plot follows the investigation of a murdered Black soldier in a remote Louisiana military base led by officer Davenport, played by Rollins. The plot unfolds as Davenport is met with criticism and doubt from his white counterparts as this film deals with themes of racism, segregation, racial pride, and racial shame. A Soldier's Story was nominated for three Academy Awards including Best Picture, and, among other honors, it won the New York Drama Critics Award and the NAACP Image Award for Outstanding Motion Picture, in addition to being one of 1984's Ten Best Films of the Year, chosen by the National Board of Review. Many of the 12 photograph stills show African Americans in military uniforms, some being interrogated by both Black and white officers. A few show the lightness of the film with characters singing together as many of them were once part of the Negro Baseball League. This emotive and compelling archive showcases the true to life racial tensions of an era fueled by political strife. Some minor edge wear to corners. Overall very good condition.
Vendeur : Max Rambod Inc, Woodland Hills, CA, Etats-Unis
Photo archive of African American family c. 1940s. 21 silver gelatin photos ranging from 3.5 x 5 to 4.5 x 3 inches. 16 photo negatives, some are copies of the prints. Photos show family members posing individually and in groups, many in front of the same large white clapboard house with broad front porch, a garden to its side. In one photo two women in Sunday dresses and hats, one older, one younger, stand with linked arms, the younger woman's eyes hidden behind sunglasses, the older squinting into the sun with a rolled newspaper in one hand. Two images show the same woman in white 1940s bathing suit with sleeves and bloomers standing with her feet in the ocean, a small boy playing nearby. In one image he points at the horizon, in the next he crawls through the water. Group photo shows 12 subjects, young men and women in suits and dresses, the men with ties and hats, one posing with a cigar hanging from his mouth, smiling into the camera, their faces bright and relaxed. Subjects ages range from early childhood through old age. Black joy is a phrase used by historians to highlight the positive aspects of Black history separate from its suffering. Representations of African Americans living lives at once ordinary and inspired, both deeply personal and universal, is an integral piece of any American history archive. "expressions and acts of black joy are often encouraged as a way for Black people to fully be themselves and form a sense of community as a response to systems that devalue them and stifle their self-expression. In this way, engaging in and sharing experiences of black joy are seen not as ways of ignoring oppression but as acts of resistance against it." (dictionary) An important piece of any black history collection.
Vendeur : Max Rambod Inc, Woodland Hills, CA, Etats-Unis
[African American] [Film] Archive of 8 item on famous Black Golden Age of Hollywood entertainer, Pearl Bailey. Collection includes 6 silver gelatin press release photographs, 1 vintage color press photograph, and a playbill from Hello, Dolly! 1969-1990. Photos measure mostly 7" x 9", and playbill measures 6" x 9". Bailey began her career singing and performing through the 1940s for veterans and small jazz clubs alongside Cab Calloway and Duke Ellington. She began starring in Broadway musicals only a few years later before starring in the hit Hello, Dolly! The star studded play transcended the racial barriers of the era, as multiracial crowds swarmed to see Bailey and Calloway's Broadway performance in action. Even so it had a remarkable all-Black cast of whom released their own album--a rarity for a revival. It was met with rave reviews and earned her a Special Tony Award in 1968. She spent many years acting and performing, one photograph shows her in a still from Porgy and Bess alongside co-star Sammy Davis Jr. In her later years, Bailey wrote several books with her last book detailing her experience in higher education. In 1975 she was appointed special ambassador to the United Nations by President Gerald Ford. She enrolled in Georgetown University and at age 67 graduated with a bachelor's degree in theology in which we see two photographs, one in black and white, the other in color, of Bailey at the graduation podium relaying a speech in her graduation robe and cap. Another photo shows Bailey as a senior advisor teaching young children at the UNICEF headquarters. In 1988 Bailey received the Presidential Medal of Freedom from President Ronald Reagan. One 1970 photograph shows Bailey hosting her own television series The Pearl Bailey Show, in which she hosted guest star Louis Armstrong, the article attached announces her death in 1990. A widespread press chronicling of Pearl Bailey's life through photographs and articles. Photographs are clear and crisp, overall very good condition.
Edité par Various studios, Various cities, 2000
Vendeur : Royal Books, Inc., ABAA, Baltimore, MD, Etats-Unis
Manuscrit / Papier ancien
An archive of 7 lobby cards, 10 pressbooks, and 2 press kits from 15 contemporary films with prominent African American themes, characters, or cast members, with the bulk of the material dating from the late 1970s. This archive includes lobby cards, press kits, and pressbooks from 15 films, including "The Greatest," "The River Niger," "Mahogany," "Stir Crazy," and more, with iconic African American stars Billy Dee Williams, James Earl Jones, Richard Pryor, Bill Cosby, and Michael Jackson. Pressbooks saddle stapled, ranging from 8.5 x 14 inches to 12.5 x 15 inches. Press kits 9 x 12 inches. Lobby cards 14 x 11 inches. Very Good plus to about Fine condition.
Vendeur : Max Rambod Inc, Woodland Hills, CA, Etats-Unis
[African American] Marian Anderson Photo Archive of 4 Original Vintage Photographs. United Press International, 1959. Photographs range from 8" x 5.5" and 10" x 8". This archive includes three black and white silver gelatin photographs, all featuring a portrait of Anderson. Marian Anderson was a prolific singer and civil rights activist, notably performing a critically acclaimed open-air concert on the Lincoln memorial steps. In January 1955, she became "the first African American singer to perform at the Metropolitan Opera. Winning numerous awards for her fierce activism for human/civil rights, one smaller press photograph captures Anderson receiving an award for such in 1959. In this photograph, she holds a framed document with her name in bold lettering, amidst the Chairman of the Selections Committee for the Gimbel National Award and Dr. Emily Hartshorne. Two photographs are portraits of Anderson, both where subtly she avoids eye contact with the camera. Wearing decorated blouses, she smiles off into a distance in one photograph, and holds a flower in another. Anderson continued to break barriers for Black artists throughout the United States up until her death in 1993. One photograph is captioned at the bottom blank margin "Marian Anderson Contralto Victor Red Seal Recording Artist". The press photograph bears original press caption on verso, and publisher stamp. An important cultural archive, in very good condition.
Vendeur : Max Rambod Inc, Woodland Hills, CA, Etats-Unis
[African American] [Photography] Archive of 6 black and white or sepia stereoviews of Southern plantation workers tending the fields. Photographer's mark on the right of each. Size 3.5" x 7", each set on cardstock mounts. Many are captioned on the cardboard frame with statements such as "Rice Raft with Plantation Hands, Near George-town, South Carolina.", "Harvesting Pineapples in Southern Florida," and "Cutting the Cane on a Sugar Plantation, near New Orleans, La." Four of the six photographs have a descriptive history and purpose of the crop in the photo en verso. The stereoview photographs are an interesting record of the nature of postbellum Southern Black life. Despite slavery's abolition a generation before, many rural African Americans were still bonded to the cotton crop through exploitative sharecropping and tenant farming. One harrowing image shows a posed group of African American workers all seemingly to be young women and children standing atop a flat boat filled with freshly picked rice straw. The people in the photograph look to be exhausted and overworked with many frowning and placing their hands on their hips. Two stereoviews contain the same imagery with white workers in the foreground harvesting pineapples in wicker baskets while four workers of African American descent harbor heavy baskets to the loading wagon. A gripping vernacular shows an up close image of two Black men in sun hats interacting with each other amidst a seemingly endless pineapple field in Florida. These impactful photographs display the raw realism behind the lives of African American Plantation workers entrapped in systematic oppression with many freed men having no capital or other skill sets post abolition of slavery. Overall very good condition.
Vendeur : Max Rambod Inc, Woodland Hills, CA, Etats-Unis
[African American] [Education] Photo archive of African American schoolgirls in the 1950s. 15 silver gelatin print photos. Photos range in size from 3" x 3" to 4.25" x 3", all are black and white silver gelatin prints printed on Kodak Velox paper. These vernacular photos document jovial times at the end of the school year for a group of African American girls. It is around the beginning of June and the students are congregating outside of the school auditorium, hugging and rejoicing before summer break sets in. This school seemed to be predominately Black but there also seem to be some white students photographed. The fashion of the students pictured suggests this was taken in the mid to late 1950s and the Kodak Velox paper was very popular at that time. Some of the students are wearing semi-formal clothing. There are also three group photos taken elsewhere which appear to depict a school field trip for younger African American students, two of which have a photographers timestamp stating "Mar 1956." Location unclear. In very good condition overall.
Vendeur : Max Rambod Inc, Woodland Hills, CA, Etats-Unis
[African American] [Film] A milestone film in 1970 about racial conflict. Halls of Anger. Archive of 8 original vintage Lobby Cards. United Artists, 1970. All measure 11" x 14" and are in black and white with a red background. Halls of Anger was developped in 1969 and released in 1970, a drama film where an all-black inner city school has to become an integrated school. After a few dozen white kids are transferred there, the black students are aggressively opposed. The school then approaches a tough black teacher for help. Filmed at Virgil Middle School in Los Angeles, Halls of Anger is unique in its approach by being purposefully aggressive, using deliberately controversial language and some forceful violence to highlight the very real and dangerous potential of unresolved racial conflict. The film stars a young Calvin Lockhart, who is featured in several of the Lobby Card images, along with co-stars Janet MacLachlan and a young Jeff Bridges. Key scenes of both racial fights and tender moments are featured. In the lower right-hand corner of each card is a small graphic of three girls, one white student and a young black student arguing. On the left hand-corner is an image of Lockhart. Title of the film, production credits, and a United Artists logo are featured in the lower margins. Minor wear around edges overall, Lobby Cards are bright, feature powerful images from the film, and are in very good condition.
Vendeur : Max Rambod Inc, Woodland Hills, CA, Etats-Unis
Archive of 33 vernacular Polaroid's of African Americans alone or in small groups mainly doing ordinary activities during their daily lives. C. 1960s-90s. Measure 3.5" x 4.25" in. 16 of the photos have been mounted to cardboard. 17 have standard Polaroid backing. Photos feature recurring characters who become familiar through the archive. The man with broad shoulders and mustache who smiles brightly into the camera in one photo is seen sitting in a recliner in gray trench coat, face turned to read the newspaper on his lap in another. In one image he can be seen kneeling beside an older woman on a sofa, leaning in to pose with her. The toddler who sits on a piano bench, her small fingers across the keys, face turned with curious eyes to the camera sits posed with her brother and sister in another image marked in blue pen, Cushel, Samaria, Mooro 4/19/87." The photos cross generations and decades, building a strong sense of inner generational community life over time. Two older women pose in formal dresses at a banquet table, napkins folded elaborately before them. Some versos are captioned in pen. One image of a young man in sunglasses and deep v-neck sweater, chest exposed, standing in front of an open locker with army jacket beside him reads, "Took this right after I wrote the letter 'Cool huh'!" Subjects' expressions are dynamic and suggestive of rich narratives we can only guess at. A little girl in floral overalls and lime green T-shirt smiles happily where she stands between two swan planters filled with red flowers, her back resting against a tree. Black joy is a phrase used by historians to highlight the positive aspects of Black history separate from its suffering. "Expressions and acts of black joy are often encouraged as a way for Black people to fully be themselves and form a sense of community as a response to systems that devalue them and stifle their self-expression. In this way, engaging in and sharing experiences of Black joy are seen not as ways of ignoring oppression but as acts of resistance against it." (dictionary) Representations of African Americans living lives at once ordinary and inspired, both deeply personal and universal, is an integral part of any American history archive.